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History: E300_Audio_Fall_14

Comparing version 26 with version 27

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<h3><div align="center">
MP3 SESSION AUDIO FOR E300 ANALYSIS OF LITERARY FORMS, CSU FULLERTON FALL 2014 (12/12/14)
</div></h3>

<p align="center">Image </p>

<p align="center"><b>Email | Home | Syllabus | Policies | Questions | Presentations | Journals | Paper | Final | Blogs | Audio | Guides | Links<br> CSUF Irvine Campus | CSUF Library | CSUF Catalog | CSUF Calendar | CSUF Exam Schedule</b></p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is easy to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<h3 align="center"><font color="#7800A7">SESSION SCHEDULE WITH AUDIO: WORKS DISCUSSED ON DATES INDICATED</font></h3>

<h3><font color="#7800A7">WEEK 1 FICTION</font></h3>

<p>M. 08/25. Course Introduction. <b>SESSION AUDIO</b>.</p>

<p>W. 08/27. Norton Chapter 1: Plot. Read this chapter's introductory material (82-89). Guy de Maupassant. "The Jewelry" (90-95). Edith Wharton. "Roman Fever" (118-28). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 2 FICTION</font></h3>

<p>M. 09/01. Labor Day Holiday, No Classes.</p>

<p>W. 09/03. Chapter 2. Narration and Point of View: read this chapter's introductory material (160-64). Edgar Allan Poe. "The Cask of Amontillado" (164-70). Jamaica Kincaid. "Girl" (170-71). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 3 FICTION</font></h3>

<p>M. 09/08. Norton Chapter 3. Character: read this chapter's introductory material (180-87). David Foster Wallace's "Good People" (215-20); Toby Litt's "The Monster" (241-43). Norton Chapter 4. Setting: read this chapter's introductory material (245-51). Anton Chekhov. "The Lady with the Dog" (251-62). <b>SESSION AUDIO</b>.</p>

<p>W. 09/10. Norton Chapter 5. Symbol and Figurative Language: read this chapter's introductory material (285-90). Edwige Danticat. "A Wall of Fire Rising" (317-29). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 4 FICTION</font></h3>

<p>M. 09/15. Special Focus on Fyodor Dostoevsky. Read Norton Introductory material on Theme (Ch. 6, 334-38). We will in part discuss this aspect of literary texts though Fyodor Dostoevsky. Read <i>Notes from the Underground</i> (Modern Library 95-215). <b>SESSION AUDIO</b>.</p>

<p>W. 09/17. Special Focus on Fyodor Dostoevsky. Read Norton Introductory material on Theme (Ch. 6, 334-38). We will in part discuss this aspect of literary texts though Fyodor Dostoevsky. Read <i>Notes from the Underground</i> (Modern Library 95-215). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 5 FICTION</font></h3>

<p>M. 09/22. Special Focus, continued: Fyodor Dostoevsky. "The Dream of a Ridiculous Man" (Modern Library 263-86). <b>SESSION AUDIO</b>.</p>

<p>W. 09/24. "The Author's Work as Context: Flannery O'Connor" (Norton 419-22). "Good Country People" (Norton 433-47). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 1 DUE BY EMAIL MONDAY 09/29; SEE INSTRUCTIONS.</b> (Reminder: this set includes journal entries on fiction. I will verify receipt by email within a few days.)</p>

<h3><font color="#7800A7">WEEK 6 POETRY</font></h3>

<p>M. 09/29. Norton Introductory Material on Poetry, Chapter 10 (618-36). Special Focus: English Romanticism. William Blake. Read Blake selections from <i>Songs of Innocence & of Experience</i> and <i>The Marriage of Heaven and Hell</i> (Dover 1-22, also see question set for links to the two extra <i>Innocence & Experience</i> poems not available in Dover). <b>SESSION AUDIO</b>.</p>

<p>W. 10/01. Special Focus: English Romanticism. From Wordsworth's "Preface to <i>Lyrical Ballads, 1802</i>: read only <b><a href="http://ajdrake.com/wiki/tiki-index.php?page=E300_Etext_Wordsworth_Fall_14">these brief excerpts</b></a>. Read also in the Dover edition: "We Are Seven" (23-25); "She dwelt among the untrodden ways" (31-32); "A slumber did my spirit seal" (32); "I wandered lonely as a cloud" (43-44); "The Solitary Reaper" (42); "My heart leaps up when I behold" (35). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 7 POETRY</font></h3>

<p>M. 10/06. Special Focus: English Romanticism. Read in the Dover edition: "Lines Composed a Few Miles Above Tintern Abbey, on Revisiting the Banks of the Wye During a Tour. July 13, 1798" (25-29); "Ode: Intimations of Immortality from Recollections of Early Childhood" (51-57). <b>SESSION AUDIO</b>.</p>

<p>W. 10/08. Special Focus: English Romanticism. From <i>English Romantic Poetry: an Anthology</i> (Dover): Samuel Taylor Coleridge. "The Rime of the Ancient Mariner" (63-81); "Frost at Midnight" (100-01); "Kubla Khan" (105-06); "Dejection: An Ode" (106-10). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 8 POETRY</font></h3>

<p>M. 10/13. Special Focus: English Romanticism. From <i>English Romantic Poetry: an Anthology</i> (Dover): Percy Bysshe Shelley. "Ozymandias" (147); "Ode to the West Wind" (151-53); "To a Skylark" (157-59). <b>SESSION AUDIO</b>.</p>

<p>W. 10/15. Special Focus: English Romanticism. From <i>English Romantic Poetry: an Anthology</i> (Dover): John Keats. "On first looking into Chapman's Homer" (189); "To Autumn" (222-23); "Ode to a Nightingale" (216-18); "Ode on a Grecian Urn" (218-20). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 9 POETRY</font></h3>

<p>M. 10/20. Special Focus: Modernist Poetry. W.B. Yeats. William Butler Yeats: an Album (Norton 955-965). <b>SESSION AUDIO</b>.</p>

<p>W. 10/22. Special Focus: Modernist Poetry. Ezra Pound, T.S. Eliot. Ezra Pound's "In a Station of the Metro" (Norton 1102), "The River Merchant's Wife: a Letter" (Norton 753). T.S. Eliot's "The Love Song of J. Alfred Prufrock" (Norton 1087-90). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 10 POETRY</font></h3>

<p>M. 10/27. Poetry as Form and Foregrounded Language. Norton Chapters 13-16, etc. Emily Dickinson: "Because I could not stop for Death" (Norton 807); Edgar Allan Poe: "The Raven" (Norton 838); W.C. Williams: "The Red Wheelbarrow" (Norton 796), "This is Just to Say" (Norton 797); Gerard Manley Hopkins: "Pied Beauty" (Norton 798), "God's Grandeur" (Norton 1094), "The Windhover" (Norton 1095); E.E. Cummings: "in Just" (Norton 1081); "The Twenty-Third Psalm" (Norton 810). <b>SESSION AUDIO</b>.</p>

<p>W. 10/29. Poetry as Form and Foregrounded Language. Norton Chapters 13-16, etc. Wilfred Owen: "Dulce et Decorum Est" (Norton 1101); Robert Frost: "Design" (Norton 898), "Stopping by Woods on a Snowy Evening" (Norton 1091); Shakespeare: "Th'expense of spirit in a waste of shame" (Norton 868); Archibald MacLeish: "Ars Poetica" (Norton 700); Alfred Tennyson: "Ulysses" (Norton 990); Robert Browning: "My Last Duchess" (Norton 1078). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 2 DUE BY EMAIL MONDAY 11/03; SEE INSTRUCTIONS.</b> (Reminder: this set includes journal entries on a selection of poems from among the broader selection assigned; see more detailed instructions in the link.)</p>

<h3><font color="#7800A7">WEEK 11 DRAMA</font></h3>

<p>M. 11/03. Sophocles. <i>Antigone</i> (Norton – read "Elements of Drama" 1180-89 and as much of the play from 1563-97 as possible). <b><font color="#ec8dc0">NO AUDIO SINCE WE WATCHED A FILM VERSION OF THE PLAY</font></b></p>

<p>W. 11/05. Sophocles. <i>Antigone</i> (Norton 1563-97). Discussion of the text. <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 12 DRAMA</font></h3>

<p>M. 11/10. William Shakespeare. Introduction to Shakespeare’s life, times, language and craft as a playwright. No assigned reading — I may bring in a few sonnets and other brief texts as examples. <b>SESSION AUDIO</b>.</p>

<p>W. 11/12. William Shakespeare. <i>Hamlet</i> Act 1 (Norton 1363-85). <b>SESSION AUDIO</b>.</p>

<p><b>PARAGRAPH DESCRIBING GENERAL TOPIC AND SPECIFIC ARGUMENT FOR TERM PAPER DUE BY EMAIL MONDAY 11/17; SEE INSTRUCTIONS.</b></p>

<h3><font color="#7800A7">WEEK 13 DRAMA</font></h3>

<p>M. 11/17. William Shakespeare. <i>Hamlet</i> Acts 2-3 (Norton 1385-1424). <b>SESSION AUDIO</b>.</p>

<p>W. 11/19. William Shakespeare. <i>Hamlet</i> Acts 4-5 (Norton 1424-58). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 14 DRAMA</font></h3>

<p>M. 11/24. Thanksgiving Holiday, No Classes.</p>

<p>W. 11/26. Thanksgiving Holiday, No Classes.</p>

<h3><font color="#7800A7">WEEK 15 DRAMA</font></h3>

<p>M. 12/01. Oscar Wilde. <i>The Importance of Being Earnest</i> (Dover 1-54). <b>Film, no audio.</b></p>

<p>W. 12/03. Oscar Wilde. <i>The Importance of Being Earnest</i> (Dover 1-54). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 16 DRAMA</font></h3>

<p>M. 12/08. Lorraine Hansberry. <i>A Raisin in the Sun</i> (Norton Cultural and Historical Context" Intro 1460-70; Act 1, Norton 1470-98). <b>Film, no audio.</b></p>

<p>W. 12/10. Lorraine Hansberry. <i>A Raisin in the Sun</i> (Acts 2-3, Norton 1498-1534). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 3 DUE BY EMAIL EXAM DAY; SEE INSTRUCTIONS.</b> (Reminder: this set includes journal entries on each assigned drama.)</p>

<h3><font color="#7800A7">FINALS WEEK</font></h3>

<p>Final Exam Date <b>Wednesday December 17 from 5:00-6:50 p.m.</b> You don’t need to bring a bluebook; the exam is open-book and open-note, but no laptops and no sharing books or notes. Due by email by Monday, Dec. 22 or earlier: <b>Term Paper</b>. (I must turn in grades by Friday January 02, 2015.) For your other courses, check <b>CSUF's Final Exam Schedule</b>.</p>

<p><b>Texts Used:</b> Booth, Alison and Kelly J. Mays. <i>The Norton Introduction to Literature.</i> Shorter Tenth Edition. New York: Norton, 2010. Paperback. ISBN-13: 978-0393935141. Also several other editions (Dover Romantic Poetry, Dover Wilde) and one Modern Library edition of Dostoevsky's short stories.</p>

<p>Technical Note: I record audio files in class with a digital voice recorder, transfer them via USB to my laptop, edit them in WavePad Sound Editor and convert them to 16 kbps mp3 files for uploading to this wiki site.</p>


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<html>

<head>

</head>

<body>

<h3><div align="center">
MP3 SESSION AUDIO FOR E300 ANALYSIS OF LITERARY FORMS, CSU FULLERTON FALL 2014 (12/12/14)
</div></h3>

<p align="center">Image </p>

<p align="center"><b>Email | Home | Syllabus | Policies | Questions | Presentations | Journals | Paper | Final | Blogs | Audio | Guides | Links<br> CSUF Irvine Campus | CSUF Library | CSUF Catalog | CSUF Calendar | CSUF Exam Schedule</b></p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is easy to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<h3 align="center"><font color="#7800A7">SESSION SCHEDULE WITH AUDIO: WORKS DISCUSSED ON DATES INDICATED</font></h3>

<h3><font color="#7800A7">WEEK 1 FICTION</font></h3>

<p>M. 08/25. Course Introduction. <b>SESSION AUDIO</b>.</p>

<p>W. 08/27. Norton Chapter 1: Plot. Read this chapter's introductory material (82-89). Guy de Maupassant. "The Jewelry" (90-95). Edith Wharton. "Roman Fever" (118-28). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 2 FICTION</font></h3>

<p>M. 09/01. Labor Day Holiday, No Classes.</p>

<p>W. 09/03. Chapter 2. Narration and Point of View: read this chapter's introductory material (160-64). Edgar Allan Poe. "The Cask of Amontillado" (164-70). Jamaica Kincaid. "Girl" (170-71). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 3 FICTION</font></h3>

<p>M. 09/08. Norton Chapter 3. Character: read this chapter's introductory material (180-87). David Foster Wallace's "Good People" (215-20); Toby Litt's "The Monster" (241-43). Norton Chapter 4. Setting: read this chapter's introductory material (245-51). Anton Chekhov. "The Lady with the Dog" (251-62). <b>SESSION AUDIO</b>.</p>

<p>W. 09/10. Norton Chapter 5. Symbol and Figurative Language: read this chapter's introductory material (285-90). Edwige Danticat. "A Wall of Fire Rising" (317-29). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 4 FICTION</font></h3>

<p>M. 09/15. Special Focus on Fyodor Dostoevsky. Read Norton Introductory material on Theme (Ch. 6, 334-38). We will in part discuss this aspect of literary texts though Fyodor Dostoevsky. Read <i>Notes from the Underground</i> (Modern Library 95-215). <b>SESSION AUDIO</b>.</p>

<p>W. 09/17. Special Focus on Fyodor Dostoevsky. Read Norton Introductory material on Theme (Ch. 6, 334-38). We will in part discuss this aspect of literary texts though Fyodor Dostoevsky. Read <i>Notes from the Underground</i> (Modern Library 95-215). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 5 FICTION</font></h3>

<p>M. 09/22. Special Focus, continued: Fyodor Dostoevsky. "The Dream of a Ridiculous Man" (Modern Library 263-86). <b>SESSION AUDIO</b>.</p>

<p>W. 09/24. "The Author's Work as Context: Flannery O'Connor" (Norton 419-22). "Good Country People" (Norton 433-47). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 1 DUE BY EMAIL MONDAY 09/29; SEE INSTRUCTIONS.</b> (Reminder: this set includes journal entries on fiction. I will verify receipt by email within a few days.)</p>

<h3><font color="#7800A7">WEEK 6 POETRY</font></h3>

<p>M. 09/29. Norton Introductory Material on Poetry, Chapter 10 (618-36). Special Focus: English Romanticism. William Blake. Read Blake selections from <i>Songs of Innocence & of Experience</i> and <i>The Marriage of Heaven and Hell</i> (Dover 1-22, also see question set for links to the two extra <i>Innocence & Experience</i> poems not available in Dover). <b>SESSION AUDIO</b>.</p>

<p>W. 10/01. Special Focus: English Romanticism. From Wordsworth's "Preface to <i>Lyrical Ballads, 1802</i>: read only <b><a href="http://ajdrake.com/wiki/tiki-index.php?page=E300_Etext_Wordsworth_Fall_14">these brief excerpts</b></a>. Read also in the Dover edition: "We Are Seven" (23-25); "She dwelt among the untrodden ways" (31-32); "A slumber did my spirit seal" (32); "I wandered lonely as a cloud" (43-44); "The Solitary Reaper" (42); "My heart leaps up when I behold" (35). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 7 POETRY</font></h3>

<p>M. 10/06. Special Focus: English Romanticism. Read in the Dover edition: "Lines Composed a Few Miles Above Tintern Abbey, on Revisiting the Banks of the Wye During a Tour. July 13, 1798" (25-29); "Ode: Intimations of Immortality from Recollections of Early Childhood" (51-57). <b>SESSION AUDIO</b>.</p>

<p>W. 10/08. Special Focus: English Romanticism. From <i>English Romantic Poetry: an Anthology</i> (Dover): Samuel Taylor Coleridge. "The Rime of the Ancient Mariner" (63-81); "Frost at Midnight" (100-01); "Kubla Khan" (105-06); "Dejection: An Ode" (106-10). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 8 POETRY</font></h3>

<p>M. 10/13. Special Focus: English Romanticism. From <i>English Romantic Poetry: an Anthology</i> (Dover): Percy Bysshe Shelley. "Ozymandias" (147); "Ode to the West Wind" (151-53); "To a Skylark" (157-59). <b>SESSION AUDIO</b>.</p>

<p>W. 10/15. Special Focus: English Romanticism. From <i>English Romantic Poetry: an Anthology</i> (Dover): John Keats. "On first looking into Chapman's Homer" (189); "To Autumn" (222-23); "Ode to a Nightingale" (216-18); "Ode on a Grecian Urn" (218-20). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 9 POETRY</font></h3>

<p>M. 10/20. Special Focus: Modernist Poetry. W.B. Yeats. William Butler Yeats: an Album (Norton 955-965). <b>SESSION AUDIO</b>.</p>

<p>W. 10/22. Special Focus: Modernist Poetry. Ezra Pound, T.S. Eliot. Ezra Pound's "In a Station of the Metro" (Norton 1102), "The River Merchant's Wife: a Letter" (Norton 753). T.S. Eliot's "The Love Song of J. Alfred Prufrock" (Norton 1087-90). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 10 POETRY</font></h3>

<p>M. 10/27. Poetry as Form and Foregrounded Language. Norton Chapters 13-16, etc. Emily Dickinson: "Because I could not stop for Death" (Norton 807); Edgar Allan Poe: "The Raven" (Norton 838); W.C. Williams: "The Red Wheelbarrow" (Norton 796), "This is Just to Say" (Norton 797); Gerard Manley Hopkins: "Pied Beauty" (Norton 798), "God's Grandeur" (Norton 1094), "The Windhover" (Norton 1095); E.E. Cummings: "in Just" (Norton 1081); "The Twenty-Third Psalm" (Norton 810). <b>SESSION AUDIO</b>.</p>

<p>W. 10/29. Poetry as Form and Foregrounded Language. Norton Chapters 13-16, etc. Wilfred Owen: "Dulce et Decorum Est" (Norton 1101); Robert Frost: "Design" (Norton 898), "Stopping by Woods on a Snowy Evening" (Norton 1091); Shakespeare: "Th'expense of spirit in a waste of shame" (Norton 868); Archibald MacLeish: "Ars Poetica" (Norton 700); Alfred Tennyson: "Ulysses" (Norton 990); Robert Browning: "My Last Duchess" (Norton 1078). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 2 DUE BY EMAIL MONDAY 11/03; SEE INSTRUCTIONS.</b> (Reminder: this set includes journal entries on a selection of poems from among the broader selection assigned; see more detailed instructions in the link.)</p>

<h3><font color="#7800A7">WEEK 11 DRAMA</font></h3>

<p>M. 11/03. Sophocles. <i>Antigone</i> (Norton – read "Elements of Drama" 1180-89 and as much of the play from 1563-97 as possible). <b><font color="#ec8dc0">NO AUDIO SINCE WE WATCHED A FILM VERSION OF THE PLAY</font></b></p>

<p>W. 11/05. Sophocles. <i>Antigone</i> (Norton 1563-97). Discussion of the text. <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 12 DRAMA</font></h3>

<p>M. 11/10. William Shakespeare. Introduction to Shakespeare’s life, times, language and craft as a playwright. No assigned reading — I may bring in a few sonnets and other brief texts as examples. <b>SESSION AUDIO</b>.</p>

<p>W. 11/12. William Shakespeare. <i>Hamlet</i> Act 1 (Norton 1363-85). <b>SESSION AUDIO</b>.</p>

<p><b>PARAGRAPH DESCRIBING GENERAL TOPIC AND SPECIFIC ARGUMENT FOR TERM PAPER DUE BY EMAIL MONDAY 11/17; SEE INSTRUCTIONS.</b></p>

<h3><font color="#7800A7">WEEK 13 DRAMA</font></h3>

<p>M. 11/17. William Shakespeare. <i>Hamlet</i> Acts 2-3 (Norton 1385-1424). <b>SESSION AUDIO</b>.</p>

<p>W. 11/19. William Shakespeare. <i>Hamlet</i> Acts 4-5 (Norton 1424-58). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 14 DRAMA</font></h3>

<p>M. 11/24. Thanksgiving Holiday, No Classes.</p>

<p>W. 11/26. Thanksgiving Holiday, No Classes.</p>

<h3><font color="#7800A7">WEEK 15 DRAMA</font></h3>

<p>M. 12/01. Oscar Wilde. <i>The Importance of Being Earnest</i> (Dover 1-54). <b>Film, no audio.</b></p>

<p>W. 12/03. Oscar Wilde. <i>The Importance of Being Earnest</i> (Dover 1-54). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 16 DRAMA</font></h3>

<p>M. 12/08. Lorraine Hansberry. <i>A Raisin in the Sun</i> (Norton Cultural and Historical Context" Intro 1460-70; Act 1, Norton 1470-98). <b>Film, no audio.</b></p>

<p>W. 12/10. Lorraine Hansberry. <i>A Raisin in the Sun</i> (Acts 2-3, Norton 1498-1534). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 3 DUE BY EMAIL EXAM DAY; SEE INSTRUCTIONS.</b> (Reminder: this set includes journal entries on each assigned drama.)</p>

<h3><font color="#7800A7">FINALS WEEK</font></h3>

<p>Final Exam Date <b>Wednesday December 17 from 5:00-6:50 p.m.</b> You don’t need to bring a bluebook; the exam is open-book and open-note, but no laptops and no sharing books or notes. Due by email by Monday, Dec. 22 or earlier: <b>Term Paper</b>. (I must turn in grades by Friday January 02, 2015.) For your other courses, check <b>CSUF's Final Exam Schedule</b>.</p>

<p><b>Texts Used:</b> Booth, Alison and Kelly J. Mays. <i>The Norton Introduction to Literature.</i> Shorter Tenth Edition. New York: Norton, 2010. Paperback. ISBN-13: 978-0393935141. Also several other editions (Dover Romantic Poetry, Dover Wilde) and one Modern Library edition of Dostoevsky's short stories.</p>

<p>Technical Note: I record audio files in class with a digital voice recorder, transfer them via USB to my laptop, edit them in WavePad Sound Editor and convert them to 16 kbps mp3 files for uploading to this wiki site.</p>


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