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History: E212_Audio_Sum_2008

Comparing version 11 with version 14

<h3><div align="center">
MP3 AUDIO FOR E212 BRITISH LITERATURE SINCE 1760, CSU FULLERTON SUMMER 2008 (UPDATED 10/06/10)
</div></h3>

<p align="center">Image </p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is also feasible to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<p><strong>Audio (C) Copyright 2003-2010 Alfred J. Drake.</strong> All audio files on www.ajdrake.com/wiki are intended for individual, non-profit use only and may not be redistributed for any reason (profit or non-profit). Audio for current courses is available from the respective course menus.</p>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>06/23. Course Introduction. <strong>AUDIO OF SESSION</strong></p>

<p>06/24. William Blake. Songs of Innocence and of Experience (81-97). <strong> AUDIO OF SESSION</strong></p>

<p>06/26. William Wordsworth. "Preface to Lyrical Ballads" (262-74),"Three years she grew" (275-76),"I wandered lonely as a cloud" (305-06), "The Solitary Reaper" (314-15), "Tintern Abbey" (258-62). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>06/30. S. T. Coleridge. Biographia Literaria (474-85), Lectures on Shakespeare (485-88), The Statesman's Manual (488-91), "The Eolian Harp" (426-28), "The Rime of the Ancient Mariner" (430-46), "Kubla Khan" (446-48), "Frost at Midnight" (464-66), "Dejection: an Ode" (466-69). <strong>AUDIO OF SESSION</strong></p>

<p>07/01. P. B. Shelley. "Defence of Poetry" (837-50); "Mutability" (744); "To Wordsworth" (744-45); "Mont Blanc" (762-66); "Ozymandias" (768); "England in 1819" (771); "Ode to the West Wind" (772-75); "To a Sky-Lark" (817-19). <strong>AUDIO OF SESSION</strong></p>

<p>07/03. John Keats. "On First Looking into Chapman's Homer" (880-81); "The Eve of St. Agnes" (888-98); "Ode to a Nightingale" (903-05); "Ode on a Grecian Urn" (905-06); "To Autumn" (925-26); Letters (940-55). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>07/07. Jane Austen. Persuasion. (Film)</p>

<p>07/08. Jane Austen. Persuasion, Vol. 1. (Separate text.) <strong>AUDIO OF SESSION</strong></p>

<p>07/10. Jane Austen. Persuasion, Vol. 2. (Separate text.) <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#008000">WEEK 4</font></h3>

<p>07/14. Thomas Carlyle, John Stuart Mill, John Ruskin, Matthew Arnold, Walter Pater. Carlyle's Sartor Resartus (1005-1024). Mill's Autobiography (1070-77). Ruskin's The Stones of Venice (1324-34). Arnold's "The Buried Life" (1356-58); "Dover Beach" (1368-69); "Preface to Poems" (1374-84). Pater's "Conclusion" to The Renaissance (1511-13). <strong>AUDIO OF SESSION</strong></p>

<p>07/15. Alfred Tennyson, Robert Browning, G. M. Hopkins, D. G. & Christina Rossetti. Tennyson's "The Lady of Shalott" (1114-18); "The Lotos-Eaters" (1119-23); "Ulysses" (1123-25); from In Memoriam A.H.H. — Prologue (1138-39), 1-5 (1140-42), 54-56 (1157-59). Browning's "The Bishop Orders His Tomb. . ." (1259-62); Hopkins' "God's Grandeur" (1516); "As Kingfishers Catch Fire" (1517); "The Windhover" (1518); "Pied Beauty" (1518); "Duns Scotus's Oxford" (1520); "I Wake and Feel . . ." (1522-23); "That Nature Is a Heraclitean Fire . . ." (1523). D. G. Rossetti's "The Blessed Damozel" (1443-47). Christina Rossetti's "Song — When I am dead . . ." (1461); "In an Artist's Studio" (1463); "Winter My Secret" (1464-65); "No Thank You, John" (1478). <strong>AUDIO OF SESSION</strong></p>

<p>07/17. Oscar Wilde. The Importance of Being Earnest (1698-1740). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#008000">WEEK 5</font></h3>

<p>07/21. WWI Poetry. Voices of World War I Section — Sassoon (1960-64); Gurney (1965-66); Rosenberg (1966-70); Owen (1971-80); Cannan (1981-84); Graves (1984-89). <strong>AUDIO OF SESSION</strong></p>

<p>07/22. W. B. Yeats. "The Lake Isle of Innisfree" (2025); "The Second Coming" (2036-37); "Leda and the Swan" (2039); "Sailing to Byzantium" (2040); "Among School Children" (2041-42); "Byzantium" (2044-45); "Crazy Jane Talks with the Bishop" (2045-46); "Under Ben Bulben" (2047-50); "The Circus Animals' Desertion" (2051-52). <strong>AUDIO OF SESSION</strong></p>


07/24. James Joyce. A Portrait of the Artist as a Young Man. (Film)

<h3><font color="#008000">WEEK 6</font></h3>

<p>07/28. James Joyce. A Portrait of the Artist as a Young Man, Parts 1-3 (1-158). (Separate text.) <strong>AUDIO OF SESSION</strong></p>

<p>07/29. James Joyce. A Portrait of the Artist as a Young Man, Parts 4-5 (159-276). (Separate text.) <strong>AUDIO OF SESSION</strong></p>

<p>Technical Note: I record audio files in class with an Olympus DM-1 digital voice recorder, transfer them via USB to my laptop, edit them in Nero Wave Editor and convert them to 16 kbps mp3 files with Nero's mp3 Pro encoding feature. Then they are uploaded to this wiki site.</p>


<h3><div align="center">
MP3 AUDIO FOR E212 BRITISH LITERATURE SINCE 1760, CSU FULLERTON SUMMER 2008 (UPDATED 10/06/10)
</div></h3>

<p align="center">Image </p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is also feasible to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<p><strong>Audio (C) Copyright 2003-2010 Alfred J. Drake.</strong> All audio files on www.ajdrake.com/wiki are intended for individual, non-profit use only and may not be redistributed for any reason (profit or non-profit). Audio for current courses is available from the respective course menus.</p>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>06/23. Course Introduction. <strong>AUDIO OF SESSION</strong></p>

<p>06/24. William Blake. Songs of Innocence and of Experience (81-97). <strong> AUDIO OF SESSION</strong></p>

<p>06/26. William Wordsworth. "Preface to Lyrical Ballads" (262-74),"Three years she grew" (275-76),"I wandered lonely as a cloud" (305-06), "The Solitary Reaper" (314-15), "Tintern Abbey" (258-62). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>06/30. S. T. Coleridge. Biographia Literaria (474-85), Lectures on Shakespeare (485-88), The Statesman's Manual (488-91), "The Eolian Harp" (426-28), "The Rime of the Ancient Mariner" (430-46), "Kubla Khan" (446-48), "Frost at Midnight" (464-66), "Dejection: an Ode" (466-69). <strong>AUDIO OF SESSION</strong></p>

<p>07/01. P. B. Shelley. "Defence of Poetry" (837-50); "Mutability" (744); "To Wordsworth" (744-45); "Mont Blanc" (762-66); "Ozymandias" (768); "England in 1819" (771); "Ode to the West Wind" (772-75); "To a Sky-Lark" (817-19). <strong>AUDIO OF SESSION</strong></p>

<p>07/03. John Keats. "On First Looking into Chapman's Homer" (880-81); "The Eve of St. Agnes" (888-98); "Ode to a Nightingale" (903-05); "Ode on a Grecian Urn" (905-06); "To Autumn" (925-26); Letters (940-55). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>07/07. Jane Austen. Persuasion. (Film)</p>

<p>07/08. Jane Austen. Persuasion, Vol. 1. (Separate text.) <strong>AUDIO OF SESSION</strong></p>

<p>07/10. Jane Austen. Persuasion, Vol. 2. (Separate text.) <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 4</font></h3>

<p>07/14. Thomas Carlyle, John Stuart Mill, John Ruskin, Matthew Arnold, Walter Pater. Carlyle's Sartor Resartus (1005-1024). Mill's Autobiography (1070-77). Ruskin's The Stones of Venice (1324-34). Arnold's "The Buried Life" (1356-58); "Dover Beach" (1368-69); "Preface to Poems" (1374-84). Pater's "Conclusion" to The Renaissance (1511-13). <strong>AUDIO OF SESSION</strong></p>

<p>07/15. Alfred Tennyson, Robert Browning, G. M. Hopkins, D. G. & Christina Rossetti. Tennyson's "The Lady of Shalott" (1114-18); "The Lotos-Eaters" (1119-23); "Ulysses" (1123-25); from In Memoriam A.H.H. — Prologue (1138-39), 1-5 (1140-42), 54-56 (1157-59). Browning's "The Bishop Orders His Tomb. . ." (1259-62); Hopkins' "God's Grandeur" (1516); "As Kingfishers Catch Fire" (1517); "The Windhover" (1518); "Pied Beauty" (1518); "Duns Scotus's Oxford" (1520); "I Wake and Feel . . ." (1522-23); "That Nature Is a Heraclitean Fire . . ." (1523). D. G. Rossetti's "The Blessed Damozel" (1443-47). Christina Rossetti's "Song — When I am dead . . ." (1461); "In an Artist's Studio" (1463); "Winter My Secret" (1464-65); "No Thank You, John" (1478). <strong>AUDIO OF SESSION</strong></p>

<p>07/17. Oscar Wilde. The Importance of Being Earnest (1698-1740). <strong>AUDIO OF SESSION</strong></p>

<h3><font color="#7800A7">WEEK 5</font></h3>

<p>07/21. WWI Poetry. Voices of World War I Section — Sassoon (1960-64); Gurney (1965-66); Rosenberg (1966-70); Owen (1971-80); Cannan (1981-84); Graves (1984-89). <strong>AUDIO OF SESSION</strong></p>

<p>07/22. W. B. Yeats. "The Lake Isle of Innisfree" (2025); "The Second Coming" (2036-37); "Leda and the Swan" (2039); "Sailing to Byzantium" (2040); "Among School Children" (2041-42); "Byzantium" (2044-45); "Crazy Jane Talks with the Bishop" (2045-46); "Under Ben Bulben" (2047-50); "The Circus Animals' Desertion" (2051-52). <strong>AUDIO OF SESSION</strong></p>


07/24. James Joyce. A Portrait of the Artist as a Young Man. (Film)

<h3><font color="#7800A7">WEEK 6</font></h3>

<p>07/28. James Joyce. A Portrait of the Artist as a Young Man, Parts 1-3 (1-158). (Separate text.) <strong>AUDIO OF SESSION</strong></p>

<p>07/29. James Joyce. A Portrait of the Artist as a Young Man, Parts 4-5 (159-276). (Separate text.) <strong>AUDIO OF SESSION</strong></p>

<p>Technical Note: I record audio files in class with an Olympus DM-1 digital voice recorder, transfer them via USB to my laptop, edit them in Nero Wave Editor and convert them to 16 kbps mp3 files with Nero's mp3 Pro encoding feature. Then they are uploaded to this wiki site.</p>


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