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Assigned: The Tragedy of Antony and Cleopatra (1395-1434).
1. In Act 1, Scenes 1-3, what view of Antony emerges, based on what others say about him and on his dialogue with Cleopatra? In particular, how do the first three scenes capture the duality of Antony as a Roman and a man imbued with "Eastern" sensibilities?
2. In Act 1, Scenes 1-3, and then in Scene 5, what complexities in Cleopatra's character emerge, based on her interaction with Antony and her confidantes? To what extent does she understand Roman honor and sensibilities? How does she describe her relationship with Antony, and what seems responsible for the deep bond between them?
3. In Act 1, Scene 4, how does Caesar (Octavius, subsequently called "Augustus Caesar") interpret Antony's carryings-on in the East? What complaints does he have about his illustrious fellow triumvir, and why does he suppose Antony will return to his duties in that capacity? In addition, what does Caesar reveal about his understanding of power?
4. In Act 2, Scene 2, when Caesar and Antony confront each other, what grievances and assumptions do they bring to the table? How does Agrippa help resolve the tension between them, at least for the present?
5. In Act 2, Scene 2, how does Enobarbus image forth Cleopatra? What does this description add to the things we have heard and seen about Egypt's Queen so far? On the whole, how does Enobarbus view the relationship between Antony and Cleopatra? What insights does he have about the reason for the great impact she makes on Antony?
6. In Act 2, Scene 3, Antony speaks to a soothsayer. What does the Soothsayer tell him, and what effect does the information have on him? How does this affect your understanding, if it does, with regard to Antony's character and his motives for dividing his time between the Roman theater of operations and Egypt?
7. In Act 2, Scene 5, how does Cleopatra further our understanding of her affinity with Antony and the Roman world of power and honor that he embodies? In what sense does Cleopatra chafe at the limitations imposed on her by her gender?
8. In Act 2, Scene 5, what political deal does Pompeius (the son of "Pompey the Great") make with Caesar and Antony? What does Enobarbus suggest about Pompeius' "deal" and about Antony's reasons for agreeing to marry Caesar's sister Octavia?
9. In Act 2, Scene 7, on the basis of the Triumvirs' celebrations when they seem to have arrived at an understanding, what becomes apparent about the qualities required to hold power in Rome? For example, what character deficiencies does Lepidus reveal? Why does the "honorable" Pompeius lose Menas' respect and loyalty at this point? How does Caesar respond to demands that he imbibe as heavily as Antony and the others?
10. In Act 3, Scenes 4-5, with hostilities brewing between Caesar and Antony, how does Antony treat Octavia when she offers to help? Why is Caesar outraged over Antony's latest actions in Egypt? How does he respond to his sister's arrival on an "embassy" from Antony? Is his characterization of Antony's treatment of her accurate or inaccurate? Discuss.
11. In Act 3, Scene 7, why does Antony decide to fight Caesar by sea instead of by land, where he seems to have the best chance? What role does Cleopatra expect to play in the coming battle, and why? What inferences do Enobarbus and Canidius draw about their great commander at this point? How does Antony's decision affect your own view of his stature as a Roman? Discuss.
12. In Act 3, Scenes 8-10, Caesar and Antony refine their respective strategies. What concerns shape Caesar's decisions? What concerns inform Antony's? What happens in the course of the battle, and how do Antony's closest associates respond to this disastrous outcome? What is Enobarbus' thinking at this point with respect to his loyalty for Antony?
13. In Act 3, Scene 11, how does Antony himself react to the fiasco that was Actium? How does his self-described role as a "world-historical" agent or actor make the situation especially intolerable to him? What are his feelings towards Cleopatra at this point? Why is he able to reconcile with her so quickly?
14. In Act 3, Scene 12, what intentions does Caesar manifest regarding how he will treat Antony and Cleopatra? Why does he think he will be successful in carrying out these intentions?
15. In Act 3, Scene 13, how does Antony try to recover his self-command and snatch victory from what seems to others his certain disaster? As Enobarbus watches this attempt at self-recovery unfold, what rapid evolution does his attitude towards Antony undergo? What impact do Antony's words and actions in this scene have on your understanding of him? Discuss.
16. In Act 4, Scenes 1-5, what is Antony's apparent frame of mind as the battle draws near? How does he react to the news that Enobarbus has deserted him?
17. In Act 4, Scene 6, Caesar declares that the "time of universal peace" is near, but in what sense do his speech and conduct in this scene reveal a less than savory side to this man who will usher in the "new world order"? What resolution does Enobarbus come to, and why?
18. In Act 4, Scenes 10-14, the Egyptian fleet again fails Antony, going over to the Romans. How does the Queen behave upon hearing of this final disaster? What goes wrong with Antony's attempt to die in the true Roman fashion?
19. In Act 4, Scene 15, what pattern again reasserts itself in Antony's reaction to a military failure that involves Cleopatra? Why does Antony believe his present wretchedness will not altogether eclipse his reputation as a great Roman? Does it seem to you that his assumptions are reasonable, or self-deluded? Discuss.
20. In Act 5, Scene 1, how does Caesar take the death of Antony? How does he deal with the fallen Cleopatra? While it's obvious that political expediency is never far from Caesar's mind, does this scene allow you to interpret his actions and words as due to something more than cunning and hypocrisy? Is the future "Augustus" a model Roman in his own way? If so, how?
21. In Act 5, Scene 2, in what sense does Cleopatra set about "refashioning" herself rhetorically as a hero partly in the Roman style? How does she refashion Antony as the noblest Roman and, perhaps, as something grander even than that?
22. In Act 5, Scene 2, why is Cleopatra particularly upset about the prospect that she will be put on display in Rome and that actors, as she says, will "boy my greatness" on the stage? In addition, how does her declared intent to rejoin Antony in death affect the play's tragic dimension? Does it enhance the sense of tragedy, or diminish it? Explain your reasoning on this point.
23. In Act 5, Scene 2, consider the adaptation Shakespeare has made from Plutarch's life of Antony, in which a rustic fellow brings Cleopatra a basket within which are concealed poisonous asps. Why do you suppose Shakespeare introduces a note of comedy or of the bizarre in rendering this scene's dialogue? Does this enhance the scene's tragic overtones in some way, or introduce a note of appropriate complexity? If so, how?
Edition: Evans, G. Blakemore et al., eds. The Riverside Shakespeare. 2nd edition. Houghton Mifflin, 1997. ISBN: 0-395-75490-9.