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History: A_E212_Fall_2002

Comparing version 37 with version 37

<p>&lt;html&gt; <br />&lt;head&gt; </p>

<!-- &lt;title&gt;Syllabus for E212 British Literature since 1760, Fall 2002, Instructor Alfred J. Drake, Ph.D. at California State University, Fullerton&lt;/title&gt; &lt;me<x>ta name="keywords" content="Modern British literature syllabus, British Romanticism, Victorian literature and culture, Alfred J. Drake, Ph.D."&gt; &lt;me<x>ta name="description" content="Syllabus for E212 British Literature since 1760, Fall 2002, Instructor Alfred J. Drake, Ph.D. at California State University, Fullerton"&gt;

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&lt;h3&gt;&lt;div align="center"&gt;<div class="simplebox"><div class='titlebar'>SYLLABUS FOR E212 BRITISH LITERATURE SINCE 1760, CAL STATE FULLERTON FALL 2002</div></div>&lt;/div&gt;&lt;/h3&gt; <p> </p>

&lt;p align="center"&gt;<img src="img/wiki_up/title_212_3.gif" alt="Image" class="regImage pluginImg" /> &lt;/p&gt;

<p> </p> &lt;p align="center"&gt;Email | Home | Syllabus | Policies | Questions | Presentations<br />Journals | Paper | Final | Blogs | Audio | Guides | Links&lt;/p&gt; <p> </p> <hr /> <p> </p>

&lt;p&gt;&lt;b&gt;Note:&lt;/b&gt; all links have been removed from this archival copy, but the author questions (bundled according to subject/period) and study guides referenced below can be found in relevant sections of the &lt;b&gt;<a class="wiki external" target="_blank" href="http://www.ajdrake.com/wiki/tiki-list_file_gallery.php" rel="external nofollow">Resource Gallery</a>&lt;/b&gt;. Instructions pages for journals, presentations, etc. were similar to those available in my current courses. MP3 audio of class sessions for selected courses is still available in the &lt;b&gt;<a href="tiki-index.php?page=Lecture_Archive" title="Alfred J. Drake's Lecture Archive — Selected Previous Courses" class="wiki wiki_page">Audio Archive</a>&lt;/b&gt;. My blog entries for most courses are available from the &lt;b&gt;<a href="tiki-index.php?page=Blogs_Indices" title="Blogs_Indices" class="wiki wiki_page">Blogs Index</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p> <hr /> <p> </p>

&lt;p&gt;&lt;b&gt;Required Texts (Titan Bookstore)&lt;/b&gt;

<p> <br />Abrams, M. H. et al., eds. &lt;em&gt;The Norton Anthology of English Literature.&lt;/em&gt; 7th ed. Vol. 2ABC. </p>

<p>Wilde, Oscar. "The Decay of Lying," electronic text. </p>


&lt;p&gt;&lt;b&gt;Catalog Information.&lt;/b&gt; "This course meets a GE Disciplinary Learning requirement in Category III.B.2, Introduction to the Humanities."

<p> </p>

&lt;p&gt;&lt;b&gt;Course Policies.&lt;/b&gt; (Please review this information.)

<p> </p>

&lt;p&gt;&lt;b&gt;General:&lt;/b&gt; College Success | Using Internet | Literary Theory | Sample Paper | Grammar | Deductive Essays | Citation | Analysis | Editing | Plagiphrasing | Orwell | Rubric | Writing Resources

<p> </p>

&lt;p&gt;&lt;b&gt;Specific:&lt;/b&gt; C19 Characteristics | British Liberalism | Romantic Topics | Romantic Backgrounds | Milton's Influence | Organic Metaphor | Romantic Nature | What Good is Poetry? | Coleridge | Adam and Eve | Marx on Commodites | Millais' 1851 "Mariana" | Waterhouse's 1888 "...Shalott" | Wilde's "Decay..." PDF | Wilde's "Decay..." HTML | Modernism Intro

<p> </p>

&lt;p&gt;&lt;b&gt;Study Questions:&lt;/b&gt; Blake | Wordsworth | Coleridge | Shelley, P.B. | Shelley, Mary | Carlyle | Mill, J.S. | Ruskin | Tennyson | Arnold | Browning | Rossetti, D.G. | Rossetti, Chr. | Swinburne | Hopkins | Pater | Wilde | Conrad | Joyce | Yeats

<p> </p> <hr /> <p> </p>

&lt;p&gt;&lt;b&gt;SCHEDULE: WE WILL DISCUSS THE FOLLOWING WORKS ON THE DATES INDICATED&lt;/b&gt;&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 1&lt;/h3&gt;

<p> </p>

&lt;p&gt;Note: please consider the &lt;em&gt;Norton&lt;/em&gt; introductions to our authors and periods as assigned material.&lt;/p&gt;

<p> </p>

&lt;p&gt;08/27. Introduction to class and to the Romantic period.&lt;/p&gt;

<p> </p>

&lt;p&gt;08/29. Blake. From &lt;em&gt;Songs of Innocence & of Experience.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 2&lt;/h3&gt;

<p> </p>

&lt;p&gt;09/03. Blake. &lt;em&gt;The Marriage of Heaven & Hell;&lt;/em&gt; Letters.&lt;/p&gt;

<p> </p>

&lt;p&gt;09/05. Wordsworth. "Preface" to &lt;em&gt;Lyrical Ballads;&lt;/em&gt; "Expostulation and Reply"; "The Tables Turned"; begin discussing "Lines composed a few miles above Tintern Abbey."&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 3&lt;/h3&gt;

<p> </p>

&lt;p&gt;09/10. Wordsworth. "Expostulation and Reply"; "The Tables Turned"; "She dwelt among the untrodden ways"; "A slumber did my spirit seal"; "Lucy Gray"; "Three years she grew"; "Resolution and Independence"; "I wandered lonely as a cloud;" "My heart leaps up"; "The Solitary Reaper"; "Sonnet composed upon Westminster Bridge, 1802"; "Intimations of Immortality."&lt;/p&gt;

<p> </p>

&lt;p&gt;09/12. Coleridge. From &lt;em&gt;Biographia Literaria&lt;/em&gt; XIII-XIV, XVII; from &lt;em&gt;The Statesman's Manual;&lt;/em&gt; "The Eolian Harp"; "The Rime of the Ancient Mariner"; "Kubla Khan"; "Frost at Midnight"; "Dejection: an Ode."&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 4&lt;/h3&gt;

<p> </p>

&lt;p&gt;09/17. Shelley. from "A Defence of Poetry"; "Mutability"; "To Wordsworth"; "England in 1819"; "Ode to the West Wind"; "To a Sky-Lark."&lt;/p&gt;

<p> </p>

&lt;p&gt;09/19. Shelley, continued. Keats. "Ode on a Grecian Urn"; &lt;em&gt;Letters&lt;/em&gt; on pp. 889-90, 894.&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 5&lt;/h3&gt;

<p> </p>

&lt;p&gt;09/24. Mary Shelley's &lt;em&gt;Frankenstein.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;p&gt;09/26. Mary Shelley's &lt;em&gt;Frankenstein.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 6&lt;/h3&gt;

<p> </p>

&lt;p&gt;10/01. Intro. to Victorian period; from Carlyle's &lt;em&gt;Portraits;&lt;/em&gt; from &lt;em&gt;Sartor Resartus.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;p&gt;10/03. Carlyle. From &lt;em&gt;Sartor Resartus&lt;/em&gt; and &lt;em&gt;Past and Present.&lt;/em&gt; Final Draft of Paper #1 Due.&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 7&lt;/h3&gt;

<p> </p>

&lt;p&gt;10/08. Mill. From &lt;em&gt;On Liberty&lt;/em&gt;; from &lt;em&gt;The Subjection of Women;&lt;/em&gt; from &lt;em&gt;Autobiography.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;p&gt;10/10. Ruskin. From &lt;em&gt;Modern Painters;&lt;/em&gt; from &lt;em&gt;The Stones of Venice;&lt;/em&gt; "The Storm Cloud of the Nineteenth Century, Lecture 1."&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 8&lt;/h3&gt;

<p> </p>

&lt;p&gt;10/15. Midterm Exam in class.&lt;/p&gt;

<p> </p>

&lt;p&gt;10/17. Tennyson. From &lt;em&gt;In Memoriam A.H.H:&lt;/em&gt; Prologue, 1-5, 7, 11, 14-15, 28, 30, 34, 39, 54-56, 75, 108, 118, 123-24, 126, 130-31, Epilogue.&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 9&lt;/h3&gt;

<p> </p>

&lt;p&gt;10/22. Tennyson. "The Lady of Shalott"; "The Lotos- Eaters"; "Ulysses"; "Tithonus"; "Mariana," "The Eagle"; "Tears, Idle Tears"; "The Charge of the Light Brigade"; "Crossing the Bar."&lt;/p&gt;

<p> </p>

&lt;p&gt;10/24. Arnold. "Preface" to &lt;em&gt;Poems 1853;&lt;/em&gt; "The Function of Criticism at the Present Time"; "The Buried Life"; "Dover Beach"; "Stanzas from the Grande Chartreuse."&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 10&lt;/h3&gt;

<p> </p>

&lt;p&gt;10/29. Browning. "The Bishop Orders His Tomb at Saint Praxed's Church"; "Caliban upon Setebos." D. G. Rossetti. "The Blessed Damozel"; "The Woodspurge"; "~NP~The Sea-Limits"~/NP~; "Sonnets" from &lt;em&gt;The House of Life.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;p&gt;10/31. Rossetti, Christina. all except "Goblin Market." Swinburne. "Hymn to Proserpine"; "Ave Atque Vale."&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 11&lt;/h3&gt;

<p> </p>

&lt;p&gt;11/05. Hopkins. All &lt;em&gt;Norton&lt;/em&gt; selections.&lt;/p&gt;

<p> </p>

&lt;p&gt;11/07. Pater and Wilde. Pater's "Preface" and "Conclusion" to &lt;em&gt;The Renaissance;&lt;/em&gt; Wilde's "The Decay of Lying" (PDF format, course web).&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 12&lt;/h3&gt;

<p> </p>

&lt;p&gt;11/12. Wilde's &lt;em&gt;The Importance of Being Earnest.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;p&gt;11/14. Intro. to Twentieth Century. Thomas Hardy &mdash; read the shorter poems.&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 13&lt;/h3&gt;

<p> </p>

&lt;p&gt;11/19. Conrad's &lt;em&gt;Heart of Darkness.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;p&gt;11/21. Conrad's &lt;em&gt;Heart of Darkness.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 14&lt;/h3&gt;

<p> </p>

&lt;p&gt;11/26 &mdash; Thanksgiving Holiday; no class.&lt;/p&gt;

<p> </p>

&lt;p&gt;11/28 &mdash; Thanksgiving Holiday; no class.&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 15&lt;/h3&gt;

<p> </p>

&lt;p&gt;12/03. Joyce's "The Dead."&lt;/p&gt;

<p> </p>

&lt;p&gt;12/05. Yeats. "The Lake Isle of Innisfree"; "Easter 1916"; "The Second Coming"; "Sailing to Byzantium"; "Leda and the Swan"; "Byzantium"; "Crazy Jane Talks with the Bishop"; "The Circus Animals' Desertion"; "Under Ben Bulben."&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 16&lt;/h3&gt;

<p> </p>

&lt;p&gt;12/10. Dylan Thomas. All &lt;em&gt;Norton&lt;/em&gt; selections.&lt;/p&gt;

<p> </p>

&lt;p&gt;12/12. Doris Lessing. "To Room Nineteen." Final Draft of Paper #2 due.&lt;/p&gt;

<p> </p>

&lt;h3&gt;FINAL EXAM&lt;/h3&gt;

<p> </p>

&lt;p&gt;12/19. Thursday, 9:30-11:20 a.m. I will be in class during this time so you can turn in your take- home final exam. You may also turn it in at an earlier date if that would be more convenient for you; I'll be giving out the exam instructions early enough to make that feasible.&lt;/p&gt;

<p> <br />&lt;/body&gt; <br />&lt;/html&gt; </p>

<p> </p>

<p>&lt;html&gt; <br />&lt;head&gt; </p>

<!-- &lt;title&gt;Syllabus for E212 British Literature since 1760, Fall 2002, Instructor Alfred J. Drake, Ph.D. at California State University, Fullerton&lt;/title&gt; &lt;me<x>ta name="keywords" content="Modern British literature syllabus, British Romanticism, Victorian literature and culture, Alfred J. Drake, Ph.D."&gt; &lt;me<x>ta name="description" content="Syllabus for E212 British Literature since 1760, Fall 2002, Instructor Alfred J. Drake, Ph.D. at California State University, Fullerton"&gt;

<p><tt> --></tt> </p>

<p>&lt;/head&gt; <br />&lt;body&gt; </p>

&lt;h3&gt;&lt;div align="center"&gt;<div class="simplebox"><div class='titlebar'>SYLLABUS FOR E212 BRITISH LITERATURE SINCE 1760, CAL STATE FULLERTON FALL 2002</div></div>&lt;/div&gt;&lt;/h3&gt; <p> </p>

&lt;p align="center"&gt;<img src="img/wiki_up/title_212_3.gif" alt="Image" class="regImage pluginImg" /> &lt;/p&gt;

<p> </p> &lt;p align="center"&gt;Email | Home | Syllabus | Policies | Questions | Presentations<br />Journals | Paper | Final | Blogs | Audio | Guides | Links&lt;/p&gt; <p> </p> <hr /> <p> </p>

&lt;p&gt;&lt;b&gt;Note:&lt;/b&gt; all links have been removed from this archival copy, but the author questions (bundled according to subject/period) and study guides referenced below can be found in relevant sections of the &lt;b&gt;<a class="wiki external" target="_blank" href="http://www.ajdrake.com/wiki/tiki-list_file_gallery.php" rel="external nofollow">Resource Gallery</a>&lt;/b&gt;. Instructions pages for journals, presentations, etc. were similar to those available in my current courses. MP3 audio of class sessions for selected courses is still available in the &lt;b&gt;<a href="tiki-index.php?page=Lecture_Archive" title="Alfred J. Drake's Lecture Archive — Selected Previous Courses" class="wiki wiki_page">Audio Archive</a>&lt;/b&gt;. My blog entries for most courses are available from the &lt;b&gt;<a href="tiki-index.php?page=Blogs_Indices" title="Blogs_Indices" class="wiki wiki_page">Blogs Index</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p> <hr /> <p> </p>

&lt;p&gt;&lt;b&gt;Required Texts (Titan Bookstore)&lt;/b&gt;

<p> <br />Abrams, M. H. et al., eds. &lt;em&gt;The Norton Anthology of English Literature.&lt;/em&gt; 7th ed. Vol. 2ABC. </p>

<p>Wilde, Oscar. "The Decay of Lying," electronic text. </p>


&lt;p&gt;&lt;b&gt;Catalog Information.&lt;/b&gt; "This course meets a GE Disciplinary Learning requirement in Category III.B.2, Introduction to the Humanities."

<p> </p>

&lt;p&gt;&lt;b&gt;Course Policies.&lt;/b&gt; (Please review this information.)

<p> </p>

&lt;p&gt;&lt;b&gt;General:&lt;/b&gt; College Success | Using Internet | Literary Theory | Sample Paper | Grammar | Deductive Essays | Citation | Analysis | Editing | Plagiphrasing | Orwell | Rubric | Writing Resources

<p> </p>

&lt;p&gt;&lt;b&gt;Specific:&lt;/b&gt; C19 Characteristics | British Liberalism | Romantic Topics | Romantic Backgrounds | Milton's Influence | Organic Metaphor | Romantic Nature | What Good is Poetry? | Coleridge | Adam and Eve | Marx on Commodites | Millais' 1851 "Mariana" | Waterhouse's 1888 "...Shalott" | Wilde's "Decay..." PDF | Wilde's "Decay..." HTML | Modernism Intro

<p> </p>

&lt;p&gt;&lt;b&gt;Study Questions:&lt;/b&gt; Blake | Wordsworth | Coleridge | Shelley, P.B. | Shelley, Mary | Carlyle | Mill, J.S. | Ruskin | Tennyson | Arnold | Browning | Rossetti, D.G. | Rossetti, Chr. | Swinburne | Hopkins | Pater | Wilde | Conrad | Joyce | Yeats

<p> </p> <hr /> <p> </p>

&lt;p&gt;&lt;b&gt;SCHEDULE: WE WILL DISCUSS THE FOLLOWING WORKS ON THE DATES INDICATED&lt;/b&gt;&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 1&lt;/h3&gt;

<p> </p>

&lt;p&gt;Note: please consider the &lt;em&gt;Norton&lt;/em&gt; introductions to our authors and periods as assigned material.&lt;/p&gt;

<p> </p>

&lt;p&gt;08/27. Introduction to class and to the Romantic period.&lt;/p&gt;

<p> </p>

&lt;p&gt;08/29. Blake. From &lt;em&gt;Songs of Innocence & of Experience.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 2&lt;/h3&gt;

<p> </p>

&lt;p&gt;09/03. Blake. &lt;em&gt;The Marriage of Heaven & Hell;&lt;/em&gt; Letters.&lt;/p&gt;

<p> </p>

&lt;p&gt;09/05. Wordsworth. "Preface" to &lt;em&gt;Lyrical Ballads;&lt;/em&gt; "Expostulation and Reply"; "The Tables Turned"; begin discussing "Lines composed a few miles above Tintern Abbey."&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 3&lt;/h3&gt;

<p> </p>

&lt;p&gt;09/10. Wordsworth. "Expostulation and Reply"; "The Tables Turned"; "She dwelt among the untrodden ways"; "A slumber did my spirit seal"; "Lucy Gray"; "Three years she grew"; "Resolution and Independence"; "I wandered lonely as a cloud;" "My heart leaps up"; "The Solitary Reaper"; "Sonnet composed upon Westminster Bridge, 1802"; "Intimations of Immortality."&lt;/p&gt;

<p> </p>

&lt;p&gt;09/12. Coleridge. From &lt;em&gt;Biographia Literaria&lt;/em&gt; XIII-XIV, XVII; from &lt;em&gt;The Statesman's Manual;&lt;/em&gt; "The Eolian Harp"; "The Rime of the Ancient Mariner"; "Kubla Khan"; "Frost at Midnight"; "Dejection: an Ode."&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 4&lt;/h3&gt;

<p> </p>

&lt;p&gt;09/17. Shelley. from "A Defence of Poetry"; "Mutability"; "To Wordsworth"; "England in 1819"; "Ode to the West Wind"; "To a Sky-Lark."&lt;/p&gt;

<p> </p>

&lt;p&gt;09/19. Shelley, continued. Keats. "Ode on a Grecian Urn"; &lt;em&gt;Letters&lt;/em&gt; on pp. 889-90, 894.&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 5&lt;/h3&gt;

<p> </p>

&lt;p&gt;09/24. Mary Shelley's &lt;em&gt;Frankenstein.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;p&gt;09/26. Mary Shelley's &lt;em&gt;Frankenstein.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 6&lt;/h3&gt;

<p> </p>

&lt;p&gt;10/01. Intro. to Victorian period; from Carlyle's &lt;em&gt;Portraits;&lt;/em&gt; from &lt;em&gt;Sartor Resartus.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;p&gt;10/03. Carlyle. From &lt;em&gt;Sartor Resartus&lt;/em&gt; and &lt;em&gt;Past and Present.&lt;/em&gt; Final Draft of Paper #1 Due.&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 7&lt;/h3&gt;

<p> </p>

&lt;p&gt;10/08. Mill. From &lt;em&gt;On Liberty&lt;/em&gt;; from &lt;em&gt;The Subjection of Women;&lt;/em&gt; from &lt;em&gt;Autobiography.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;p&gt;10/10. Ruskin. From &lt;em&gt;Modern Painters;&lt;/em&gt; from &lt;em&gt;The Stones of Venice;&lt;/em&gt; "The Storm Cloud of the Nineteenth Century, Lecture 1."&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 8&lt;/h3&gt;

<p> </p>

&lt;p&gt;10/15. Midterm Exam in class.&lt;/p&gt;

<p> </p>

&lt;p&gt;10/17. Tennyson. From &lt;em&gt;In Memoriam A.H.H:&lt;/em&gt; Prologue, 1-5, 7, 11, 14-15, 28, 30, 34, 39, 54-56, 75, 108, 118, 123-24, 126, 130-31, Epilogue.&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 9&lt;/h3&gt;

<p> </p>

&lt;p&gt;10/22. Tennyson. "The Lady of Shalott"; "The Lotos- Eaters"; "Ulysses"; "Tithonus"; "Mariana," "The Eagle"; "Tears, Idle Tears"; "The Charge of the Light Brigade"; "Crossing the Bar."&lt;/p&gt;

<p> </p>

&lt;p&gt;10/24. Arnold. "Preface" to &lt;em&gt;Poems 1853;&lt;/em&gt; "The Function of Criticism at the Present Time"; "The Buried Life"; "Dover Beach"; "Stanzas from the Grande Chartreuse."&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 10&lt;/h3&gt;

<p> </p>

&lt;p&gt;10/29. Browning. "The Bishop Orders His Tomb at Saint Praxed's Church"; "Caliban upon Setebos." D. G. Rossetti. "The Blessed Damozel"; "The Woodspurge"; "~NP~The Sea-Limits"~/NP~; "Sonnets" from &lt;em&gt;The House of Life.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;p&gt;10/31. Rossetti, Christina. all except "Goblin Market." Swinburne. "Hymn to Proserpine"; "Ave Atque Vale."&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 11&lt;/h3&gt;

<p> </p>

&lt;p&gt;11/05. Hopkins. All &lt;em&gt;Norton&lt;/em&gt; selections.&lt;/p&gt;

<p> </p>

&lt;p&gt;11/07. Pater and Wilde. Pater's "Preface" and "Conclusion" to &lt;em&gt;The Renaissance;&lt;/em&gt; Wilde's "The Decay of Lying" (PDF format, course web).&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 12&lt;/h3&gt;

<p> </p>

&lt;p&gt;11/12. Wilde's &lt;em&gt;The Importance of Being Earnest.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;p&gt;11/14. Intro. to Twentieth Century. Thomas Hardy &mdash; read the shorter poems.&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 13&lt;/h3&gt;

<p> </p>

&lt;p&gt;11/19. Conrad's &lt;em&gt;Heart of Darkness.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;p&gt;11/21. Conrad's &lt;em&gt;Heart of Darkness.&lt;/em&gt;&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 14&lt;/h3&gt;

<p> </p>

&lt;p&gt;11/26 &mdash; Thanksgiving Holiday; no class.&lt;/p&gt;

<p> </p>

&lt;p&gt;11/28 &mdash; Thanksgiving Holiday; no class.&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 15&lt;/h3&gt;

<p> </p>

&lt;p&gt;12/03. Joyce's "The Dead."&lt;/p&gt;

<p> </p>

&lt;p&gt;12/05. Yeats. "The Lake Isle of Innisfree"; "Easter 1916"; "The Second Coming"; "Sailing to Byzantium"; "Leda and the Swan"; "Byzantium"; "Crazy Jane Talks with the Bishop"; "The Circus Animals' Desertion"; "Under Ben Bulben."&lt;/p&gt;

<p> </p>

&lt;h3&gt;WEEK 16&lt;/h3&gt;

<p> </p>

&lt;p&gt;12/10. Dylan Thomas. All &lt;em&gt;Norton&lt;/em&gt; selections.&lt;/p&gt;

<p> </p>

&lt;p&gt;12/12. Doris Lessing. "To Room Nineteen." Final Draft of Paper #2 due.&lt;/p&gt;

<p> </p>

&lt;h3&gt;FINAL EXAM&lt;/h3&gt;

<p> </p>

&lt;p&gt;12/19. Thursday, 9:30-11:20 a.m. I will be in class during this time so you can turn in your take- home final exam. You may also turn it in at an earlier date if that would be more convenient for you; I'll be giving out the exam instructions early enough to make that feasible.&lt;/p&gt;

<p> <br />&lt;/body&gt; <br />&lt;/html&gt; </p>

<p> </p>

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