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History: E492_Audio_Fall_15

Comparing version 20 with version 22

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<h3><div align="center">
AUDIO FOR ENGLISH 492 THEORY, CSU FULLERTON FALL 2015 (11/30/15)
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<p align="center">Image </p>

<p align="center"><b>Email | Home | Syllabus | Policies | Presentations | Questions | Journals | Paper | Final | Blogs<br /> Audio | Guides | Links | CSUF Library | CSUF Catalog | CSUF Calendar | CSUF Exam Schedule</b></p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is easy to download and store the entire file. To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<h3 align="center"><font color="#7800A7">SESSION SCHEDULE: WORKS DISCUSSED ON DATES INDICATED</font></h3>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>M. 08/24. Course Introduction. <b>SESSION AUDIO</b>.</p>

<p>W. 08/26. Plato. From <i>The Republic,</i> Books II, III, VII (45-63). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>M. 08/31. Plato. From <i>The Republic,</i> Book X (64-77) and Phaedrus (77-83). <b>SESSION AUDIO</b>.</p>

<p>W. 09/02. Aristotle. From Aristotle's <i>Poetics</i> (88-115). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>M. 09/07. Labor Day Holiday, No Classes.</p>

<p>W. 09/09. Immanuel Kant. From <i>Critique of the Power of Judgment,</i> "Introduction" and First Book: "Analytic of the Beautiful" (411-30). I will also spend a short time discussing Kant's ideas about the sublime, but that section isn't assigned. <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 4</font></h3>

<p>M. 09/14. Georg W. F. Hegel. From <i>Phenomenology of Spirit,</i> "The Master-Slave Dialectic" (541-47) and from <i>Lectures on Fine Art</i> (547-555). <b>SESSION AUDIO</b>.</p>

<p>W. 09/16. Karl Marx and Friedrich Engels. From <i>Economic and Philosophic Manuscripts of 1844</i> (651-55); from <i>The German Ideology</i> (655-56); from <i>The Communist Manifesto</i> (657-60); from <i>Grundrisse</i> (661-62); from "Preface" to <i>A Contribution...</i> (662-63); from <i>Capital, </i> Vol. 1, Ch. 1 "Commodities" (663-71). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 5</font></h3>

<p>M. 09/21. Friedrich Nietzsche. "On Truth and Lying in a Non-Moral Sense" (764-74). <b>SESSION AUDIO</b>.</p>

<p> W. 09/23. Sigmund Freud. From <i>The Interpretation of Dreams,</i> Chapters V-VI (814-24). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 1 DUE BY EMAIL MONDAY 09/28; SEE INSTRUCTIONS.</b> (Reminder: this set includes Plato through and including Freud. Please expect an email from me verifying receipt of this and subsequent journal sets.)</p>

<h3><font color="#7800A7">WEEK 6</font></h3>

<p>M. 09/28. Ferdinand de Saussure. From <i>Course in General Linguistics</i> (850-66). <b>SESSION AUDIO</b>.</p>

<p>W. 09/30. T.S. Eliot and Cleanth Brooks. Eliot's "Tradition and the Individual Talent" (955-61) and, from Brooks' <i>The Well Wrought Urn,</i>: "The Heresy of Paraphrase" (1217-29). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 7</font></h3>

<p>M. 10/05. Max Horkheimer and Theodor Adorno. From <i>Dialectic of Enlightenment</i> (1110-27). <b>SESSION AUDIO</b>.</p>

<p>W. 10/07. Walter Benjamin. "The Work of Art in the Age of Its Technological Reproducibility" (1051-71). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 8</font></h3>

<p>M. 10/12. W.E.B. DuBois and Langston Hughes. DuBois' "Criteria of Negro Art" (870-77) and Hughes' "The Negro Artist and the Racial Mountain" (1192-96). <b>SESSION AUDIO</b>.</p>

<p>W. 10/14. Frantz Fanon and Henry Louis Gates, Jr. From Fanon's <i>The Wretched of the Earth:</i> "On National Culture" (1440-46). Gates' "Talking Black: Critical Signs of the Times" (2430-38). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 2 DUE BY EMAIL MONDAY 10/19; SEE INSTRUCTIONS.</b> (De Saussure through and including Henry Louis Gates, Jr.)</p>

<h3><font color="#7800A7">WEEK 9</font></h3>

<p>M. 10/19. Simone de Beauvoir. From <i>The Second Sex</i> (1265-73). <b>SESSION AUDIO</b>.</p>

<p>W. 10/21. Sandra M. Gilbert and Susan Gubar. From <i>The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination:</i> from Chapter 2: "Infection in the Sentence …" (1926-37). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 10</font></h3>

<p>M. 10/26. Roland Barthes. From <i>Mythologies:</i> "Photography and Electoral Appeal" (1320-21). Read also "The Death of the Author" (1322-26) and "From Work to Text" (1326-31). <b>SESSION AUDIO</b>.</p>

<p>W. 10/28. Michel Foucault. "What is an Author?" (1475-90). The following is not assigned, but read if your time permits: from <i>Discipline and Punish: The Birth of the Prison</i> " The Carceral " (1490-1502). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 11</font></h3>

<p>M. 11/02. Claude Lévi-Strauss. From <i>Tristes Tropiques</i> (1273-86). <b>SESSION AUDIO</b>.</p>

<p>W. 11/04. Jacques Derrida. From <i>Specters of Marx</i> (1734-44). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 12</font></h3>

<p>M. 11/09. Pierre Bourdieu. From <i>Distinction: a Social Critique of the Judgement of Taste:</i> "Introduction" (1664-70) and from <i>Rules of Art: Genesis and Structure of the Literary Field:</i> Part I, from Chapter 2 and Part III, from Chapter 1 (1664-80). <b>SESSION AUDIO</b>.</p>

<p>W. 11/11. Veterans Day Holiday, No Classes.</p>

<p><b>JOURNAL SET 3 DUE BY EMAIL FRIDAY 11/20; SEE INSTRUCTIONS.</b> (Simone de Beauvoir through and including Pierre Bourdieu.)</p>

<p><b>PARAGRAPH DESCRIBING GENERAL TOPIC AND SPECIFIC ARGUMENT FOR TERM PAPER DUE BY EMAIL FRIDAY 11/20; SEE INSTRUCTIONS.</b></p>

<h3><font color="#7800A7">WEEK 13</font></h3>

<p>M. 11/16. Li Zehou. From <i>Four Essays on Aesthetics: Toward a Global View:</i> Chapter 8. The Stratification of Form and Primitive Sedimentation" (1748-60). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Forgot recorder today; will offer a digital lecture if time permits.</font></b></p>

<p>W. 11/18. Bruno Latour. "Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern" (2282-2302). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 14</font></h3>

<p>M. 11/23. Fall Recess, No Classes.</p>

<p>W. 11/25. Fall Recess, No Classes.</p>

<h3><font color="#7800A7">WEEK 15</font></h3>

<p>M. 11/30. J. L. Austin and Judith Butler. Austin's "Performative Utterances" (1289-1301). From Butler's <i>Gender Trouble:</i> from "Preface" and Chapter 3: "Subversive Bodily Acts" (2540-53). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p>W. 12/02. Paul Gilroy. From <i>The Black Atlantic: Modernity and Double Consciousness</i> (2556-75). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<h3><font color="#7800A7">WEEK 16</font></h3>

<p>M. 12/07. Ross, Andrew. From "The Mental Labor Problem" (2578-97). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p>W. 12/09. Michael Hardt and Antonio Negri. From <i>Empire,</i> Part 2, Section 4: "Symptoms of Passage" (2621-35). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Available soon after session.</font></b></p>

<p><b>JOURNAL SET 4 DUE BY EMAIL EXAM DAY; SEE INSTRUCTIONS.</b> (Zehou Li through and including Hardt/Negri.)</p>

<h3><font color="#7800A7">FINALS WEEK</font></h3>

<p>Final Exam Date Wed. Dec 16, 2:30-4:20 p.m. Due by email by Wednesday, Dec 23: <b>Term Paper?</b>. (I must turn in grades by Dec. 28, 2015.) For your other courses, check <b>CSUF's Final Exam Schedule</b>.</p>


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<html>
<head>

</head>
<body>

<h3><div align="center">
AUDIO FOR ENGLISH 492 THEORY, CSU FULLERTON FALL 2015 (12/9/15)
</div></h3>

<p align="center">Image </p>

<p align="center"><b>Email | Home | Syllabus | Policies | Presentations | Questions | Journals | Paper | Final | Blogs<br /> Audio | Guides | Links | CSUF Library | CSUF Catalog | CSUF Calendar | CSUF Exam Schedule</b></p>

<p>Note: To listen to an MP3 file, left-click on the relevant hyperlink. If you have DSL or cable modem, it is easy to download and store the entire file. To do that, right-click on the relevant link, choose "Save link as" from the popup menu, and choose a file name and storage location.</p>

<h3 align="center"><font color="#7800A7">SESSION SCHEDULE: WORKS DISCUSSED ON DATES INDICATED</font></h3>

<h3><font color="#7800A7">WEEK 1</font></h3>

<p>M. 08/24. Course Introduction. <b>SESSION AUDIO</b>.</p>

<p>W. 08/26. Plato. From <i>The Republic,</i> Books II, III, VII (45-63). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 2</font></h3>

<p>M. 08/31. Plato. From <i>The Republic,</i> Book X (64-77) and Phaedrus (77-83). <b>SESSION AUDIO</b>.</p>

<p>W. 09/02. Aristotle. From Aristotle's <i>Poetics</i> (88-115). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 3</font></h3>

<p>M. 09/07. Labor Day Holiday, No Classes.</p>

<p>W. 09/09. Immanuel Kant. From <i>Critique of the Power of Judgment,</i> "Introduction" and First Book: "Analytic of the Beautiful" (411-30). I will also spend a short time discussing Kant's ideas about the sublime, but that section isn't assigned. <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 4</font></h3>

<p>M. 09/14. Georg W. F. Hegel. From <i>Phenomenology of Spirit,</i> "The Master-Slave Dialectic" (541-47) and from <i>Lectures on Fine Art</i> (547-555). <b>SESSION AUDIO</b>.</p>

<p>W. 09/16. Karl Marx and Friedrich Engels. From <i>Economic and Philosophic Manuscripts of 1844</i> (651-55); from <i>The German Ideology</i> (655-56); from <i>The Communist Manifesto</i> (657-60); from <i>Grundrisse</i> (661-62); from "Preface" to <i>A Contribution...</i> (662-63); from <i>Capital, </i> Vol. 1, Ch. 1 "Commodities" (663-71). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 5</font></h3>

<p>M. 09/21. Friedrich Nietzsche. "On Truth and Lying in a Non-Moral Sense" (764-74). <b>SESSION AUDIO</b>.</p>

<p> W. 09/23. Sigmund Freud. From <i>The Interpretation of Dreams,</i> Chapters V-VI (814-24). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 1 DUE BY EMAIL MONDAY 09/28; SEE INSTRUCTIONS.</b> (Reminder: this set includes Plato through and including Freud. Please expect an email from me verifying receipt of this and subsequent journal sets.)</p>

<h3><font color="#7800A7">WEEK 6</font></h3>

<p>M. 09/28. Ferdinand de Saussure. From <i>Course in General Linguistics</i> (850-66). <b>SESSION AUDIO</b>.</p>

<p>W. 09/30. T.S. Eliot and Cleanth Brooks. Eliot's "Tradition and the Individual Talent" (955-61) and, from Brooks' <i>The Well Wrought Urn,</i>: "The Heresy of Paraphrase" (1217-29). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 7</font></h3>

<p>M. 10/05. Max Horkheimer and Theodor Adorno. From <i>Dialectic of Enlightenment</i> (1110-27). <b>SESSION AUDIO</b>.</p>

<p>W. 10/07. Walter Benjamin. "The Work of Art in the Age of Its Technological Reproducibility" (1051-71). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 8</font></h3>

<p>M. 10/12. W.E.B. DuBois and Langston Hughes. DuBois' "Criteria of Negro Art" (870-77) and Hughes' "The Negro Artist and the Racial Mountain" (1192-96). <b>SESSION AUDIO</b>.</p>

<p>W. 10/14. Frantz Fanon and Henry Louis Gates, Jr. From Fanon's <i>The Wretched of the Earth:</i> "On National Culture" (1440-46). Gates' "Talking Black: Critical Signs of the Times" (2430-38). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 2 DUE BY EMAIL MONDAY 10/19; SEE INSTRUCTIONS.</b> (De Saussure through and including Henry Louis Gates, Jr.)</p>

<h3><font color="#7800A7">WEEK 9</font></h3>

<p>M. 10/19. Simone de Beauvoir. From <i>The Second Sex</i> (1265-73). <b>SESSION AUDIO</b>.</p>

<p>W. 10/21. Sandra M. Gilbert and Susan Gubar. From <i>The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination:</i> from Chapter 2: "Infection in the Sentence …" (1926-37). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 10</font></h3>

<p>M. 10/26. Roland Barthes. From <i>Mythologies:</i> "Photography and Electoral Appeal" (1320-21). Read also "The Death of the Author" (1322-26) and "From Work to Text" (1326-31). <b>SESSION AUDIO</b>.</p>

<p>W. 10/28. Michel Foucault. "What is an Author?" (1475-90). The following is not assigned, but read if your time permits: from <i>Discipline and Punish: The Birth of the Prison</i> " The Carceral " (1490-1502). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 11</font></h3>

<p>M. 11/02. Claude Lévi-Strauss. From <i>Tristes Tropiques</i> (1273-86). <b>SESSION AUDIO</b>.</p>

<p>W. 11/04. Jacques Derrida. From <i>Specters of Marx</i> (1734-44). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 12</font></h3>

<p>M. 11/09. Pierre Bourdieu. From <i>Distinction: a Social Critique of the Judgement of Taste:</i> "Introduction" (1664-70) and from <i>Rules of Art: Genesis and Structure of the Literary Field:</i> Part I, from Chapter 2 and Part III, from Chapter 1 (1664-80). <b>SESSION AUDIO</b>.</p>

<p>W. 11/11. Veterans Day Holiday, No Classes.</p>

<p><b>JOURNAL SET 3 DUE BY EMAIL FRIDAY 11/20; SEE INSTRUCTIONS.</b> (Simone de Beauvoir through and including Pierre Bourdieu.)</p>

<p><b>PARAGRAPH DESCRIBING GENERAL TOPIC AND SPECIFIC ARGUMENT FOR TERM PAPER DUE BY EMAIL FRIDAY 11/20; SEE INSTRUCTIONS.</b></p>

<h3><font color="#7800A7">WEEK 13</font></h3>

<p>M. 11/16. Li Zehou. From <i>Four Essays on Aesthetics: Toward a Global View:</i> Chapter 8. The Stratification of Form and Primitive Sedimentation" (1748-60). <b>SESSION AUDIO</b>. <b><font color="#ec8dc0">Forgot recorder today; will offer a digital lecture if time permits.</font></b></p>

<p>W. 11/18. Bruno Latour. "Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern" (2282-2302). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 14</font></h3>

<p>M. 11/23. Fall Recess, No Classes.</p>

<p>W. 11/25. Fall Recess, No Classes.</p>

<h3><font color="#7800A7">WEEK 15</font></h3>

<p>M. 11/30. J. L. Austin and Judith Butler. Austin's "Performative Utterances" (1289-1301). From Butler's <i>Gender Trouble:</i> from "Preface" and Chapter 3: "Subversive Bodily Acts" (2540-53). <b>SESSION AUDIO</b>.</p>

<p>W. 12/02. Paul Gilroy. From <i>The Black Atlantic: Modernity and Double Consciousness</i> (2556-75). <b>SESSION AUDIO</b>.</p>

<h3><font color="#7800A7">WEEK 16</font></h3>

<p>M. 12/07. Ross, Andrew. From "The Mental Labor Problem" (2578-97). <b>SESSION AUDIO</b>.</p>

<p>W. 12/09. Michael Hardt and Antonio Negri. From <i>Empire,</i> Part 2, Section 4: "Symptoms of Passage" (2621-35). <b>SESSION AUDIO</b>.</p>

<p><b>JOURNAL SET 4 DUE BY EMAIL EXAM DAY; SEE INSTRUCTIONS.</b> (Zehou Li through and including Hardt/Negri.)</p>

<h3><font color="#7800A7">FINALS WEEK</font></h3>

<p>Final Exam Date Wed. Dec 16, 2:30-4:20 p.m. Due by email by Wednesday, Dec 23: <b>Term Paper?</b>. (I must turn in grades by Dec. 28, 2015.) For your other courses, check <b>CSUF's Final Exam Schedule</b>.</p>


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