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History: E491_Audio

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<h3><div align="center">
E491 MP3 AUDIO OF CLASS SESSIONS, CSU FULLERTON FALL 2007 (UPDATED 06/05/11)
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<p align="center">Image </p>

<p align="center"><strong>Email | Home | Syllabus | Policies | Questions | Presentations<br> Journals | Paper | Final | Blogs | Audio | Guides | Links</strong></p>


<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is also feasible to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<p><strong>Audio (C) Copyright 2007 Alfred J. Drake.</strong> All audio files on www.ajdrake.com/wiki are intended for individual, non-profit use only and may not be redistributed for any reason (profit or non-profit).</p>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>08/23. Introduction to Course and to Wiki Features. <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>08/30. Gorgias of Leontini, Plato. Gorgias of Leontini, Plato. Gorgias' "Encomium of Helen" (29-33). From Plato's <em>Republic</em> Books II, III, VII, X (49-81), <em>Phaedrus</em> (81-86). <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 3</font></h3>

<p>09/06. Aristotle and Horace. Aristotle's <em>Poetics</em> (86-117). Horace's <em>Ars Poetica</em> (121-35). <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 4</font></h3>

<p>09/13. Augustine, Aquinas, Dante, Christine de Pizan. From Augustine's <em>On Christian Doctrine</em> (185-92) and <em>The Trinity</em> (192-96). From Aquinas' <em>Summa Theologica</em> (240-46). From Dante's <em>Il Convivio</em> (246-50) and "The Letter to Can Grande" (251-52). From De Pizan's <em>The Book of the City of Ladies</em> (263-70). <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 5</font></h3>

<p>09/20. Joachim du Bellay, Giacopo Mazzoni. Du Bellay's <em>Defence and Illustration of the French Language</em> (279-90). From Mazzoni's <em>On the Defense of the Comedy of Dante</em> (299-323). <strong>Journal Set 1 Due by Email</strong>. <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 6</font></h3>

<p>09/27. Alexander Pope and Samuel Johnson. Pope's "An Essay on Criticism" (438-58). Johnson's <em>The Rambler,</em> No. 4 "On Fiction" (458-66); from <em>Rasselas</em> (466-68); "Preface to Shakespeare" (468-80). <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 7</font></h3>

<p>10/04. Immanuel Kant. From <em>Critique of Judgment</em> Book I: "Analytic of the Beautiful" (499-518); from Book II: "Analytic of the Sublime" (519-36). <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 8</font></h3>

<p>10/11. Friedrich von Schiller, Georg Hegel. From von Schiller's <em>On the Aesthetic Education of Man,</em> Letters 2, 6, 9 (571-82). Hegel's "Master-Slave Dialectic" from <em>The Phenomenology of Mind</em> (626-36); "Introduction" from <em>Lectures on Fine Art</em> (636-45). <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 9</font></h3>

<p>10/18. William Wordsworth, Samuel Taylor Coleridge, John Keats. Wordsworth's "Preface to <em>Lyrical Ballads,</em> 1802" (645-68). From Coleridge's <em>The Statesman's Manual</em> (668-74); from <em>Biographia Literaria</em> (674-82). <strong>Keats' <em>Selected Letters</em> Online Text.</strong> <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 10</font></h3>

<p>10/25. Karl Marx and Friedrich Engels. From <em>Economic and Philosophic Manuscripts of 1844</em> (759-67); from <em>The German Ideology</em> (767-69); from <em>The Communist Manifesto</em> (769-73); from <em>Grundrisse</em> (773-74); from "Preface" to <em>A Contribution...</em> (774-76); from <em>Capital,</em> Vol. 1, Ch. 1 "Commodities" (776-83). <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 11</font></h3>

<p>11/01. Ralph Waldo Emerson, Edgar Allan Poe. From Emerson's <em>The American Scholar</em> (717-21); "The Poet" (724-39). Poe's "The Philosophy of Composition" (739-50). <strong>Journal Set 2 Due by Email</strong>. Guest instructor: no audio session.</p>

<h3><font color="#008000">WEEK 12</font></h3>

<p>11/08. Charles Baudelaire, Stephane Mallarme. From Baudelaire's <em>The Painter of Modern Life</em> (789-802). Mallarme's "Crisis in Poetry" (841-51). <strong>SESSION AUDIO</strong> </p>

<h3><font color="#008000">WEEK 13</font></h3>

<p>11/15. Matthew Arnold, Walter Pater, Oscar Wilde. Arnold's "The Function of Criticism at the Present Time" (802-25). From Pater's <em>Studies in the History of the Renaissance</em> (833-41). Wilde's "The Critic as Artist" (895-912). <strong>Paragraph describing Term Paper topic and argument due by email.</strong> <strong> SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 14</font></h3>

<p><strong><font color="#FF0000">11/22. Thanksgiving Holiday — no classes all week.</strong></font></p>

<h3><font color="#008000">WEEK 15</font></h3>

<p>11/29. Friedrich Nietzsche, Sigmund Freud. Nietzsche's "On Truth and Lying in a Non-Moral Sense" (870-884). Freud's "The Uncanny" (929-52). <strong>SESSION AUDIO</strong></p>

<h3><font color="#008000">WEEK 16</font></h3>

<p>12/06. Ferdinand de Saussure. From <em>Course in General Linguistics,</em> "Introduction" and Part One, Chapter I (956-77). <strong>SESSION AUDIO</strong></p>

<p>Technical Note: I record audio files in class with an Olympus DM-1 digital voice recorder, transfer them via USB to my laptop, edit them in Nero Wave Editor and convert them to 16 kbps mp3 files with Nero's mp3 Pro encoding feature. Then they are uploaded to this wiki site.</p>


</body>
</html>

<html>
<head>

<body>

<h3><div align="center">
E491 MP3 AUDIO OF CLASS SESSIONS, CSU FULLERTON FALL 2007 (UPDATED 06/05/11)
</div></h3>

<p align="center">Image </p>

<p align="center"><strong>Email | Home | Syllabus | Policies | Questions | Presentations<br> Journals | Paper | Final | Blogs | Audio | Guides | Links</strong></p>


<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is also feasible to download and store the entire file (5-15 megabytes). To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<p><strong>Audio (C) Copyright 2007 Alfred J. Drake.</strong> All audio files on www.ajdrake.com/wiki are intended for individual, non-profit use only and may not be redistributed for any reason (profit or non-profit).</p>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>08/23. Introduction to Course and to Wiki Features. <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>08/30. Gorgias of Leontini, Plato. Gorgias of Leontini, Plato. Gorgias' "Encomium of Helen" (29-33). From Plato's <em>Republic</em> Books II, III, VII, X (49-81), <em>Phaedrus</em> (81-86). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>09/06. Aristotle and Horace. Aristotle's <em>Poetics</em> (86-117). Horace's <em>Ars Poetica</em> (121-35). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 4</font></h3>

<p>09/13. Augustine, Aquinas, Dante, Christine de Pizan. From Augustine's <em>On Christian Doctrine</em> (185-92) and <em>The Trinity</em> (192-96). From Aquinas' <em>Summa Theologica</em> (240-46). From Dante's <em>Il Convivio</em> (246-50) and "The Letter to Can Grande" (251-52). From De Pizan's <em>The Book of the City of Ladies</em> (263-70). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 5</font></h3>

<p>09/20. Joachim du Bellay, Giacopo Mazzoni. Du Bellay's <em>Defence and Illustration of the French Language</em> (279-90). From Mazzoni's <em>On the Defense of the Comedy of Dante</em> (299-323). <strong>Journal Set 1 Due by Email</strong>. <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 6</font></h3>

<p>09/27. Alexander Pope and Samuel Johnson. Pope's "An Essay on Criticism" (438-58). Johnson's <em>The Rambler,</em> No. 4 "On Fiction" (458-66); from <em>Rasselas</em> (466-68); "Preface to Shakespeare" (468-80). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 7</font></h3>

<p>10/04. Immanuel Kant. From <em>Critique of Judgment</em> Book I: "Analytic of the Beautiful" (499-518); from Book II: "Analytic of the Sublime" (519-36). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 8</font></h3>

<p>10/11. Friedrich von Schiller, Georg Hegel. From von Schiller's <em>On the Aesthetic Education of Man,</em> Letters 2, 6, 9 (571-82). Hegel's "Master-Slave Dialectic" from <em>The Phenomenology of Mind</em> (626-36); "Introduction" from <em>Lectures on Fine Art</em> (636-45). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 9</font></h3>

<p>10/18. William Wordsworth, Samuel Taylor Coleridge, John Keats. Wordsworth's "Preface to <em>Lyrical Ballads,</em> 1802" (645-68). From Coleridge's <em>The Statesman's Manual</em> (668-74); from <em>Biographia Literaria</em> (674-82). <strong>Keats' <em>Selected Letters</em> Online Text.</strong> <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 10</font></h3>

<p>10/25. Karl Marx and Friedrich Engels. From <em>Economic and Philosophic Manuscripts of 1844</em> (759-67); from <em>The German Ideology</em> (767-69); from <em>The Communist Manifesto</em> (769-73); from <em>Grundrisse</em> (773-74); from "Preface" to <em>A Contribution...</em> (774-76); from <em>Capital,</em> Vol. 1, Ch. 1 "Commodities" (776-83). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 11</font></h3>

<p>11/01. Ralph Waldo Emerson, Edgar Allan Poe. From Emerson's <em>The American Scholar</em> (717-21); "The Poet" (724-39). Poe's "The Philosophy of Composition" (739-50). <strong>Journal Set 2 Due by Email</strong>. Guest instructor: no audio session.</p>

<h3><font color="#7800A7">WEEK 12</font></h3>

<p>11/08. Charles Baudelaire, Stephane Mallarme. From Baudelaire's <em>The Painter of Modern Life</em> (789-802). Mallarme's "Crisis in Poetry" (841-51). <strong>SESSION AUDIO</strong> </p>

<h3><font color="#7800A7">WEEK 13</font></h3>

<p>11/15. Matthew Arnold, Walter Pater, Oscar Wilde. Arnold's "The Function of Criticism at the Present Time" (802-25). From Pater's <em>Studies in the History of the Renaissance</em> (833-41). Wilde's "The Critic as Artist" (895-912). <strong>Paragraph describing Term Paper topic and argument due by email.</strong> <strong> SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 14</font></h3>

<p><strong><font color="#FF0000">11/22. Thanksgiving Holiday — no classes all week.</strong></font></p>

<h3><font color="#7800A7">WEEK 15</font></h3>

<p>11/29. Friedrich Nietzsche, Sigmund Freud. Nietzsche's "On Truth and Lying in a Non-Moral Sense" (870-884). Freud's "The Uncanny" (929-52). <strong>SESSION AUDIO</strong></p>

<h3><font color="#7800A7">WEEK 16</font></h3>

<p>12/06. Ferdinand de Saussure. From <em>Course in General Linguistics,</em> "Introduction" and Part One, Chapter I (956-77). <strong>SESSION AUDIO</strong></p>

<p>Technical Note: I record audio files in class with an Olympus DM-1 digital voice recorder, transfer them via USB to my laptop, edit them in Nero Wave Editor and convert them to 16 kbps mp3 files with Nero's mp3 Pro encoding feature. Then they are uploaded to this wiki site.</p>


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