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History: CPLT325_Audio_Fall_15

Comparing version 12 with version 14

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<h3><div align="center">
AUDIO MP3 FOR CPLT 325 WORLD LIT, CSU FULLERTON FALL 2015 (11/30/15)
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<p align="center">Image </p>

<p align="center"><b>Email | Home | Syllabus | Policies | Presentations | Questions | Journals | Paper | Final | Blogs<br /> Audio | Guides | Links | CSUF Library | CSUF Catalog | CSUF Calendar | CSUF Exam Schedule</b></p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is easy to download and store the entire file. To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<h3 align="center"><font color="#7800A7">SESSION SCHEDULE: WORKS DISCUSSED ON DATES INDICATED</font></h3>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>M. 08/24. Course Introduction. <b>SESSION AUDIO</b>.</p>

<p>W. 08/26. Matsuo Basho. <i>The Narrow Road to the Deep North</i> (Vol. D, 616-28). Read also Vol. D, 613-15 introduction, "The World of Haiku." <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>M. 08/31. Ihara Saikaku. <i>The Life of a Sensuous Woman</i> (Vol. D, 591-611). Read also "Early Modern Japanese Popular Literature" (Vol. D, 585-90). <b>SESSION AUDIO</b>.</p>

<p> W. 09/02. Section "What is Enlightenment?": Samuel Johnson through Denis Diderot/Jean D'Alembert (Vol. D, 101-27). Read also the introduction: "The Enlightenment in Europe and the Americas" (Vol. D, 91-99). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>M. 09/07. Labor Day Holiday, No Classes.</p>

<p>W. 09/09. Section "What is Enlightenment?" Benjamin Franklin through the Marquis de Sade (Vol. D, 127-40 — i.e. read all the selections in this section on the Enlightenment). Read also the introduction: "The Enlightenment in Europe and the Americas" (Vol. D, 91-99). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 4</font></h3>

<p>M. 09/14. Voltaire. <i>Candide,</i> Chapters 1-18 (Vol. D, 355-85). <b>SESSION AUDIO</b>.</p>

<p>W. 09/16. Voltaire. <i>Candide,</i> Chapters 19-30 (Vol. D, 385-413). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 5</font></h3>

<p>M. 09/21. Johann Wolfgang von Goethe. <i>Faust</i> (Vol. E, 102-76). Read also Section Intro: "An Age of Revolutions in Europe and the Americas" (Vol. E, 3-21). <b>SESSION AUDIO</b>.</p>

<p>W. 09/23. Johann Wolfgang von Goethe. <i>Faust</i> (Vol. E, 176-208). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 1 DUE BY EMAIL MONDAY 09/28; SEE INSTRUCTIONS.</b> (Reminder: this set includes Basho through and including Goethe. Please expect an email from me verifying receipt of this and subsequent journal sets.)</p>

<h3><font color="#7800A7">WEEK 6</font></h3>

<p>M. 09/28. Romanticism: William Blake's "The Tyger" ( Vol. E, 339) and "London" (Vol. E, 340); Friedrich Hölderlin's "The Half of Life" (343), "Hyperion's Song of Fate" (343-44), "Brevity" (344), "To the Fates" (344); William Wordsworth's "…Tintern Abbey" (351-54); Samuel Taylor Coleridge's "Kubla Khan" (379). Read also "Romantic Poets and Their Successors" (322-25). <b>SESSION AUDIO</b>.</p>

<p>W. 09/30. Romanticism, continued: Heinrich Heine's selections (415-17) and Giacomo Leopardi's selections (418-20). Charles Baudelaire's selections from <i>The Flowers of Evil</i> (466-80). Successors" (322-25). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 7</font></h3>

<p>M. 10/05. Fyodor Dostoyevsky. <i>Notes from Underground,</i> Part I entire and Part II, Chapters 1-3 (Vol. E, 635-708). Read also introduction, "Realism Across the Globe" (Vol. E, 625-74). Successors" (322-25). <b>SESSION AUDIO</b>.</p>

<p>W. 10/07. Fyodor Dostoyevsky. <i>Notes from Underground,</i> Part II, Chapters. 4-10 (Vol. E, 635-708). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 8</font></h3>

<p>M. 10/12. Leo Tolstoy. "The Death of Ivan Ilyich," Chapters I-VI (Vol. E, 740-64). <b>SESSION AUDIO</b>.</p>

<p>W. 10/14. Leo Tolstoy. "The Death of Ivan Ilyich," Chapters VII-XII (Vol. E, 764-78). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 9</font></h3>

<p>M. 10/19. Anton Chekhov. <i>The Cherry Orchard,</i> Acts 1-2 (Vol. E, 850-72). <b>SESSION AUDIO</b>.</p>

<p>W. 10/21. Anton Chekhov. <i>The Cherry Orchard,</i> Acts 3-4 (Vol. E, 872-89). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 2 DUE BY EMAIL FRIDAY 10/30; SEE INSTRUCTIONS.</b> (Reminder: this set includes Blake through and including Chekhov.)</p>

<h3><font color="#7800A7">WEEK 10</font></h3>

<p>M. 10/26. Rabindranath Tagore. "Punishment" (Vol. E, 893-99) and "Kabuliwala" (Vol. E, 899-904). <b>SESSION AUDIO</b>.</p>

<p>W. 10/28. Higuchi Ichiyo. "Separate Ways" (Vol. E, 907-13). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 11</font></h3>

<p>M. 11/02. Franz Kafka. <i>The Metamorphosis,</i> Chapters 1-2 (Vol. F, 210-31). Read also the introduction, "Modernity and Modernism, 1900-1945 (Vol. F, 3-13). <b>SESSION AUDIO</b>.</p>

<p>W. 11/04. Franz Kafka. <i>The Metamorphosis,</i> Chapter 3 (Vol. F, 231-41). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 12</font></h3>

<p>M. 11/09. Bertolt Brecht. <i>The Good Woman of Setzuan,</i> Prologue and Scenes 1-6a (Vol. F, 434-69). <b>SESSION AUDIO</b>.</p>

<p> W. 11/11. Veterans Day Holiday, No Classes.</p>

<h3><font color="#7800A7">WEEK 13</font></h3>

<p>M. 11/16. Bertolt Brecht. <i>The Good Woman of Setzuan,</i> Scenes 7-10, Epilogue (Vol. F, 469-87). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Forgot recorder today; will offer a digital lecture if time permits.</font></b></p>

<p>W. 11/18. Federico Garcia Lorca. "Lament for Ignacio Sanchez Mejias" (Vol. F, 577-83). Pablo Neruda. Read all selections (Vol. F, 585-99). Octavio Paz. "I Speak of the City" (Vol. F, 634-37). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 3 DUE BY EMAIL FRIDAY 11/20; SEE INSTRUCTIONS.</b> (Reminder: this set includes Tagore through and including Brecht.)</p>

<p><b>PARAGRAPH DESCRIBING GENERAL TOPIC AND SPECIFIC ARGUMENT FOR TERM PAPER DUE BY EMAIL FRIDAY 11/20; SEE INSTRUCTIONS.</b></p>

<h3><font color="#7800A7">WEEK 14</font></h3>

<p>M. 11/23. Fall Recess, No Classes.</p>

<p>W. 11/25. Fall Recess, No Classes.</p>

<h3><font color="#7800A7">WEEK 15</font></h3>

<p>M. 11/30. Nawal el Saadawi. "In Camera" (Vol. F, 1106-15). Chu T'ien-Hsin. "Man of La Mancha" (Vol. F, 1233-40). Read also introduction "Contemporary World Literature" (Vol. F, 925-32). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p>W. 12/02. Ngugi Wa Thiong'O. "Wedding at the Cross" (Vol. F, 1038-49). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<h3><font color="#7800A7">WEEK 16</font></h3>

<p>M. 12/07. Wole Soyinka. <i>Death and the King's Horseman,</i> Scenes 1-3 (Vol. F, 1051-78). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p>W. 12/09. Wole Soyinka. <i>Death and the King's Horseman</i> Scenes 4-5 (Vol. F, 1078-98). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p><b>JOURNAL SET 4 DUE BY EMAIL EXAM DAY; SEE INSTRUCTIONS.</b> (Reminder: this set includes Garcia Lorca through and including Soyinka.)</p>

<h3><font color="#7800A7">FINALS WEEK</font></h3>

<p>Final Exam Date Monday, Dec. 14 from 2:30-4:20 p.m. Due by email by Monday, Dec. 21: <b>Term Paper</b>. (I must turn in grades by Dec. 28, 2015.) For your other courses, check <b>CSUF's Final Exam Schedule</b>.</p>


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<body>

<h3><div align="center">
AUDIO MP3 FOR CPLT 325 WORLD LIT, CSU FULLERTON FALL 2015 (12/9/15)
</div></h3>

<p align="center">Image </p>

<p align="center"><b>Email | Home | Syllabus | Policies | Presentations | Questions | Journals | Paper | Final | Blogs<br /> Audio | Guides | Links | CSUF Library | CSUF Catalog | CSUF Calendar | CSUF Exam Schedule</b></p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is easy to download and store the entire file. To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<h3 align="center"><font color="#7800A7">SESSION SCHEDULE: WORKS DISCUSSED ON DATES INDICATED</font></h3>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>M. 08/24. Course Introduction. <b>SESSION AUDIO</b>.</p>

<p>W. 08/26. Matsuo Basho. <i>The Narrow Road to the Deep North</i> (Vol. D, 616-28). Read also Vol. D, 613-15 introduction, "The World of Haiku." <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>M. 08/31. Ihara Saikaku. <i>The Life of a Sensuous Woman</i> (Vol. D, 591-611). Read also "Early Modern Japanese Popular Literature" (Vol. D, 585-90). <b>SESSION AUDIO</b>.</p>

<p> W. 09/02. Section "What is Enlightenment?": Samuel Johnson through Denis Diderot/Jean D'Alembert (Vol. D, 101-27). Read also the introduction: "The Enlightenment in Europe and the Americas" (Vol. D, 91-99). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>M. 09/07. Labor Day Holiday, No Classes.</p>

<p>W. 09/09. Section "What is Enlightenment?" Benjamin Franklin through the Marquis de Sade (Vol. D, 127-40 — i.e. read all the selections in this section on the Enlightenment). Read also the introduction: "The Enlightenment in Europe and the Americas" (Vol. D, 91-99). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 4</font></h3>

<p>M. 09/14. Voltaire. <i>Candide,</i> Chapters 1-18 (Vol. D, 355-85). <b>SESSION AUDIO</b>.</p>

<p>W. 09/16. Voltaire. <i>Candide,</i> Chapters 19-30 (Vol. D, 385-413). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 5</font></h3>

<p>M. 09/21. Johann Wolfgang von Goethe. <i>Faust</i> (Vol. E, 102-76). Read also Section Intro: "An Age of Revolutions in Europe and the Americas" (Vol. E, 3-21). <b>SESSION AUDIO</b>.</p>

<p>W. 09/23. Johann Wolfgang von Goethe. <i>Faust</i> (Vol. E, 176-208). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 1 DUE BY EMAIL MONDAY 09/28; SEE INSTRUCTIONS.</b> (Reminder: this set includes Basho through and including Goethe. Please expect an email from me verifying receipt of this and subsequent journal sets.)</p>

<h3><font color="#7800A7">WEEK 6</font></h3>

<p>M. 09/28. Romanticism: William Blake's "The Tyger" ( Vol. E, 339) and "London" (Vol. E, 340); Friedrich Hölderlin's "The Half of Life" (343), "Hyperion's Song of Fate" (343-44), "Brevity" (344), "To the Fates" (344); William Wordsworth's "…Tintern Abbey" (351-54); Samuel Taylor Coleridge's "Kubla Khan" (379). Read also "Romantic Poets and Their Successors" (322-25). <b>SESSION AUDIO</b>.</p>

<p>W. 09/30. Romanticism, continued: Heinrich Heine's selections (415-17) and Giacomo Leopardi's selections (418-20). Charles Baudelaire's selections from <i>The Flowers of Evil</i> (466-80). Successors" (322-25). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 7</font></h3>

<p>M. 10/05. Fyodor Dostoyevsky. <i>Notes from Underground,</i> Part I entire and Part II, Chapters 1-3 (Vol. E, 635-708). Read also introduction, "Realism Across the Globe" (Vol. E, 625-74). Successors" (322-25). <b>SESSION AUDIO</b>.</p>

<p>W. 10/07. Fyodor Dostoyevsky. <i>Notes from Underground,</i> Part II, Chapters. 4-10 (Vol. E, 635-708). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 8</font></h3>

<p>M. 10/12. Leo Tolstoy. "The Death of Ivan Ilyich," Chapters I-VI (Vol. E, 740-64). <b>SESSION AUDIO</b>.</p>

<p>W. 10/14. Leo Tolstoy. "The Death of Ivan Ilyich," Chapters VII-XII (Vol. E, 764-78). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 9</font></h3>

<p>M. 10/19. Anton Chekhov. <i>The Cherry Orchard,</i> Acts 1-2 (Vol. E, 850-72). <b>SESSION AUDIO</b>.</p>

<p>W. 10/21. Anton Chekhov. <i>The Cherry Orchard,</i> Acts 3-4 (Vol. E, 872-89). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 2 DUE BY EMAIL FRIDAY 10/30; SEE INSTRUCTIONS.</b> (Reminder: this set includes Blake through and including Chekhov.)</p>

<h3><font color="#7800A7">WEEK 10</font></h3>

<p>M. 10/26. Rabindranath Tagore. "Punishment" (Vol. E, 893-99) and "Kabuliwala" (Vol. E, 899-904). <b>SESSION AUDIO</b>.</p>

<p>W. 10/28. Higuchi Ichiyo. "Separate Ways" (Vol. E, 907-13). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 11</font></h3>

<p>M. 11/02. Franz Kafka. <i>The Metamorphosis,</i> Chapters 1-2 (Vol. F, 210-31). Read also the introduction, "Modernity and Modernism, 1900-1945 (Vol. F, 3-13). <b>SESSION AUDIO</b>.</p>

<p>W. 11/04. Franz Kafka. <i>The Metamorphosis,</i> Chapter 3 (Vol. F, 231-41). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 12</font></h3>

<p>M. 11/09. Bertolt Brecht. <i>The Good Woman of Setzuan,</i> Prologue and Scenes 1-6a (Vol. F, 434-69). <b>SESSION AUDIO</b>.</p>

<p> W. 11/11. Veterans Day Holiday, No Classes.</p>

<h3><font color="#7800A7">WEEK 13</font></h3>

<p>M. 11/16. Bertolt Brecht. <i>The Good Woman of Setzuan,</i> Scenes 7-10, Epilogue (Vol. F, 469-87). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Forgot recorder today; will offer a digital lecture if time permits.</font></b></p>

<p>W. 11/18. Federico Garcia Lorca. "Lament for Ignacio Sanchez Mejias" (Vol. F, 577-83). Pablo Neruda. Read all selections (Vol. F, 585-99). Octavio Paz. "I Speak of the City" (Vol. F, 634-37). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 3 DUE BY EMAIL FRIDAY 11/20; SEE INSTRUCTIONS.</b> (Reminder: this set includes Tagore through and including Brecht.)</p>

<p><b>PARAGRAPH DESCRIBING GENERAL TOPIC AND SPECIFIC ARGUMENT FOR TERM PAPER DUE BY EMAIL FRIDAY 11/20; SEE INSTRUCTIONS.</b></p>

<h3><font color="#7800A7">WEEK 14</font></h3>

<p>M. 11/23. Fall Recess, No Classes.</p>

<p>W. 11/25. Fall Recess, No Classes.</p>

<h3><font color="#7800A7">WEEK 15</font></h3>

<p>M. 11/30. Nawal el Saadawi. "In Camera" (Vol. F, 1106-15). Chu T'ien-Hsin. "Man of La Mancha" (Vol. F, 1233-40). Read also introduction "Contemporary World Literature" (Vol. F, 925-32). <b>SESSION AUDIO</b>.</p>

<p>W. 12/02. Ngugi Wa Thiong'O. "Wedding at the Cross" (Vol. F, 1038-49). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 16</font></h3>

<p>M. 12/07. Wole Soyinka. <i>Death and the King's Horseman,</i> Scenes 1-3 (Vol. F, 1051-78). <b>SESSION AUDIO</b>.</p>

<p>W. 12/09. Wole Soyinka. <i>Death and the King's Horseman</i> Scenes 4-5 (Vol. F, 1078-98). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 4 DUE BY EMAIL EXAM DAY; SEE INSTRUCTIONS.</b> (Reminder: this set includes Garcia Lorca through and including Soyinka.)</p>

<h3><font color="#7800A7">FINALS WEEK</font></h3>

<p>Final Exam Date Monday, Dec. 14 from 2:30-4:20 p.m. Due by email by Monday, Dec. 21: <b>Term Paper</b>. (I must turn in grades by Dec. 28, 2015.) For your other courses, check <b>CSUF's Final Exam Schedule</b>.</p>


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