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History: E222_Audio_Spr_12

Comparing version 12 with version 17

VersionLast Version

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- <h3>^-=AUDIO MP3 SESSIONS FOR E222 AMERICAN LITERATURE, CSU FULLERTON SPRING 2012 (4/9/12)=-^
+ <h3>^-=AUDIO MP3 SESSIONS FOR E222 AMERICAN LITERATURE, CSU FULLERTON SPRING 2012 (5/13/12)=-^


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WEEK 7


- Tu. 03/06. Robert Frost. "The Figure a Poem Makes" (250-52); "Mowing" (231-32); "Mending Wall" (232-33); "The Death of the Hired Man" (233-37); "The Wood-Pile" (241); "The Road Not Taken" (241-42); "Birches" (242-44); "Out, Outâ€" (244); "Fire and Ice" (245); "Nothing Gold Can Stay" (245); "Stopping by Woods on a Snowy Evening" (245); "Desert Places" (246); "Design" (246); "The Gift Outright" (248). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/07_1_mar_06_frost.mp3|SESSION AUDIO]</b>.
+ Tu. 03/06. Robert Frost. "The Figure a Poem Makes" (250-52); "Mowing" (231-32); "Mending Wall" (232-33); "The Death of the Hired Man" (233-37); "The Wood-Pile" (241); "The Road Not Taken" (241-42); "Birches" (242-44); "Out, Out—" (244); "Fire and Ice" (245); "Nothing Gold Can Stay" (245); "Stopping by Woods on a Snowy Evening" (245); "Desert Places" (246); "Design" (246); "The Gift Outright" (248). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/07_1_mar_06_frost.mp3|SESSION AUDIO]</b>.


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- Th. 03/15. F.T. Marinetti, Ezra Pound, H.D., Marianne Moore, Wallace Stevens, E.E. Cummings. From Marinetti's "Manifesto of Futurism" (337). From Pound's "A Retrospect"(341-43). H.D.'s "Leda" (353); "Fragment 113" (354); "Helen" (355). Moore's "Poetry" (359-60); "To a Snail" (360). Stevens' "Anecdote of the Jar" (288); "Thirteen Ways of Looking at a Blackbird" (291-92); "The Idea of Order at Key West" (293-94); "Of Modern Poetry" (294). E.E. Cummings' "in Just-" (638); "the Cambridge ladies â¦" (640); "next to of course god america i" (641); "i sing of Olaf glad and big" (641-42); "anyone lived in a pretty how town" (643-44). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/08_2_mar_15_stevens_etc.mp3|SESSION AUDIO]</b>.
+ Th. 03/15. F.T. Marinetti, Ezra Pound, H.D., Marianne Moore, Wallace Stevens, E.E. Cummings. From Marinetti's "Manifesto of Futurism" (337). From Pound's "A Retrospect"(341-43). H.D.'s "Leda" (353); "Fragment 113" (354); "Helen" (355). Moore's "Poetry" (359-60); "To a Snail" (360). Stevens' "Anecdote of the Jar" (288); "Thirteen Ways of Looking at a Blackbird" (291-92); "The Idea of Order at Key West" (293-94); "Of Modern Poetry" (294). E.E. Cummings' "in Just-" (638); "the Cambridge ladies …" (640); "next to of course god america i" (641); "i sing of Olaf glad and big" (641-42); "anyone lived in a pretty how town" (643-44). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/08_2_mar_15_stevens_etc.mp3|SESSION AUDIO]</b>.


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WEEK 12


- Tu. 04/10. Langston Hughes. From "The Negro Artist and the Racial Mountain" (348-50); All Poems (871-80): "The Negro Speaks of Rivers" (871); "Mother to Son" (871-72); "I, Too" (872); "The Weary Blues" (872-73); "Mulatto" (873-74); "Song for a Dark Girl" (874-75); "Genius Child" (875); "Visitors to the Black Belt" (875-76); "Note on Commercial Theatre" (876); "Vagabonds" (876-77); "Words Like Freedom" (877); "Madam and Her Madam" (877-78); "Freedom {1}" (878); "Madam's Calling Cards" (878-79); "Silhouette" (879); "Theme for English B" (880). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/12_1_apr_10_hughes.mp3|SESSION AUDIO]</b>. <b>Available soon after session.</b>
+ Tu. 04/10. Langston Hughes. From "The Negro Artist and the Racial Mountain" (348-50); All Poems (871-80): "The Negro Speaks of Rivers" (871); "Mother to Son" (871-72); "I, Too" (872); "The Weary Blues" (872-73); "Mulatto" (873-74); "Song for a Dark Girl" (874-75); "Genius Child" (875); "Visitors to the Black Belt" (875-76); "Note on Commercial Theatre" (876); "Vagabonds" (876-77); "Words Like Freedom" (877); "Madam and Her Madam" (877-78); "Freedom {1}" (878); "Madam's Calling Cards" (878-79); "Silhouette" (879); "Theme for English B" (880). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/12_1_apr_10_hughes.mp3|SESSION AUDIO]</b>.

- Th. 04/12. Zora Neale Hurston. "The Eatonville Anthology" (530-38); "How It Feels to Be Colored Me" (538-41); "The Gilded Six-Bits" (541-49). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/12_2_apr_12_hurston.mp3|SESSION AUDIO]</b>. <b>Available soon after session.</b>
+ Th. 04/12. Zora Neale Hurston. "The Eatonville Anthology" (530-38); "How It Feels to Be Colored Me" (538-41); "The Gilded Six-Bits" (541-49). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/12_2_apr_12_hurston.mp3|SESSION AUDIO]</b>.


WEEK 13


- Tu. 04/17. Tennessee Williams. <i>A Streetcar Named Desire</i> (93-133, Scenes 1-6). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/13_1_apr_17_tennessee_williams.mp3|SESSION AUDIO]</b>. <b>Available soon after session.</b>
+ Tu. 04/17. Tennessee Williams. <i>A Streetcar Named Desire</i> (93-133, Scenes 1-6). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/13_1_apr_17_williams.mp3|SESSION AUDIO]</b>.

- Th. 04/19. Tennessee Williams. <i>A Streetcar Named Desire</i> (133-55, Scenes 7-11). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/13_2_apr_19_tennessee_williams.mp3|SESSION AUDIO]</b>. <b>Available soon after session.</b>
+ Th. 04/19. Tennessee Williams. <i>A Streetcar Named Desire</i> (133-55, Scenes 7-11). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/13_2_apr_19_williams.mp3|SESSION AUDIO]</b>.


WEEK 14


- Tu. 04/24. John Cheever. "The Swimmer" (157-65). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/14_1_apr_24_cheever.mp3|SESSION AUDIO]</b>. <b>Available soon after session.</b>
+ Tu. 04/24. John Cheever. "The Swimmer" (157-65). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/14_1_apr_24_cheever.mp3|SESSION AUDIO]</b>.

- Th. 04/26. Allen Ginsberg. "Howl" (492-500); "Footnote to Howl" (500); "A Supermarket in California" (500); "Sunflower Sutra" (501); "To Aunt Rose" (503); "On Burroughs' Work (504); "Ego Confession" (505). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/14_2_apr_26_ginsberg.mp3|SESSION AUDIO]</b>. <b>Available soon after session.</b>
+ Th. 04/26. Allen Ginsberg. "Howl" (492-500); "Footnote to Howl" (500); "A Supermarket in California" (500); "Sunflower Sutra" (501); "To Aunt Rose" (503); "On Burroughs' Work (504); "Ego Confession" (505). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/14_2_apr_26_ginsberg.mp3|SESSION AUDIO]</b>.


WEEK 15


- Tu. 05/01. Flannery O'Connor. "The Life You Save May Be Your Own" (437-44); "Good Country People" (445-58). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/15_1_may_01_o'connor.mp3|SESSION AUDIO]</b>. <b>Available soon after session.</b>
+ Tu. 05/01. Flannery O'Connor. "The Life You Save May Be Your Own" (437-44); "Good Country People" (445-58). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/15_1_may_01_o'connor.mp3|SESSION AUDIO]</b>.

- Th. 05/03. Thomas Pynchon. "Entropy" (725-36). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/15_2_may_03_pynchon.mp3|SESSION AUDIO]</b>. <b>Available soon after session.</b>
+ Th. 05/03. Thomas Pynchon. "Entropy" (725-36). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/15_2_may_03_pynchon.mp3|SESSION AUDIO]</b>.


WEEK 16


- Tu. 05/08. Frederick Jackson Turner. From "The Significance of the Frontier in American History" (1133-37). Sam Shepard. <i>True West</i> (Act 1, 870-887). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/16_1_may_08_shepard.mp3|SESSION AUDIO]</b>. <b>Available soon after session.</b>
+ Tu. 05/08. Frederick Jackson Turner. From "The Significance of the Frontier in American History" (1133-37). Sam Shepard. <i>True West</i> (Act 1, 870-887). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/16_1_may_08_shepard.mp3|SESSION AUDIO]</b>.

- Th. 05/10. Sam Shepard. <i>True West</i> (Act 2, 887-909). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/16_2_may_10_shepard.mp3|SESSION AUDIO]</b>. <b>Available soon after session.</b>
+ Th. 05/10. Sam Shepard. <i>True West</i> (Act 2, 887-909). <b>[http://ajdrake.com/wiki/audio/222_Spr_2012/16_2_may_10_shepard.mp3|SESSION AUDIO]</b>.


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