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History: E222_Audio_Spr_14

Comparing version 8 with version 10

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<h3><div align="center">
AUDIO MP3 SESSIONS FOR E222 AMERICAN LITERATURE, CSU FULLERTON SPRING 2014 (4/7/14)
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<p align="center">Image </p>

<p align="center"><b>Email | Home | Syllabus | Policies | Presentations | Questions | Journals | Paper | Final | Blogs<br /> Audio | Guides | Links | CSUF Library | CSUF Catalog | CSUF Calendar | CSUF Exam Schedule</b></p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is easy to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<h3 align="center"><font color="#7800A7">SESSION SCHEDULE: FOLLOWING WORKS DISCUSSED ON DATES INDICATED</font></h3>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>M. 01/20. <b><font color="#666">Martin Luther King, Jr. Holiday. No classes.</font></b></p>

<p>W. 01/22. Course Introduction. <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>M. 01/27. Walt Whitman and Emily Dickinson. Whitman's "When Lilacs Last in the Dooryard Bloom'd" (Vol. C 79-85). Dickinson's "320" (Vol. C 97); "340" (Vol. C 99); "448" (Vol. C 102); "479" (Vol. C 102-03); "591" (Vol. C 103-04); "598" (Vol. C 104); "620" (Vol. C 104); "764" (Vol. C 107); "1263" (Vol. C 108); "1668" (Vol. C 108). <b>SESSION AUDIO</b>.</p>

<p>W. 01/29. Mark Twain. From <i>Letters from the Earth</i> (Vol. C 336-51). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>M. 02/03. Henry James. "Daisy Miller" (Vol. C 421-59). <b>SESSION AUDIO</b>.</p>

<p>W. 02/05. Henry James. "Daisy Miller" (Vol. C 421-59). We will watch part of a film production in addition to completing our discussion of the text. <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 1 DUE BY EMAIL MONDAY 02/10; SEE INSTRUCTIONS.</b> (Reminder: this set includes Whitman through James. I will verify receipt by email within a few days.)</p>

<h3><font color="#7800A7">WEEK 4</font></h3>

<p>M. 02/10. Kate Chopin. <i>The Awakening</i> (Vol. C Chapters 1-11, 561-586). <b>SESSION AUDIO</b>.</p>

<p>W. 02/12. Kate Chopin. <i>The Awakening</i> (Vol. C Chapters 12-26, 586-626). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 5</font></h3>

<p>M. 02/17. <b><font color="#666">Presidents' Day Holiday. No classes.</font></b></p>

<p>W. 02/19. Kate Chopin. <i>The Awakening</i> (Vol. C Chapters 27-39, 626-52). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 6</font></h3>

<p>M. 02/24. Jack London. From "What Life Means to Me" (Norton Vol. D 917-20). From <i>Tales of the Pacific</i> (Penguin edition): "The House of Mapuhi" (31-53); "Mauki (64-79); "The Sheriff of Kona" (121-34). <b>SESSION AUDIO</b>.</p>

<p>W. 02/26. Jack London. From <i>Tales of the Pacific</i> (Penguin edition): "Koolau the Leper" (135-50); "The Bones of Kehekili" (151-73). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 2 DUE BY EMAIL MONDAY 03/03; SEE INSTRUCTIONS.</b> (Reminder: this set includes Chopin through London. I will verify receipt by email within a few days.)</p>

<h3><font color="#7800A7">WEEK 7</font></h3>

<p>M. 03/03. Robert Frost. "The Figure a Poem Makes" (Vol. D 250-52); "Mowing" (Vol. D 231-32); "Mending Wall" (Vol. D 232-33); "The Death of the Hired Man" (Vol. D 233-37); "The Wood-Pile" (Vol. D 241); "The Road Not Taken" (Vol. D 241-42); "Birches" (Vol. D 242-44); "Out, Out—" (Vol. D 244); "Fire and Ice" (Vol. D 245); "Nothing Gold Can Stay" (Vol. D 245); "Stopping by Woods on a Snowy Evening" (Vol. D 245); "Desert Places" (Vol. D 246); "Design" (Vol. D 246); "The Gift Outright" (Vol. D 248). <b>SESSION AUDIO</b>.</p>

<p>W. 03/05. Carl Sandburg and William Carlos Williams. Sandburg's "Chicago" (Vol. D 279-80); "Fog" (Vol. D 280); "Cool Tombs" (Vol. D 280-81); "Grass" (Vol. D 281). From Williams' <i>Spring and All</i> (Vol. D 346-47); Poems: "Queen-Anne's Lace" (Vol. D 305); "Spring and All" (Vol. D 306-07); "To Elsie" (Vol. D 307-09); "The Red Wheelbarrow" (Vol. D 309); "The Dead Baby" (Vol. D 309-10); "This Is Just to Say" (Vol. D 310); "A Sort of a Song" (Vol. D 310); "Burning the Christmas Greens" (Vol. D 311-13); "Landscape with the Fall of Icarus" (Vol. D 313). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 8</font></h3>

<p>M. 03/10. T. S. Eliot. "The Waste Land" (Vol. D 378-91). <b>SESSION AUDIO</b>.</p>

<p>W. 03/12. Wallace Stevens. "The Snow Man" (Vol. D 283-84); "Disillusionment of Ten O'Clock" (Vol. D 285); "Sunday Morning" (Vol. D 285-88); "Anecdote of the Jar" (Vol. D 288-89); "Peter Quince at the Clavier" (Vol. D 289-90); "Thirteen Ways of Looking at a Blackbird" (Vol. D 291-92); "The Idea of Order at Key West" (Vol. D 293-94); "Of Modern Poetry" (Vol. D 294); The Plain Sense of Things" (Vol. D 295). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 9</font></h3>

<p>M. 03/17. E.E. Cummings. "Thy fingers make early flowers of" (Vol. D 638); "in Just-" (Vol. D 638-39); "O sweet spontaneous" (Vol. D 639-40); "Buffalo Bill's" (Vol. D 640); "the Cambridge ladies who live in furnished souls" (Vol. D 640); "next to of course god america i" (Vol. D 641); "i sing of Olaf glad and big" (Vol. D 641-42); "somewhere i have never travelled,gladly beyond" (Vol. D 642-43); "anyone lived in a pretty how town" (Vol. D 643-44); "my father moved through dooms of love" (Vol. D 644-45); "pity this busy monster,manunkind" (Vol. D 646). <b>SESSION AUDIO</b>.</p>

<p>W. 03/19. Ernest Hemingway. "The Snows of Kilimanjaro" (Vol. D 826-42). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 3 DUE BY EMAIL MONDAY 03/24; SEE INSTRUCTIONS.</b> (Reminder: this set includes Frost through Hemingway. I will verify receipt by email within a few days.)</p>

<h3><font color="#7800A7">WEEK 10</font></h3>

<p>M. 03/24. Langston Hughes. From "The Negro Artist and the Racial Mountain" (Vol. D 348-50); All Poems (Vol. D 871-80): "The Negro Speaks of Rivers" (Vol. D 871); "Mother to Son" (Vol. D 871-72); "I, Too" (Vol. D 872); "The Weary Blues" (Vol. D 872-73); "Mulatto" (Vol. D 873-74); "Song for a Dark Girl" (Vol. D 874-75); "Genius Child" (Vol. D 875); "Visitors to the Black Belt" (Vol. D 875-76); "Note on Commercial Theatre" (Vol. D 876); "Vagabonds" (Vol. D 876-77); "Words Like Freedom" (Vol. D 877); "Madam and Her Madam" (Vol. D 877-78); "Freedom {1}" (Vol. D 878); "Madam's Calling Cards" (Vol. D 878-79); "Silhouette" (Vol. D 879); "Theme for English B" (Vol. D 880). <b>SESSION AUDIO</b>.</p>

<p>W. 03/26. William Faulkner. <i>As I Lay Dying</i> (Vol. D 698-730, i.e. first 1/3). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 11</font></h3>

<p>M. 03/31. <b><font color="#666"> Spring Break. No classes.</font></b></p>

<p>W. 04/02. <b><font color="#666"> Spring Break. No classes.</font></b> </p>

<h3><font color="#7800A7">WEEK 12</font></h3>

<p>M. 04/07. William Faulkner. <i>As I Lay Dying</i> (Vol. D 731-62, i.e. second 1/3). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p>W. 04/09. William Faulkner. <i>As I Lay Dying</i> (Vol. D 762-793, last 1/3). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>


<p><b>PARAGRAPH DESCRIBING GENERAL TOPIC AND SPECIFIC ARGUMENT FOR TERM PAPER DUE BY EMAIL MONDAY 04/14; SEE INSTRUCTIONS.</b></p>

<h3><font color="#7800A7">WEEK 13</font></h3>

<p>M. 04/14. Tennessee Williams. <i>A Streetcar Named Desire</i> (Film production: Marlon Brando/Vivien Leigh/Kim Hunter, 1951, first 75 of 122 minutes). <b>FILM: NO SESSION AUDIO]</b>.</p>

<p>W. 04/16. Tennessee Williams. <i>A Streetcar Named Desire</i> (Film production: Marlon Brando/Vivien Leigh/Kim Hunter, 1951, remaining 47 of 122 minutes). <b>FILM: NO SESSION AUDIO]</b>.</p>

<h3><font color="#7800A7">WEEK 14</font></h3>

<p>M. 04/21. Tennessee Williams. <i>A Streetcar Named Desire</i> (Vol. E 93-55, Scenes 1-11). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p>W. 04/23. John Cheever. "The Swimmer" (Vol. E 157-65). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p><b>JOURNAL SET 4 DUE BY EMAIL MONDAY 04/28; SEE INSTRUCTIONS.</b> (Reminder: this set includes Hughes through Cheever.)</p>

<h3><font color="#7800A7">WEEK 15</font></h3>

<p>M. 04/28. Flannery O'Connor. "The Life You Save May Be Your Own" (Vol. E 437-44); "Good Country People" (Vol. E 445-58). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p>W. 04/30. Allen Ginsberg. "Howl" (Vol. E 492-500); "Footnote to Howl" (Vol. E 500).; "A Supermarket in California" (Vol. E 500); "Sunflower Sutra" (Vol. E 501). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<h3><font color="#7800A7">WEEK 16</font></h3>

<p>M. 05/07. Frederick Jackson Turner. From "The Significance of the Frontier in American History" (Vol. C 1133-37). Sam Shepard. <i>True West</i> (Vol. E Act 1, 870-887). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p>W. 05/09. Sam Shepard. <i>True West</i> (Vol. E Act 2, 887-909). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p><b>JOURNAL SET 5 DUE BY PAPER DUE DATE; SEE INSTRUCTIONS.</b> (Reminder: this set includes O'Connor through Shepard; I would suggest finishing this set by exam day so you can use it then.)</p>

<h3><font color="#7800A7">FINALS WEEK</font></h3>

<p>Final Exam Date <b><font color="#666">Monday, May 12 from 2:30-4:20 p.m.</font></b> Due by email by Friday, May 16: <b>Term Paper</b>. (I must turn in grades by May 23, 2014.) For your other courses, check <b>CSUF's Final Exam Schedule</b>.</p>



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<html>
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<body>

<h3><div align="center">
AUDIO MP3 SESSIONS FOR E222 AMERICAN LITERATURE, CSU FULLERTON SPRING 2014 (5/11/14)
</div></h3>

<p align="center">Image </p>

<p align="center"><b>Email | Home | Syllabus | Policies | Presentations | Questions | Journals | Paper | Final | Blogs<br /> Audio | Guides | Links | CSUF Library | CSUF Catalog | CSUF Calendar | CSUF Exam Schedule</b></p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is easy to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<h3 align="center"><font color="#7800A7">SESSION SCHEDULE: FOLLOWING WORKS DISCUSSED ON DATES INDICATED</font></h3>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>M. 01/20. <b><font color="#666">Martin Luther King, Jr. Holiday. No classes.</font></b></p>

<p>W. 01/22. Course Introduction. <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>M. 01/27. Walt Whitman and Emily Dickinson. Whitman's "When Lilacs Last in the Dooryard Bloom'd" (Vol. C 79-85). Dickinson's "320" (Vol. C 97); "340" (Vol. C 99); "448" (Vol. C 102); "479" (Vol. C 102-03); "591" (Vol. C 103-04); "598" (Vol. C 104); "620" (Vol. C 104); "764" (Vol. C 107); "1263" (Vol. C 108); "1668" (Vol. C 108). <b>SESSION AUDIO</b>.</p>

<p>W. 01/29. Mark Twain. From <i>Letters from the Earth</i> (Vol. C 336-51). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>M. 02/03. Henry James. "Daisy Miller" (Vol. C 421-59). <b>SESSION AUDIO</b>.</p>

<p>W. 02/05. Henry James. "Daisy Miller" (Vol. C 421-59). We will watch part of a film production in addition to completing our discussion of the text. <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 1 DUE BY EMAIL MONDAY 02/10; SEE INSTRUCTIONS.</b> (Reminder: this set includes Whitman through James. I will verify receipt by email within a few days.)</p>

<h3><font color="#7800A7">WEEK 4</font></h3>

<p>M. 02/10. Kate Chopin. <i>The Awakening</i> (Vol. C Chapters 1-11, 561-586). <b>SESSION AUDIO</b>.</p>

<p>W. 02/12. Kate Chopin. <i>The Awakening</i> (Vol. C Chapters 12-26, 586-626). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 5</font></h3>

<p>M. 02/17. <b><font color="#666">Presidents' Day Holiday. No classes.</font></b></p>

<p>W. 02/19. Kate Chopin. <i>The Awakening</i> (Vol. C Chapters 27-39, 626-52). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 6</font></h3>

<p>M. 02/24. Jack London. From "What Life Means to Me" (Norton Vol. D 917-20). From <i>Tales of the Pacific</i> (Penguin edition): "The House of Mapuhi" (31-53); "Mauki (64-79); "The Sheriff of Kona" (121-34). <b>SESSION AUDIO</b>.</p>

<p>W. 02/26. Jack London. From <i>Tales of the Pacific</i> (Penguin edition): "Koolau the Leper" (135-50); "The Bones of Kehekili" (151-73). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 2 DUE BY EMAIL MONDAY 03/03; SEE INSTRUCTIONS.</b> (Reminder: this set includes Chopin through London. I will verify receipt by email within a few days.)</p>

<h3><font color="#7800A7">WEEK 7</font></h3>

<p>M. 03/03. Robert Frost. "The Figure a Poem Makes" (Vol. D 250-52); "Mowing" (Vol. D 231-32); "Mending Wall" (Vol. D 232-33); "The Death of the Hired Man" (Vol. D 233-37); "The Wood-Pile" (Vol. D 241); "The Road Not Taken" (Vol. D 241-42); "Birches" (Vol. D 242-44); "Out, Out—" (Vol. D 244); "Fire and Ice" (Vol. D 245); "Nothing Gold Can Stay" (Vol. D 245); "Stopping by Woods on a Snowy Evening" (Vol. D 245); "Desert Places" (Vol. D 246); "Design" (Vol. D 246); "The Gift Outright" (Vol. D 248). <b>SESSION AUDIO</b>.</p>

<p>W. 03/05. Carl Sandburg and William Carlos Williams. Sandburg's "Chicago" (Vol. D 279-80); "Fog" (Vol. D 280); "Cool Tombs" (Vol. D 280-81); "Grass" (Vol. D 281). From Williams' <i>Spring and All</i> (Vol. D 346-47); Poems: "Queen-Anne's Lace" (Vol. D 305); "Spring and All" (Vol. D 306-07); "To Elsie" (Vol. D 307-09); "The Red Wheelbarrow" (Vol. D 309); "The Dead Baby" (Vol. D 309-10); "This Is Just to Say" (Vol. D 310); "A Sort of a Song" (Vol. D 310); "Burning the Christmas Greens" (Vol. D 311-13); "Landscape with the Fall of Icarus" (Vol. D 313). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 8</font></h3>

<p>M. 03/10. T. S. Eliot. "The Waste Land" (Vol. D 378-91). <b>SESSION AUDIO</b>.</p>

<p>W. 03/12. Wallace Stevens. "The Snow Man" (Vol. D 283-84); "Disillusionment of Ten O'Clock" (Vol. D 285); "Sunday Morning" (Vol. D 285-88); "Anecdote of the Jar" (Vol. D 288-89); "Peter Quince at the Clavier" (Vol. D 289-90); "Thirteen Ways of Looking at a Blackbird" (Vol. D 291-92); "The Idea of Order at Key West" (Vol. D 293-94); "Of Modern Poetry" (Vol. D 294); The Plain Sense of Things" (Vol. D 295). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 9</font></h3>

<p>M. 03/17. E.E. Cummings. "Thy fingers make early flowers of" (Vol. D 638); "in Just-" (Vol. D 638-39); "O sweet spontaneous" (Vol. D 639-40); "Buffalo Bill's" (Vol. D 640); "the Cambridge ladies who live in furnished souls" (Vol. D 640); "next to of course god america i" (Vol. D 641); "i sing of Olaf glad and big" (Vol. D 641-42); "somewhere i have never travelled,gladly beyond" (Vol. D 642-43); "anyone lived in a pretty how town" (Vol. D 643-44); "my father moved through dooms of love" (Vol. D 644-45); "pity this busy monster,manunkind" (Vol. D 646). <b>SESSION AUDIO</b>.</p>

<p>W. 03/19. Ernest Hemingway. "The Snows of Kilimanjaro" (Vol. D 826-42). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 3 DUE BY EMAIL MONDAY 03/24; SEE INSTRUCTIONS.</b> (Reminder: this set includes Frost through Hemingway. I will verify receipt by email within a few days.)</p>

<h3><font color="#7800A7">WEEK 10</font></h3>

<p>M. 03/24. Langston Hughes. From "The Negro Artist and the Racial Mountain" (Vol. D 348-50); All Poems (Vol. D 871-80): "The Negro Speaks of Rivers" (Vol. D 871); "Mother to Son" (Vol. D 871-72); "I, Too" (Vol. D 872); "The Weary Blues" (Vol. D 872-73); "Mulatto" (Vol. D 873-74); "Song for a Dark Girl" (Vol. D 874-75); "Genius Child" (Vol. D 875); "Visitors to the Black Belt" (Vol. D 875-76); "Note on Commercial Theatre" (Vol. D 876); "Vagabonds" (Vol. D 876-77); "Words Like Freedom" (Vol. D 877); "Madam and Her Madam" (Vol. D 877-78); "Freedom {1}" (Vol. D 878); "Madam's Calling Cards" (Vol. D 878-79); "Silhouette" (Vol. D 879); "Theme for English B" (Vol. D 880). <b>SESSION AUDIO</b>.</p>

<p>W. 03/26. William Faulkner. <i>As I Lay Dying</i> (Vol. D 698-730, i.e. first 1/3). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 11</font></h3>

<p>M. 03/31. <b><font color="#666"> Spring Break. No classes.</font></b></p>

<p>W. 04/02. <b><font color="#666"> Spring Break. No classes.</font></b> </p>

<h3><font color="#7800A7">WEEK 12</font></h3>

<p>M. 04/07. William Faulkner. <i>As I Lay Dying</i> (Vol. D 731-62, i.e. second 1/3). <b>SESSION AUDIO</b>.</p>

<p>W. 04/09. William Faulkner. <i>As I Lay Dying</i> (Vol. D 762-793, last 1/3). <b>SESSION AUDIO</b>.</p>


<p><b>PARAGRAPH DESCRIBING GENERAL TOPIC AND SPECIFIC ARGUMENT FOR TERM PAPER DUE BY EMAIL MONDAY 04/14; SEE INSTRUCTIONS.</b></p>

<h3><font color="#7800A7">WEEK 13</font></h3>

<p>M. 04/14. Tennessee Williams. <i>A Streetcar Named Desire</i> (Film production: Marlon Brando/Vivien Leigh/Kim Hunter, 1951, first 75 of 122 minutes). <b>FILM: NO SESSION AUDIO]</b>.</p>

<p>W. 04/16. Tennessee Williams. <i>A Streetcar Named Desire</i> (Film production: Marlon Brando/Vivien Leigh/Kim Hunter, 1951, remaining 47 of 122 minutes). <b>FILM: NO SESSION AUDIO]</b>.</p>

<h3><font color="#7800A7">WEEK 14</font></h3>

<p>M. 04/21. Tennessee Williams. <i>A Streetcar Named Desire</i> (Vol. E 93-55, Scenes 1-11). <b>SESSION AUDIO</b>.</p>

<p>W. 04/23. John Cheever. "The Swimmer" (Vol. E 157-65). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 4 DUE BY EMAIL MONDAY 04/28; SEE INSTRUCTIONS.</b> (Reminder: this set includes Hughes through Cheever.)</p>

<h3><font color="#7800A7">WEEK 15</font></h3>

<p>M. 04/28. Flannery O'Connor. "The Life You Save May Be Your Own" (Vol. E 437-44); "Good Country People" (Vol. E 445-58). <b>SESSION AUDIO</b>.</p>

<p>W. 04/30. Allen Ginsberg. "Howl" (Vol. E 492-500); "Footnote to Howl" (Vol. E 500).; "A Supermarket in California" (Vol. E 500); "Sunflower Sutra" (Vol. E 501). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 16</font></h3>

<p>M. 05/05. Frederick Jackson Turner. From "The Significance of the Frontier in American History" (Vol. C 1133-37). Sam Shepard. <i>True West</i> (Vol. E Act 1, 870-887). <b>SESSION AUDIO</b>.</p>

<p>W. 05/07. Sam Shepard. <i>True West</i> (Vol. E Act 2, 887-909). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 5 DUE BY PAPER DUE DATE; SEE INSTRUCTIONS.</b> (Reminder: this set includes O'Connor through Shepard; I would suggest finishing this set by exam day so you can use it then.)</p>

<h3><font color="#7800A7">FINALS WEEK</font></h3>

<p>Final Exam Date <b><font color="#666">Monday, May 12 from 2:30-4:20 p.m.</font></b> Due by email by Friday, May 16: <b>Term Paper</b>. (I must turn in grades by May 23, 2014.) For your other courses, check <b>CSUF's Final Exam Schedule</b>.</p>



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