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History: E256_Audio_Fall_12

Comparing version 14 with version 18

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<h3><div align="center">
AUDIO OF SESSIONS FOR E256 INTRODUCTION TO LITERARY THEORY AND CRITICISM, CHAPMAN U FALL 2012 (11/11/12)
</div></h3>

<p align="center"> Image </p>

<p align="center"><b>Email | Home | Syllabus | Policies | Questions | Presentations | Journals | Paper <br /> Final | Blogs | Audio | Guides | Links | Calendar | Catalog | Panther News</b></p>


<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is easy to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<h3 align="center"><font color="#7800A7">SESSION SCHEDULE: FOLLOWING WORKS DISCUSSED ON DATES INDICATED</font></h3>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>Tu. 08/28. Course introduction: Wiki site, procedures and evaluation requirements. <b>SESSION AUDIO</b>.</p>

<p>Th. 08/30. Plato. <i>The Republic, </i>Book 7 (Norton 60-64). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>Tu. 09/04. Plato, Aristotle. Plato's <i>The Republic, </i>Book 10 (64-77). Aristotle's <i>Poetics </i>(88-115, read approx. first half). <b>SESSION AUDIO</b>.</p>

<p>Th. 09/06. Aristotle. <i>Poetics</i> (88-115). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>Tu. 09/11. Horace. "Ars Poetica"; (122-33). Time permitting, I'll offer a brief contrast with Longinus' <i>On Sublimity;</i> (136-54), but that work isn't assigned. <b>SESSION AUDIO</b>.</p>

<p>Th. 09/13. Augustine of Hippo, Thomas Aquinas, Dante Alighieri, Sir Philip Sidney. Augustine's <i>On Christian Teaching</i> (156-62); Aquinas' <i>Summa Theologica</i> (181-84); Dante's <i>Il Convivio</i> (186-88) and "The Letter to Can Grande" (188-90); Sidney's "The Defence of Poesy" (read only 257-58, "There is no art delivered … (through) the poets only deliver a golden" and 262-63, "The philosopher, therefore … (through) "if they be not illuminated or figured forth by the speaking picture of poesy.") <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 4</font></h3>

<p>Tu. 09/18. Alexander Pope. "An Essay on Criticism" (349-62). <b>SESSION AUDIO</b>.</p>

<p>Th. 09/20. Samuel Johnson. <i>The Rambler, </i>#4 (367-71). <i>Rasselas </i>(371-72). "Preface to <i>Shakespeare</i>" (Okay to read only 379-86, starting with "Shakespeare with his excellencies has likewise faults..."). Read 386-88 if time permits — it's optional, but an excellent statement about "wit" and Metaphysical poets such as John Donne. <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 5</font></h3>

<p>Tu. 09/25. Immanuel Kant. <i>Critique of the Power of Judgment </i>(414-30, "Analytic of the Beautiful"). <b>SESSION AUDIO</b>.</p>

<p>Th. 09/27. Immanuel Kant. <i>Critique of the Power of Judgment </i>(430-50 "Analytic of the Sublime"). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 6</font></h3>

<p>Tu. 10/02. Georg W.F. Hegel. <i>Phenomenology of Spirit </i>(541-47, "The Master-Slave Dialectic"). Read <i>Lectures on Fine Art </i>(547-55) if time permits — it's optional. <b>SESSION AUDIO</b>.</p>

<p>Th. 10/04. Karl Marx and Friedrich Engels. <i>Economic and Philosophic Manuscripts of 1844 </i>(651-55); <i>The German Ideology </i>(655-56); <i>The Communist Manifesto </i>(657-60); <i>Grundrisse </i>(661-62); "Preface to <i>A Contribution to the Critique of Political Economy </i>(662-63). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 7</font></h3>

<p>Tu. 10/09. William Wordsworth. "Preface to <i>Lyrical Ballads, with Pastoral and Other Poems</i>" (559-79). <b>SESSION AUDIO</b>.</p>

<p>Th. 10/11. Samuel Taylor Coleridge. <i>Biographia Literaria</i> (584-91). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 8</font></h3>

<p>Tu. 10/16. Charles Baudelaire. <i>The Painter of Modern Life</i> (680-90). <b>SESSION AUDIO</b>.</p>

<p>Th. 10/18. Matthew Arnold and Walter Pater. Arnold's "The Function of Criticism at the Present Time" (695-714). Pater's "Conclusion to <i>Studies in the History of the Renaissance</i>" (728-30). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 9</font></h3>

<p>Tu. 10/23. Oscar Wilde. "The Decay of Lying" (790-94); "The Critic as Artist" (794-807). <b>SESSION AUDIO</b>.</p>

<p>Th. 10/25. Friedrich Nietzsche. "On Truth and Lying in a Non-Moral Sense" (764-74). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 10</font></h3>

<p>Tu. 10/30. Sigmund Freud. <i>The Interpretation of Dreams</i> (814-24). <b>SESSION AUDIO</b>.</p>

<p>Th. 11/01. Ferdinand de Saussure. <i>Course in General Linguistics</i> (850-66). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 11</font></h3>

<p>Tu. 11/06. Cleanth Brooks. <i>The Well Wrought Urn</i> (1217-29, "The Heresy of Paraphrase"). <b>SESSION AUDIO</b>.</p>

<p>Th. 11/08. Claude Levi-Strauss. <i>Triste Tropiques</i> (1277-86, Ch. 28. "A Writing Lesson"). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 12</font></h3>

<p>Tu. 11/13. Roland Barthes. <i>Mythologies</i> (1320-21 "Photography and Electoral Appeal"); "The Death of the Author" (1322-26); "From Work to Text" (1326-31). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p>Th. 11/15. Michel Foucault. "What Is an Author?" (1475-90); <i>Discipline and Punish: The Birth of the Prison</i> (1490-1502). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<h3><font color="#7800A7">WEEK 13</font></h3>

<p>Tu. 11/20. J. L. Austin. "Performative Utterances" (1289-1301). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p>Th. 11/22. No Class, Thanksgiving Holiday.</p>

<h3><font color="#7800A7">WEEK 14</font></h3>

<p>Tu. 11/27. Frantz Fanon and Ngugi Wa Thiong'o. Fanon's <i>The Wretched of the Earth</i> (1440-46). Ngugi's "On the Abolition of the English Department" (1995-2000). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p>Th. 11/29. Edward W. Said. <i>Orientalism</i> (1866-88, "Introduction"). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<h3><font color="#7800A7">WEEK 15</font></h3>

<p>Tu. 12/04. Simone de Beauvoir. <i>The Second Sex</i> (1265-73, Ch. XI. "Myth and Reality"). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p>Th. 12/06. Judith Butler. <i>Gender Trouble</i> (2540-53, from Ch. 3. "Subversive Bodily Acts"). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<h3><font color="#7800A7">TEXT USED</font></h3>

<p>Leitch, Vincent B., ed. <i>The Norton Anthology of Theory and Criticism.</i> 2nd Ed. Norton, 2010. ISBN-13: 978-0393932928.</p>

<p>Technical Note: I record audio files in class with a digital voice recorder, transfer them via USB to my laptop, edit them in WavePad Sound Editor and convert them to 16 kbps mp3 files for uploading to this wiki site.</p>


</body>
</html>

<html>
<head>

</head>
<body>

<h3><div align="center">
AUDIO OF SESSIONS FOR E256 INTRODUCTION TO LITERARY THEORY AND CRITICISM, CHAPMAN U FALL 2012 (12/08/12)
</div></h3>

<p align="center"> Image </p>

<p align="center"><b>Email | Home | Syllabus | Policies | Questions | Presentations | Journals | Paper <br /> Final | Blogs | Audio | Guides | Links | Calendar | Catalog | Panther News</b></p>


<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is easy to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<h3 align="center"><font color="#7800A7">SESSION SCHEDULE: FOLLOWING WORKS DISCUSSED ON DATES INDICATED</font></h3>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>Tu. 08/28. Course introduction: Wiki site, procedures and evaluation requirements. <b>SESSION AUDIO</b>.</p>

<p>Th. 08/30. Plato. <i>The Republic, </i>Book 7 (Norton 60-64). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>Tu. 09/04. Plato, Aristotle. Plato's <i>The Republic, </i>Book 10 (64-77). Aristotle's <i>Poetics </i>(88-115, read approx. first half). <b>SESSION AUDIO</b>.</p>

<p>Th. 09/06. Aristotle. <i>Poetics</i> (88-115). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>Tu. 09/11. Horace. "Ars Poetica"; (122-33). Time permitting, I'll offer a brief contrast with Longinus' <i>On Sublimity;</i> (136-54), but that work isn't assigned. <b>SESSION AUDIO</b>.</p>

<p>Th. 09/13. Augustine of Hippo, Thomas Aquinas, Dante Alighieri, Sir Philip Sidney. Augustine's <i>On Christian Teaching</i> (156-62); Aquinas' <i>Summa Theologica</i> (181-84); Dante's <i>Il Convivio</i> (186-88) and "The Letter to Can Grande" (188-90); Sidney's "The Defence of Poesy" (read only 257-58, "There is no art delivered … (through) the poets only deliver a golden" and 262-63, "The philosopher, therefore … (through) "if they be not illuminated or figured forth by the speaking picture of poesy.") <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 4</font></h3>

<p>Tu. 09/18. Alexander Pope. "An Essay on Criticism" (349-62). <b>SESSION AUDIO</b>.</p>

<p>Th. 09/20. Samuel Johnson. <i>The Rambler, </i>#4 (367-71). <i>Rasselas </i>(371-72). "Preface to <i>Shakespeare</i>" (Okay to read only 379-86, starting with "Shakespeare with his excellencies has likewise faults..."). Read 386-88 if time permits — it's optional, but an excellent statement about "wit" and Metaphysical poets such as John Donne. <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 5</font></h3>

<p>Tu. 09/25. Immanuel Kant. <i>Critique of the Power of Judgment </i>(414-30, "Analytic of the Beautiful"). <b>SESSION AUDIO</b>.</p>

<p>Th. 09/27. Immanuel Kant. <i>Critique of the Power of Judgment </i>(430-50 "Analytic of the Sublime"). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 6</font></h3>

<p>Tu. 10/02. Georg W.F. Hegel. <i>Phenomenology of Spirit </i>(541-47, "The Master-Slave Dialectic"). Read <i>Lectures on Fine Art </i>(547-55) if time permits — it's optional. <b>SESSION AUDIO</b>.</p>

<p>Th. 10/04. Karl Marx and Friedrich Engels. <i>Economic and Philosophic Manuscripts of 1844 </i>(651-55); <i>The German Ideology </i>(655-56); <i>The Communist Manifesto </i>(657-60); <i>Grundrisse </i>(661-62); "Preface to <i>A Contribution to the Critique of Political Economy </i>(662-63). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 7</font></h3>

<p>Tu. 10/09. William Wordsworth. "Preface to <i>Lyrical Ballads, with Pastoral and Other Poems</i>" (559-79). <b>SESSION AUDIO</b>.</p>

<p>Th. 10/11. Samuel Taylor Coleridge. <i>Biographia Literaria</i> (584-91). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 8</font></h3>

<p>Tu. 10/16. Charles Baudelaire. <i>The Painter of Modern Life</i> (680-90). <b>SESSION AUDIO</b>.</p>

<p>Th. 10/18. Matthew Arnold and Walter Pater. Arnold's "The Function of Criticism at the Present Time" (695-714). Pater's "Conclusion to <i>Studies in the History of the Renaissance</i>" (728-30). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 9</font></h3>

<p>Tu. 10/23. Oscar Wilde. "The Decay of Lying" (790-94); "The Critic as Artist" (794-807). <b>SESSION AUDIO</b>.</p>

<p>Th. 10/25. Friedrich Nietzsche. "On Truth and Lying in a Non-Moral Sense" (764-74). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 10</font></h3>

<p>Tu. 10/30. Sigmund Freud. <i>The Interpretation of Dreams</i> (814-24). <b>SESSION AUDIO</b>.</p>

<p>Th. 11/01. Ferdinand de Saussure. <i>Course in General Linguistics</i> (850-66). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 11</font></h3>

<p>Tu. 11/06. Cleanth Brooks. <i>The Well Wrought Urn</i> (1217-29, "The Heresy of Paraphrase"). <b>SESSION AUDIO</b>.</p>

<p>Th. 11/08. Claude Levi-Strauss. <i>Triste Tropiques</i> (1277-86, Ch. 28. "A Writing Lesson"). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 12</font></h3>

<p>Tu. 11/13. Roland Barthes. <i>Mythologies</i> (1320-21 "Photography and Electoral Appeal"); "The Death of the Author" (1322-26); "From Work to Text" (1326-31). <b>SESSION AUDIO</b>.</p>

<p>Th. 11/15. Michel Foucault. "What Is an Author?" (1475-90); <i>Discipline and Punish: The Birth of the Prison</i> (1490-1502). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 13</font></h3>

<p>Tu. 11/20. J. L. Austin. "Performative Utterances" (1289-1301). <b>SESSION AUDIO</b>.</p>

<p>Th. 11/22. No Class, Thanksgiving Holiday.</p>

<h3><font color="#7800A7">WEEK 14</font></h3>

<p>Tu. 11/27. Frantz Fanon and Ngugi Wa Thiong'o. Fanon's <i>The Wretched of the Earth</i> (1440-46). Ngugi's "On the Abolition of the English Department" (1995-2000). <b>SESSION AUDIO</b>.</p>

<p>Th. 11/29. Edward W. Said. <i>Orientalism</i> (1866-88, "Introduction"). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 15</font></h3>

<p>Tu. 12/04. Simone de Beauvoir. <i>The Second Sex</i> (1265-73, Ch. XI. "Myth and Reality"). <b>SESSION AUDIO</b>.</p>

<p>Th. 12/06. Judith Butler. <i>Gender Trouble</i> (2540-53, from Ch. 3. "Subversive Bodily Acts"). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">TEXT USED</font></h3>

<p>Leitch, Vincent B., ed. <i>The Norton Anthology of Theory and Criticism.</i> 2nd Ed. Norton, 2010. ISBN-13: 978-0393932928.</p>

<p>Technical Note: I record audio files in class with a digital voice recorder, transfer them via USB to my laptop, edit them in WavePad Sound Editor and convert them to 16 kbps mp3 files for uploading to this wiki site.</p>


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