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History: E335_Audio

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<h3><div align="center">
MP3 AUDIO FOR E335 VICTORIAN LITERATURE (UPDATED 10/12/10)
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<p align="center">Image </p>

<p align="center"><strong>Email</strong> | <strong>Home</strong> | <strong>Syllabus</strong> | <strong>Policies</strong> | <strong>Questions</strong> | <strong>Presentations</strong><br/><strong>Journals</strong> | <strong>Paper</strong> | <strong>Final</strong> | <strong>Blogs</strong> | <strong>Audio</strong> | <strong>Guides</strong> | <strong>Links</strong></p>


<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is also feasible to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<p><strong>Audio (C) Copyright 2008 Alfred J. Drake.</strong> All audio files on www.ajdrake.com/wiki are intended for individual, non-profit use only and may not be redistributed for any reason (profit or non-profit). Current course audio is available from course menus.</p>

<h3><font color="#7800A7">WEEK 01</font></h3>

<p>Tu. 01/29. First Meeting: Administrative matters and course introduction. <strong>SESSION AUDIO</strong></p>

<p>Th. 01/31. Introduction to Victorian Period. Please read 979-99 in the <em>Norton Anthology</em> Vol. E. <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 02</font></h3>

<p>Tu. 02/05. Thomas Carlyle. "Signs of the Times" <strong>(E-Text)</strong> <strong>SESSION AUDIO</strong></p>

<p>Th. 02/07. Thomas Carlyle. <em>Sartor Resartus</em> (1006-24), <em>Past and Present</em> (1024-33). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 03</font></h3>

<p>Tu. 02/12. John Stuart Mill. "What is Poetry?" (1044-51), from <em>On Liberty</em> (1051-61). <strong>SESSION AUDIO</strong></p>

<p>Th. 02/14. John Stuart Mill. From <em>The Subjection of Women</em> (1061-70), from <em>Autobiography</em> (1070-77). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 04</font></h3>

<p>Tu. 02/19. Alfred Tennyson. "Mariana" (1112-14), "The Lady of Shalott" (1114-18), "The Lotos-Eaters" (1119-23), "Ulysses" (1123-25). <strong>SESSION AUDIO</strong></p>

<p>Th. 02/21. Alfred Tennyson. From <em>In Memoriam A.H.H.</em> (1138-88): read at least the following: Prologue, Lyrics 1-3, 5, 7, 11, 14-15, 28, 34, 39, 54-56, 75, 108, 118, 123-24, 126, 130-31, Epilogue. <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 05</font></h3>

<p>Tu. 02/26. Edward Bulwer-Lytton. <em>Money</em> (Stierstorfer 3-73). <strong>SESSION AUDIO</strong></p>

<p>Th. 02/28. Dion Boucicault. <em>London Assurance.</em> (Stierstorfer 77-143). <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 06</font></h3>

<p>Tu. 03/04. John Ruskin. From <em>Modern Painters</em> (1320-24), from <em>The Stones of Venice</em> (1324-34). <strong>SESSION AUDIO</strong></p>

<p>Th. 03/06. John Ruskin and John Henry Newman. From Ruskin's "The Storm-Cloud of the Nineteenth Century, Lecture I" <strong>(E-Text)</strong>. From Newman's <em>The Idea of a University</em> (1035-42). <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 07</font></h3>

<p>Tu. 03/11. Matthew Arnold. "The Buried Life" (1356-58); "Dover Beach" (1368-69); "Stanzas from the Grande Chartreuse" (1369-74); "Preface" to <em>Poems</em> (1374-84). <strong>SESSION AUDIO</strong></p>

<p>Th. 03/13. Matthew Arnold. From "The Function of Criticism at the Present Time" (1384-97), from <em>Culture and Anarchy</em> (1398-1404). <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 08</font></h3>

<p><font color="#FF0000">:Tu. 03/18. Spring Break, No Classes.</font></p>

<p><font color="#FF0000">:Tu. 03/18. Spring Break, No Classes.</font></p>

<h3><font color="#008000">WEEK 09</font></h3>

<p>Tu. 03/25. Charles Darwin and T. H. Huxley. Ch. 4 from Darwin's <em>The Descent of Man</em> <strong>(E-Text)</strong>. Huxley's "On the Physical Basis of Life" <strong>(E-Text)</strong> <strong>SESSION AUDIO</strong> </p>

<p>Th. 03/27. Robert Browning. Robert's "Porphyria's Lover" (1252-53); "My Last Duchess" (1255-56); "The Bishop Orders His Tomb" (1259-62); "Childe Roland to the Dark Tower Came" (1266-71), "Caliban upon Setebos" (1296-1303). <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 10</font></h3>

<p>Tu. 04/01. Dante Gabriel and Christina Rossetti. DGR's "The Blessed Damozel" (1443-47). Christina's Selected Poems: (1460-81): "Song: She sat . . ." (1460-61); "Song--When I am dead" (1461); "After Death" (1461); "Dead before Death" (1462); "Cobwebs" (1462); "A Triad" (1462-63); "In an Artist's Studio" (1463); "A Birthday" (1463); "An Apple Gathering" (1464); "Winter My Secret" (1464-65); "Uphill" (1465); "Goblin Market" (1466-78); "No Thank You, John" (1478); "Promises Like Pie-Crusts" (1479); "In Progress" (1479); "A Life's Parallels" (1480); "Sonnet 17" (1480); "Cardinal Newman" (1480-81); "Sleeping at Last" (1481). <strong>SESSION AUDIO</strong></p>

<p>Th. 04/03. William Morris and A.C. Swinburne. Morris' "The Defence of Guenevere (1483-91), "How I Became a Socialist" (1491-94). Swinburne's "Hymn to Proserpine" (1496-98), "Ave Atque Vale" (1500-05). <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 11</font></h3>

<p>Tu. 04/08. Elizabeth Gaskell. <em>Cranford.</em> <strong>SESSION AUDIO</strong></p>

<p>Th. 04/10. Elizabeth Gaskell. <em>Cranford.</em> <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 12</font></h3>

<p>Tu. 04/15. Gerard Manley Hopkins. Selected Poems, from <em>Journal</em> (1516-26): "God's Grandeur" (1516); "The Starlight Night" (1516-17); "As Kingfishers Catch Fire" (1517); "Spring" (1517); "The Windhover" (1518); "Pied Beauty" (1518); "Hurrahing in Harvest" (1519); "Binsey Poplars" (1519); "Duns Scotus's Oxford" (1520); "Felix Randal" (1520-21); "Spring and Fall" (1521); "Carrion Comfort" (1521-22); "No Worst, There is None" (1522); "I Wake and Feel the Fell of Dark, Not Day" (1522-23); "That Nature Is a Heraclitean Fire . . ." (1523); "Thou Art Indeed Just, Lord" (1524); also "The Wreck of the Deutschland" <strong>(E-Text)</strong>. <strong>SESSION AUDIO</strong></p>

<p>Th. 04/17. Walter Pater. From <em>The Renaissance: Studies in Art and Poetry</em> (1507-13); excerpts from <em>The Renaissance</em> Ch. 6, "Leonardo da Vinci" <strong>(E-Text)</strong>. <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 13</font></h3>

<p>Tu. 04/22. Oscar Wilde. "The Decay of Lying" <strong>(E-Text)</strong>. <strong>SESSION AUDIO</strong></p>

<p>Th. 04/24. Oscar Wilde. <em>The Importance of Being Earnest</em> (1698-1740). <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 14</font></h3>

<p>Tu. 04/29. Showalter, Elaine, ed. Selections from <em>Daughters of Decadence</em>: Ada Leverson's "Suggestion" (38-46), George Egerton's "A Cross Line" (47-68), Olive Schreiner's "The Buddhist Priest's Wife" (84-97). <strong>SESSION AUDIO</strong></p>

<p>Th. 05/01. Showalter, Elaine, ed. Selections from <em>Daughters of Decadence</em>: Charlotte Mew's "A White Night" (118-38), Sarah Grand's "The Undefinable: a Fantasia" (262-87). <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 15</font></h3>

<p>Tu. 05/06. Rudyard Kipling. From <em>War Stories and Poems</em>: "The Drums of the Fore and Aft" (7-38), "The Mutiny of the Mavericks" (70-88). <strong>SESSION AUDIO</strong></p>

<p>Th. 05/08. Rudyard Kipling. From <em>War Stories and Poems.</em>: "A Sahib's War" (163-80), "The Comprehension of Private Copper" (183-93). <strong>SESSION AUDIO</strong></p>

<p><strong>TEXTS USED</strong></p>

<p>Gaskell, Elizabeth. <em>Cranford.</em> Oxford: Oxford UP, 1998. ISBN-13: 978-0192832092.</p>

<p>Greenblatt, Stephen, et al., eds. <em>The Norton Anthology of English Literature,</em> Volume E: The Victorian Age. 8th ed. New York: Norton, 2005. ISBN-13: 978-0393927214.</p>

<p>Kipling, Rudyard. <em>War Stories and Poems.</em> Oxford: Oxford UP, 1999. ISBN-13: 978-0192836861.</p>

<p>Showalter, Elaine, ed. <em>Daughters of Decadence: Women Writers of the Fin de Siecle.</em> Rutgers UP, 1993. ISBN-13: 978-0813520186.</p>

<p>Stierstorfer, Klaus, ed. <em>London Assurance and other Victorian Comedies.</em> Oxford: Oxford UP, 2001. ISBN-13: 978-0192832962.</p>

<p>E-texts as noted on this page and in syllabus. See the reading list's "(E-Text)" links for selected works by Carlyle, Ruskin, Darwin, Huxley, Hopkins, Pater, and Wilde.</p>

<p>Technical Note: I record audio files in class with an Olympus DM-1 digital voice recorder, transfer them via USB to my laptop, edit them in Nero Wave Editor and convert them to 16 kbps mp3 files with Nero's mp3 Pro encoding feature. Then they are uploaded to a folder in this wiki and the final step is to provide hyperlinks on this page.</p>


</body>
</html>

<html>
<head>

</head>
<body>

<h3><div align="center">
MP3 AUDIO FOR E335 VICTORIAN LITERATURE (UPDATED 10/12/10)
</div></h3>

<p align="center">Image </p>

<p align="center"><strong>Email</strong> | <strong>Home</strong> | <strong>Syllabus</strong> | <strong>Policies</strong> | <strong>Questions</strong> | <strong>Presentations</strong><br/><strong>Journals</strong> | <strong>Paper</strong> | <strong>Final</strong> | <strong>Blogs</strong> | <strong>Audio</strong> | <strong>Guides</strong> | <strong>Links</strong></p>


<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is also feasible to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<p><strong>Audio (C) Copyright 2008 Alfred J. Drake.</strong> All audio files on www.ajdrake.com/wiki are intended for individual, non-profit use only and may not be redistributed for any reason (profit or non-profit). Current course audio is available from course menus.</p>

<h3><font color="#7800A7">WEEK 01</font></h3>

<p>Tu. 01/29. First Meeting: Administrative matters and course introduction. <strong>SESSION AUDIO</strong></p>

<p>Th. 01/31. Introduction to Victorian Period. Please read 979-99 in the <em>Norton Anthology</em> Vol. E. <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 02</font></h3>

<p>Tu. 02/05. Thomas Carlyle. "Signs of the Times" <strong>(E-Text)</strong> <strong>SESSION AUDIO</strong></p>

<p>Th. 02/07. Thomas Carlyle. <em>Sartor Resartus</em> (1006-24), <em>Past and Present</em> (1024-33). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 03</font></h3>

<p>Tu. 02/12. John Stuart Mill. "What is Poetry?" (1044-51), from <em>On Liberty</em> (1051-61). <strong>SESSION AUDIO</strong></p>

<p>Th. 02/14. John Stuart Mill. From <em>The Subjection of Women</em> (1061-70), from <em>Autobiography</em> (1070-77). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 04</font></h3>

<p>Tu. 02/19. Alfred Tennyson. "Mariana" (1112-14), "The Lady of Shalott" (1114-18), "The Lotos-Eaters" (1119-23), "Ulysses" (1123-25). <strong>SESSION AUDIO</strong></p>

<p>Th. 02/21. Alfred Tennyson. From <em>In Memoriam A.H.H.</em> (1138-88): read at least the following: Prologue, Lyrics 1-3, 5, 7, 11, 14-15, 28, 34, 39, 54-56, 75, 108, 118, 123-24, 126, 130-31, Epilogue. <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 05</font></h3>

<p>Tu. 02/26. Edward Bulwer-Lytton. <em>Money</em> (Stierstorfer 3-73). <strong>SESSION AUDIO</strong></p>

<p>Th. 02/28. Dion Boucicault. <em>London Assurance.</em> (Stierstorfer 77-143). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 06</font></h3>

<p>Tu. 03/04. John Ruskin. From <em>Modern Painters</em> (1320-24), from <em>The Stones of Venice</em> (1324-34). <strong>SESSION AUDIO</strong></p>

<p>Th. 03/06. John Ruskin and John Henry Newman. From Ruskin's "The Storm-Cloud of the Nineteenth Century, Lecture I" <strong>(E-Text)</strong>. From Newman's <em>The Idea of a University</em> (1035-42). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 07</font></h3>

<p>Tu. 03/11. Matthew Arnold. "The Buried Life" (1356-58); "Dover Beach" (1368-69); "Stanzas from the Grande Chartreuse" (1369-74); "Preface" to <em>Poems</em> (1374-84). <strong>SESSION AUDIO</strong></p>

<p>Th. 03/13. Matthew Arnold. From "The Function of Criticism at the Present Time" (1384-97), from <em>Culture and Anarchy</em> (1398-1404). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 08</font></h3>

<p><font color="#FF0000">:Tu. 03/18. Spring Break, No Classes.</font></p>

<p><font color="#FF0000">:Tu. 03/18. Spring Break, No Classes.</font></p>

<h3><font color="#7800A7">WEEK 09</font></h3>

<p>Tu. 03/25. Charles Darwin and T. H. Huxley. Ch. 4 from Darwin's <em>The Descent of Man</em> <strong>(E-Text)</strong>. Huxley's "On the Physical Basis of Life" <strong>(E-Text)</strong> <strong>SESSION AUDIO</strong> </p>

<p>Th. 03/27. Robert Browning. Robert's "Porphyria's Lover" (1252-53); "My Last Duchess" (1255-56); "The Bishop Orders His Tomb" (1259-62); "Childe Roland to the Dark Tower Came" (1266-71), "Caliban upon Setebos" (1296-1303). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 10</font></h3>

<p>Tu. 04/01. Dante Gabriel and Christina Rossetti. DGR's "The Blessed Damozel" (1443-47). Christina's Selected Poems: (1460-81): "Song: She sat . . ." (1460-61); "Song--When I am dead" (1461); "After Death" (1461); "Dead before Death" (1462); "Cobwebs" (1462); "A Triad" (1462-63); "In an Artist's Studio" (1463); "A Birthday" (1463); "An Apple Gathering" (1464); "Winter My Secret" (1464-65); "Uphill" (1465); "Goblin Market" (1466-78); "No Thank You, John" (1478); "Promises Like Pie-Crusts" (1479); "In Progress" (1479); "A Life's Parallels" (1480); "Sonnet 17" (1480); "Cardinal Newman" (1480-81); "Sleeping at Last" (1481). <strong>SESSION AUDIO</strong></p>

<p>Th. 04/03. William Morris and A.C. Swinburne. Morris' "The Defence of Guenevere (1483-91), "How I Became a Socialist" (1491-94). Swinburne's "Hymn to Proserpine" (1496-98), "Ave Atque Vale" (1500-05). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 11</font></h3>

<p>Tu. 04/08. Elizabeth Gaskell. <em>Cranford.</em> <strong>SESSION AUDIO</strong></p>

<p>Th. 04/10. Elizabeth Gaskell. <em>Cranford.</em> <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 12</font></h3>

<p>Tu. 04/15. Gerard Manley Hopkins. Selected Poems, from <em>Journal</em> (1516-26): "God's Grandeur" (1516); "The Starlight Night" (1516-17); "As Kingfishers Catch Fire" (1517); "Spring" (1517); "The Windhover" (1518); "Pied Beauty" (1518); "Hurrahing in Harvest" (1519); "Binsey Poplars" (1519); "Duns Scotus's Oxford" (1520); "Felix Randal" (1520-21); "Spring and Fall" (1521); "Carrion Comfort" (1521-22); "No Worst, There is None" (1522); "I Wake and Feel the Fell of Dark, Not Day" (1522-23); "That Nature Is a Heraclitean Fire . . ." (1523); "Thou Art Indeed Just, Lord" (1524); also "The Wreck of the Deutschland" <strong>(E-Text)</strong>. <strong>SESSION AUDIO</strong></p>

<p>Th. 04/17. Walter Pater. From <em>The Renaissance: Studies in Art and Poetry</em> (1507-13); excerpts from <em>The Renaissance</em> Ch. 6, "Leonardo da Vinci" <strong>(E-Text)</strong>. <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 13</font></h3>

<p>Tu. 04/22. Oscar Wilde. "The Decay of Lying" <strong>(E-Text)</strong>. <strong>SESSION AUDIO</strong></p>

<p>Th. 04/24. Oscar Wilde. <em>The Importance of Being Earnest</em> (1698-1740). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 14</font></h3>

<p>Tu. 04/29. Showalter, Elaine, ed. Selections from <em>Daughters of Decadence</em>: Ada Leverson's "Suggestion" (38-46), George Egerton's "A Cross Line" (47-68), Olive Schreiner's "The Buddhist Priest's Wife" (84-97). <strong>SESSION AUDIO</strong></p>

<p>Th. 05/01. Showalter, Elaine, ed. Selections from <em>Daughters of Decadence</em>: Charlotte Mew's "A White Night" (118-38), Sarah Grand's "The Undefinable: a Fantasia" (262-87). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 15</font></h3>

<p>Tu. 05/06. Rudyard Kipling. From <em>War Stories and Poems</em>: "The Drums of the Fore and Aft" (7-38), "The Mutiny of the Mavericks" (70-88). <strong>SESSION AUDIO</strong></p>

<p>Th. 05/08. Rudyard Kipling. From <em>War Stories and Poems.</em>: "A Sahib's War" (163-80), "The Comprehension of Private Copper" (183-93). <strong>SESSION AUDIO</strong></p>

<p><strong>TEXTS USED</strong></p>

<p>Gaskell, Elizabeth. <em>Cranford.</em> Oxford: Oxford UP, 1998. ISBN-13: 978-0192832092.</p>

<p>Greenblatt, Stephen, et al., eds. <em>The Norton Anthology of English Literature,</em> Volume E: The Victorian Age. 8th ed. New York: Norton, 2005. ISBN-13: 978-0393927214.</p>

<p>Kipling, Rudyard. <em>War Stories and Poems.</em> Oxford: Oxford UP, 1999. ISBN-13: 978-0192836861.</p>

<p>Showalter, Elaine, ed. <em>Daughters of Decadence: Women Writers of the Fin de Siecle.</em> Rutgers UP, 1993. ISBN-13: 978-0813520186.</p>

<p>Stierstorfer, Klaus, ed. <em>London Assurance and other Victorian Comedies.</em> Oxford: Oxford UP, 2001. ISBN-13: 978-0192832962.</p>

<p>E-texts as noted on this page and in syllabus. See the reading list's "(E-Text)" links for selected works by Carlyle, Ruskin, Darwin, Huxley, Hopkins, Pater, and Wilde.</p>

<p>Technical Note: I record audio files in class with an Olympus DM-1 digital voice recorder, transfer them via USB to my laptop, edit them in Nero Wave Editor and convert them to 16 kbps mp3 files with Nero's mp3 Pro encoding feature. Then they are uploaded to a folder in this wiki and the final step is to provide hyperlinks on this page.</p>


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