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History: E212_Audio

Comparing version 105 with version 120

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<h3><div align="center">
CLASS SESSION AUDIO FOR E212 BRITISH LITERATURE SINCE 1760, CSU FULLERTON SPRING 2011 (5/12/11)
</div></h3>

<p align="center">Image </p>

<p align="center"><strong>Email | Home | Syllabus | Policies | Questions | Presentations | Journals | Paper | Final | Blogs<br />Audio | Guides | Links | CSUF Library | CSUF Catalog | CSUF Calendar | CSUF Exam Schedule</strong></p>


<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is also feasible to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>


<h3 align="center"><font color="#7800A7">SESSION SCHEDULE: FOLLOWING WORKS DISCUSSED ON DATES INDICATED</font></h3>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>01/25. Tu. Course Introduction. <strong>SESSION AUDIO</strong>.</p>

<p>01/27. Th. William Blake. <em>Songs of Innocence and of Experience</em> (81-97); <em>The Marriage of Heaven and Hell,</em> Plates 2-5 (111-14). <strong>SESSION AUDIO</strong>.</p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>02/01. Tu. William Wordsworth. "Preface to <em>Lyrical Ballads</em>" (262-74); "We Are Seven" (248-49); "Expostulation and Reply" (250-51); "The Tables Turned" (251-52). <strong>SESSION AUDIO</strong>.</p>

<p>02/03. Th. William and Dorothy Wordsworth. William's "Tintern Abbey" (258-62); "Three years she grew" (275-76); "I wandered lonely as a cloud" (305-06); "The Solitary Reaper" (314-15). Dorothy's <em>Alfoxden</em> and <em>Grasmere Journals</em> (389-402). <strong>SESSION AUDIO</strong>.</p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>02/08. Tu. Samuel Taylor Coleridge. "The Eolian Harp" (426-28); "The Rime of the Ancient Mariner" (430-48); "Kubla Khan" (446-48); "Frost at Midnight" (464-66); "Dejection: an Ode" (466-69). <strong>SESSION AUDIO</strong>.</p>

<p>02/10. Th. Samuel Taylor Coleridge. <em>Biographia Literaria</em> (474-85); <em>Lectures on Shakespeare</em> (485-88); <em>The Statesman's Manual</em> (488-91). <strong>SESSION AUDIO</strong>.</p>

<h3><font color="#008000">WEEK 4</font></h3>

<p>02/15. Tu. Percy Bysshe Shelley. <em>Defense of Poetry</em> (837-50); "Mutability" (744); "To Wordsworth" (744-45); "Mont Blanc" (762-66). <strong>SESSION AUDIO</strong>.</p>

<p>02/17. Th. Percy Bysshe Shelley. "Ozymandias" (768); "Ode to the West Wind" (772-75); "To a Sky-Lark" (817-19). <strong>SESSION AUDIO</strong>.</p>

<h3><font color="#008000">WEEK 5</font></h3>

<p>02/22. Tu. John Keats. "Ode to a Nightingale" (903-05); "Ode on a Grecian Urn" (905-06); "Ode on Melancholy" (907-08), "To Autumn" (925-26); <em>Letters</em> (940-955). <strong>SESSION AUDIO</strong>.</p>

<p>02/24. Th. Charles Lamb. "Christ's Hospital Five-and-Thirty Years Ago (496-505). William Hazlitt. "On Gusto" (538-41). Thomas De Quincey. "On the Knocking at the Gate in Macbeth (569-72). <strong>SESSION AUDIO</strong>.</p>

<h3><font color="#008000">WEEK 6</font></h3>

<p>03/01. Tu. Jane Austen. <em>Persuasion.</em> (Film)</p>

<p>03/03. Th. Jane Austen. <em>Persuasion.</em> (Film) and <em>Persuasion,</em> Vol. 1. (Separate text.) <strong>SESSION AUDIO</strong>.</p>

<h3><font color="#008000">WEEK 7</font></h3>

<p>03/08. Tu. Jane Austen. <em>Persuasion,</em> Vols. 1-2. (Separate text.) <strong>SESSION AUDIO</strong>.</font></p>

<p>03/10. Th. Alfred Tennyson. "The Lady of Shalott" (1114-18); "The Lotos-Eaters" (1119-23); "Ulysses" (1123-25); from <em>In Memoriam A.H.H.</em>: Prologue (1138-39), 1-5 (1140-42), 54-56 (1157-59). <strong>SESSION AUDIO</strong>.</p>

<h3><font color="#008000">WEEK 8</font></h3>

<p>03/15. Tu. Thomas Carlyle. <em>Sartor Resartus</em> (1005-1024). <strong>SESSION AUDIO</strong>.</p>

<p>03/17. Th. John Stuart Mill. <em>On Liberty</em> (1050-61); <em>Autobiography</em> (1070-77); <em>The Subjection of Women</em> (1061-70). <strong>SESSION AUDIO</strong>.</p>

<h3><font color="#008000">WEEK 9</font></h3>

<p>03/22. Tu. John Ruskin. <em>Modern Painters</em> (1320-24) and <em>The Stones of Venice</em> (1324-34). <strong>SESSION AUDIO</strong>.</p>

<p>03/24. Th. Matthew Arnold. "The Buried Life" (1356-58); "Dover Beach" (1368-69); "Stanzas from the Grande Chartreuse" (1369-74); "Preface to <em>Poems</em>" (1374-84). <strong>SESSION AUDIO</strong>.</p>

<h3><font color="#008000">WEEK 10</font></h3>

<p>03/29. Tu. Spring Recess. No classes all week.</p>

<p>03/31. Th. Spring Recess. No classes all week.</p>

<h3><font color="#008000">WEEK 11</font></h3>

<p>04/05. Tu. Robert Browning and Gerard Manley Hopkins. Browning's "The Bishop Orders His Tomb. . ." (1259-62). Hopkins' "God's Grandeur" (1516); "As Kingfishers Catch Fire" (1517); "The Windhover" (1518); "Pied Beauty" (1518); "Binsey Poplars" (1519); "Duns Scotus's Oxford" (1520); "Felix Randal" (1520-21); "I wake and feel . . ." (1522-23); "No worst, there is none" (1522); "That Nature Is a Heraclitean Fire . . ." (1523); from <em>Journal</em> (1524-26). <strong>SESSION AUDIO</strong>.</p>

<p>04/07. Th. Dante Gabriel and Christina Rossetti. Dante Gabriel's "The Blessed Damozel" (1443-47). Christina's "Song — She sat and sang alway" (1460-61); "Song — When I am dead . . ." (1461); "In an Artist's Studio" (1463); "An Apple-Gathering" (1464); "Winter My Secret" (1464-65); "No Thank You, John" (1478). <strong>SESSION AUDIO</strong>.</p>

<h3><font color="#008000">WEEK 12</font></h3>

<p>04/12. Tu. Oscar Wilde. <em>The Importance of Being Earnest</em> (Film + text Act 1. 1698-1740). <strong>SESSION AUDIO</strong>.</font></p>

<p>04/14. Th. Oscar Wilde. <em>The Importance of Being Earnest</em> (Film + text Acts 2-3. 1698-1740). <strong>SESSION AUDIO</strong>.</p>

<h3><font color="#008000">WEEK 13</font></h3>

<p>04/19. Tu. WWI Writing. Voices of World War I Section — Sassoon (1960-64); Gurney (1965-66); Rosenberg (1966-70); Owen (1971-80); Cannan (1981-84); Graves (1984-87). <strong>SESSION AUDIO</strong>.</p>

<p>04/21. Th. W. B. Yeats. "The Lake Isle of Innisfree" (2025); "The Second Coming" (2036-37); "Leda and the Swan" (2039); "Sailing to Byzantium" (2040); "Among School Children" (2041-42); "Byzantium" (2044-45); "Crazy Jane Talks with the Bishop" (2045-46); "Under Ben Bulben" (2047-50); "The Circus Animals' Desertion" (2051-52). <strong>SESSION AUDIO</strong>.</p>

<h3><font color="#008000">WEEK 14</font></h3>

<p>04/26. Tu. James Joyce. "The Dead" (Film).</p>

<p>04/28. Th. James Joyce. "The Dead" (2172-99). <strong>SESSION AUDIO</strong>.</p>

<h3><font color="#008000">WEEK 15</font></h3>

<p>05/03. Tu. T. S. Eliot. "The Love Song of J. Alfred Prufrock" (2289-93); "Tradition and the Individual Talent" (2319-25). <strong>SESSION AUDIO</strong>.</p>

<p>05/05. Th. Jean Rhys. "The Day They Burned the Books" (2356-61); "Let Them Call It Jazz" (2361-72). W.H. Auden. "In Praise of Limestone" (2435-36); "The Shield of Achilles" (2437-38); "Poetry as Memorable Speech" (2438-41). <strong>SESSION AUDIO</strong>.</p>

<h3><font color="#008000">WEEK 16</font></h3>

<p>05/10. Tu. Tom Stoppard. <em>Arcadia</em> (Act 1, 2752-89). <strong>SESSION AUDIO</strong>.</p>

<p>05/12. Th. Tom Stoppard. <em>Arcadia</em> (Act 2, 2789-2820). <strong>SESSION AUDIO</strong>.</p>

<h3><font color="#008000">TEXTS USED</font></h3>

<p>Abrams, M. H. et al., eds. <em>The Norton Anthology of English Literature.</em> 8th ed. New York: Norton, 2006. ISBN Package 2 (Vols. DEF) 0-393-92834-9.</p>

<p>Austen, Jane. <em>Persuasion.</em> Eds. Deidre Shauna Lynch and James Kinsley. 2nd. Edition. Oxford: Oxford UP, 2004. ISBN 0-192-80263-1.</p>

<p>Technical Note: I record audio files in class with an Olympus DM-1 digital voice recorder, transfer them via USB to my laptop, edit them in Nero Wave Editor and convert them to 16 kbps mp3 files with Nero's mp3 Pro encoding feature. Then they are uploaded to this wiki site.</p>


</body>
</html>

<html>
<head>

<h3><div align="center">
CLASS SESSION AUDIO FOR E212 BRITISH LITERATURE SINCE 1760, CSU FULLERTON SPRING 2011 (5/12/11)
</div></h3>

<p align="center">Image </p>

<p align="center"><b>Email | Home | Syllabus | Policies | Questions | Presentations | Journals | Paper | Final | Blogs<br />Audio | Guides | Links | CSUF Library | CSUF Catalog | CSUF Calendar | CSUF Exam Schedule</b></p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is also feasible to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<h3 align="center"><font color="#7800A7">SESSION SCHEDULE: FOLLOWING WORKS DISCUSSED ON DATES INDICATED</font></h3>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>01/25. Tu. Course Introduction. <b>SESSION AUDIO</b>.</p>

<p>01/27. Th. William Blake. <i>Songs of Innocence and of Experience</i> (81-97); <i>The Marriage of Heaven and Hell,</i> Plates 2-5 (111-14). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>02/01. Tu. William Wordsworth. "Preface to <i>Lyrical Ballads</i>" (262-74); "We Are Seven" (248-49); "Expostulation and Reply" (250-51); "The Tables Turned" (251-52). <b>SESSION AUDIO</b>.</p>

<p>02/03. Th. William and Dorothy Wordsworth. William's "Tintern Abbey" (258-62); "Three years she grew" (275-76); "I wandered lonely as a cloud" (305-06); "The Solitary Reaper" (314-15). Dorothy's <i>Alfoxden</i> and <i>Grasmere Journals</i> (389-402). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>02/08. Tu. Samuel Taylor Coleridge. "The Eolian Harp" (426-28); "The Rime of the Ancient Mariner" (430-48); "Kubla Khan" (446-48); "Frost at Midnight" (464-66); "Dejection: an Ode" (466-69). <b>SESSION AUDIO</b>.</p>

<p>02/10. Th. Samuel Taylor Coleridge. <i>Biographia Literaria</i> (474-85); <i>Lectures on Shakespeare</i> (485-88); <i>The Statesman's Manual</i> (488-91). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 4</font></h3>

<p>02/15. Tu. Percy Bysshe Shelley. <i>Defense of Poetry</i> (837-50); "Mutability" (744); "To Wordsworth" (744-45); "Mont Blanc" (762-66). <b>SESSION AUDIO</b>.</p>

<p>02/17. Th. Percy Bysshe Shelley. "Ozymandias" (768); "Ode to the West Wind" (772-75); "To a Sky-Lark" (817-19). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 5</font></h3>

<p>02/22. Tu. John Keats. "Ode to a Nightingale" (903-05); "Ode on a Grecian Urn" (905-06); "Ode on Melancholy" (907-08), "To Autumn" (925-26); <i>Letters</i> (940-955). <b>SESSION AUDIO</b>.</p>

<p>02/24. Th. Charles Lamb. "Christ's Hospital Five-and-Thirty Years Ago (496-505). William Hazlitt. "On Gusto" (538-41). Thomas De Quincey. "On the Knocking at the Gate in Macbeth (569-72). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 6</font></h3>

<p>03/01. Tu. Jane Austen. <i>Persuasion.</i> (Film)</p>

<p>03/03. Th. Jane Austen. <i>Persuasion.</i> (Film) and <i>Persuasion,</i> Vol. 1. (Separate text.) <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 7</font></h3>

<p>03/08. Tu. Jane Austen. <i>Persuasion,</i> Vols. 1-2. (Separate text.) <b>SESSION AUDIO</b>.</font></p>

<p>03/10. Th. Alfred Tennyson. "The Lady of Shalott" (1114-18); "The Lotos-Eaters" (1119-23); "Ulysses" (1123-25); from <i>In Memoriam A.H.H.</i>: Prologue (1138-39), 1-5 (1140-42), 54-56 (1157-59). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 8</font></h3>

<p>03/15. Tu. Thomas Carlyle. <i>Sartor Resartus</i> (1005-1024). <b>SESSION AUDIO</b>.</p>

<p>03/17. Th. John Stuart Mill. <i>On Liberty</i> (1050-61); <i>Autobiography</i> (1070-77); <i>The Subjection of Women</i> (1061-70). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 9</font></h3>

<p>03/22. Tu. John Ruskin. <i>Modern Painters</i> (1320-24) and <i>The Stones of Venice</i> (1324-34). <b>SESSION AUDIO</b>.</p>

<p>03/24. Th. Matthew Arnold. "The Buried Life" (1356-58); "Dover Beach" (1368-69); "Stanzas from the Grande Chartreuse" (1369-74); "Preface to <i>Poems</i>" (1374-84). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 10</font></h3>

<p>03/29. Tu. Spring Recess. No classes all week.</p>

<p>03/31. Th. Spring Recess. No classes all week.</p>

<h3><font color="#7800A7">WEEK 11</font></h3>

<p>04/05. Tu. Robert Browning and Gerard Manley Hopkins. Browning's "The Bishop Orders His Tomb. . ." (1259-62). Hopkins' "God's Grandeur" (1516); "As Kingfishers Catch Fire" (1517); "The Windhover" (1518); "Pied Beauty" (1518); "Binsey Poplars" (1519); "Duns Scotus's Oxford" (1520); "Felix Randal" (1520-21); "I wake and feel . . ." (1522-23); "No worst, there is none" (1522); "That Nature Is a Heraclitean Fire . . ." (1523); from <i>Journal</i> (1524-26). <b>SESSION AUDIO</b>.</p>

<p>04/07. Th. Dante Gabriel and Christina Rossetti. Dante Gabriel's "The Blessed Damozel" (1443-47). Christina's "Song — She sat and sang alway" (1460-61); "Song — When I am dead . . ." (1461); "In an Artist's Studio" (1463); "An Apple-Gathering" (1464); "Winter My Secret" (1464-65); "No Thank You, John" (1478). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 12</font></h3>

<p>04/12. Tu. Oscar Wilde. <i>The Importance of Being Earnest</i> (Film + text Act 1. 1698-1740). <b>SESSION AUDIO</b>.</font></p>

<p>04/14. Th. Oscar Wilde. <i>The Importance of Being Earnest</i> (Film + text Acts 2-3. 1698-1740). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 13</font></h3>

<p>04/19. Tu. WWI Writing. Voices of World War I Section — Sassoon (1960-64); Gurney (1965-66); Rosenberg (1966-70); Owen (1971-80); Cannan (1981-84); Graves (1984-87). <b>SESSION AUDIO</b>.</p>

<p>04/21. Th. W. B. Yeats. "The Lake Isle of Innisfree" (2025); "The Second Coming" (2036-37); "Leda and the Swan" (2039); "Sailing to Byzantium" (2040); "Among School Children" (2041-42); "Byzantium" (2044-45); "Crazy Jane Talks with the Bishop" (2045-46); "Under Ben Bulben" (2047-50); "The Circus Animals' Desertion" (2051-52). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 14</font></h3>

<p>04/26. Tu. James Joyce. "The Dead" (Film).</p>

<p>04/28. Th. James Joyce. "The Dead" (2172-99). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 15</font></h3>

<p>05/03. Tu. T. S. Eliot. "The Love Song of J. Alfred Prufrock" (2289-93); "Tradition and the Individual Talent" (2319-25). <b>SESSION AUDIO</b>.</p>

<p>05/05. Th. Jean Rhys. "The Day They Burned the Books" (2356-61); "Let Them Call It Jazz" (2361-72). W.H. Auden. "In Praise of Limestone" (2435-36); "The Shield of Achilles" (2437-38); "Poetry as Memorable Speech" (2438-41). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 16</font></h3>

<p>05/10. Tu. Tom Stoppard. <i>Arcadia</i> (Act 1, 2752-89). <b>SESSION AUDIO</b>.</p>

<p>05/12. Th. Tom Stoppard. <i>Arcadia</i> (Act 2, 2789-2820). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">TEXTS USED</font></h3>

<p>Abrams, M. H. et al., eds. <i>The Norton Anthology of English Literature.</i> 8th ed. New York: Norton, 2006. ISBN Package 2 (Vols. DEF) 0-393-92834-9.</p>

<p>Austen, Jane. <i>Persuasion.</i> Eds. Deidre Shauna Lynch and James Kinsley. 2nd. Edition. Oxford: Oxford UP, 2004. ISBN 0-192-80263-1.</p>

<p>Technical Note: I record audio files in class with an Olympus DM-1 digital voice recorder, transfer them via USB to my laptop, edit them in Nero Wave Editor and convert them to 16 kbps mp3 files with Nero's mp3 Pro encoding feature. Then they are uploaded to this wiki site.</p>


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