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History: E212_Audio_Spr_2005

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<h3><div align="center">
AUDIO MP3 FOR E212 BRITISH LITERATURE SINCE 1760, CAL STATE FULLERTON SPRING 2005
</p>

<p>
Image
</p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is also feasible to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<p><strong>Audio (C) Copyright 2005 Alfred J. Drake.</strong> All audio files on www.ajdrake.com/wiki are intended for individual, non-profit use only and may not be redistributed for any reason (profit or non-profit). Audio for current courses is available from the respective course menus.</p>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>02/03. Introduction to class. <strong>AUDIO OF SESSION</strong> </p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>02/10. Anna Barbauld, Charlotte Smith, Edmund Burke, Mary Wollstonecraft, Thomas Paine. Barbauld's "Washing-Day" (29-31), "Life" (31-32). Smith's "Written at the Close of Spring" (33), "To Sleep" (33), "To Night" (33-34), "Written in the Church- Yard..." (34), "On Being Cautioned..." (34-35), "The Sea View" (35). Burke's Reflections on the Revolution in France (121ff). Wollstonecraft's A Vindication of the Rights of Men (128ff). Paine's Rights of Man (133ff). <strong>AUDIO OF SESSION, FIRST HALF</strong> | <strong>AUDIO OF SESSION, SECOND HALF</p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>02/17. William Blake, Mary Robinson. Blake's Songs of Innocence & of Experience (43ff) and The Marriage of Heaven and Hell (72ff). Robinson's "London's Summer Morning" (92-93), "January, 1795" (93-94), "The Poor Singing Dame" (94-96). <strong>AUDIO OF SESSION, FIRST HALF</strong> | <strong>AUDIO OF SESSION, SECOND HALF</strong></p>

<h3><font color="#7800A7">WEEK 4</font></h3>

<p>02/24. William and Dorothy Wordsworth. William's "Preface to Lyrical Ballads" (238ff), "She dwelt among the untrodden ways" (252), "Three years she grew" (252), "Lucy Gray" (254), "I wandered lonely as a cloud" (254), "The Solitary Reaper" (293), "Tintern Abbey" (235); "Intimations of Immortality" (286). Dorothy's Alfoxden and Grasmere Journals (383-97). <strong>AUDIO OF SESSION, FIRST HALF</strong> | <strong>AUDIO OF SESSION, SECOND HALF</strong></p>

<h3><font color="#7800A7">WEEK 5</font></h3>

<p>03/03. Samuel Taylor Coleridge, Mary Robinson. Coleridge's Biographia Literaria (467ff), Lectures on Shakespeare (486ff), The Statesman's Manual (489ff), "The Eolian Harp" (419), "The Rime of the Ancient Mariner" (422), "Kubla Khan" (439), "Frost at Midnight" (457), "Dejection: an Ode" (459). Robinson's "To the Poet Coleridge" (98-99) and "The Haunted Beach" (96-97). <strong>AUDIO OF SESSION, FIRST HALF</strong> | <strong>AUDIO OF SESSION, SECOND HALF</strong></p>

<h3><font color="#7800A7">WEEK 6</font></h3>

<p>03/10. Percy Bysshe Shelley, John Keats. Shelley's "Mutability" (701), "Ozymandias" (725), "Mont Blanc" (720), "Ode to the West Wind" (730), "To a Sky-Lark" (765), "Adonais" (772). Keats' "On First Looking into Chapman's Homer" (826), "The Eve of St. Agnes" (834), "Ode to a Nightingale" (849), "Ode on a Grecian Urn" (851), "To Autumn" (872), Letters (889ff). <strong>AUDIO OF SESSION, FIRST HALF</strong> | <strong>AUDIO OF SESSION, SECOND HALF</strong></p>

<h3><font color="#7800A7">WEEK 7</font></h3>

<p>03/17. Jane Austen. Persuasion. (film) </p>

<h3><font color="#7800A7">WEEK 8</font></h3>

<p>03/24. Jane Austen. Persuasion. (Discussion of novel, separate text) <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 9</font></h3>

<p>03/31. Spring recess; no class. </p>

<h3><font color="#7800A7">WEEK 10</font></h3>

<p>04/07. Thomas Carlyle, J. S. Mill. Carlyle's Sartor Resartus (1077ff), Past and Present (1110ff). J. S. Mill's Autobiography (1166-73) and On Liberty (1146-55). <strong>AUDIO OF SESSION, FIRST HALF</strong> | <strong>AUDIO OF SESSION, SECOND HALF</strong></p>

<h3><font color="#7800A7">WEEK 11</font></h3>

<p>04/14. Tennyson, Hopkins, Christina Rossetti. Tennyson's "The Lady of Shalott" (1204ff) and In Memoriam A. H. H. (1230ff): Prologue (1231), 1-3, 5, 7, 11, 14-15, 28, 34, 39, 54-56, 75, 108, 118, 123-24, 126, 130-31, Epilogue. Hopkins' "God's Grandeur" (1651), "As Kingfishers Catch Fire" (1652), "The Windhover" (1652), "Pied Beauty" (1653), "Binsey Poplars" (1654), "Duns Scotus' Oxford" (1654), "Carrion Comfort" (1656), "I Wake and Feel the Fell of Dark, Not Day" (1657), "That Nature Is a Heraclitean Fire..." (1658), "Thou Art Indeed Just, Lord" (1658). Rossetti's "Song — ÃShe sat and sang alway" (1584), "Song — When I am dead, my dearest" (1584), "After Death" (1585), "In an Artist's Studio" (1586), "Winter: My Secret" (1588), "No, Thank You, John" (1601), "Sleeping at Last" (1604). <strong>AUDIO OF SESSION, FIRST HALF</strong> | <strong>AUDIO OF SESSION, SECOND HALF</strong></p>

<h3><font color="#008000">WEEK 12</font></h3>

<p>04/21. H. Rider Haggard. King Solomon's Mines. (Separate text) <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#008000">WEEK 13</font></h3>

<p>04/28. Wilfred Owen, W. B. Yeats. Owen's "Anthem for Doomed Youth," "Apologia Pro Poemate Meo," "Miners," "Dulce et Decorum Est" (2066ff). Yeats' "The Lake Isle of Innisfree" (2092), "The Second Coming" (2106), "Sailing to Byzantium" (2109), "Leda and the Swan" (2110), "Among School Children" (2111), "Byzantium" (2115), "Crazy Jane Talks with the Bishop" (2116). <strong>AUDIO OF SESSION, FIRST HALF</strong> | <strong>AUDIO OF SESSION, SECOND HALF</strong></p>

<h3><font color="#008000">WEEK 14</font></h3>

<p>05/05. George Bernard Shaw. Pygmalion. (Film and discussion, separate text) <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#008000">WEEK 15</font></h3>

<p>05/12. E. M. Forster, D. H. Lawrence. Forster's "Chapter 2. Mosque" from A Passage to India (2131ff). Lawrence's " Odour of Chrysanthemums," "The Horse-Dealer's Daughter," and "Why the Novel Matters" (2313-45). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#008000">WEEK 16</font></h3>

<p>05/19. Anita Desai, J. M. Coetzee, Salman Rushdie. Desai's "Scholar and Gypsy" (2768ff). From Coetzee's Waiting for the Barbarians (2829ff). Rushdie's "The Prophet's Hair" (2842ff). <strong>AUDIO OF SESSION, FIRST HALF</strong></p>

<h3><font color="#008000">TEXTS USED</font></h3>

<p>Abrams, M. H. et al. The Norton Anthology of English Literature, Volumes 2ABC. 7th edition. ISBN 2A = 0-393-97568-1, 2B = 0 -393-97569-X, 2C = 0-393-97570-3. </p>

<p>Austen, Jane. Persuasion. Eds. Deidre Shauna Lynch and James Kinsley. 2nd. Edition. Oxford: Oxford UP, 2004. ISBN 0192802631. </p>

<p>Haggard, H. Rider. King Solomon's Mines. Ed. Dennis Butts. Oxford: Oxford UP, 1998. ISBN 0192834851. </p>

<p>Shaw, George Bernard. Pygmalion. Dover, 1994. ISBN 0486282228. </p>

<p>Technical Note: I record audio files in class with an Olympus DM-1 digital voice recorder, transfer them via USB to my laptop, edit them in Nero Wave Editor and convert them to 16 kbps mp3 files with Nero's mp3 Pro encoding feature. Then they are uploaded to this wiki site.</p>


</body>
</html>

<h3><div align="center">
AUDIO MP3 FOR E212 BRITISH LITERATURE SINCE 1760, CAL STATE FULLERTON SPRING 2005
</p>

<p>
Image
</p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is also feasible to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<p><strong>Audio (C) Copyright 2005 Alfred J. Drake.</strong> All audio files on www.ajdrake.com/wiki are intended for individual, non-profit use only and may not be redistributed for any reason (profit or non-profit). Audio for current courses is available from the respective course menus.</p>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>02/03. Introduction to class. <strong>AUDIO OF SESSION</strong> </p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>02/10. Anna Barbauld, Charlotte Smith, Edmund Burke, Mary Wollstonecraft, Thomas Paine. Barbauld's "Washing-Day" (29-31), "Life" (31-32). Smith's "Written at the Close of Spring" (33), "To Sleep" (33), "To Night" (33-34), "Written in the Church- Yard..." (34), "On Being Cautioned..." (34-35), "The Sea View" (35). Burke's Reflections on the Revolution in France (121ff). Wollstonecraft's A Vindication of the Rights of Men (128ff). Paine's Rights of Man (133ff). <strong>AUDIO OF SESSION, FIRST HALF</strong> | <strong>AUDIO OF SESSION, SECOND HALF</p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>02/17. William Blake, Mary Robinson. Blake's Songs of Innocence & of Experience (43ff) and The Marriage of Heaven and Hell (72ff). Robinson's "London's Summer Morning" (92-93), "January, 1795" (93-94), "The Poor Singing Dame" (94-96). <strong>AUDIO OF SESSION, FIRST HALF</strong> | <strong>AUDIO OF SESSION, SECOND HALF</strong></p>

<h3><font color="#7800A7">WEEK 4</font></h3>

<p>02/24. William and Dorothy Wordsworth. William's "Preface to Lyrical Ballads" (238ff), "She dwelt among the untrodden ways" (252), "Three years she grew" (252), "Lucy Gray" (254), "I wandered lonely as a cloud" (254), "The Solitary Reaper" (293), "Tintern Abbey" (235); "Intimations of Immortality" (286). Dorothy's Alfoxden and Grasmere Journals (383-97). <strong>AUDIO OF SESSION, FIRST HALF</strong> | <strong>AUDIO OF SESSION, SECOND HALF</strong></p>

<h3><font color="#7800A7">WEEK 5</font></h3>

<p>03/03. Samuel Taylor Coleridge, Mary Robinson. Coleridge's Biographia Literaria (467ff), Lectures on Shakespeare (486ff), The Statesman's Manual (489ff), "The Eolian Harp" (419), "The Rime of the Ancient Mariner" (422), "Kubla Khan" (439), "Frost at Midnight" (457), "Dejection: an Ode" (459). Robinson's "To the Poet Coleridge" (98-99) and "The Haunted Beach" (96-97). <strong>AUDIO OF SESSION, FIRST HALF</strong> | <strong>AUDIO OF SESSION, SECOND HALF</strong></p>

<h3><font color="#7800A7">WEEK 6</font></h3>

<p>03/10. Percy Bysshe Shelley, John Keats. Shelley's "Mutability" (701), "Ozymandias" (725), "Mont Blanc" (720), "Ode to the West Wind" (730), "To a Sky-Lark" (765), "Adonais" (772). Keats' "On First Looking into Chapman's Homer" (826), "The Eve of St. Agnes" (834), "Ode to a Nightingale" (849), "Ode on a Grecian Urn" (851), "To Autumn" (872), Letters (889ff). <strong>AUDIO OF SESSION, FIRST HALF</strong> | <strong>AUDIO OF SESSION, SECOND HALF</strong></p>

<h3><font color="#7800A7">WEEK 7</font></h3>

<p>03/17. Jane Austen. Persuasion. (film) </p>

<h3><font color="#7800A7">WEEK 8</font></h3>

<p>03/24. Jane Austen. Persuasion. (Discussion of novel, separate text) <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 9</font></h3>

<p>03/31. Spring recess; no class. </p>

<h3><font color="#7800A7">WEEK 10</font></h3>

<p>04/07. Thomas Carlyle, J. S. Mill. Carlyle's Sartor Resartus (1077ff), Past and Present (1110ff). J. S. Mill's Autobiography (1166-73) and On Liberty (1146-55). <strong>AUDIO OF SESSION, FIRST HALF</strong> | <strong>AUDIO OF SESSION, SECOND HALF</strong></p>

<h3><font color="#7800A7">WEEK 11</font></h3>

<p>04/14. Tennyson, Hopkins, Christina Rossetti. Tennyson's "The Lady of Shalott" (1204ff) and In Memoriam A. H. H. (1230ff): Prologue (1231), 1-3, 5, 7, 11, 14-15, 28, 34, 39, 54-56, 75, 108, 118, 123-24, 126, 130-31, Epilogue. Hopkins' "God's Grandeur" (1651), "As Kingfishers Catch Fire" (1652), "The Windhover" (1652), "Pied Beauty" (1653), "Binsey Poplars" (1654), "Duns Scotus' Oxford" (1654), "Carrion Comfort" (1656), "I Wake and Feel the Fell of Dark, Not Day" (1657), "That Nature Is a Heraclitean Fire..." (1658), "Thou Art Indeed Just, Lord" (1658). Rossetti's "Song — ÃShe sat and sang alway" (1584), "Song — When I am dead, my dearest" (1584), "After Death" (1585), "In an Artist's Studio" (1586), "Winter: My Secret" (1588), "No, Thank You, John" (1601), "Sleeping at Last" (1604). <strong>AUDIO OF SESSION, FIRST HALF</strong> | <strong>AUDIO OF SESSION, SECOND HALF</strong></p>

<h3><font color="#7800A7">WEEK 12</font></h3>

<p>04/21. H. Rider Haggard. King Solomon's Mines. (Separate text) <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 13</font></h3>

<p>04/28. Wilfred Owen, W. B. Yeats. Owen's "Anthem for Doomed Youth," "Apologia Pro Poemate Meo," "Miners," "Dulce et Decorum Est" (2066ff). Yeats' "The Lake Isle of Innisfree" (2092), "The Second Coming" (2106), "Sailing to Byzantium" (2109), "Leda and the Swan" (2110), "Among School Children" (2111), "Byzantium" (2115), "Crazy Jane Talks with the Bishop" (2116). <strong>AUDIO OF SESSION, FIRST HALF</strong> | <strong>AUDIO OF SESSION, SECOND HALF</strong></p>

<h3><font color="#7800A7">WEEK 14</font></h3>

<p>05/05. George Bernard Shaw. Pygmalion. (Film and discussion, separate text) <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 15</font></h3>

<p>05/12. E. M. Forster, D. H. Lawrence. Forster's "Chapter 2. Mosque" from A Passage to India (2131ff). Lawrence's " Odour of Chrysanthemums," "The Horse-Dealer's Daughter," and "Why the Novel Matters" (2313-45). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 16</font></h3>

<p>05/19. Anita Desai, J. M. Coetzee, Salman Rushdie. Desai's "Scholar and Gypsy" (2768ff). From Coetzee's Waiting for the Barbarians (2829ff). Rushdie's "The Prophet's Hair" (2842ff). <strong>AUDIO OF SESSION, FIRST HALF</strong></p>

<h3><font color="#7800A7">TEXTS USED</font></h3>

<p>Abrams, M. H. et al. The Norton Anthology of English Literature, Volumes 2ABC. 7th edition. ISBN 2A = 0-393-97568-1, 2B = 0 -393-97569-X, 2C = 0-393-97570-3. </p>

<p>Austen, Jane. Persuasion. Eds. Deidre Shauna Lynch and James Kinsley. 2nd. Edition. Oxford: Oxford UP, 2004. ISBN 0192802631. </p>

<p>Haggard, H. Rider. King Solomon's Mines. Ed. Dennis Butts. Oxford: Oxford UP, 1998. ISBN 0192834851. </p>

<p>Shaw, George Bernard. Pygmalion. Dover, 1994. ISBN 0486282228. </p>

<p>Technical Note: I record audio files in class with an Olympus DM-1 digital voice recorder, transfer them via USB to my laptop, edit them in Nero Wave Editor and convert them to 16 kbps mp3 files with Nero's mp3 Pro encoding feature. Then they are uploaded to this wiki site.</p>


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