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History: A_E212_Fall_2002

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<h3><div align="center">
SYLLABUS FOR E212 BRITISH LITERATURE SINCE 1760, CAL STATE FULLERTON FALL 2002
</div></h3>

<p align="center">Image </p>

<p align="center">Email | Home | Syllabus | Policies | Questions | Presentations
Journals | Paper | Final | Blogs | Audio | Guides | Links</p>


<p><strong>Note:</b> all links have been removed from this archival copy, but the author questions (bundled according to subject/period) and study guides referenced below can be found in relevant sections of the <strong>Resource Gallery</b>. Instructions pages for journals, presentations, etc. were similar to those available in my current courses. MP3 audio of class sessions for selected courses is still available in the <strong>Audio Archive</b>. My blog entries for most courses are available from the <strong>Blogs Index</b>.</p>


<p><strong>Required Texts (Titan Bookstore)</b>


Abrams, M. H. et al., eds. <em>The Norton Anthology of English Literature.</em> 7th ed. Vol. 2ABC.

Wilde, Oscar. "The Decay of Lying," electronic text.

<p><strong>Catalog Information.</b> "This course meets a GE Disciplinary Learning requirement in Category III.B.2, Introduction to the Humanities."

<p><strong>Course Policies.</b> (Please review this information.)

<p><strong>General:</b> College Success | Using Internet | Literary Theory | Sample Paper | Grammar | Deductive Essays | Citation | Analysis | Editing | Plagiphrasing | Orwell | Rubric | Writing Resources

<p><strong>Specific:</b> C19 Characteristics | British Liberalism | Romantic Topics | Romantic Backgrounds | Milton's Influence | Organic Metaphor | Romantic Nature | What Good is Poetry? | Coleridge | Adam and Eve | Marx on Commodites | Millais' 1851 "Mariana" | Waterhouse's 1888 "...Shalott" | Wilde's "Decay..." PDF | Wilde's "Decay..." HTML | Modernism Intro

<p><strong>Study Questions:</strong> Blake | Wordsworth | Coleridge | Shelley, P.B. | Shelley, Mary | Carlyle | Mill, J.S. | Ruskin | Tennyson | Arnold | Browning | Rossetti, D.G. | Rossetti, Chr. | Swinburne | Hopkins | Pater | Wilde | Conrad | Joyce | Yeats


<p><strong>SCHEDULE: WE WILL DISCUSS THE FOLLOWING WORKS ON THE DATES INDICATED</strong></p>

<h3>WEEK 1</h3>

<p>Note: please consider the <em>Norton</em> introductions to our authors and periods as assigned material.</p>

<p>08/27. Introduction to class and to the Romantic period.</p>

<p>08/29. Blake. From <em>Songs of Innocence & of Experience.</em></p>

<h3>WEEK 2</h3>

<p>09/03. Blake. <em>The Marriage of Heaven & Hell;</em> Letters.</p>

<p>09/05. Wordsworth. "Preface" to <em>Lyrical Ballads;</em> "Expostulation and Reply"; "The Tables Turned"; begin discussing "Lines composed a few miles above Tintern Abbey."</p>

<h3>WEEK 3</h3>

<p>09/10. Wordsworth. "Expostulation and Reply"; "The Tables Turned"; "She dwelt among the untrodden ways"; "A slumber did my spirit seal"; "Lucy Gray"; "Three years she grew"; "Resolution and Independence"; "I wandered lonely as a cloud;" "My heart leaps up"; "The Solitary Reaper"; "Sonnet composed upon Westminster Bridge, 1802"; "Intimations of Immortality."</p>

<p>09/12. Coleridge. From <em>Biographia Literaria</em> XIII-XIV, XVII; from <em>The Statesman's Manual;</em> "The Eolian Harp"; "The Rime of the Ancient Mariner"; "Kubla Khan"; "Frost at Midnight"; "Dejection: an Ode."</p>

<h3>WEEK 4</h3>

<p>09/17. Shelley. from "A Defence of Poetry"; "Mutability"; "To Wordsworth"; "England in 1819"; "Ode to the West Wind"; "To a Sky-Lark."</p>

<p>09/19. Shelley, continued. Keats. "Ode on a Grecian Urn"; <em>Letters</em> on pp. 889-90, 894.</p>

<h3>WEEK 5</h3>

<p>09/24. Mary Shelley's <em>Frankenstein.</em></p>

<p>09/26. Mary Shelley's <em>Frankenstein.</em></p>

<h3>WEEK 6</h3>

<p>10/01. Intro. to Victorian period; from Carlyle's <em>Portraits;</em> from <em>Sartor Resartus.</em></p>

<p>10/03. Carlyle. From <em>Sartor Resartus</em> and <em>Past and Present.</em> Final Draft of Paper #1 Due.</p>

<h3>WEEK 7</h3>

<p>10/08. Mill. From <em>On Liberty</em>; from <em>The Subjection of Women;</em> from <em>Autobiography.</em></p>

<p>10/10. Ruskin. From <em>Modern Painters;</em> from <em>The Stones of Venice;</em> "The Storm Cloud of the Nineteenth Century, Lecture 1."</p>

<h3>WEEK 8</h3>

<p>10/15. Midterm Exam in class.</p>

<p>10/17. Tennyson. From <em>In Memoriam A.H.H:</em> Prologue, 1-5, 7, 11, 14-15, 28, 30, 34, 39, 54-56, 75, 108, 118, 123-24, 126, 130-31, Epilogue.</p>

<h3>WEEK 9</h3>

<p>10/22. Tennyson. "The Lady of Shalott"; "The Lotos- Eaters"; "Ulysses"; "Tithonus"; "Mariana," "The Eagle"; "Tears, Idle Tears"; "The Charge of the Light Brigade"; "Crossing the Bar."</p>

<p>10/24. Arnold. "Preface" to <em>Poems 1853;</em> "The Function of Criticism at the Present Time"; "The Buried Life"; "Dover Beach"; "Stanzas from the Grande Chartreuse."</p>

<h3>WEEK 10</h3>

<p>10/29. Browning. "The Bishop Orders His Tomb at Saint Praxed's Church"; "Caliban upon Setebos." D. G. Rossetti. "The Blessed Damozel"; "The Woodspurge"; "~NP~The Sea-Limits"~/NP~; "Sonnets" from <em>The House of Life.</em></p>

<p>10/31. Rossetti, Christina. all except "Goblin Market." Swinburne. "Hymn to Proserpine"; "Ave Atque Vale."</p>

<h3>WEEK 11</h3>

<p>11/05. Hopkins. All <em>Norton</em> selections.</p>

<p>11/07. Pater and Wilde. Pater's "Preface" and "Conclusion" to <em>The Renaissance;</em> Wilde's "The Decay of Lying" (PDF format, course web).</p>

<h3>WEEK 12</h3>

<p>11/12. Wilde's <em>The Importance of Being Earnest.</em></p>

<p>11/14. Intro. to Twentieth Century. Thomas Hardy — read the shorter poems.</p>

<h3>WEEK 13</h3>

<p>11/19. Conrad's <em>Heart of Darkness.</em></p>

<p>11/21. Conrad's <em>Heart of Darkness.</em></p>

<h3>WEEK 14</h3>

<p>11/26 — Thanksgiving Holiday; no class.</p>

<p>11/28 — Thanksgiving Holiday; no class.</p>

<h3>WEEK 15</h3>

<p>12/03. Joyce's "The Dead."</p>

<p>12/05. Yeats. "The Lake Isle of Innisfree"; "Easter 1916"; "The Second Coming"; "Sailing to Byzantium"; "Leda and the Swan"; "Byzantium"; "Crazy Jane Talks with the Bishop"; "The Circus Animals' Desertion"; "Under Ben Bulben."</p>

<h3>WEEK 16</h3>

<p>12/10. Dylan Thomas. All <em>Norton</em> selections.</p>

<p>12/12. Doris Lessing. "To Room Nineteen." Final Draft of Paper #2 due.</p>

<h3>FINAL EXAM</h3>

<p>12/19. Thursday, 9:30-11:20 a.m. I will be in class during this time so you can turn in your take- home final exam. You may also turn it in at an earlier date if that would be more convenient for you; I'll be giving out the exam instructions early enough to make that feasible.</p>


</body>
</html>

<html>
<head>

</head>
<body>

<h3><div align="center">
SYLLABUS FOR E212 BRITISH LITERATURE SINCE 1760, CAL STATE FULLERTON FALL 2002
</div></h3>

<p align="center">Image </p>

<p align="center">Email | Home | Syllabus | Policies | Questions | Presentations
Journals | Paper | Final | Blogs | Audio | Guides | Links</p>


<p><b>Note:</b> all links have been removed from this archival copy, but the author questions (bundled according to subject/period) and study guides referenced below can be found in relevant sections of the <b>Resource Gallery</b>. Instructions pages for journals, presentations, etc. were similar to those available in my current courses. MP3 audio of class sessions for selected courses is still available in the <b>Audio Archive</b>. My blog entries for most courses are available from the <b>Blogs Index</b>.</p>


<p><b>Required Texts (Titan Bookstore)</b>


Abrams, M. H. et al., eds. <em>The Norton Anthology of English Literature.</em> 7th ed. Vol. 2ABC.

Wilde, Oscar. "The Decay of Lying," electronic text.

<p><b>Catalog Information.</b> "This course meets a GE Disciplinary Learning requirement in Category III.B.2, Introduction to the Humanities."

<p><b>Course Policies.</b> (Please review this information.)

<p><b>General:</b> College Success | Using Internet | Literary Theory | Sample Paper | Grammar | Deductive Essays | Citation | Analysis | Editing | Plagiphrasing | Orwell | Rubric | Writing Resources

<p><b>Specific:</b> C19 Characteristics | British Liberalism | Romantic Topics | Romantic Backgrounds | Milton's Influence | Organic Metaphor | Romantic Nature | What Good is Poetry? | Coleridge | Adam and Eve | Marx on Commodites | Millais' 1851 "Mariana" | Waterhouse's 1888 "...Shalott" | Wilde's "Decay..." PDF | Wilde's "Decay..." HTML | Modernism Intro

<p><b>Study Questions:</b> Blake | Wordsworth | Coleridge | Shelley, P.B. | Shelley, Mary | Carlyle | Mill, J.S. | Ruskin | Tennyson | Arnold | Browning | Rossetti, D.G. | Rossetti, Chr. | Swinburne | Hopkins | Pater | Wilde | Conrad | Joyce | Yeats


<p><b>SCHEDULE: WE WILL DISCUSS THE FOLLOWING WORKS ON THE DATES INDICATED</b></p>

<h3>WEEK 1</h3>

<p>Note: please consider the <em>Norton</em> introductions to our authors and periods as assigned material.</p>

<p>08/27. Introduction to class and to the Romantic period.</p>

<p>08/29. Blake. From <em>Songs of Innocence & of Experience.</em></p>

<h3>WEEK 2</h3>

<p>09/03. Blake. <em>The Marriage of Heaven & Hell;</em> Letters.</p>

<p>09/05. Wordsworth. "Preface" to <em>Lyrical Ballads;</em> "Expostulation and Reply"; "The Tables Turned"; begin discussing "Lines composed a few miles above Tintern Abbey."</p>

<h3>WEEK 3</h3>

<p>09/10. Wordsworth. "Expostulation and Reply"; "The Tables Turned"; "She dwelt among the untrodden ways"; "A slumber did my spirit seal"; "Lucy Gray"; "Three years she grew"; "Resolution and Independence"; "I wandered lonely as a cloud;" "My heart leaps up"; "The Solitary Reaper"; "Sonnet composed upon Westminster Bridge, 1802"; "Intimations of Immortality."</p>

<p>09/12. Coleridge. From <em>Biographia Literaria</em> XIII-XIV, XVII; from <em>The Statesman's Manual;</em> "The Eolian Harp"; "The Rime of the Ancient Mariner"; "Kubla Khan"; "Frost at Midnight"; "Dejection: an Ode."</p>

<h3>WEEK 4</h3>

<p>09/17. Shelley. from "A Defence of Poetry"; "Mutability"; "To Wordsworth"; "England in 1819"; "Ode to the West Wind"; "To a Sky-Lark."</p>

<p>09/19. Shelley, continued. Keats. "Ode on a Grecian Urn"; <em>Letters</em> on pp. 889-90, 894.</p>

<h3>WEEK 5</h3>

<p>09/24. Mary Shelley's <em>Frankenstein.</em></p>

<p>09/26. Mary Shelley's <em>Frankenstein.</em></p>

<h3>WEEK 6</h3>

<p>10/01. Intro. to Victorian period; from Carlyle's <em>Portraits;</em> from <em>Sartor Resartus.</em></p>

<p>10/03. Carlyle. From <em>Sartor Resartus</em> and <em>Past and Present.</em> Final Draft of Paper #1 Due.</p>

<h3>WEEK 7</h3>

<p>10/08. Mill. From <em>On Liberty</em>; from <em>The Subjection of Women;</em> from <em>Autobiography.</em></p>

<p>10/10. Ruskin. From <em>Modern Painters;</em> from <em>The Stones of Venice;</em> "The Storm Cloud of the Nineteenth Century, Lecture 1."</p>

<h3>WEEK 8</h3>

<p>10/15. Midterm Exam in class.</p>

<p>10/17. Tennyson. From <em>In Memoriam A.H.H:</em> Prologue, 1-5, 7, 11, 14-15, 28, 30, 34, 39, 54-56, 75, 108, 118, 123-24, 126, 130-31, Epilogue.</p>

<h3>WEEK 9</h3>

<p>10/22. Tennyson. "The Lady of Shalott"; "The Lotos- Eaters"; "Ulysses"; "Tithonus"; "Mariana," "The Eagle"; "Tears, Idle Tears"; "The Charge of the Light Brigade"; "Crossing the Bar."</p>

<p>10/24. Arnold. "Preface" to <em>Poems 1853;</em> "The Function of Criticism at the Present Time"; "The Buried Life"; "Dover Beach"; "Stanzas from the Grande Chartreuse."</p>

<h3>WEEK 10</h3>

<p>10/29. Browning. "The Bishop Orders His Tomb at Saint Praxed's Church"; "Caliban upon Setebos." D. G. Rossetti. "The Blessed Damozel"; "The Woodspurge"; "~NP~The Sea-Limits"~/NP~; "Sonnets" from <em>The House of Life.</em></p>

<p>10/31. Rossetti, Christina. all except "Goblin Market." Swinburne. "Hymn to Proserpine"; "Ave Atque Vale."</p>

<h3>WEEK 11</h3>

<p>11/05. Hopkins. All <em>Norton</em> selections.</p>

<p>11/07. Pater and Wilde. Pater's "Preface" and "Conclusion" to <em>The Renaissance;</em> Wilde's "The Decay of Lying" (PDF format, course web).</p>

<h3>WEEK 12</h3>

<p>11/12. Wilde's <em>The Importance of Being Earnest.</em></p>

<p>11/14. Intro. to Twentieth Century. Thomas Hardy — read the shorter poems.</p>

<h3>WEEK 13</h3>

<p>11/19. Conrad's <em>Heart of Darkness.</em></p>

<p>11/21. Conrad's <em>Heart of Darkness.</em></p>

<h3>WEEK 14</h3>

<p>11/26 — Thanksgiving Holiday; no class.</p>

<p>11/28 — Thanksgiving Holiday; no class.</p>

<h3>WEEK 15</h3>

<p>12/03. Joyce's "The Dead."</p>

<p>12/05. Yeats. "The Lake Isle of Innisfree"; "Easter 1916"; "The Second Coming"; "Sailing to Byzantium"; "Leda and the Swan"; "Byzantium"; "Crazy Jane Talks with the Bishop"; "The Circus Animals' Desertion"; "Under Ben Bulben."</p>

<h3>WEEK 16</h3>

<p>12/10. Dylan Thomas. All <em>Norton</em> selections.</p>

<p>12/12. Doris Lessing. "To Room Nineteen." Final Draft of Paper #2 due.</p>

<h3>FINAL EXAM</h3>

<p>12/19. Thursday, 9:30-11:20 a.m. I will be in class during this time so you can turn in your take- home final exam. You may also turn it in at an earlier date if that would be more convenient for you; I'll be giving out the exam instructions early enough to make that feasible.</p>


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