{"id":1914,"date":"2023-01-17T19:17:14","date_gmt":"2023-01-18T03:17:14","guid":{"rendered":"https:\/\/www.ajdrake.com\/education\/?page_id=1914"},"modified":"2023-04-19T06:20:34","modified_gmt":"2023-04-19T13:20:34","slug":"e211-british-literature-to-1760-schedule-spring-2005","status":"publish","type":"page","link":"https:\/\/www.ajdrake.com\/academic\/e211-british-literature-to-1760-schedule-spring-2005\/","title":{"rendered":"E211 British Literature to 1760 Schedule, Spring 2005"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">READING SCHEDULE FOR E211 BRITISH LITERATURE TO 1760<br>CSU FULLERTON, SPRING 2005<\/h2>\n\n\n\n<p><strong>*2023 Note<\/strong>. Most links and procedural information have been removed from this archival copy, leaving mainly the required editions and the reading schedule.<\/p>\n\n\n\n<p><strong>COURSE INFORMATION<\/strong>. English 211, Course Code 12662. Wed. 4:00 \u2013 6:45 p.m., McCarthy Hall (MH) 617. Instructor: Alfred J. Drake, Ph.D. Office hours: Wed. 3:00 \u2013 4:00 in University Hall 329. Email: e211_at_ajdrake.com. Catalog: \u201cMajor periods and movements, major authors, and major forms through 1760. Units (3). Satisfies General Education requirements GE Category III.B.2 with grade of C or better.\u201d<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">REQUIRED TEXTS AT TITAN BOOKSTORE<\/h2>\n\n\n\n<p>Abrams, M. H. et al., eds.&nbsp;<em>The Norton Anthology of English Literature,<\/em>&nbsp;Vols. 1ABC. 7th. ed. New York : Norton, 2000. ISBN: 1A = 0393975657, 1B = 0393975665, 1C = 0393975673.<\/p>\n\n\n\n<p>Shakespeare, William.&nbsp;<em>The Merchant of Venice.<\/em>&nbsp;Washington, D.C: Washington Square Press, 2004. ISBN: 0743477561. (Folger Editions)<\/p>\n\n\n\n<p>Shakespeare, William.&nbsp;<em>Henry V.<\/em>&nbsp;Washington, D.C: Washington Square Press, 2004. ISBN: 0743484878. (Folger Editions)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">QUESTIONS FOR JOURNALS AND PRESENTATIONS<\/h2>\n\n\n\n<p><strong>*2023 Note<\/strong>. Visitors may download the following questions in PDF format: <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.ajdrake.com\/academic\/wp-content\/uploads\/2023\/02\/drake_british_to_c18.pdf\" target=\"_blank\">BRITISH LITERATURE TO C18<\/a><\/strong> | <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.ajdrake.com\/academic\/wp-content\/uploads\/2023\/02\/drake_british_shakespeare.pdf\" target=\"_blank\">SHAKESPEARE<\/a><\/strong>. Editions may differ from the ones used for this course.<\/p>\n\n\n\n<p>Bede | Dream of Rood | Beowulf | Marie de France | Chaucer | More | Wyatt | Shakespeare | Donne | Herbert | Milton | Dryden | Pepys | Swift | Addison\/Steele | Pope | Gay | Hogarth | Johnson | Boswell | Burney | Gray | Collins | Cowper<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">SCHEDULE: WORKS DISCUSSED ON DATES INDICATED<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 1<\/h2>\n\n\n\n<p>02\/02. Course Introduction.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 2<\/h2>\n\n\n\n<p>02\/09. Bede (23ff), \u201cThe Dream of the Rood\u201d (26ff), and&nbsp;<em>Beowulf<\/em>&nbsp;(29ff).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 3<\/h2>\n\n\n\n<p>02\/16. Marie de France and Geoffrey Chaucer. Marie de France\u2019s \u201cLanval\u201d (126ff). Chaucer: \u201cGeneral Prologue\u201d to&nbsp;<em>The Canterbury Tales,<\/em>&nbsp;lines 1-164 (pp. 215-19); \u201cThe Wife of Bath\u2019s Prologue and Tale\u201d (pp. 253-81).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 4<\/h2>\n\n\n\n<p>02\/23. Sir Thomas Wyatt and Sir Thomas More. Wyatt\u2019s \u201cThe Long Love,\u201d \u201cMy Galley,\u201d \u201cMadam, Withouten Many Words,\u201d \u201cWhoso List to Hunt,\u201d \u201cMy Lute, Awake!\u201d \u201cThey Flee from Me,\u201d \u201cDivers Doth Use,\u201d \u201cBlame Not My Lute,\u201d \u201cForget Not Yet,\u201d \u201cWho List His Wealth and Ease,\u201d \u201cMine Own John Poins\u201d (527ff). More\u2019s&nbsp;<em>Utopia<\/em>&nbsp;(503ff).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 5<\/h2>\n\n\n\n<p>03\/02. William Shakespeare.&nbsp;<em>Henry V.<\/em>&nbsp;(Film)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 6<\/h2>\n\n\n\n<p>03\/09. William Shakespeare.&nbsp;<em>Henry V.<\/em>&nbsp;(Discussion, separate text.)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 7<\/h2>\n\n\n\n<p>03\/16. William Shakespeare.&nbsp;<em>The Merchant of Venice.<\/em>&nbsp;(Film.)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 8<\/h2>\n\n\n\n<p>03\/23. William Shakespeare.&nbsp;<em>The Merchant of Venice.<\/em>&nbsp;(Discussion, separate text.)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 9<\/h2>\n\n\n\n<p>03\/30. Spring Recess, no class.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 10<\/h2>\n\n\n\n<p>04\/06. John Donne and George Herbert. Donne\u2019s \u201cThe Flea,\u201d \u201cThe Good Morrow,\u201d \u201cSong &#8212; Go and Catch a Falling Star,\u201d \u201cThe Canonizaton,\u201d \u201cA Nocturnal upon Saint Lucy\u2019s Day,\u201d \u201cA Valediction: Forbidding Mourning,\u201d \u201cHoly Sonnets\u201d (all), \u201cGood Friday, 1613: Riding Westward\u201d (1233ff). Herbert\u2019s \u201cThe Altar,\u201d \u201cRedemption,\u201d \u201cEaster,\u201d \u201cEaster Wings,\u201d \u201cAffliction (I),\u201d \u201cPrayer (1),\u201d \u201cJordan (1),\u201d \u201cDenial,\u201d \u201cJordan (2),\u201d \u201cTime,\u201d \u201cThe Bunch of Grapes,\u201d \u201cThe Pilgrimage,\u201d \u201cThe Pulley,\u201d \u201cThe Flower,\u201d \u201cDiscipline,\u201d \u201cDeath\u201d (1595ff).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 11<\/h2>\n\n\n\n<p>04\/13. John Milton and John Dryden. Milton\u2019s&nbsp;<em>Paradise Lost<\/em>&nbsp;1-4, 9 (1815ff). Dryden\u2019s \u201cAn Essay of Dramatic Poesy\u201d (2114-18).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 12<\/h2>\n\n\n\n<p>04\/20. Samuel Pepys and Jonathan Swift. Pepys\u2019&nbsp;<em>Diary,<\/em>&nbsp;\u201cThe Great Fire\u201d (2122-27). Swift\u2019s&nbsp;<em>Gulliver\u2019s Travels.<\/em>&nbsp;(2329ff).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 13<\/h2>\n\n\n\n<p>04\/27. Joseph Addison &amp; Richard Steele and Alexander Pope. Addison\/Steele\u2019s \u201cThe Gentleman; the Pretty Fellow\u201d; \u201cDueling\u201d; \u201cThe Spectator\u2019s Club\u201d; \u201cSir Roger at Church\u201d; \u201cThe Aims of the&nbsp;<em>Spectator<\/em>\u201d; \u201cWit: True, False, Mixed\u201d; \u201c<em>Paradise Lost:<\/em>&nbsp;General Critical Remarks\u201d; and \u201cOn the Scale of Being\u201d (2479ff). Pope\u2019s&nbsp;<em>The Rape of the Lock<\/em>&nbsp;and \u201cEloisa to Abelard\u201d (2525ff).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 14<\/h2>\n\n\n\n<p>05\/04. John Gay and William Hogarth. Gay\u2019s&nbsp;<em>The Beggar\u2019s Opera<\/em>&nbsp;(2605ff). Hogarth\u2019s&nbsp;<em>Marriage \u00e0 la Mode<\/em>&nbsp;(2652ff).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 15<\/h2>\n\n\n\n<p>05\/11. Samuel Johnson and James Boswell. Johnson\u2019s&nbsp;<em>Rasselas<\/em>&nbsp;(2678-2712);&nbsp;<em>Rambler<\/em>&nbsp;#4 \u201cOn Fiction)\u201d (2712-15), \u201cMetaphysical Wit\u201d (2736-38). Boswell\u2019s&nbsp;<em>Life of Samuel Johnson, LL.D.<\/em>&nbsp;(2752-83).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 16<\/h2>\n\n\n\n<p>05\/18. Frances Burney, Thomas Gray, William Collins, and William Cowper. Burney\u2019s&nbsp;<em>Journals and Letters<\/em>&nbsp;(2783-2805). Gray\u2019s \u201cOde on a Distant Prospect of Eton College\u201d; \u201cElegy Written in a Country Churchyard\u201d (2825ff). Collins\u2019 \u201cOde Written in the Beginning of the Year 1746\u201d and \u201cOde on the Poetical Character\u201d (2833ff). Cowper\u2019s selections from&nbsp;<em>The Task<\/em>&nbsp;and \u201cThe Castaway\u201d (2875ff).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">FINALS WEEK<\/h2>\n\n\n\n<p>05\/23-29. Cumulative final exam.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>READING SCHEDULE FOR E211 BRITISH LITERATURE TO 1760CSU FULLERTON, SPRING 2005 *2023 Note. Most links and procedural information have been removed from this archival copy, leaving mainly the required editions and the reading schedule. COURSE INFORMATION. English 211, Course Code 12662. Wed. 4:00 \u2013 6:45 p.m., McCarthy Hall (MH) 617. Instructor: Alfred J. Drake, Ph.D. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_eb_attr":"","footnotes":""},"wf_page_folders":[8],"class_list":["post-1914","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/1914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/comments?post=1914"}],"version-history":[{"count":2,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/1914\/revisions"}],"predecessor-version":[{"id":6015,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/1914\/revisions\/6015"}],"wp:attachment":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/media?parent=1914"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/wf_page_folders?post=1914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}