*2023 Note<\/strong>. Most links and procedural information have been removed from this archival copy, leaving mainly the assigned editions and the reading schedule.<\/p>\n\n\n\n COURSE INFORMATION<\/strong>. English 212, Course Code 12664. Thurs. 7:00 \u2013 9:45 p.m., McCarthy Hall (MH) 617. Instructor: Alfred J. Drake, Ph.D. Office hours: Thurs. 6:00 \u2013 7:00 p.m. in University Hall (UH) 329. Email: e212_at_ajdrake.com. Catalog: \u201cMajor periods and movements, major authors, and major forms since 1760. Units (3). Satisfies requirements for General Education (GE) Category III.B.2 with grade of C or better.\u201d<\/p>\n\n\n\n Abrams, M. H. et al. The Norton Anthology of English Literature,<\/em> Volumes 2ABC. 7th edition. ISBN 2A = 0-393-97568-1, 2B = 0 -393-97569-X, 2C = 0-393-97570-3.<\/p>\n\n\n\n Austen, Jane. Persuasion.<\/em> Eds. Deidre Shauna Lynch and James Kinsley. 2nd. Edition. Oxford: Oxford UP, 2004. ISBN 0192802631.<\/p>\n\n\n\n Haggard, H. Rider. King Solomon\u2019s Mines.<\/em> Ed. Dennis Butts. Oxford: Oxford UP, 1998. ISBN 0192834851.<\/p>\n\n\n\n Shaw, George Bernard. Pygmalion.<\/em> Dover, 1994. ISBN 0486282228.<\/p>\n\n\n\n *2023 Note<\/strong>. Visitors may download the following questions in PDF format: BRITISH ROMANTIC<\/a>\u00a0|\u00a0BRITISH VICTORIAN<\/a><\/strong> | BRITISH MODERN<\/a><\/strong><\/strong>. Norton editions and page numbers may differ from the editions actually used in the course.<\/p>\n\n\n\n Barbauld | C. Smith | Burke | Wollstonecraft | Paine | Blake | M. Robinson | W. Wordsworth | D. Wordsworth | Coleridge | P. B. Shelley | Keats | Austen | Carlyle | J. S. Mill | Tennyson | Hopkins | C. Rossetti | Haggard | Owen | Yeats | Shaw | Forster | Lawrence | Desai | Coetzee | Rushdie<\/p>\n\n\n\n 02\/03. Introduction to class.<\/p>\n\n\n\n 02\/10. Anna Barbauld, Charlotte Smith, Edmund Burke, Mary Wollstonecraft, Thomas Paine. Barbauld\u2019s \u201cWashing-Day\u201d (29-31); \u201cLife\u201d (31-32). Smith\u2019s \u201cWritten at the Close of Spring\u201d (33); \u201cTo Sleep\u201d (33); \u201cTo Night\u201d (33-34); \u201cWritten in the Church- Yard…\u201d (34); \u201cOn Being Cautioned…\u201d (34-35); \u201cThe Sea View\u201d (35). Burke\u2019s Reflections on the Revolution in France<\/em> (121ff). Wollstonecraft\u2019s A Vindication of the Rights of Men<\/em> (128ff). Paine\u2019s Rights of Man<\/em> (133ff).<\/p>\n\n\n\n 02\/17. William Blake, Mary Robinson. Blake\u2019s Songs of Innocence & of Experience<\/em> (43ff); The Marriage of Heaven and Hell<\/em> (72ff). Robinson\u2019s \u201cLondon\u2019s Summer Morning\u201d (92-93); \u201cJanuary, 1795\u201d (93-94); \u201cThe Poor Singing Dame\u201d (94-96).<\/p>\n\n\n\n 02\/24. William and Dorothy Wordsworth. William\u2019s \u201cPreface to Lyrical Ballads<\/em> (238ff); \u201cShe dwelt among the untrodden ways\u201d (252); \u201cThree years she grew\u201d (252); \u201cLucy Gray\u201d (254); \u201cI wandered lonely as a cloud\u201d (254); \u201cThe Solitary Reaper\u201d (293); \u201cTintern Abbey\u201d (235); \u201cIntimations of Immortality\u201d (286). Dorothy\u2019s Alfoxden and Grasmere Journals<\/em> (383-97).<\/p>\n\n\n\n 03\/03. Samuel Taylor Coleridge, Mary Robinson. Coleridge\u2019s Biographia Literaria<\/em> (467ff); Lectures on Shakespeare<\/em> (486ff); The Statesman\u2019s Manual<\/em> (489ff); \u201cThe Eolian Harp\u201d (419); \u201cThe Rime of the Ancient Mariner\u201d (422); \u201cKubla Khan\u201d (439); \u201cFrost at Midnight\u201d (457); \u201cDejection: an Ode\u201d (459). Robinson\u2019s \u201cTo the Poet Coleridge\u201d (98-99); \u201cThe Haunted Beach\u201d (96-97).<\/p>\n\n\n\n 03\/10. Percy B. Shelley, John Keats. Shelley\u2019s \u201cMutability\u201d (701); \u201cOzymandias\u201d (725); \u201cMont Blanc\u201d (720); \u201cOde to the West Wind\u201d (730); \u201cTo a Sky-Lark\u201d (765); \u201cAdonais\u201d (772). Keats\u2019 \u201cOn First Looking into Chapman\u2019s Homer\u201d (826); \u201cThe Eve of St. Agnes\u201d (834); \u201cOde to a Nightingale\u201d (849); \u201cOde on a Grecian Urn\u201d (851); \u201cTo Autumn\u201d (872); Letters<\/em> (889ff).<\/p>\n\n\n\n 03\/17. Jane Austen. Persuasion.<\/em> (Film.)<\/p>\n\n\n\n 03\/24. Jane Austen. Persuasion.<\/em> (Discussion of novel, separate text)<\/p>\n\n\n\n 03\/31. Spring recess; no class.<\/p>\n\n\n\n 04\/07. Thomas Carlyle, J. S. Mill. Selections from Carlyle\u2019s Sartor Resartus<\/em> (1077ff); Past and Present<\/em> (1110ff). J. S. Mill\u2019s Autobiography<\/em> (1166-73); On Liberty<\/em> (1146-55).<\/p>\n\n\n\n 04\/14. Tennyson, Hopkins, Christina Rossetti. Tennyson\u2019s \u201cThe Lady of Shalott\u201d (1204ff) and In Memoriam A. H. H.<\/em> (1230ff): Prologue (1231), 1-3, 5, 7, 11, 14-15, 28, 34, 39, 54-56, 75, 108, 118, 123-24, 126, 130-31, Epilogue. Hopkins\u2019 \u201cGod\u2019s Grandeur\u201d (1651); \u201cAs Kingfishers Catch Fire\u201d (1652); \u201cThe Windhover\u201d (1652); \u201cPied Beauty\u201d (1653); \u201cBinsey Poplars\u201d (1654); \u201cDuns Scotus\u2019 Oxford\u201d (1654); \u201cCarrion Comfort\u201d (1656); \u201cI Wake and Feel the Fell of Dark; Not Day\u201d (1657); \u201cThat Nature Is a Heraclitean Fire…\u201d (1658); \u201cThou Art Indeed Just; Lord\u201d (1658). Rossetti\u2019s \u201cSong — She sat and sang alway\u201d (1584); \u201cSong — When I am dead; my dearest\u201d (1584); \u201cAfter Death\u201d (1585); \u201cIn an Artist\u2019s Studio\u201d (1586); \u201cWinter: My Secret\u201d (1588); \u201cNo; Thank You; John\u201d (1601); \u201cSleeping at Last\u201d (1604).<\/p>\n\n\n\n 04\/21. H. Rider Haggard. King Solomon\u2019s Mines.<\/em> (Separate text.)<\/p>\n\n\n\n 04\/28. Wilfred Owen, W. B. Yeats. Owen\u2019s \u201cAnthem for Doomed Youth\u201d; \u201cApologia Pro Poemate Meo\u201d; \u201cMiners\u201d; \u201cDulce et Decorum Est\u201d (2066ff). Yeats\u2019s \u201cThe Lake Isle of Innisfree\u201d (2092); \u201cThe Second Coming\u201d (2106); \u201cSailing to Byzantium\u201d (2109), \u201cLeda and the Swan\u201d (2110); \u201cAmong School Children\u201d (2111); \u201cByzantium\u201d (2115); \u201cCrazy Jane Talks with the Bishop\u201d (2116).<\/p>\n\n\n\n 05\/05. George Bernard Shaw. Pygmalion.<\/em> (Film and discussion of separate text.)<\/p>\n\n\n\n 05\/12. E. M. Forster, D. H. Lawrence. Forster\u2019s \u201cChapter 2. Mosque\u201d from A Passage to India<\/em> (2131ff). Lawrence\u2019s \u201c Odour of Chrysanthemums\u201d; \u201cThe Horse-Dealer\u2019s Daughter\u201d; \u201cWhy the Novel Matters\u201d (2313-45).<\/p>\n\n\n\n 05\/19. Anita Desai, J. M. Coetzee, Salman Rushdie. Desai\u2019s \u201cScholar and Gypsy\u201d (2768ff). From Coetzee\u2019s Waiting for the Barbarians<\/em> (2829ff). Rushdie\u2019s \u201cThe Prophet\u2019s Hair\u201d (2842ff).<\/p>\n\n\n\n Final Exam Thursday, May 26 from 7:30 \u2013 9:20 p.m.<\/p>\n","protected":false},"excerpt":{"rendered":" READING SCHEDULE FOR E212 BRITISH LITERATURE SINCE 1760CSU FULLERTON, SPRING 2005 *2023 Note. Most links and procedural information have been removed from this archival copy, leaving mainly the assigned editions and the reading schedule. COURSE INFORMATION. English 212, Course Code 12664. Thurs. 7:00 \u2013 9:45 p.m., McCarthy Hall (MH) 617. Instructor: Alfred J. Drake, Ph.D. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_eb_attr":"","footnotes":""},"wf_page_folders":[54],"class_list":["post-1926","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/1926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/comments?post=1926"}],"version-history":[{"count":2,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/1926\/revisions"}],"predecessor-version":[{"id":6040,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/1926\/revisions\/6040"}],"wp:attachment":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/media?parent=1926"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/wf_page_folders?post=1926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}REQUIRED TEXTS AT TITAN BOOKSTORE<\/h2>\n\n\n\n
QUESTIONS FOR JOURNALS AND PRESENTATIONS<\/h2>\n\n\n\n
SCHEDULE: WORKS DISCUSSED ON DATES INDICATED<\/h2>\n\n\n\n
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