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History: E222_Audio_Spr_12

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<h3><div align="center">
AUDIO MP3 SESSIONS FOR E222 AMERICAN LITERATURE, CSU FULLERTON SPRING 2012 (4/20/12)
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<p align="center">Image </p>

<p align="center"><b>Email | Home | Syllabus | Policies | Presentations | Journals | Paper | Final | Blogs | Audio<br /> Guides | Links | CSUF Library | CSUF Catalog | CSUF Calendar | CSUF Exam Schedule</b></p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is easy to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<h3 align="center"><font color="#7800A7">SESSION SCHEDULE: FOLLOWING WORKS DISCUSSED ON DATES INDICATED</font></h3>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>Tu. 01/24. Course Introduction. <b>SESSION AUDIO</b>.</p>

<p>Th. 01/26. Walt Whitman and Emily Dickinson. Whitman's "When Lilacs Last in the Dooryard Bloom'd" (79-85). Dickinson's "320" (97); "340" (99); "448" (102); "479" (102-03); "591" (103-04); "598" (104); "620" (104); "764" (107); "1263" (108); "1668" (108). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>Tu. 01/31. Mark Twain. <i>Huckleberry Finn</i> (Chapters 1-16, 131-88). <b>SESSION AUDIO</b>.</p>

<p>Th. 02/02. Mark Twain. <i>Huckleberry Finn</i> (Chapters 17-21, 188-219). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>Tu. 02/07. Mark Twain. <i>Huckleberry Finn</i> (Chapters 22-35, 220-81). <b>SESSION AUDIO</b>.</p>

<p>Th. 02/09. Mark Twain. <i>Huckleberry Finn</i> (Chapters 36-42, 281-309). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 4</font></h3>

<p>Tu. 02/14. Henry James. "Daisy Miller" (421-59). We will also watch part of a film production. <b>SESSION AUDIO</b>.</p>

<p>Th. 02/16. Henry James. "Daisy Miller" (421-59). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 5</font></h3>

<p>Tu. 02/21. Kate Chopin. <i>The Awakening</i> (Chapters 1-24, 561-619). <b>SESSION AUDIO</b>.</p>

<p>Th. 02/23. Kate Chopin. <i>The Awakening</i> (Chapters 25-39, 619-52). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 6</font></h3>

<p>Tu. 02/28. Jack London. From "What Life Means to Me" (Norton 917-20). From <i>Tales of the Pacific</i> (Separate text): "The House of Mapuhi" (31-53); "Mauki (64-79). <b>SESSION AUDIO</b>.</p>

<p>Th. 03/01. Jack London. From <i>Tales of the Pacific</i> (Separate text): "The Sheriff of Kona" (121-34); "Koolau the Leper" (135-50); "The Bones of Kehekili" (151-73). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 7</font></h3>

<p>Tu. 03/06. Robert Frost. "The Figure a Poem Makes" (250-52); "Mowing" (231-32); "Mending Wall" (232-33); "The Death of the Hired Man" (233-37); "The Wood-Pile" (241); "The Road Not Taken" (241-42); "Birches" (242-44); "Out, Out—" (244); "Fire and Ice" (245); "Nothing Gold Can Stay" (245); "Stopping by Woods on a Snowy Evening" (245); "Desert Places" (246); "Design" (246); "The Gift Outright" (248). <b>SESSION AUDIO</b>.</p>

<p>Th. 03/08. Carl Sandburg and William Carlos Williams. Sandburg's "Chicago" (279-80); "Fog" (280); "Cool Tombs" (280-81); "Grass" (281). From Williams' <i>Spring and All</i> (346-47); Poems: "Queen-Anne's Lace" (305); "Spring and All" (306-07); "To Elsie" (307-09); "The Red Wheelbarrow" (309); "The Dead Baby" (309-10); "This Is Just to Say" (310); "A Sort of a Song" (310); "Landscape with the Fall of Icarus" (313). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 8</font></h3>

<p>Tu. 03/13. T. S. Eliot. From "Tradition and the Individual Talent" (372-75); "The Waste Land" (378-91). <b>SESSION AUDIO</b>.</p>

<p>Th. 03/15. F.T. Marinetti, Ezra Pound, H.D., Marianne Moore, Wallace Stevens, E.E. Cummings. From Marinetti's "Manifesto of Futurism" (337). From Pound's "A Retrospect"(341-43). H.D.'s "Leda" (353); "Fragment 113" (354); "Helen" (355). Moore's "Poetry" (359-60); "To a Snail" (360). Stevens' "Anecdote of the Jar" (288); "Thirteen Ways of Looking at a Blackbird" (291-92); "The Idea of Order at Key West" (293-94); "Of Modern Poetry" (294). E.E. Cummings' "in Just-" (638); "the Cambridge ladies …" (640); "next to of course god america i" (641); "i sing of Olaf glad and big" (641-42); "anyone lived in a pretty how town" (643-44). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 9</font></h3>

<p>Tu. 03/20. Ernest Hemingway. "The Snows of Kilimanjaro" (826-42). We will watch part of a film production. <b><font color="#ec8dc0">Film, no audio.</font></b></p>

<p>Th. 03/22. Ernest Hemingway. "The Snows of Kilimanjaro" (826-42). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 10</font></h3>

<p>Tu. 03/27. <b><font color="#666">Spring Recess: no classes all week, but campus is open except on Friday, March 30.</font></b></p>

<p>Th. 03/29. <b><font color="#666">Spring Recess: no classes all week, but campus is open except on Friday, March 30.</font></b></p>

<h3><font color="#7800A7">WEEK 11</font></h3>

<p>Tu. 04/03. William Faulkner. <i>As I Lay Dying</i> (698-762, i.e. first 2/3). <b>SESSION AUDIO</b>.</p>

<p>Th. 04/05. William Faulkner. <i>As I Lay Dying</i> (762-793, last 1/3). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 12</font></h3>

<p>Tu. 04/10. Langston Hughes. From "The Negro Artist and the Racial Mountain" (348-50); All Poems (871-80): "The Negro Speaks of Rivers" (871); "Mother to Son" (871-72); "I, Too" (872); "The Weary Blues" (872-73); "Mulatto" (873-74); "Song for a Dark Girl" (874-75); "Genius Child" (875); "Visitors to the Black Belt" (875-76); "Note on Commercial Theatre" (876); "Vagabonds" (876-77); "Words Like Freedom" (877); "Madam and Her Madam" (877-78); "Freedom {1}" (878); "Madam's Calling Cards" (878-79); "Silhouette" (879); "Theme for English B" (880). <b>SESSION AUDIO</b>.</p>

<p>Th. 04/12. Zora Neale Hurston. "The Eatonville Anthology" (530-38); "How It Feels to Be Colored Me" (538-41); "The Gilded Six-Bits" (541-49). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 13</font></h3>

<p>Tu. 04/17. Tennessee Williams. <i>A Streetcar Named Desire</i> (93-133, Scenes 1-6). <b>SESSION AUDIO</b>.</p>

<p>Th. 04/19. Tennessee Williams. <i>A Streetcar Named Desire</i> (133-55, Scenes 7-11). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 14</font></h3>

<p>Tu. 04/24. John Cheever. "The Swimmer" (157-65). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p>Th. 04/26. Allen Ginsberg. "Howl" (492-500); "Footnote to Howl" (500); "A Supermarket in California" (500); "Sunflower Sutra" (501); "To Aunt Rose" (503); "On Burroughs' Work (504); "Ego Confession" (505). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<h3><font color="#7800A7">WEEK 15</font></h3>

<p>Tu. 05/01. Flannery O'Connor. "The Life You Save May Be Your Own" (437-44); "Good Country People" (445-58). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p>Th. 05/03. Thomas Pynchon. "Entropy" (725-36). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<h3><font color="#7800A7">WEEK 16</font></h3>

<p>Tu. 05/08. Frederick Jackson Turner. From "The Significance of the Frontier in American History" (1133-37). Sam Shepard. <i>True West</i> (Act 1, 870-887). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p>Th. 05/10. Sam Shepard. <i>True West</i> (Act 2, 887-909). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p><b>Texts Used:</b> <p>Nina Baym, et al. <i>The Norton Anthology of American Literature.</i> Eighth Edition. Paperback. Package 2: Vols. C, D, E. ISBN-13: 978-0-393-91310-1. Also London, Jack. <i>Tales of the Pacific.</i> New York: Penguin, 1989. ISBN-13: 978-0-140-18358-0.</p>

<p>Technical Note: I record audio files in class with a digital voice recorder, transfer them via USB to my laptop, edit them in WavePad Sound Editor and convert them to 16 kbps mp3 files for uploading to this wiki site.</p>


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<html>
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</head>
<body>

<h3><div align="center">
AUDIO MP3 SESSIONS FOR E222 AMERICAN LITERATURE, CSU FULLERTON SPRING 2012 (5/13/12)
</div></h3>

<p align="center">Image </p>

<p align="center"><b>Email | Home | Syllabus | Policies | Presentations | Journals | Paper | Final | Blogs | Audio<br /> Guides | Links | CSUF Library | CSUF Catalog | CSUF Calendar | CSUF Exam Schedule</b></p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is easy to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<h3 align="center"><font color="#7800A7">SESSION SCHEDULE: FOLLOWING WORKS DISCUSSED ON DATES INDICATED</font></h3>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>Tu. 01/24. Course Introduction. <b>SESSION AUDIO</b>.</p>

<p>Th. 01/26. Walt Whitman and Emily Dickinson. Whitman's "When Lilacs Last in the Dooryard Bloom'd" (79-85). Dickinson's "320" (97); "340" (99); "448" (102); "479" (102-03); "591" (103-04); "598" (104); "620" (104); "764" (107); "1263" (108); "1668" (108). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>Tu. 01/31. Mark Twain. <i>Huckleberry Finn</i> (Chapters 1-16, 131-88). <b>SESSION AUDIO</b>.</p>

<p>Th. 02/02. Mark Twain. <i>Huckleberry Finn</i> (Chapters 17-21, 188-219). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>Tu. 02/07. Mark Twain. <i>Huckleberry Finn</i> (Chapters 22-35, 220-81). <b>SESSION AUDIO</b>.</p>

<p>Th. 02/09. Mark Twain. <i>Huckleberry Finn</i> (Chapters 36-42, 281-309). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 4</font></h3>

<p>Tu. 02/14. Henry James. "Daisy Miller" (421-59). We will also watch part of a film production. <b>SESSION AUDIO</b>.</p>

<p>Th. 02/16. Henry James. "Daisy Miller" (421-59). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 5</font></h3>

<p>Tu. 02/21. Kate Chopin. <i>The Awakening</i> (Chapters 1-24, 561-619). <b>SESSION AUDIO</b>.</p>

<p>Th. 02/23. Kate Chopin. <i>The Awakening</i> (Chapters 25-39, 619-52). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 6</font></h3>

<p>Tu. 02/28. Jack London. From "What Life Means to Me" (Norton 917-20). From <i>Tales of the Pacific</i> (Separate text): "The House of Mapuhi" (31-53); "Mauki (64-79). <b>SESSION AUDIO</b>.</p>

<p>Th. 03/01. Jack London. From <i>Tales of the Pacific</i> (Separate text): "The Sheriff of Kona" (121-34); "Koolau the Leper" (135-50); "The Bones of Kehekili" (151-73). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 7</font></h3>

<p>Tu. 03/06. Robert Frost. "The Figure a Poem Makes" (250-52); "Mowing" (231-32); "Mending Wall" (232-33); "The Death of the Hired Man" (233-37); "The Wood-Pile" (241); "The Road Not Taken" (241-42); "Birches" (242-44); "Out, Out—" (244); "Fire and Ice" (245); "Nothing Gold Can Stay" (245); "Stopping by Woods on a Snowy Evening" (245); "Desert Places" (246); "Design" (246); "The Gift Outright" (248). <b>SESSION AUDIO</b>.</p>

<p>Th. 03/08. Carl Sandburg and William Carlos Williams. Sandburg's "Chicago" (279-80); "Fog" (280); "Cool Tombs" (280-81); "Grass" (281). From Williams' <i>Spring and All</i> (346-47); Poems: "Queen-Anne's Lace" (305); "Spring and All" (306-07); "To Elsie" (307-09); "The Red Wheelbarrow" (309); "The Dead Baby" (309-10); "This Is Just to Say" (310); "A Sort of a Song" (310); "Landscape with the Fall of Icarus" (313). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 8</font></h3>

<p>Tu. 03/13. T. S. Eliot. From "Tradition and the Individual Talent" (372-75); "The Waste Land" (378-91). <b>SESSION AUDIO</b>.</p>

<p>Th. 03/15. F.T. Marinetti, Ezra Pound, H.D., Marianne Moore, Wallace Stevens, E.E. Cummings. From Marinetti's "Manifesto of Futurism" (337). From Pound's "A Retrospect"(341-43). H.D.'s "Leda" (353); "Fragment 113" (354); "Helen" (355). Moore's "Poetry" (359-60); "To a Snail" (360). Stevens' "Anecdote of the Jar" (288); "Thirteen Ways of Looking at a Blackbird" (291-92); "The Idea of Order at Key West" (293-94); "Of Modern Poetry" (294). E.E. Cummings' "in Just-" (638); "the Cambridge ladies …" (640); "next to of course god america i" (641); "i sing of Olaf glad and big" (641-42); "anyone lived in a pretty how town" (643-44). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 9</font></h3>

<p>Tu. 03/20. Ernest Hemingway. "The Snows of Kilimanjaro" (826-42). We will watch part of a film production. <b><font color="#ec8dc0">Film, no audio.</font></b></p>

<p>Th. 03/22. Ernest Hemingway. "The Snows of Kilimanjaro" (826-42). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 10</font></h3>

<p>Tu. 03/27. <b><font color="#666">Spring Recess: no classes all week, but campus is open except on Friday, March 30.</font></b></p>

<p>Th. 03/29. <b><font color="#666">Spring Recess: no classes all week, but campus is open except on Friday, March 30.</font></b></p>

<h3><font color="#7800A7">WEEK 11</font></h3>

<p>Tu. 04/03. William Faulkner. <i>As I Lay Dying</i> (698-762, i.e. first 2/3). <b>SESSION AUDIO</b>.</p>

<p>Th. 04/05. William Faulkner. <i>As I Lay Dying</i> (762-793, last 1/3). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 12</font></h3>

<p>Tu. 04/10. Langston Hughes. From "The Negro Artist and the Racial Mountain" (348-50); All Poems (871-80): "The Negro Speaks of Rivers" (871); "Mother to Son" (871-72); "I, Too" (872); "The Weary Blues" (872-73); "Mulatto" (873-74); "Song for a Dark Girl" (874-75); "Genius Child" (875); "Visitors to the Black Belt" (875-76); "Note on Commercial Theatre" (876); "Vagabonds" (876-77); "Words Like Freedom" (877); "Madam and Her Madam" (877-78); "Freedom {1}" (878); "Madam's Calling Cards" (878-79); "Silhouette" (879); "Theme for English B" (880). <b>SESSION AUDIO</b>.</p>

<p>Th. 04/12. Zora Neale Hurston. "The Eatonville Anthology" (530-38); "How It Feels to Be Colored Me" (538-41); "The Gilded Six-Bits" (541-49). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 13</font></h3>

<p>Tu. 04/17. Tennessee Williams. <i>A Streetcar Named Desire</i> (93-133, Scenes 1-6). <b>SESSION AUDIO</b>.</p>

<p>Th. 04/19. Tennessee Williams. <i>A Streetcar Named Desire</i> (133-55, Scenes 7-11). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 14</font></h3>

<p>Tu. 04/24. John Cheever. "The Swimmer" (157-65). <b>SESSION AUDIO</b>.</p>

<p>Th. 04/26. Allen Ginsberg. "Howl" (492-500); "Footnote to Howl" (500); "A Supermarket in California" (500); "Sunflower Sutra" (501); "To Aunt Rose" (503); "On Burroughs' Work (504); "Ego Confession" (505). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 15</font></h3>

<p>Tu. 05/01. Flannery O'Connor. "The Life You Save May Be Your Own" (437-44); "Good Country People" (445-58). <b>SESSION AUDIO</b>.</p>

<p>Th. 05/03. Thomas Pynchon. "Entropy" (725-36). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 16</font></h3>

<p>Tu. 05/08. Frederick Jackson Turner. From "The Significance of the Frontier in American History" (1133-37). Sam Shepard. <i>True West</i> (Act 1, 870-887). <b>SESSION AUDIO</b>.</p>

<p>Th. 05/10. Sam Shepard. <i>True West</i> (Act 2, 887-909). <b>SESSION AUDIO</b>.</p>

<p><b>Texts Used:</b> <p>Nina Baym, et al. <i>The Norton Anthology of American Literature.</i> Eighth Edition. Paperback. Package 2: Vols. C, D, E. ISBN-13: 978-0-393-91310-1. Also London, Jack. <i>Tales of the Pacific.</i> New York: Penguin, 1989. ISBN-13: 978-0-140-18358-0.</p>

<p>Technical Note: I record audio files in class with a digital voice recorder, transfer them via USB to my laptop, edit them in WavePad Sound Editor and convert them to 16 kbps mp3 files for uploading to this wiki site.</p>


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