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History: E300_Audio_Fall_12

Comparing version 18 with version 19

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MP3 SESSION AUDIO FOR E300 ANALYSIS OF LITERARY FORMS, CSU FULLERTON Fall 2012 (12/08/12)
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<p align="center">Image </p>

<p align="center"><b>Email | Home | Syllabus | Policies | Journals | Paper | Exam Prep | Blogs | Audio | Guides <br>Links | CSUF Irvine Campus | CSUF Library | CSUF Catalog | CSUF Calendar | CSUF Exam Schedule</b></p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is easy to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<h3 align="center"><font color="#7800A7">SESSION SCHEDULE: WORKS DISCUSSED ON DATES INDICATED</font></h3>

<h3><font color="#7800A7">WEEK 1 FICTION</font></h3>

<p>M. 08/27. Course Introduction. <b>SESSION AUDIO</b>.</p>

<p>W. 08/29. Chapter 1: Plot. Read this chapter's introductory material (50-58). Edith Wharton. "Roman Fever" (85-95). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 2 FICTION</font></h3>

<p>M. 09/03. Labor Day Holiday, No Classes.</p>

<p>W. 09/05. Chapter 2. Narration and Point of View: read this chapter's introductory material (96-100). Edgar Allan Poe. "The Cask of Amontillado" (101-05). Jamaica Kincaid. "Girl" (116-17). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 3 FICTION</font></h3>

<p>M. 09/10. Chapter 4. Setting: read this chapter's introductory material (163-69). Anton Chekhov. "The Lady with the Dog" (169-80). <b>SESSION AUDIO</b>.</p>

<p>W. 09/12. Chapter 5. Symbol and Figurative Language: read this chapter's introductory material (208-13). Edwige Danticat. "A Wall of Fire Rising" (239-49). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 4 FICTION</font></h3>

<p>M. 09/17. Read Norton Introductory material on Character (Ch. 3, 119-26) and Theme (Ch. 6, 251-54). We will in part discuss these aspects of literary texts though a special focus on Leo Tolstoy. Read the first half of <i>The Death of Ivan Ilych,</i> Chapters 1-4 (15-40, Dover Edition). <b>SESSION AUDIO</b>.</p>

<p>W. 09/19. Special Focus, continued: Leo Tolstoy. Read the second half of <i>The Death of Ivan Ilych,</i> Chapters 5-12 (40-65, Dover Edition). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 5 FICTION</font></h3>

<p>M. 09/24. Special Focus: continued: Leo Tolstoy. <i>The Kreutzer Sonata,</i> Chapters 1-16 (64-103, Dover Edition). <b>SESSION AUDIO</b>.</p>

<p>W. 09/26. Special Focus: continued: Leo Tolstoy. <i>The Kreutzer Sonata,</i> Chapters 17-28 (103-40, Dover Edition). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 1 DUE BY EMAIL SUNDAY 09/30; SEE INSTRUCTIONS.</b> (Reminder: this set includes journal entries on fiction. I will verify receipt by email within a few days.)</p>

<h3><font color="#7800A7">WEEK 6 POETRY</font></h3>

<p>M. 10/01. Norton Introductory Material on Poetry, Chapter 10 (618-36). Read also the section "Romantic Love: an Album" (643-50), adding to it Matthew Arnold's "Dover Beach" (704-05). <b>SESSION AUDIO</b>.</p>

<p>W. 10/03. Special Focus: English Romanticism. From Wordsworth's "Preface to <i>Lyrical Ballads, 1802</i>: read only <b><a href="http://ajdrake.com/wiki/tiki-index.php?page=E300_Etext_Wordsworth_Fall_12">these brief excerpts</b></a>. Read also "We Are Seven" (23-25); "Lines Composed a Few Miles Above Tintern Abbey, on Revisiting the Banks of the Wye During a Tour. July 13, 1798" (25-29). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 7 POETRY</font></h3>

<p>M. 10/08. Special Focus: English Romanticism. From <i>English Romantic Poetry: an Anthology:</i> William Wordsworth. "She dwelt among the untrodden ways" (31-32); "A slumber did my spirit seal" (32); "I wandered lonely as a cloud" (43-44); "The Solitary Reaper" (42); "My heart leaps up when I behold" (35); "Ode: Intimations of Immortality from Recollections of Early Childhood" (51-57). <b>SESSION AUDIO</b>.</p>

<p>W. 10/10. Special Focus: English Romanticism. From <i>English Romantic Poetry: an Anthology:</i> Samuel Taylor Coleridge. "The Rime of the Ancient Mariner" (63-81); "Frost at Midnight" (100-01); "Kubla Khan" (105-06); "Dejection: An Ode" (106-10). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 8 POETRY</font></h3>

<p>M. 10/15. Special Focus: English Romanticism. From <i>English Romantic Poetry: an Anthology:</i> Percy Bysshe Shelley. "Ozymandias" (147); "Sonnet: England in 1819" (150); "Ode to the West Wind" (151-53); "To a Skylark" (157-59). <b>SESSION AUDIO</b>.</p>

<p>W. 10/17. Special Focus: English Romanticism. From <i>English Romantic Poetry: an Anthology:</i> John Keats. "On first looking into Chapman's Homer" (189); "To Autumn" (222-23); "Ode to a Nightingale" (216-18); "Ode on a Grecian Urn" (218-20); "Ode to Psyche" (220-21); "Ode on Melancholy" (223-24). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 9 POETRY</font></h3>

<p>M. 10/22. Special Focus: Modernist Poetry. William Butler Yeats: an Album (Norton 895-908). <b>SESSION AUDIO</b>.</p>

<p>W. 10/24. Special Focus: Modernist Poetry. Ezra Pound, T.S. Eliot, Wallace Stevens. Ezra Pound's "In a Station of the Metro" (1041). T.S. Eliot's "The Love Song of J. Alfred Prufrock" (1015-19). Wallace Stevens' "The Emperor of Ice Cream" (1042-43) and "Anecdote of the Jar" (1043). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 10 POETRY</font></h3>

<p>M. 10/29. Poetry as Form and Foregrounded Language. Chapters 13-16, etc. Emily Dickinson: "Because I could not stop for Death" (886-87); Edgar Allan Poe: "The Raven" (785-88); W.C. Williams: "The Red Wheelbarrow" (739-40), "This is Just to Say" (740); G.M. Hopkins: "Pied Beauty" (742), "God's Grandeur" (1030), "The Windhover" (1030-31); E.E. Cummings: "in Just" (742-43); "The Twenty-Third Psalm" (756). Also read "Poetic Kinds" (919-20). <b>SESSION AUDIO</b>.</p>

<p>W. 10/31. Poetry as Form and Foregrounded Language. Chapters 13-16, etc. Wilfred Owen: "Dulce et Decorum Est" (759-60); Robert Frost: "Design" (838), "Stopping by Woods on a Snowy Evening" (1019-20); Shakespeare: "Th'expense of spirit in a waste of shame" (814-15); Dylan Thomas: "Do Not Go Gentle into That Good Night" (827-28); Elizabeth Bishop: "Sestina" (829-30); Marianne Moore "Poetry" (828-29); Archibald MacLeish: "Ars Poetica" (830-31); Alfred Tennyson: "Ulysses" (928-30); Robert Browning: "My Last Duchess" (1009-10). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 2 DUE BY EMAIL SUNDAY 11/04; SEE INSTRUCTIONS.</b> (Reminder: this set includes journal entries on a selection of poems from among the broader selection assigned; see more detailed instructions in the link.)</p>

1

<h3><font color="#7800A7">WEEK 11 DRAMA</font></h3>

<p>M. 11/05. John Webster. <i>The Duchess of Malfi,</i> Acts 1-2 (1-32, Dover Edition). <b>SESSION AUDIO</b>.</p>

<p>W. 11/07. John Webster. <i>The Duchess of Malfi,</i> Act 3 (33-54, Dover Edition). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 12 DRAMA</font></h3>

<p>M. 11/12. Veterans' Day, No Classes.</p>

<p>W. 11/14. John Webster. <i>The Duchess of Malfi.</i> (55-92, Dover Edition). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b>.</p>

<h3><font color="#7800A7">WEEK 13 DRAMA</font></h3>

<p>M. 11/19. Fall Recess, No Classes.</p>

<p>W. 11/21. Fall Recess, No Classes.</p>

<p><b>PARAGRAPH DESCRIBING GENERAL TOPIC AND SPECIFIC ARGUMENT FOR TERM PAPER DUE BY EMAIL SUNDAY 11/25; SEE INSTRUCTIONS.</b></p>

<h3><font color="#7800A7">WEEK 14 DRAMA</font></h3>

<p>M. 11/26. Oscar Wilde. <i>The Importance of Being Earnest,</i> Act I (1-19, Dover Edition). <b>FILM, NO SESSION AUDIO]</b>.</p>

<p>W. 11/28. Oscar Wilde. <i>The Importance of Being Earnest,</i> Act II (21-42, Dover Edition). <b>FILM, NO SESSION AUDIO]</b>.</p>

<h3><font color="#7800A7">WEEK 15 DRAMA</font></h3>

<p>M. 12/03. Oscar Wilde. <i>The Importance of Being Earnest,</i> Act III (43-54, Dover Edition). <b>SESSION AUDIO</b>.</p>

<p>W. 12/05. Luigi Pirandello. <i>Six Characters in Search of an Author,</i> pp. 2-33 Signet Edition. Optional: if time permits, also read Pirandello's "Author's Preface" (xviii-xxx). <b>FILM, NO SESSION AUDIO]</b>.</p>

<h3><font color="#7800A7">WEEK 16 DRAMA</font></h3>

<p>M. 12/10. Luigi Pirandello. <i>Six Characters in Search of an Author,</i> pp. 33-57 Signet Edition. <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b>.</p>

<p>W. 12/12. Luigi Pirandello. <i>Six Characters in Search of an Author,</i> pp. 57-74 Signet Edition. <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b>.</p>

<p><b>JOURNAL SET 3 DUE BY EMAIL EXAM DAY; SEE INSTRUCTIONS.</b> (Reminder: this set includes journal entries on each assigned drama.)</p>

<h3><font color="#7800A7">FINALS WEEK</font></h3>

<p>Final Exam Date <b>Wednesday, Dec. 19 5:00-6:50. </b> You don’t need to bring a bluebook; the exam is open-book and open-note, but no laptops and no sharing books or notes. Due by email by Sunday, Dec. 23, 2012: <b>Term Paper</b>. (I must turn in grades by Thursday January 3, 2013.) For your other courses, check <b>CSUF's Final Exam Schedule</b>.</p>

<p><b>Texts Used:</b> Booth, Alison and Kelly J. Mays. <i>The Norton Introduction to Literature.</i> Shorter Tenth Edition. New York: Norton, 2010. Paperback. ISBN-13: 978-0393935141. Also several Dover editions (Tolstoy, Romantic Poetry, Webster, Wilde) and one Signet Classics edition (Pirandello).</p>

<p>Technical Note: I record audio files in class with a digital voice recorder, transfer them via USB to my laptop, edit them in WavePad Sound Editor and convert them to 16 kbps mp3 files for uploading to this wiki site.</p>


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<h3><div align="center">
MP3 SESSION AUDIO FOR E300 ANALYSIS OF LITERARY FORMS, CSU FULLERTON Fall 2012 (12/16/12)
</div></h3>

<p align="center">Image </p>

<p align="center"><b>Email | Home | Syllabus | Policies | Journals | Paper | Exam Prep | Blogs | Audio | Guides <br>Links | CSUF Irvine Campus | CSUF Library | CSUF Catalog | CSUF Calendar | CSUF Exam Schedule</b></p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is easy to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<h3 align="center"><font color="#7800A7">SESSION SCHEDULE: WORKS DISCUSSED ON DATES INDICATED</font></h3>

<h3><font color="#7800A7">WEEK 1 FICTION</font></h3>

<p>M. 08/27. Course Introduction. <b>SESSION AUDIO</b>.</p>

<p>W. 08/29. Chapter 1: Plot. Read this chapter's introductory material (50-58). Edith Wharton. "Roman Fever" (85-95). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 2 FICTION</font></h3>

<p>M. 09/03. Labor Day Holiday, No Classes.</p>

<p>W. 09/05. Chapter 2. Narration and Point of View: read this chapter's introductory material (96-100). Edgar Allan Poe. "The Cask of Amontillado" (101-05). Jamaica Kincaid. "Girl" (116-17). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 3 FICTION</font></h3>

<p>M. 09/10. Chapter 4. Setting: read this chapter's introductory material (163-69). Anton Chekhov. "The Lady with the Dog" (169-80). <b>SESSION AUDIO</b>.</p>

<p>W. 09/12. Chapter 5. Symbol and Figurative Language: read this chapter's introductory material (208-13). Edwige Danticat. "A Wall of Fire Rising" (239-49). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 4 FICTION</font></h3>

<p>M. 09/17. Read Norton Introductory material on Character (Ch. 3, 119-26) and Theme (Ch. 6, 251-54). We will in part discuss these aspects of literary texts though a special focus on Leo Tolstoy. Read the first half of <i>The Death of Ivan Ilych,</i> Chapters 1-4 (15-40, Dover Edition). <b>SESSION AUDIO</b>.</p>

<p>W. 09/19. Special Focus, continued: Leo Tolstoy. Read the second half of <i>The Death of Ivan Ilych,</i> Chapters 5-12 (40-65, Dover Edition). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 5 FICTION</font></h3>

<p>M. 09/24. Special Focus: continued: Leo Tolstoy. <i>The Kreutzer Sonata,</i> Chapters 1-16 (64-103, Dover Edition). <b>SESSION AUDIO</b>.</p>

<p>W. 09/26. Special Focus: continued: Leo Tolstoy. <i>The Kreutzer Sonata,</i> Chapters 17-28 (103-40, Dover Edition). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 1 DUE BY EMAIL SUNDAY 09/30; SEE INSTRUCTIONS.</b> (Reminder: this set includes journal entries on fiction. I will verify receipt by email within a few days.)</p>

<h3><font color="#7800A7">WEEK 6 POETRY</font></h3>

<p>M. 10/01. Norton Introductory Material on Poetry, Chapter 10 (618-36). Read also the section "Romantic Love: an Album" (643-50), adding to it Matthew Arnold's "Dover Beach" (704-05). <b>SESSION AUDIO</b>.</p>

<p>W. 10/03. Special Focus: English Romanticism. From Wordsworth's "Preface to <i>Lyrical Ballads, 1802</i>: read only <b><a href="http://ajdrake.com/wiki/tiki-index.php?page=E300_Etext_Wordsworth_Fall_12">these brief excerpts</b></a>. Read also "We Are Seven" (23-25); "Lines Composed a Few Miles Above Tintern Abbey, on Revisiting the Banks of the Wye During a Tour. July 13, 1798" (25-29). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 7 POETRY</font></h3>

<p>M. 10/08. Special Focus: English Romanticism. From <i>English Romantic Poetry: an Anthology:</i> William Wordsworth. "She dwelt among the untrodden ways" (31-32); "A slumber did my spirit seal" (32); "I wandered lonely as a cloud" (43-44); "The Solitary Reaper" (42); "My heart leaps up when I behold" (35); "Ode: Intimations of Immortality from Recollections of Early Childhood" (51-57). <b>SESSION AUDIO</b>.</p>

<p>W. 10/10. Special Focus: English Romanticism. From <i>English Romantic Poetry: an Anthology:</i> Samuel Taylor Coleridge. "The Rime of the Ancient Mariner" (63-81); "Frost at Midnight" (100-01); "Kubla Khan" (105-06); "Dejection: An Ode" (106-10). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 8 POETRY</font></h3>

<p>M. 10/15. Special Focus: English Romanticism. From <i>English Romantic Poetry: an Anthology:</i> Percy Bysshe Shelley. "Ozymandias" (147); "Sonnet: England in 1819" (150); "Ode to the West Wind" (151-53); "To a Skylark" (157-59). <b>SESSION AUDIO</b>.</p>

<p>W. 10/17. Special Focus: English Romanticism. From <i>English Romantic Poetry: an Anthology:</i> John Keats. "On first looking into Chapman's Homer" (189); "To Autumn" (222-23); "Ode to a Nightingale" (216-18); "Ode on a Grecian Urn" (218-20); "Ode to Psyche" (220-21); "Ode on Melancholy" (223-24). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 9 POETRY</font></h3>

<p>M. 10/22. Special Focus: Modernist Poetry. William Butler Yeats: an Album (Norton 895-908). <b>SESSION AUDIO</b>.</p>

<p>W. 10/24. Special Focus: Modernist Poetry. Ezra Pound, T.S. Eliot, Wallace Stevens. Ezra Pound's "In a Station of the Metro" (1041). T.S. Eliot's "The Love Song of J. Alfred Prufrock" (1015-19). Wallace Stevens' "The Emperor of Ice Cream" (1042-43) and "Anecdote of the Jar" (1043). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 10 POETRY</font></h3>

<p>M. 10/29. Poetry as Form and Foregrounded Language. Chapters 13-16, etc. Emily Dickinson: "Because I could not stop for Death" (886-87); Edgar Allan Poe: "The Raven" (785-88); W.C. Williams: "The Red Wheelbarrow" (739-40), "This is Just to Say" (740); G.M. Hopkins: "Pied Beauty" (742), "God's Grandeur" (1030), "The Windhover" (1030-31); E.E. Cummings: "in Just" (742-43); "The Twenty-Third Psalm" (756). Also read "Poetic Kinds" (919-20). <b>SESSION AUDIO</b>.</p>

<p>W. 10/31. Poetry as Form and Foregrounded Language. Chapters 13-16, etc. Wilfred Owen: "Dulce et Decorum Est" (759-60); Robert Frost: "Design" (838), "Stopping by Woods on a Snowy Evening" (1019-20); Shakespeare: "Th'expense of spirit in a waste of shame" (814-15); Dylan Thomas: "Do Not Go Gentle into That Good Night" (827-28); Elizabeth Bishop: "Sestina" (829-30); Marianne Moore "Poetry" (828-29); Archibald MacLeish: "Ars Poetica" (830-31); Alfred Tennyson: "Ulysses" (928-30); Robert Browning: "My Last Duchess" (1009-10). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 2 DUE BY EMAIL SUNDAY 11/04; SEE INSTRUCTIONS.</b> (Reminder: this set includes journal entries on a selection of poems from among the broader selection assigned; see more detailed instructions in the link.)</p>

1

<h3><font color="#7800A7">WEEK 11 DRAMA</font></h3>

<p>M. 11/05. John Webster. <i>The Duchess of Malfi,</i> Acts 1-2 (1-32, Dover Edition). <b>SESSION AUDIO</b>.</p>

<p>W. 11/07. John Webster. <i>The Duchess of Malfi,</i> Act 3 (33-54, Dover Edition). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 12 DRAMA</font></h3>

<p>M. 11/12. Veterans' Day, No Classes.</p>

<p>W. 11/14. John Webster. <i>The Duchess of Malfi.</i> (55-92, Dover Edition). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b>.</p>

<h3><font color="#7800A7">WEEK 13 DRAMA</font></h3>

<p>M. 11/19. Fall Recess, No Classes.</p>

<p>W. 11/21. Fall Recess, No Classes.</p>

<p><b>PARAGRAPH DESCRIBING GENERAL TOPIC AND SPECIFIC ARGUMENT FOR TERM PAPER DUE BY EMAIL SUNDAY 11/25; SEE INSTRUCTIONS.</b></p>

<h3><font color="#7800A7">WEEK 14 DRAMA</font></h3>

<p>M. 11/26. Oscar Wilde. <i>The Importance of Being Earnest,</i> Act I (1-19, Dover Edition). <b>FILM, NO SESSION AUDIO]</b>.</p>

<p>W. 11/28. Oscar Wilde. <i>The Importance of Being Earnest,</i> Act II (21-42, Dover Edition). <b>FILM, NO SESSION AUDIO]</b>.</p>

<h3><font color="#7800A7">WEEK 15 DRAMA</font></h3>

<p>M. 12/03. Oscar Wilde. <i>The Importance of Being Earnest,</i> Act III (43-54, Dover Edition). <b>SESSION AUDIO</b>.</p>

<p>W. 12/05. Luigi Pirandello. <i>Six Characters in Search of an Author,</i> pp. 2-33 Signet Edition. Optional: if time permits, also read Pirandello's "Author's Preface" (xviii-xxx). <b>FILM, NO SESSION AUDIO]</b>.</p>

<h3><font color="#7800A7">WEEK 16 DRAMA</font></h3>

<p>M. 12/10. Luigi Pirandello. <i>Six Characters in Search of an Author,</i> pp. 33-57 Signet Edition. <b>SESSION AUDIO</b>.</p>

<p>W. 12/12. Luigi Pirandello. <i>Six Characters in Search of an Author,</i> pp. 57-74 Signet Edition. <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 3 DUE BY EMAIL EXAM DAY; SEE INSTRUCTIONS.</b> (Reminder: this set includes journal entries on each assigned drama.)</p>

<h3><font color="#7800A7">FINALS WEEK</font></h3>

<p>Final Exam Date <b>Wednesday, Dec. 19 5:00-6:50. </b> You don’t need to bring a bluebook; the exam is open-book and open-note, but no laptops and no sharing books or notes. Due by email by Sunday, Dec. 23, 2012: <b>Term Paper</b>. (I must turn in grades by Thursday January 3, 2013.) For your other courses, check <b>CSUF's Final Exam Schedule</b>.</p>

<p><b>Texts Used:</b> Booth, Alison and Kelly J. Mays. <i>The Norton Introduction to Literature.</i> Shorter Tenth Edition. New York: Norton, 2010. Paperback. ISBN-13: 978-0393935141. Also several Dover editions (Tolstoy, Romantic Poetry, Webster, Wilde) and one Signet Classics edition (Pirandello).</p>

<p>Technical Note: I record audio files in class with a digital voice recorder, transfer them via USB to my laptop, edit them in WavePad Sound Editor and convert them to 16 kbps mp3 files for uploading to this wiki site.</p>


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