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History: E300_Audio_Fall_12

Comparing version 19 with version 19

<p>&lt;html&gt; <br />&lt;head&gt; <!-- &lt;title&gt;Course Materials for English 300 Analysis of Literary Forms, Fall 2012, Instructor Alfred J. Drake, Ph.D. at California State University, Fullerton, Irvine Campus&lt;/title&gt; &lt;me<x>ta name="keywords" content="Introduction to literary forms, genre introduction, Alfred J. Drake, Ph.D."&gt; &lt;me<x>ta name="description" content="Course Materials for English 300 Analysis of Literary Forms, Fall 2012, Instructor Alfred J. Drake, Ph.D. at California State University, Fullerton, Irvine Campus"&gt; </p> <p><tt> --></tt> <br />&lt;/head&gt; <br />&lt;body&gt; </p>

&lt;h3&gt;&lt;div align="center"&gt;<div class="simplebox"><div class='titlebar'>MP3 SESSION AUDIO FOR E300 ANALYSIS OF LITERARY FORMS, CSU FULLERTON Fall 2012 (12/16/12)</div></div>&lt;/div&gt;&lt;/h3&gt; <p> </p>

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&lt;p align="center"&gt;&lt;b&gt;<a class="wiki" href="mailto:e300@ajdrake.com" rel="">Email</a> | <a href="tiki-index.php?page=E300_Requirements_Fall_12" title="English 300 Literary Forms Home Page, CSU Fullerton Fall 2012" class="wiki wiki_page">Home</a> | <a href="tiki-index.php?page=E300_Syllabus_Fall_12" title="Syllabus for English 300 Literary Forms, CSU Fullerton Fall 2012" class="wiki wiki_page">Syllabus</a> | <a href="tiki-index.php?page=E300_Policies_Fall_12" title="E300 Literary Forms Policies, CSU Fullerton Fall 2012" class="wiki wiki_page">Policies</a> | <a href="tiki-index.php?page=E300_Journals_Fall_12" title="E300 Literary Forms Journal Instructions, CSU Fullerton Fall 2012" class="wiki wiki_page">Journals</a> | <a href="tiki-index.php?page=E300_Paper_Fall_12" title="E300 Literary Forms Essay Instructions, CSU Fullerton Fall 2012" class="wiki wiki_page">Paper</a> | <a href="tiki-index.php?page=E300_Exam_Fall_12" title="E300 Literary Forms Exam Prep, CSU Fullerton Fall 2012" class="wiki wiki_page">Exam Prep</a> | <a href="tiki-index.php?page=Blogs_Indices" title="Blogs_Indices" class="wiki wiki_page">Blogs</a> | <a href="tiki-index.php?page=E300_Audio_Fall_12" title="E300 Literary Forms Audio, CSU Fullerton Fall 2012" class="wiki wiki_page">Audio</a> | <a class="wiki external" target="_blank" href="http://www.ajdrake.com/wiki/tiki-list_file_gallery.php" rel="external nofollow">Guides</a> &lt;br&gt;<a class="wiki external" target="_blank" href="http://www.ajdrake.com/wiki/tiki-directory_browse.php" rel="external nofollow">Links</a> | <a class="wiki external" target="_blank" href="http://www.fullerton.edu/irvinecampus/" rel="external nofollow">CSUF Irvine Campus</a> | <a class="wiki external" target="_blank" href="http://www.library.fullerton.edu/" rel="external nofollow">CSUF Library</a> | <a class="wiki external" target="_blank" href="http://www.fullerton.edu/catalog/" rel="external nofollow">CSUF Catalog</a> | <a class="wiki external" target="_blank" href="http://myweb.fullerton.edu/AcademicCalendar/" rel="external nofollow">CSUF Calendar</a> | <a class="wiki external" target="_blank" href="http://www.fullerton.edu/admissions/CurrentStudent/FinalExaminations.asp" rel="external nofollow">CSUF Exam Schedule</a>&lt;/b&gt;&lt;/p&gt;

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&lt;p&gt;Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is easy to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.&lt;/p&gt;

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&lt;h3 align="center"&gt;&lt;font color="#7800A7"&gt;SESSION SCHEDULE: WORKS DISCUSSED ON DATES INDICATED&lt;/font&gt;&lt;/h3&gt;

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&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 1 FICTION&lt;/font&gt;&lt;/h3&gt;

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&lt;p&gt;M. 08/27. Course Introduction. &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/01_1_aug_27_intro.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;p&gt;W. 08/29. Chapter 1: Plot. Read this chapter's introductory material (50-58). Edith Wharton. "Roman Fever" (85-95). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/01_2_aug_29_fiction_wharton.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 2 FICTION&lt;/font&gt;&lt;/h3&gt;

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&lt;p&gt;M. 09/03. Labor Day Holiday, No Classes.&lt;/p&gt;

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&lt;p&gt;W. 09/05. Chapter 2. Narration and Point of View: read this chapter's introductory material (96-100). Edgar Allan Poe. "The Cask of Amontillado" (101-05). Jamaica Kincaid. "Girl" (116-17). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/02_2_sep_05_fiction_poe_kinkaid.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 3 FICTION&lt;/font&gt;&lt;/h3&gt;

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&lt;p&gt;M. 09/10. Chapter 4. Setting: read this chapter's introductory material (163-69). Anton Chekhov. "The Lady with the Dog" (169-80). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/03_1_sep_10_fiction_chekhov.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;p&gt;W. 09/12. Chapter 5. Symbol and Figurative Language: read this chapter's introductory material (208-13). Edwige Danticat. "A Wall of Fire Rising" (239-49). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/03_2_sep_12_fiction_danticat.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 4 FICTION&lt;/font&gt;&lt;/h3&gt;

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&lt;p&gt;M. 09/17. Read Norton Introductory material on Character (Ch. 3, 119-26) and Theme (Ch. 6, 251-54). We will in part discuss these aspects of literary texts though a special focus on Leo Tolstoy. Read the first half of &lt;i&gt;The Death of Ivan Ilych,&lt;/i&gt; Chapters 1-4 (15-40, Dover Edition). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/04_1_sep_17_fiction_tolstoy.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;p&gt;W. 09/19. Special Focus, continued: Leo Tolstoy. Read the second half of &lt;i&gt;The Death of Ivan Ilych,&lt;/i&gt; Chapters 5-12 (40-65, Dover Edition). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/04_2_sep_19_fiction_tolstoy.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 5 FICTION&lt;/font&gt;&lt;/h3&gt;

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&lt;p&gt;M. 09/24. Special Focus: continued: Leo Tolstoy. &lt;i&gt;The Kreutzer Sonata,&lt;/i&gt; Chapters 1-16 (64-103, Dover Edition). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/05_1_sep_24_fiction_tolstoy.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;p&gt;W. 09/26. Special Focus: continued: Leo Tolstoy. &lt;i&gt;The Kreutzer Sonata,&lt;/i&gt; Chapters 17-28 (103-40, Dover Edition). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/05_2_sep_26_fiction_tolstoy.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;p&gt;&lt;b&gt;<a href="tiki-index.php?page=E300_Journals_Fall_12" title="E300 Literary Forms Journal Instructions, CSU Fullerton Fall 2012" class="wiki wiki_page">JOURNAL SET 1 DUE BY EMAIL SUNDAY 09/30; SEE INSTRUCTIONS</a>.&lt;/b&gt; (Reminder: this set includes journal entries on fiction. I will verify receipt by email within a few days.)&lt;/p&gt;

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&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 6 POETRY&lt;/font&gt;&lt;/h3&gt;

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&lt;p&gt;M. 10/01. Norton Introductory Material on Poetry, Chapter 10 (618-36). Read also the section "Romantic Love: an Album" (643-50), adding to it Matthew Arnold's "Dover Beach" (704-05). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/06_1_oct_01_poetry_love.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;p&gt;W. 10/03. Special Focus: English Romanticism. From Wordsworth's "Preface to &lt;i&gt;Lyrical Ballads, 1802&lt;/i&gt;: read only &lt;b&gt;&lt;a href="http://ajdrake.com/wiki/tiki-index.php?page=E300_Etext_Wordsworth_Fall_12"&gt;these brief excerpts&lt;/b&gt;&lt;/a&gt;. Read also "We Are Seven" (23-25); "Lines Composed a Few Miles Above Tintern Abbey, on Revisiting the Banks of the Wye During a Tour. July 13, 1798" (25-29). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/06_2_oct_03_poetry_wordsworth.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 7 POETRY&lt;/font&gt;&lt;/h3&gt;

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&lt;p&gt;M. 10/08. Special Focus: English Romanticism. From &lt;i&gt;English Romantic Poetry: an Anthology:&lt;/i&gt; William Wordsworth. "She dwelt among the untrodden ways" (31-32); "A slumber did my spirit seal" (32); "I wandered lonely as a cloud" (43-44); "The Solitary Reaper" (42); "My heart leaps up when I behold" (35); "Ode: Intimations of Immortality from Recollections of Early Childhood" (51-57). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/07_1_oct_08_poetry_wordsworth.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;p&gt;W. 10/10. Special Focus: English Romanticism. From &lt;i&gt;English Romantic Poetry: an Anthology:&lt;/i&gt; Samuel Taylor Coleridge. "The Rime of the Ancient Mariner" (63-81); "Frost at Midnight" (100-01); "Kubla Khan" (105-06); "Dejection: An Ode" (106-10). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/07_2_oct_10_poetry_coleridge.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 8 POETRY&lt;/font&gt;&lt;/h3&gt;

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&lt;p&gt;M. 10/15. Special Focus: English Romanticism. From &lt;i&gt;English Romantic Poetry: an Anthology:&lt;/i&gt; Percy Bysshe Shelley. "Ozymandias" (147); "Sonnet: England in 1819" (150); "Ode to the West Wind" (151-53); "To a Skylark" (157-59). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/08_1_oct_15_poetry_shelley.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;p&gt;W. 10/17. Special Focus: English Romanticism. From &lt;i&gt;English Romantic Poetry: an Anthology:&lt;/i&gt; John Keats. "On first looking into Chapman's Homer" (189); "To Autumn" (222-23); "Ode to a Nightingale" (216-18); "Ode on a Grecian Urn" (218-20); "Ode to Psyche" (220-21); "Ode on Melancholy" (223-24). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/08_2_oct_17_poetry_keats.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 9 POETRY&lt;/font&gt;&lt;/h3&gt;

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&lt;p&gt;M. 10/22. Special Focus: Modernist Poetry. William Butler Yeats: an Album (Norton 895-908). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/09_1_oct_22_poetry_modernism.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;p&gt;W. 10/24. Special Focus: Modernist Poetry. Ezra Pound, T.S. Eliot, Wallace Stevens. Ezra Pound's "In a Station of the Metro" (1041). T.S. Eliot's "The Love Song of J. Alfred Prufrock" (1015-19). Wallace Stevens' "The Emperor of Ice Cream" (1042-43) and "Anecdote of the Jar" (1043). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/09_2_oct_24_poetry_modernism.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 10 POETRY&lt;/font&gt;&lt;/h3&gt;

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&lt;p&gt;M. 10/29. Poetry as Form and Foregrounded Language. Chapters 13-16, etc. Emily Dickinson: "Because I could not stop for Death" (886-87); Edgar Allan Poe: "The Raven" (785-88); W.C. Williams: "The Red Wheelbarrow" (739-40), "This is Just to Say" (740); G.M. Hopkins: "Pied Beauty" (742), "God's Grandeur" (1030), "The Windhover" (1030-31); E.E. Cummings: "in Just" (742-43); "The Twenty-Third Psalm" (756). Also read "Poetic Kinds" (919-20). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/10_1_oct_29_poetry_form.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;p&gt;W. 10/31. Poetry as Form and Foregrounded Language. Chapters 13-16, etc. Wilfred Owen: "Dulce et Decorum Est" (759-60); Robert Frost: "Design" (838), "Stopping by Woods on a Snowy Evening" (1019-20); Shakespeare: "Th'expense of spirit in a waste of shame" (814-15); Dylan Thomas: "Do Not Go Gentle into That Good Night" (827-28); Elizabeth Bishop: "Sestina" (829-30); Marianne Moore "Poetry" (828-29); Archibald MacLeish: "Ars Poetica" (830-31); Alfred Tennyson: "Ulysses" (928-30); Robert Browning: "My Last Duchess" (1009-10). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/10_2_oct_31_poetry_form.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;p&gt;&lt;b&gt;<a href="tiki-index.php?page=E300_Journals_Fall_12" title="E300 Literary Forms Journal Instructions, CSU Fullerton Fall 2012" class="wiki wiki_page">JOURNAL SET 2 DUE BY EMAIL SUNDAY 11/04; SEE INSTRUCTIONS</a>.&lt;/b&gt; (Reminder: this set includes journal entries on a selection of poems from among the broader selection assigned; see more detailed instructions in the link.)&lt;/p&gt;

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&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 11 DRAMA&lt;/font&gt;&lt;/h3&gt;

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&lt;p&gt;M. 11/05. John Webster. &lt;i&gt;The Duchess of Malfi,&lt;/i&gt; Acts 1-2 (1-32, Dover Edition). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/11_1_nov_05_drama_webster.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;p&gt;W. 11/07. John Webster. &lt;i&gt;The Duchess of Malfi,&lt;/i&gt; Act 3 (33-54, Dover Edition). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/11_2_nov_07_drama_webster.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 12 DRAMA&lt;/font&gt;&lt;/h3&gt;

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&lt;p&gt;M. 11/12. Veterans' Day, No Classes.&lt;/p&gt;

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&lt;p&gt;W. 11/14. John Webster. &lt;i&gt;The Duchess of Malfi.&lt;/i&gt; (55-92, Dover Edition). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/12_2_nov_14_drama_webster.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;. &lt;b&gt;&lt;font color="#ec8dc0"&gt;Available soon after session.&lt;/font&gt;&lt;/b&gt;.&lt;/p&gt;

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&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 13 DRAMA&lt;/font&gt;&lt;/h3&gt;

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&lt;p&gt;M. 11/19. Fall Recess, No Classes.&lt;/p&gt;

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&lt;p&gt;W. 11/21. Fall Recess, No Classes.&lt;/p&gt;

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&lt;p&gt;&lt;b&gt;<a href="tiki-index.php?page=E300_Paper_Fall_12" title="E300 Literary Forms Essay Instructions, CSU Fullerton Fall 2012" class="wiki wiki_page">PARAGRAPH DESCRIBING GENERAL TOPIC AND SPECIFIC ARGUMENT FOR TERM PAPER DUE BY EMAIL SUNDAY 11/25; SEE INSTRUCTIONS</a>.&lt;/b&gt;&lt;/p&gt;

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&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 14 DRAMA&lt;/font&gt;&lt;/h3&gt;

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&lt;p&gt;M. 11/26. Oscar Wilde. &lt;i&gt;The Importance of Being Earnest,&lt;/i&gt; Act I (1-19, Dover Edition). &lt;b&gt;FILM, NO SESSION AUDIO]&lt;/b&gt;.&lt;/p&gt;

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&lt;p&gt;W. 11/28. Oscar Wilde. &lt;i&gt;The Importance of Being Earnest,&lt;/i&gt; Act II (21-42, Dover Edition). &lt;b&gt;FILM, NO SESSION AUDIO]&lt;/b&gt;.&lt;/p&gt;

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&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 15 DRAMA&lt;/font&gt;&lt;/h3&gt;

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&lt;p&gt;M. 12/03. Oscar Wilde. &lt;i&gt;The Importance of Being Earnest,&lt;/i&gt; Act III (43-54, Dover Edition). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/15_1_dec_03_drama_wilde.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 12/05. Luigi Pirandello. &lt;i&gt;Six Characters in Search of an Author,&lt;/i&gt; pp. 2-33 Signet Edition. Optional: if time permits, also read Pirandello's "Author's Preface" (xviii-xxx). &lt;b&gt;FILM, NO SESSION AUDIO]&lt;/b&gt;.&lt;/p&gt;

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&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 16 DRAMA&lt;/font&gt;&lt;/h3&gt;

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&lt;p&gt;M. 12/10. Luigi Pirandello. &lt;i&gt;Six Characters in Search of an Author,&lt;/i&gt; pp. 33-57 Signet Edition. &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/16_1_dec_10_drama_pirandello.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 12/12. Luigi Pirandello. &lt;i&gt;Six Characters in Search of an Author,&lt;/i&gt; pp. 57-74 Signet Edition. &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/16_2_dec_12_drama_pirandello.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;&lt;b&gt;<a href="tiki-index.php?page=E300_Journals_Fall_12" title="E300 Literary Forms Journal Instructions, CSU Fullerton Fall 2012" class="wiki wiki_page">JOURNAL SET 3 DUE BY EMAIL EXAM DAY; SEE INSTRUCTIONS</a>.&lt;/b&gt; (Reminder: this set includes journal entries on each assigned drama.)&lt;/p&gt;

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&lt;h3&gt;&lt;font color="#7800A7"&gt;FINALS WEEK&lt;/font&gt;&lt;/h3&gt;

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&lt;p&gt;Final Exam Date &lt;b&gt;Wednesday, Dec. 19 5:00-6:50. &lt;/b&gt; You don’t need to bring a bluebook; the exam is open-book and open-note, but no laptops and no sharing books or notes. Due by email by Sunday, Dec. 23, 2012: &lt;b&gt;<a href="tiki-index.php?page=E300_Paper_Fall_12" title="E300 Literary Forms Essay Instructions, CSU Fullerton Fall 2012" class="wiki wiki_page">Term Paper</a>&lt;/b&gt;. (I must turn in grades by Thursday January 3, 2013.) For your other courses, check &lt;b&gt;<a class="wiki external" target="_blank" href="http://www.fullerton.edu/admissions/CurrentStudent/FinalExaminations.asp" rel="external nofollow">CSUF's Final Exam Schedule</a>&lt;/b&gt;.&lt;/p&gt;

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&lt;p&gt;&lt;b&gt;Texts Used:&lt;/b&gt; Booth, Alison and Kelly J. Mays. &lt;i&gt;The Norton Introduction to Literature.&lt;/i&gt; Shorter Tenth Edition. New York: Norton, 2010. Paperback. ISBN-13: 978-0393935141. Also several Dover editions (Tolstoy, Romantic Poetry, Webster, Wilde) and one Signet Classics edition (Pirandello).&lt;/p&gt;

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&lt;p&gt;Technical Note: I record audio files in class with a digital voice recorder, transfer them via USB to my laptop, edit them in WavePad Sound Editor and convert them to 16 kbps mp3 files for uploading to this wiki site.&lt;/p&gt;

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<p>&lt;html&gt; <br />&lt;head&gt; <!-- &lt;title&gt;Course Materials for English 300 Analysis of Literary Forms, Fall 2012, Instructor Alfred J. Drake, Ph.D. at California State University, Fullerton, Irvine Campus&lt;/title&gt; &lt;me<x>ta name="keywords" content="Introduction to literary forms, genre introduction, Alfred J. Drake, Ph.D."&gt; &lt;me<x>ta name="description" content="Course Materials for English 300 Analysis of Literary Forms, Fall 2012, Instructor Alfred J. Drake, Ph.D. at California State University, Fullerton, Irvine Campus"&gt; </p> <p><tt> --></tt> <br />&lt;/head&gt; <br />&lt;body&gt; </p>

&lt;h3&gt;&lt;div align="center"&gt;<div class="simplebox"><div class='titlebar'>MP3 SESSION AUDIO FOR E300 ANALYSIS OF LITERARY FORMS, CSU FULLERTON Fall 2012 (12/16/12)</div></div>&lt;/div&gt;&lt;/h3&gt; <p> </p>

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&lt;p align="center"&gt;&lt;b&gt;<a class="wiki" href="mailto:e300@ajdrake.com" rel="">Email</a> | <a href="tiki-index.php?page=E300_Requirements_Fall_12" title="English 300 Literary Forms Home Page, CSU Fullerton Fall 2012" class="wiki wiki_page">Home</a> | <a href="tiki-index.php?page=E300_Syllabus_Fall_12" title="Syllabus for English 300 Literary Forms, CSU Fullerton Fall 2012" class="wiki wiki_page">Syllabus</a> | <a href="tiki-index.php?page=E300_Policies_Fall_12" title="E300 Literary Forms Policies, CSU Fullerton Fall 2012" class="wiki wiki_page">Policies</a> | <a href="tiki-index.php?page=E300_Journals_Fall_12" title="E300 Literary Forms Journal Instructions, CSU Fullerton Fall 2012" class="wiki wiki_page">Journals</a> | <a href="tiki-index.php?page=E300_Paper_Fall_12" title="E300 Literary Forms Essay Instructions, CSU Fullerton Fall 2012" class="wiki wiki_page">Paper</a> | <a href="tiki-index.php?page=E300_Exam_Fall_12" title="E300 Literary Forms Exam Prep, CSU Fullerton Fall 2012" class="wiki wiki_page">Exam Prep</a> | <a href="tiki-index.php?page=Blogs_Indices" title="Blogs_Indices" class="wiki wiki_page">Blogs</a> | <a href="tiki-index.php?page=E300_Audio_Fall_12" title="E300 Literary Forms Audio, CSU Fullerton Fall 2012" class="wiki wiki_page">Audio</a> | <a class="wiki external" target="_blank" href="http://www.ajdrake.com/wiki/tiki-list_file_gallery.php" rel="external nofollow">Guides</a> &lt;br&gt;<a class="wiki external" target="_blank" href="http://www.ajdrake.com/wiki/tiki-directory_browse.php" rel="external nofollow">Links</a> | <a class="wiki external" target="_blank" href="http://www.fullerton.edu/irvinecampus/" rel="external nofollow">CSUF Irvine Campus</a> | <a class="wiki external" target="_blank" href="http://www.library.fullerton.edu/" rel="external nofollow">CSUF Library</a> | <a class="wiki external" target="_blank" href="http://www.fullerton.edu/catalog/" rel="external nofollow">CSUF Catalog</a> | <a class="wiki external" target="_blank" href="http://myweb.fullerton.edu/AcademicCalendar/" rel="external nofollow">CSUF Calendar</a> | <a class="wiki external" target="_blank" href="http://www.fullerton.edu/admissions/CurrentStudent/FinalExaminations.asp" rel="external nofollow">CSUF Exam Schedule</a>&lt;/b&gt;&lt;/p&gt;

<p> </p>

&lt;p&gt;Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is easy to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.&lt;/p&gt;

<p> </p>

&lt;h3 align="center"&gt;&lt;font color="#7800A7"&gt;SESSION SCHEDULE: WORKS DISCUSSED ON DATES INDICATED&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 1 FICTION&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;p&gt;M. 08/27. Course Introduction. &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/01_1_aug_27_intro.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 08/29. Chapter 1: Plot. Read this chapter's introductory material (50-58). Edith Wharton. "Roman Fever" (85-95). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/01_2_aug_29_fiction_wharton.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 2 FICTION&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;p&gt;M. 09/03. Labor Day Holiday, No Classes.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 09/05. Chapter 2. Narration and Point of View: read this chapter's introductory material (96-100). Edgar Allan Poe. "The Cask of Amontillado" (101-05). Jamaica Kincaid. "Girl" (116-17). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/02_2_sep_05_fiction_poe_kinkaid.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 3 FICTION&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;p&gt;M. 09/10. Chapter 4. Setting: read this chapter's introductory material (163-69). Anton Chekhov. "The Lady with the Dog" (169-80). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/03_1_sep_10_fiction_chekhov.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 09/12. Chapter 5. Symbol and Figurative Language: read this chapter's introductory material (208-13). Edwige Danticat. "A Wall of Fire Rising" (239-49). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/03_2_sep_12_fiction_danticat.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 4 FICTION&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;p&gt;M. 09/17. Read Norton Introductory material on Character (Ch. 3, 119-26) and Theme (Ch. 6, 251-54). We will in part discuss these aspects of literary texts though a special focus on Leo Tolstoy. Read the first half of &lt;i&gt;The Death of Ivan Ilych,&lt;/i&gt; Chapters 1-4 (15-40, Dover Edition). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/04_1_sep_17_fiction_tolstoy.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 09/19. Special Focus, continued: Leo Tolstoy. Read the second half of &lt;i&gt;The Death of Ivan Ilych,&lt;/i&gt; Chapters 5-12 (40-65, Dover Edition). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/04_2_sep_19_fiction_tolstoy.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 5 FICTION&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;p&gt;M. 09/24. Special Focus: continued: Leo Tolstoy. &lt;i&gt;The Kreutzer Sonata,&lt;/i&gt; Chapters 1-16 (64-103, Dover Edition). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/05_1_sep_24_fiction_tolstoy.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 09/26. Special Focus: continued: Leo Tolstoy. &lt;i&gt;The Kreutzer Sonata,&lt;/i&gt; Chapters 17-28 (103-40, Dover Edition). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/05_2_sep_26_fiction_tolstoy.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;&lt;b&gt;<a href="tiki-index.php?page=E300_Journals_Fall_12" title="E300 Literary Forms Journal Instructions, CSU Fullerton Fall 2012" class="wiki wiki_page">JOURNAL SET 1 DUE BY EMAIL SUNDAY 09/30; SEE INSTRUCTIONS</a>.&lt;/b&gt; (Reminder: this set includes journal entries on fiction. I will verify receipt by email within a few days.)&lt;/p&gt;

<p> </p>

&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 6 POETRY&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;p&gt;M. 10/01. Norton Introductory Material on Poetry, Chapter 10 (618-36). Read also the section "Romantic Love: an Album" (643-50), adding to it Matthew Arnold's "Dover Beach" (704-05). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/06_1_oct_01_poetry_love.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 10/03. Special Focus: English Romanticism. From Wordsworth's "Preface to &lt;i&gt;Lyrical Ballads, 1802&lt;/i&gt;: read only &lt;b&gt;&lt;a href="http://ajdrake.com/wiki/tiki-index.php?page=E300_Etext_Wordsworth_Fall_12"&gt;these brief excerpts&lt;/b&gt;&lt;/a&gt;. Read also "We Are Seven" (23-25); "Lines Composed a Few Miles Above Tintern Abbey, on Revisiting the Banks of the Wye During a Tour. July 13, 1798" (25-29). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/06_2_oct_03_poetry_wordsworth.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 7 POETRY&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;p&gt;M. 10/08. Special Focus: English Romanticism. From &lt;i&gt;English Romantic Poetry: an Anthology:&lt;/i&gt; William Wordsworth. "She dwelt among the untrodden ways" (31-32); "A slumber did my spirit seal" (32); "I wandered lonely as a cloud" (43-44); "The Solitary Reaper" (42); "My heart leaps up when I behold" (35); "Ode: Intimations of Immortality from Recollections of Early Childhood" (51-57). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/07_1_oct_08_poetry_wordsworth.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 10/10. Special Focus: English Romanticism. From &lt;i&gt;English Romantic Poetry: an Anthology:&lt;/i&gt; Samuel Taylor Coleridge. "The Rime of the Ancient Mariner" (63-81); "Frost at Midnight" (100-01); "Kubla Khan" (105-06); "Dejection: An Ode" (106-10). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/07_2_oct_10_poetry_coleridge.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 8 POETRY&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;p&gt;M. 10/15. Special Focus: English Romanticism. From &lt;i&gt;English Romantic Poetry: an Anthology:&lt;/i&gt; Percy Bysshe Shelley. "Ozymandias" (147); "Sonnet: England in 1819" (150); "Ode to the West Wind" (151-53); "To a Skylark" (157-59). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/08_1_oct_15_poetry_shelley.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 10/17. Special Focus: English Romanticism. From &lt;i&gt;English Romantic Poetry: an Anthology:&lt;/i&gt; John Keats. "On first looking into Chapman's Homer" (189); "To Autumn" (222-23); "Ode to a Nightingale" (216-18); "Ode on a Grecian Urn" (218-20); "Ode to Psyche" (220-21); "Ode on Melancholy" (223-24). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/08_2_oct_17_poetry_keats.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 9 POETRY&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;p&gt;M. 10/22. Special Focus: Modernist Poetry. William Butler Yeats: an Album (Norton 895-908). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/09_1_oct_22_poetry_modernism.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 10/24. Special Focus: Modernist Poetry. Ezra Pound, T.S. Eliot, Wallace Stevens. Ezra Pound's "In a Station of the Metro" (1041). T.S. Eliot's "The Love Song of J. Alfred Prufrock" (1015-19). Wallace Stevens' "The Emperor of Ice Cream" (1042-43) and "Anecdote of the Jar" (1043). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/09_2_oct_24_poetry_modernism.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 10 POETRY&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;p&gt;M. 10/29. Poetry as Form and Foregrounded Language. Chapters 13-16, etc. Emily Dickinson: "Because I could not stop for Death" (886-87); Edgar Allan Poe: "The Raven" (785-88); W.C. Williams: "The Red Wheelbarrow" (739-40), "This is Just to Say" (740); G.M. Hopkins: "Pied Beauty" (742), "God's Grandeur" (1030), "The Windhover" (1030-31); E.E. Cummings: "in Just" (742-43); "The Twenty-Third Psalm" (756). Also read "Poetic Kinds" (919-20). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/10_1_oct_29_poetry_form.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 10/31. Poetry as Form and Foregrounded Language. Chapters 13-16, etc. Wilfred Owen: "Dulce et Decorum Est" (759-60); Robert Frost: "Design" (838), "Stopping by Woods on a Snowy Evening" (1019-20); Shakespeare: "Th'expense of spirit in a waste of shame" (814-15); Dylan Thomas: "Do Not Go Gentle into That Good Night" (827-28); Elizabeth Bishop: "Sestina" (829-30); Marianne Moore "Poetry" (828-29); Archibald MacLeish: "Ars Poetica" (830-31); Alfred Tennyson: "Ulysses" (928-30); Robert Browning: "My Last Duchess" (1009-10). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/10_2_oct_31_poetry_form.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;&lt;b&gt;<a href="tiki-index.php?page=E300_Journals_Fall_12" title="E300 Literary Forms Journal Instructions, CSU Fullerton Fall 2012" class="wiki wiki_page">JOURNAL SET 2 DUE BY EMAIL SUNDAY 11/04; SEE INSTRUCTIONS</a>.&lt;/b&gt; (Reminder: this set includes journal entries on a selection of poems from among the broader selection assigned; see more detailed instructions in the link.)&lt;/p&gt;

<p>1 </p>

&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 11 DRAMA&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;p&gt;M. 11/05. John Webster. &lt;i&gt;The Duchess of Malfi,&lt;/i&gt; Acts 1-2 (1-32, Dover Edition). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/11_1_nov_05_drama_webster.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 11/07. John Webster. &lt;i&gt;The Duchess of Malfi,&lt;/i&gt; Act 3 (33-54, Dover Edition). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/11_2_nov_07_drama_webster.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 12 DRAMA&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;p&gt;M. 11/12. Veterans' Day, No Classes.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 11/14. John Webster. &lt;i&gt;The Duchess of Malfi.&lt;/i&gt; (55-92, Dover Edition). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/12_2_nov_14_drama_webster.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;. &lt;b&gt;&lt;font color="#ec8dc0"&gt;Available soon after session.&lt;/font&gt;&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 13 DRAMA&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;p&gt;M. 11/19. Fall Recess, No Classes.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 11/21. Fall Recess, No Classes.&lt;/p&gt;

<p> </p>

&lt;p&gt;&lt;b&gt;<a href="tiki-index.php?page=E300_Paper_Fall_12" title="E300 Literary Forms Essay Instructions, CSU Fullerton Fall 2012" class="wiki wiki_page">PARAGRAPH DESCRIBING GENERAL TOPIC AND SPECIFIC ARGUMENT FOR TERM PAPER DUE BY EMAIL SUNDAY 11/25; SEE INSTRUCTIONS</a>.&lt;/b&gt;&lt;/p&gt;

<p> </p>

&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 14 DRAMA&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;p&gt;M. 11/26. Oscar Wilde. &lt;i&gt;The Importance of Being Earnest,&lt;/i&gt; Act I (1-19, Dover Edition). &lt;b&gt;FILM, NO SESSION AUDIO]&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 11/28. Oscar Wilde. &lt;i&gt;The Importance of Being Earnest,&lt;/i&gt; Act II (21-42, Dover Edition). &lt;b&gt;FILM, NO SESSION AUDIO]&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 15 DRAMA&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;p&gt;M. 12/03. Oscar Wilde. &lt;i&gt;The Importance of Being Earnest,&lt;/i&gt; Act III (43-54, Dover Edition). &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/15_1_dec_03_drama_wilde.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 12/05. Luigi Pirandello. &lt;i&gt;Six Characters in Search of an Author,&lt;/i&gt; pp. 2-33 Signet Edition. Optional: if time permits, also read Pirandello's "Author's Preface" (xviii-xxx). &lt;b&gt;FILM, NO SESSION AUDIO]&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;h3&gt;&lt;font color="#7800A7"&gt;WEEK 16 DRAMA&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;p&gt;M. 12/10. Luigi Pirandello. &lt;i&gt;Six Characters in Search of an Author,&lt;/i&gt; pp. 33-57 Signet Edition. &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/16_1_dec_10_drama_pirandello.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;W. 12/12. Luigi Pirandello. &lt;i&gt;Six Characters in Search of an Author,&lt;/i&gt; pp. 57-74 Signet Edition. &lt;b&gt;<a class="wiki external" target="_blank" href="http://ajdrake.com/wiki/audio/300_Fall_2012/16_2_dec_12_drama_pirandello.mp3" rel="external nofollow">SESSION AUDIO</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;&lt;b&gt;<a href="tiki-index.php?page=E300_Journals_Fall_12" title="E300 Literary Forms Journal Instructions, CSU Fullerton Fall 2012" class="wiki wiki_page">JOURNAL SET 3 DUE BY EMAIL EXAM DAY; SEE INSTRUCTIONS</a>.&lt;/b&gt; (Reminder: this set includes journal entries on each assigned drama.)&lt;/p&gt;

<p> </p>

&lt;h3&gt;&lt;font color="#7800A7"&gt;FINALS WEEK&lt;/font&gt;&lt;/h3&gt;

<p> </p>

&lt;p&gt;Final Exam Date &lt;b&gt;Wednesday, Dec. 19 5:00-6:50. &lt;/b&gt; You don’t need to bring a bluebook; the exam is open-book and open-note, but no laptops and no sharing books or notes. Due by email by Sunday, Dec. 23, 2012: &lt;b&gt;<a href="tiki-index.php?page=E300_Paper_Fall_12" title="E300 Literary Forms Essay Instructions, CSU Fullerton Fall 2012" class="wiki wiki_page">Term Paper</a>&lt;/b&gt;. (I must turn in grades by Thursday January 3, 2013.) For your other courses, check &lt;b&gt;<a class="wiki external" target="_blank" href="http://www.fullerton.edu/admissions/CurrentStudent/FinalExaminations.asp" rel="external nofollow">CSUF's Final Exam Schedule</a>&lt;/b&gt;.&lt;/p&gt;

<p> </p>

&lt;p&gt;&lt;b&gt;Texts Used:&lt;/b&gt; Booth, Alison and Kelly J. Mays. &lt;i&gt;The Norton Introduction to Literature.&lt;/i&gt; Shorter Tenth Edition. New York: Norton, 2010. Paperback. ISBN-13: 978-0393935141. Also several Dover editions (Tolstoy, Romantic Poetry, Webster, Wilde) and one Signet Classics edition (Pirandello).&lt;/p&gt;

<p> </p>

&lt;p&gt;Technical Note: I record audio files in class with a digital voice recorder, transfer them via USB to my laptop, edit them in WavePad Sound Editor and convert them to 16 kbps mp3 files for uploading to this wiki site.&lt;/p&gt;

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