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History: A_E212_Spr_2003

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<h3><div align="center">
SYLLABUS FOR E212 BRITISH LITERATURE SINCE 1760, CAL STATE FULLERTON SPRING 2003
</div></h3>

<p align="center">Image </p>

<p align="center">Email | Home | Syllabus | Policies | Questions | Presentations
Journals | Paper | Final | Blogs | Audio | Guides | Links</p>


<p><strong>Note:</b> all links have been removed from this archival copy, but the author questions (bundled according to subject/period) and study guides referenced below can be found in relevant sections of the <strong>Resource Gallery</b>. Instructions pages for journals, presentations, etc. were similar to those available in my current courses. MP3 audio of class sessions for selected courses is still available in the <strong>Audio Archive</b>. My blog entries for most courses are available from the <strong>Blogs Index</b>.</p>


<p><strong>Required Texts (Titan Bookstore)</b></p>

<p>Abrams, M. H. et al. <em>The Norton Anthology of English Literature.</em> 7th ed. Vols. 2ABC.</p>

<p>De Quincey, Thomas. <em>Confessions of an English Opium- Eater.</em> New York: Dover, 1995. ISBN 0-486-28742-4.</p>

<p>Dickens, Charles. <em>Hard Times.</em> New York: Dover, 2001. ISBN 0-486-41920-7.</p>

<p>Stevenson, Robert Louis. <em>The Strange Case of Dr. Jekyll and Mr. Hyde.</em> New York: Dover, 1991 or subsequent reprint. ISBN 0-486-26688-5.</p>


<p><strong>Catalog Information.</b> "This course meets a GE Disciplinary Learning requirement in Category III.B.2, Introduction to the Humanities."</p>

<p><strong>Course Policies.</b> Please review this information early in the semester.</p>

<p><strong>Term Papers:</b> First (due 3/7); Second (5/30) with early draft or notes included.</p>

<p><strong>General:</b> College | Internet | Lit. Theory | Sample | Grammar | Deductive | Citation | Analysis | Editing | Plagiphrasing | Bad English | Rubric | Links</p>

<p><strong>C19 Period:</strong> Intro | Characteristics | Liberalism | Topics | Backgrounds Milton | Metaphor | Nature | What Good is Poetry? | Marx</p>

<p><strong>Questions:</strong> Blake | Wollstonecraft | Wordsworth | Shelley | De Quincey | Carlyle | Mill | Dickens | Tennyson | Stevenson | Hopkins | Wilde | Housman | Sassoon | Owen | Yeats | Woolf</p>


<p><strong>SCHEDULE: WE WILL DISCUSS THE FOLLOWING WORKS ON THE DATES INDICATED</strong></p>

<h3>WEEK 1</h3>

<p>02/03. Intro to Course and to the Romantic Period. <em>Norton</em> introductions to authors/periods are assigned.</p>

<p>02/05. William Blake. From <em>Songs of Innocence.</em></p>

<p>02/07. William Blake. From <em>Songs of Experience.</em></p>

<h3>WEEK 2</h3>

<p>02/10. William Blake. From <em>Songs of Experience.</em> Mary Wollstonecraft. Intro. to "A Vindication"</p>

<p>02/12. Mary Wollstonecraft. From "A Vindication of the Rights of Woman."</p>

<p>02/14. William Wordsworth. "Preface to <em>Lyrical Ballads.</em>"</p>

<h3>WEEK 3</h3>

<p>02/17. Holiday; no class. (Presidents' Day.)

<p>02/19. William Wordsworth. "Preface" (continued) and "Tintern Abbey."</p>

<p>02/21. William Wordsworth. "Tintern" and "Intimations of Immortality"; also assigned: "The Solitary Reaper"; "She dwelt among the untrodden ways"; "I wandered lonely as a cloud"; "Lucy Gray."</p>

<h3>WEEK 4</h3>

<p>02/24. Percy Bysshe Shelley. from "A Defence of Poetry." 02/26. Percy Bysshe Shelley. "A Defence" (cont.); begin "Ode to the West Wind."</p>

<p>02/28. Percy Bysshe Shelley, (cont). "Ode to the West Wind"; "To a Sky-Lark"; "Ozymandias"; "Mutability."</p>

<h3>WEEK 5</h3>

<p>03/03. Percy Bysshe Shelley (cont.); Thomas de Quincey, <em>Confessions of an English Opium-Eater.</em></p>

<p>03/05. Thomas de Quincey, <em>Confessions of an English Opium-Eater.</em></p>

<p>03/07. Thomas de Quincey, <em>Confessions;</em> "On the Knocking at the Gate in <em>Macbeth</em>"; "Alexander Pope"; "The Literature of Knowledge and the Literature of Power." Final Draft of Paper #1 Due.</p>

<h3>WEEK 6</h3>

<p>03/10. Introduction to the Victorian Period.</p>

<p>03/12. Thomas Carlyle. From <em>Portraits;</em> from <em>Sartor Resartus.</em></p>

<p>03/14. Thomas Carlyle. From <em>Sartor Resartus.</em></p>

<h3>WEEK 7</h3>

<p>03/17. Thomas Carlyle. From <em>Sartor</em> ("Natural Supernaturalism"); from <em>The French Revolution.</em></p>

<p>03/19. Thomas Carlyle. From <em>The French Revolution</em> and <em>Past and Present.</em></p>

<p>03/21. Midterm Exam in class.</p>

<h3>WEEK 8</h3>

<p>03/24. John Stuart Mill. From <em>On Liberty.</em></p>

<p>03/26. John Stuart Mill. From <em>On Liberty</em> (cont.); from <em>Autobiography.</em></p>

<p>03/28. John Stuart Mill. From <em>Autobiography</em> (cont.). Charles Dickens. Intro. to <em>Hard Times.</em></p>

<h3>WEEK 9</h3>

<p>03/31. Spring Break; no classes.</p>

<p>04/02. Spring Break; no classes.</p>

<p>04/04. Spring Break; no classes.</p>

<h3>WEEK 10</h3>

<p>04/07. Charles Dickens. <em>Hard Times,</em> Part 1.</p>

<p>04/09. Charles Dickens. <em>Hard Times,</em> Part 2.</p>

<p>04/11. Charles Dickens. <em>Hard Times,</em> Part 3.</p>

<h3>WEEK 11</h3>

<p>04/14. Alfred Tennyson. From <em>In Memoriam A.H.H.</em> Prologue, 1-5, 7, 11, 14-15, 28, 30, 34, 39, 54-56, 75, 108, 118, 123-24, 126, 130-31, Epilogue.</p>

<p>04/16. Alfred Tennyson. From <em>In Memoriam A.H.H.</em> (cont.)</p>

<p>04/18. Alfred Tennyson. "The Lady of Shalott"; "The Lotos-Eaters"; "Ulysses"; "The Eagle"; "Tears, Idle Tears"; "Crossing the Bar."</p>

<h3>WEEK 12</h3>

<p>04/21. Robert Louis Stevenson. <em>The Strange Case of Dr. Jekyll and Mr. Hyde.</em> (Separate edition.)</p>

<p>04/23. Robert Louis Stevenson. <em>The Strange Case of Dr. Jekyll and Mr. Hyde.</em> (Separate edition.)</p>

<p>04/25. Hopkins. All Norton selections.</p>

<h3>WEEK 13</h3>

<p>04/28. Gerard Manley Hopkins. All <em>Norton</em> selections.</p>

<p>04/30. Oscar Wilde. "The Critic as Artist."</p>

<p>05/02. Oscar Wilde. <em>The Importance of Being Earnest.</em> (Film in class)</p>

<h3>WEEK 14</h3>

<p>05/05. Oscar Wilde. <em>The Importance of Being Earnest.</em> (Film in class)</p>

<p>05/07. Oscar Wilde. <em>The Importance of Being Earnest.</em></p>

<p>05/09. Oscar Wilde. <em>The Importance of Being Earnest.</em></p>

<h3>WEEK 15</h3>

<p>05/12. A. E. Housman. All <em>Norton</em> selections.</p>

<p>05/14. Siegfried Sassoon and Wilfred Owen. All <em>Norton</em> selections.</p>

<p>05/16. William Butler Yeats. "The Lake Isle of Innisfree"; "Easter 1916"; "The Second Coming"; "Sailing to Byzantium"; "Leda and the Swan"; "Byzantium"; "Crazy Jane Talks with the Bishop"; "Among School Children"; "Under Ben Bulben."</p>

<h3>WEEK 16</h3>

<p>05/19. William Butler Yeats. "Sailing to Byzantium"; "Byzantium"; "Leda and the Swan"; "Crazy Jane Talks to the Bishop"; "Among School Children"; "Under Ben Bulben."</p>

<p>05/21. Virginia Woolf. <em>A Room of One's Own.</em></p>

<p>05/23. Virginia Woolf. <em>A Room of One's Own.</em></p>

<h3>FINAL EXAM</h3>

<p>05/30. Friday, 9:30-11:20 a.m. In-class exam, comprehensive but with main emphasis on post-midterm texts. (Also, Paper #2 due in class today.)</p>


</body>
</html>

<html>
<head>

</head>
<body>

<h3><div align="center">
SYLLABUS FOR E212 BRITISH LITERATURE SINCE 1760, CAL STATE FULLERTON SPRING 2003
</div></h3>

<p align="center">Image </p>

<p align="center">Email | Home | Syllabus | Policies | Questions | Presentations
Journals | Paper | Final | Blogs | Audio | Guides | Links</p>


<p><b>Note:</b> all links have been removed from this archival copy, but the author questions (bundled according to subject/period) and study guides referenced below can be found in relevant sections of the <b>Resource Gallery</b>. Instructions pages for journals, presentations, etc. were similar to those available in my current courses. MP3 audio of class sessions for selected courses is still available in the <b>Audio Archive</b>. My blog entries for most courses are available from the <b>Blogs Index</b>.</p>


<p><b>Required Texts (Titan Bookstore)</b></p>

<p>Abrams, M. H. et al. <em>The Norton Anthology of English Literature.</em> 7th ed. Vols. 2ABC.</p>

<p>De Quincey, Thomas. <em>Confessions of an English Opium- Eater.</em> New York: Dover, 1995. ISBN 0-486-28742-4.</p>

<p>Dickens, Charles. <em>Hard Times.</em> New York: Dover, 2001. ISBN 0-486-41920-7.</p>

<p>Stevenson, Robert Louis. <em>The Strange Case of Dr. Jekyll and Mr. Hyde.</em> New York: Dover, 1991 or subsequent reprint. ISBN 0-486-26688-5.</p>


<p><b>Catalog Information.</b> "This course meets a GE Disciplinary Learning requirement in Category III.B.2, Introduction to the Humanities."</p>

<p><b>Course Policies.</b> Please review this information early in the semester.</p>

<p><b>Term Papers:</b> First (due 3/7); Second (5/30) with early draft or notes included.</p>

<p><b>General:</b> College | Internet | Lit. Theory | Sample | Grammar | Deductive | Citation | Analysis | Editing | Plagiphrasing | Bad English | Rubric | Links</p>

<p><b>C19 Period:</b> Intro | Characteristics | Liberalism | Topics | Backgrounds Milton | Metaphor | Nature | What Good is Poetry? | Marx</p>

<p><b>Questions:</b> Blake | Wollstonecraft | Wordsworth | Shelley | De Quincey | Carlyle | Mill | Dickens | Tennyson | Stevenson | Hopkins | Wilde | Housman | Sassoon | Owen | Yeats | Woolf</p>


<p><b>SCHEDULE: WE WILL DISCUSS THE FOLLOWING WORKS ON THE DATES INDICATED</b></p>

<h3>WEEK 1</h3>

<p>02/03. Intro to Course and to the Romantic Period. <em>Norton</em> introductions to authors/periods are assigned.</p>

<p>02/05. William Blake. From <em>Songs of Innocence.</em></p>

<p>02/07. William Blake. From <em>Songs of Experience.</em></p>

<h3>WEEK 2</h3>

<p>02/10. William Blake. From <em>Songs of Experience.</em> Mary Wollstonecraft. Intro. to "A Vindication"</p>

<p>02/12. Mary Wollstonecraft. From "A Vindication of the Rights of Woman."</p>

<p>02/14. William Wordsworth. "Preface to <em>Lyrical Ballads.</em>"</p>

<h3>WEEK 3</h3>

<p>02/17. Holiday; no class. (Presidents' Day.)

<p>02/19. William Wordsworth. "Preface" (continued) and "Tintern Abbey."</p>

<p>02/21. William Wordsworth. "Tintern" and "Intimations of Immortality"; also assigned: "The Solitary Reaper"; "She dwelt among the untrodden ways"; "I wandered lonely as a cloud"; "Lucy Gray."</p>

<h3>WEEK 4</h3>

<p>02/24. Percy Bysshe Shelley. from "A Defence of Poetry." 02/26. Percy Bysshe Shelley. "A Defence" (cont.); begin "Ode to the West Wind."</p>

<p>02/28. Percy Bysshe Shelley, (cont). "Ode to the West Wind"; "To a Sky-Lark"; "Ozymandias"; "Mutability."</p>

<h3>WEEK 5</h3>

<p>03/03. Percy Bysshe Shelley (cont.); Thomas de Quincey, <em>Confessions of an English Opium-Eater.</em></p>

<p>03/05. Thomas de Quincey, <em>Confessions of an English Opium-Eater.</em></p>

<p>03/07. Thomas de Quincey, <em>Confessions;</em> "On the Knocking at the Gate in <em>Macbeth</em>"; "Alexander Pope"; "The Literature of Knowledge and the Literature of Power." Final Draft of Paper #1 Due.</p>

<h3>WEEK 6</h3>

<p>03/10. Introduction to the Victorian Period.</p>

<p>03/12. Thomas Carlyle. From <em>Portraits;</em> from <em>Sartor Resartus.</em></p>

<p>03/14. Thomas Carlyle. From <em>Sartor Resartus.</em></p>

<h3>WEEK 7</h3>

<p>03/17. Thomas Carlyle. From <em>Sartor</em> ("Natural Supernaturalism"); from <em>The French Revolution.</em></p>

<p>03/19. Thomas Carlyle. From <em>The French Revolution</em> and <em>Past and Present.</em></p>

<p>03/21. Midterm Exam in class.</p>

<h3>WEEK 8</h3>

<p>03/24. John Stuart Mill. From <em>On Liberty.</em></p>

<p>03/26. John Stuart Mill. From <em>On Liberty</em> (cont.); from <em>Autobiography.</em></p>

<p>03/28. John Stuart Mill. From <em>Autobiography</em> (cont.). Charles Dickens. Intro. to <em>Hard Times.</em></p>

<h3>WEEK 9</h3>

<p>03/31. Spring Break; no classes.</p>

<p>04/02. Spring Break; no classes.</p>

<p>04/04. Spring Break; no classes.</p>

<h3>WEEK 10</h3>

<p>04/07. Charles Dickens. <em>Hard Times,</em> Part 1.</p>

<p>04/09. Charles Dickens. <em>Hard Times,</em> Part 2.</p>

<p>04/11. Charles Dickens. <em>Hard Times,</em> Part 3.</p>

<h3>WEEK 11</h3>

<p>04/14. Alfred Tennyson. From <em>In Memoriam A.H.H.</em> Prologue, 1-5, 7, 11, 14-15, 28, 30, 34, 39, 54-56, 75, 108, 118, 123-24, 126, 130-31, Epilogue.</p>

<p>04/16. Alfred Tennyson. From <em>In Memoriam A.H.H.</em> (cont.)</p>

<p>04/18. Alfred Tennyson. "The Lady of Shalott"; "The Lotos-Eaters"; "Ulysses"; "The Eagle"; "Tears, Idle Tears"; "Crossing the Bar."</p>

<h3>WEEK 12</h3>

<p>04/21. Robert Louis Stevenson. <em>The Strange Case of Dr. Jekyll and Mr. Hyde.</em> (Separate edition.)</p>

<p>04/23. Robert Louis Stevenson. <em>The Strange Case of Dr. Jekyll and Mr. Hyde.</em> (Separate edition.)</p>

<p>04/25. Hopkins. All Norton selections.</p>

<h3>WEEK 13</h3>

<p>04/28. Gerard Manley Hopkins. All <em>Norton</em> selections.</p>

<p>04/30. Oscar Wilde. "The Critic as Artist."</p>

<p>05/02. Oscar Wilde. <em>The Importance of Being Earnest.</em> (Film in class)</p>

<h3>WEEK 14</h3>

<p>05/05. Oscar Wilde. <em>The Importance of Being Earnest.</em> (Film in class)</p>

<p>05/07. Oscar Wilde. <em>The Importance of Being Earnest.</em></p>

<p>05/09. Oscar Wilde. <em>The Importance of Being Earnest.</em></p>

<h3>WEEK 15</h3>

<p>05/12. A. E. Housman. All <em>Norton</em> selections.</p>

<p>05/14. Siegfried Sassoon and Wilfred Owen. All <em>Norton</em> selections.</p>

<p>05/16. William Butler Yeats. "The Lake Isle of Innisfree"; "Easter 1916"; "The Second Coming"; "Sailing to Byzantium"; "Leda and the Swan"; "Byzantium"; "Crazy Jane Talks with the Bishop"; "Among School Children"; "Under Ben Bulben."</p>

<h3>WEEK 16</h3>

<p>05/19. William Butler Yeats. "Sailing to Byzantium"; "Byzantium"; "Leda and the Swan"; "Crazy Jane Talks to the Bishop"; "Among School Children"; "Under Ben Bulben."</p>

<p>05/21. Virginia Woolf. <em>A Room of One's Own.</em></p>

<p>05/23. Virginia Woolf. <em>A Room of One's Own.</em></p>

<h3>FINAL EXAM</h3>

<p>05/30. Friday, 9:30-11:20 a.m. In-class exam, comprehensive but with main emphasis on post-midterm texts. (Also, Paper #2 due in class today.)</p>


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