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History: E492_Li

Comparing version 4 with version 5

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+ 5. On 1759-60 of <i>Four Essays on Aesthetics: Toward a Global View,</i> Li Zehou tells us that "the formal stratification of artworks extends itself . . . in two directions" (1759 top). What two directions does he go on to ascribe to this extension? In the course of this explication, how does Zehou suggest that we may account for the changes we find in aesthetic production and taste over time and across different countries and regions? In spite of all the emphasis on change, is he nonetheless suggesting that there is something more or less permanent about humanity's production and experience of art? If so, explain.6. General question: In <i>Four Essays on Aesthetics: Toward a Global View,</i> Li Zehou develops a strikingly original theory of aesthetic experience while also paying a visit to earlier theorists such as Immanuel Kant. Not for a presentation, but for a journal entry: what about your own experiences with works of literary or other kinds of art? As an individual, what influences do you believe have most strongly shaped your own responses to "aesthetic objects"? Some possible avenues to explore: would you say you're closer to a formalist-style response to art, to an expressive emphasis, or to a cultural materialist response that sees art as inherently political and reflective of social reality? Is art primarily a private, individual matter with you, or is your experience with it more social or collective-oriented?



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Wed 11 Nov, 2015 05:59 PM PST by admin_main from 23.240.34.87 5
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