READING SCHEDULE FOR E211 BRITISH LITERATURE TO 1760
CSU FULLERTON, SPRING 2007
*2023 Note. Most links and procedural information have been removed from this archival copy, leaving mainly the required editions and the reading schedule.
COURSE INFORMATION. English 211, Course Code 12944, Section 1. MW 10:00 – 11:15 a.m., McCarthy Hall (MH) 552. Instructor: Alfred J. Drake, Ph.D. Office hours: Wed. 11:15 a.m. – 12:15 p.m. in University Hall (UH) 329. Email: e211@ajdrake.com. Catalog: “Major periods and movements, major authors, and major forms through 1760. Units (3). Satisfies requirements for General Education (GE) Category III.B.2 with grade of C or better.”
REQUIRED TEXTS AT TITAN BOOKSTORE
Abrams, M. H. et al, eds. The Norton Anthology of English Lit, Vols. 1ABC. 8th. ed. New York: Norton, 2006. Package 1 ISBN 0-393-92833-0.
Goldsmith, Oliver. The Vicar of Wakefield. Oxford: Oxford UP, 1999. 0-192-80512-6.
QUESTIONS FOR JOURNALS AND PRESENTATIONS
*2023 Note. Visitors may download the following questions in PDF format: BRITISH LITERATURE TO C18 | SHAKESPEARE. Editions may differ from the ones used for this course.
Bede | Rood | Beowulf | Chaucer | Malory | Everyman | Wyatt | Elizabeth | Sidney | Ralegh | Hariot | Shakespeare | Webster | Donne | Jonson | Milton | Behn | Pope | Gay | Hogarth | Johnson | Goldsmith
SCHEDULE: WORKS DISCUSSED ON DATES INDICATED
WEEK 1
01/22. Course Introduction.
01/24. Bede and Anonymous author. From Bede’s Ecclesiastical History (24-27); Anonymous author’s “The Dream of the Rood.” (27-29).
WEEK 2
01/29. Beowulf (29-64). 01/31. Beowulf (64-100).
WEEK 3
02/05. Geoffrey Chaucer. “The Wife of Bath’s Prologue and Tale” from The Canterbury Tales (256-75).
02/07. Geoffrey Chaucer. “The Wife of Bath’s Prologue and Tale” from The Canterbury Tales (275-84).
WEEK 4
02/12. Thomas Malory. From Morte Darthur (438-56).
02/14. Anonymous. Everyman (463-84).
WEEK 5
02/19. Presidents’ Day Holiday — No classes.
02/21. Thomas Wyatt. “The long love…” (594); “Whoso list to hunt” (595); “My galley” (597); “Divers doth use” (598); “Madam, withouten many words” (599); “They flee from me,” both versions (599-600); “My lute, awake!” (600-01); “Forget not yet” (601-02); “Blame not my lute” (602-03); “Who list his wealth and ease retain” (603-04); “Mine Own John Poins” (604-06).
WEEK 6
02/26. Queen Elizabeth I and Sir Philip Sidney. Elizabeth I’s From “A Speech to a Joint Delegation of Lords and Commons, Nov. 5, 1566” (692-94); “A Letter to Sir Amyas Paulet, August 1586” (697); “A Letter to King James VI of Scotland, February 14, 1587” (697-98); “Verse Exchange between Elizabeth and Sir Walter Ralegh” (698-99); “Speech to the Troops at Tilbury” (699-700); “Golden Speech” (1700-03). Sidney’s “The Defense of Poesy” (953-68 only).
02/28. Sir Walter Ralegh, Thomas Hariot. Ralegh’s “The Nymph’s Reply to the Shepherd” (917-18); “What is our life? (918); “…to His Son” (918-19); “The Lie” (919-21); “Farewell, False Love” (921); “Methought I saw the grave where Laura lay” (921-22); “Nature, that washed her hands in milk” (922-23); “The Author’s Epitaph…” (923); from The discovery of the large, rich, and beautiful Empire of Guiana (923-26) and The History of the World (926). Hariot’s Report on Virginia (938-43).
WEEK 7
03/05. William Shakespeare. Twelfth Night, Acts 1-2 (1077-1108).
03/07. William Shakespeare. Twelfth Night, Acts 3-5 (1108-39).
WEEK 8
03/12. John Webster. The Duchess of Malfi, Acts 1-3. (1461-1505).
03/14. John Webster. The Duchess of Malfi, Acts 4-5. (1505-1535).
WEEK 9
03/19. John Donne. “The Flea” (1263); “The Good-Morrow” (1263-64); “The Sun Rising” (1266); “The Canonization” (1267-68); “A Nocturnal upon Saint Lucy’s Day” (1272-73); “A Valediction: Forbidding Mourning” (1275-76); “The Ecstasy” (1276-78); from “Holy Sonnets” (1295-99), “Good Friday, 1613. Riding Westward” (1299-1300); from Devotions upon Emergent Occasions and “Death’s Duel” (1303-08).
03/21. Ben Jonson. The Masque of Blacknesse (1527-34); “On My First Son” (1430); “On Lucy, Countess of Bedford” (1430); “Inviting a Friend to Supper” (1431-32); “To Penshurst” (1434-36); “Song: To Celia” (1436); from “A Celebration of Charis in Ten Lyric Pieces” (1437-38); “To the Memory of my Beloved, The Author, Mr. William Shakespeare…” (1444-46); from Timber, or Discoveries (1448-51).
WEEK 10
03/26. Spring Recess — No classes.
03/28. Spring Recess — No classes.
WEEK 11
04/02. John Milton. “Lycidas” (1805-11); “Sonnets” (1826-29); Paradise Lost, Books 1-2 (1831-71).
04/04. John Milton. Paradise Lost, Books 3-4 (1872-1908).
WEEK 12
04/09. Aphra Behn. Oroonoko (2178-2200).
04/11. Aphra Behn. Oroonoko (2200-2226).
WEEK 13
04/16. Alexander Pope. The Rape of the Lock (2513-32).
04/18. Alexander Pope. “Eloisa to Abelard” (2533-40); from “Essay on Criticism” (2496-2513).
WEEK 14
04/23. John Gay. The Beggar’s Opera (2611-42, Acts 1-2).
04/25. John Gay and William Hogarth. Gay’s The Beggar’s Opera (2642-56, Act 3). Hogarth’s Marriage à la Mode (2656-63).
WEEK 15
04/30. Samuel Johnson. The History of Rasselas, Prince of Abyssinia (2680-2712, Chs. 1-26).
05/02. Samuel Johnson. The History of Rasselas, Prince of Abyssinia (2713-2743, Chs. 27-49).
WEEK 16
05/07. Oliver Goldsmith. The Vicar of Wakefield (10-102, Chs. 1-19).
05/09. Oliver Goldsmith. The Vicar of Wakefield (102-89, Chs. 20-32).
FINALS WEEK
Final Exam Date: Monday, May 14, 12-1:50 p.m.