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History: E212_Audio_Spr_2006_Th

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<h3><div align="center">
SYLLABUS FOR E212-R BRITISH LITERATURE SINCE 1760, CSU FULLERTON SPRING 2006
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<p align="center">Image </p>

<p><strong>Required Texts (Titan Bookstore)</strong></p>

<p>Abrams, M. H. et al. <em>The Norton Anthology of English Literature,</em> Volumes 2A-C. 7th edition. ISBN 2A = 0393975681, 2B = 039397569X, 2C = 0393975703. </p>

<p>Austen, Jane. <em>Pride and Prejudice.</em> Oxford: Oxford UP, repr. 2005. ISBN 0192802380. </p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is also feasible to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<p><strong>Audio (C) Copyright 2006 Alfred J. Drake.</strong> All audio files on www.ajdrake.com/wiki are intended for individual, non-profit use only and may not be redistributed for any reason (profit or non-profit). Audio for current courses is available from the respective course menus.</p>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>02/02. Introduction to Course and to Wiki Features. </p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>02/09. William Blake, Mary Robinson. Blake's Songs of Innocence and of Experience (43-59) and The Marriage of Heaven and Hell (72-84). Robinson's "London's Summer Morning" (92-93), "January, 1795" (93-94), "The Poor Singing Dame" (94-96). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>02/16. William and Dorothy Wordsworth. William's "Preface to Lyrical Ballads" (238-51), "She dwelt among the untrodden ways" (252), "Three years she grew" (252-53), "Lucy Gray" (254-56), "I wandered lonely as a cloud" (284-85), "The Solitary Reaper" (293-94), "Tintern Abbey" (235-38); "Intimations of Immortality" (286-92). Dorothy's Alfoxden and Grasmere Journals (383-97). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 4</font></h3>

<p>02/23. Samuel Taylor Coleridge, Mary Robinson. Coleridge's Biographia Literaria (467-86), Lectures on Shakespeare (486-89), The Statesman's Manual (489-92), "The Eolian Harp" (419-20), "The Rime of the Ancient Mariner" (422-38), "Kubla Khan" (439-41), "Frost at Midnight" (457-58), "Dejection: an Ode" (459-62). Robinson's "To the Poet Coleridge" (98-99) and "The Haunted Beach" (96-97). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 5</font></h3>

<p>03/02. Percy Bysshe Shelley, John Keats. Shelley's "Mutability" (701), "Mont Blanc" (720-23), "Ozymandias" (725-26), "Ode to the West Wind" (730-32), "To a Sky-Lark" (765-67), "Defence of Poetry" (789-802). Keats' "On First Looking into Chapman's Homer" (826-27), "The Eve of St. Agnes" (834-44), "Ode to a Nightingale" (849-51), "Ode on a Grecian Urn" (851-53), "To Autumn" (872-73), "Letters" (889-903). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 6</font></h3>

<p>03/09. Jane Austen. Pride and Prejudice (2005 Film version starring Keira Knightley; 2:09 hrs).</p>

<h3><font color="#7800A7">WEEK 7</font></h3>

<p>03/16. Jane Austen. Pride and Prejudice (Oxford edition). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 8</font></h3>

<p>03/23. Thomas Carlyle and John Henry Newman. Carlyle's Sartor Resartus (1077-1103). Newman's The Idea of a University (1119-27), Apologia Pro Vita Sua (1128-35), and Liberalism (1135-37). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 9</font></h3>

<p>03/30. Spring Recess — no classes all week. </p>

<h3><font color="#7800A7">WEEK 10</font></h3>

<p>04/06. Alfred Tennyson. Tennyson's "The Lady of Shalott" (1204-08), "The Lotos-Eaters" (1208-13), "Ulysses" (1213-15), and In Memoriam A.H.H. (1230-80); read at least the following: Prologue (1231), 1-3, 5, 7, 11, 14-15, 28, 34, 39, 54-56, 75, 108, 118, 123-24, 126, 130-31, Epilogue. <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#008000">WEEK 11</font></h3>

<p>04/13. John Stuart Mill, John Ruskin, Matthew Arnold. Mill's Autobiography (1166-73). Ruskin's The Stones of Venice (1432-42) and The Storm-Cloud of the Nineteenth Century (1443-51). Arnold's "Preface to Poems" (1504-14); "The Buried Life" (1480-82), "The Scholar Gypsy" (1485-91), "Dover Beach" (1492-93), "Stanzas from the Grande Chartreuse" (1493-98). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#008000">WEEK 12</font></h3>

<p>04/20. Edward Fitzgerald, Gerard Manley Hopkins, Christina Rossetti. Fitzgerald's "The Rubaiyat of Omar Kayyam" (1304-18). Hopkins' "God's Grandeur" (1651), "As Kingfishers Catch Fire" (1652), "The Windhover" (1652), "Pied Beauty" (1653), "Binsey Poplars" (1654), "Duns Scotus' Oxford" (1654), "Carrion Comfort" (1656), "I Wake and Feel the Fell of Dark, Not Day" (1657), "That Nature Is a Heraclitean Fire..." (1658), "Thou Art Indeed Just, Lord" (1658). Rossetti's "Song — She sat and sang alway" (1584), "Song — When I am dead, my dearest" (1584), "After Death" (1585), "In an Artist's Studio" (1586), "Winter: My Secret" (1588), "No, Thank You, John" (1601), "Sleeping at Last" (1604). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#008000">WEEK 13</font></h3>

<p>04/27. Walter Pater and Oscar Wilde. Pater's The Renaissance (1636-44), Appreciations (1645-48). Wilde's The Importance of Being Earnest (1761-1805). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#008000">WEEK 14</font></h3>

<p>05/04. Voices of World War I Section — read all selections: Brooke, Thomas, Sassoon, Gurney, Rosenberg, Owen, Cannan, Jones (2048-84). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#008000">WEEK 15</font></h3>

<p>05/11. William Butler Yeats and T. S. Eliot. Yeats' "The Lake Isle of Innisfree" (2092); "Easter 1916" (2104); "The Second Coming" (2106); "Sailing to Byzantium" (2109); "Leda and the Swan" (2110); "Among School Children" (2111); "A Dialogue of Self and Soul" (2113); "Byzantium" (2115); "Crazy Jane... " (2116); "After Long Silence" (2117); "The Circus Animals' Desertion" (2120); "Under Ben Bulben" (2121); from Reveries over Childhood and Youth and The Trembling of the Veil (2124-31). Eliot's The Waste Land (2368-83); "Tradition and the Individual Talent" (2395-2401). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#008000">WEEK 16</font></h3>

<p>05/18. Jean Rhys, Robert Graves, and Harold Pinter. Rhys' "Mannequin" (2437-42). Graves' Graves' "Down, Wanton, Down!" (2445); "Love Without Hope" (2446); "The Cool Web" (2446); "The Reader Over My Shoulder" (2446); "To Juan at Winter Solstice" (2447); "The White Goddess" (2448); "The Blue-Fly" (2449); "A Slice of Wedding-Cake" (2450). Pinter's The Dumb Waiter (2594-2616). <strong>AUDIO OF SESSION</strong></p>

<p>Technical Note: I record audio files in class with an Olympus DM-1 digital voice recorder, transfer them via USB to my laptop, edit them in Nero Wave Editor and convert them to 16 kbps mp3 files with Nero's mp3 Pro encoding feature. Then they are uploaded to this wiki site.</p>


</body>
</html>

<html>
<head>

</head>
<body>

<h3><div align="center">
SYLLABUS FOR E212-R BRITISH LITERATURE SINCE 1760, CSU FULLERTON SPRING 2006
</div></h3>

<p align="center">Image </p>

<p><strong>Required Texts (Titan Bookstore)</strong></p>

<p>Abrams, M. H. et al. <em>The Norton Anthology of English Literature,</em> Volumes 2A-C. 7th edition. ISBN 2A = 0393975681, 2B = 039397569X, 2C = 0393975703. </p>

<p>Austen, Jane. <em>Pride and Prejudice.</em> Oxford: Oxford UP, repr. 2005. ISBN 0192802380. </p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is also feasible to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<p><strong>Audio (C) Copyright 2006 Alfred J. Drake.</strong> All audio files on www.ajdrake.com/wiki are intended for individual, non-profit use only and may not be redistributed for any reason (profit or non-profit). Audio for current courses is available from the respective course menus.</p>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>02/02. Introduction to Course and to Wiki Features. </p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>02/09. William Blake, Mary Robinson. Blake's Songs of Innocence and of Experience (43-59) and The Marriage of Heaven and Hell (72-84). Robinson's "London's Summer Morning" (92-93), "January, 1795" (93-94), "The Poor Singing Dame" (94-96). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>02/16. William and Dorothy Wordsworth. William's "Preface to Lyrical Ballads" (238-51), "She dwelt among the untrodden ways" (252), "Three years she grew" (252-53), "Lucy Gray" (254-56), "I wandered lonely as a cloud" (284-85), "The Solitary Reaper" (293-94), "Tintern Abbey" (235-38); "Intimations of Immortality" (286-92). Dorothy's Alfoxden and Grasmere Journals (383-97). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 4</font></h3>

<p>02/23. Samuel Taylor Coleridge, Mary Robinson. Coleridge's Biographia Literaria (467-86), Lectures on Shakespeare (486-89), The Statesman's Manual (489-92), "The Eolian Harp" (419-20), "The Rime of the Ancient Mariner" (422-38), "Kubla Khan" (439-41), "Frost at Midnight" (457-58), "Dejection: an Ode" (459-62). Robinson's "To the Poet Coleridge" (98-99) and "The Haunted Beach" (96-97). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 5</font></h3>

<p>03/02. Percy Bysshe Shelley, John Keats. Shelley's "Mutability" (701), "Mont Blanc" (720-23), "Ozymandias" (725-26), "Ode to the West Wind" (730-32), "To a Sky-Lark" (765-67), "Defence of Poetry" (789-802). Keats' "On First Looking into Chapman's Homer" (826-27), "The Eve of St. Agnes" (834-44), "Ode to a Nightingale" (849-51), "Ode on a Grecian Urn" (851-53), "To Autumn" (872-73), "Letters" (889-903). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 6</font></h3>

<p>03/09. Jane Austen. Pride and Prejudice (2005 Film version starring Keira Knightley; 2:09 hrs).</p>

<h3><font color="#7800A7">WEEK 7</font></h3>

<p>03/16. Jane Austen. Pride and Prejudice (Oxford edition). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 8</font></h3>

<p>03/23. Thomas Carlyle and John Henry Newman. Carlyle's Sartor Resartus (1077-1103). Newman's The Idea of a University (1119-27), Apologia Pro Vita Sua (1128-35), and Liberalism (1135-37). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 9</font></h3>

<p>03/30. Spring Recess — no classes all week. </p>

<h3><font color="#7800A7">WEEK 10</font></h3>

<p>04/06. Alfred Tennyson. Tennyson's "The Lady of Shalott" (1204-08), "The Lotos-Eaters" (1208-13), "Ulysses" (1213-15), and In Memoriam A.H.H. (1230-80); read at least the following: Prologue (1231), 1-3, 5, 7, 11, 14-15, 28, 34, 39, 54-56, 75, 108, 118, 123-24, 126, 130-31, Epilogue. <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 11</font></h3>

<p>04/13. John Stuart Mill, John Ruskin, Matthew Arnold. Mill's Autobiography (1166-73). Ruskin's The Stones of Venice (1432-42) and The Storm-Cloud of the Nineteenth Century (1443-51). Arnold's "Preface to Poems" (1504-14); "The Buried Life" (1480-82), "The Scholar Gypsy" (1485-91), "Dover Beach" (1492-93), "Stanzas from the Grande Chartreuse" (1493-98). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 12</font></h3>

<p>04/20. Edward Fitzgerald, Gerard Manley Hopkins, Christina Rossetti. Fitzgerald's "The Rubaiyat of Omar Kayyam" (1304-18). Hopkins' "God's Grandeur" (1651), "As Kingfishers Catch Fire" (1652), "The Windhover" (1652), "Pied Beauty" (1653), "Binsey Poplars" (1654), "Duns Scotus' Oxford" (1654), "Carrion Comfort" (1656), "I Wake and Feel the Fell of Dark, Not Day" (1657), "That Nature Is a Heraclitean Fire..." (1658), "Thou Art Indeed Just, Lord" (1658). Rossetti's "Song — She sat and sang alway" (1584), "Song — When I am dead, my dearest" (1584), "After Death" (1585), "In an Artist's Studio" (1586), "Winter: My Secret" (1588), "No, Thank You, John" (1601), "Sleeping at Last" (1604). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 13</font></h3>

<p>04/27. Walter Pater and Oscar Wilde. Pater's The Renaissance (1636-44), Appreciations (1645-48). Wilde's The Importance of Being Earnest (1761-1805). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 14</font></h3>

<p>05/04. Voices of World War I Section — read all selections: Brooke, Thomas, Sassoon, Gurney, Rosenberg, Owen, Cannan, Jones (2048-84). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 15</font></h3>

<p>05/11. William Butler Yeats and T. S. Eliot. Yeats' "The Lake Isle of Innisfree" (2092); "Easter 1916" (2104); "The Second Coming" (2106); "Sailing to Byzantium" (2109); "Leda and the Swan" (2110); "Among School Children" (2111); "A Dialogue of Self and Soul" (2113); "Byzantium" (2115); "Crazy Jane... " (2116); "After Long Silence" (2117); "The Circus Animals' Desertion" (2120); "Under Ben Bulben" (2121); from Reveries over Childhood and Youth and The Trembling of the Veil (2124-31). Eliot's The Waste Land (2368-83); "Tradition and the Individual Talent" (2395-2401). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 16</font></h3>

<p>05/18. Jean Rhys, Robert Graves, and Harold Pinter. Rhys' "Mannequin" (2437-42). Graves' Graves' "Down, Wanton, Down!" (2445); "Love Without Hope" (2446); "The Cool Web" (2446); "The Reader Over My Shoulder" (2446); "To Juan at Winter Solstice" (2447); "The White Goddess" (2448); "The Blue-Fly" (2449); "A Slice of Wedding-Cake" (2450). Pinter's The Dumb Waiter (2594-2616). <strong>AUDIO OF SESSION</strong></p>

<p>Technical Note: I record audio files in class with an Olympus DM-1 digital voice recorder, transfer them via USB to my laptop, edit them in Nero Wave Editor and convert them to 16 kbps mp3 files with Nero's mp3 Pro encoding feature. Then they are uploaded to this wiki site.</p>


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