*2023 Note<\/strong>. Most links and procedural information have been removed from this archival copy, leaving mainly the assigned editions and the reading schedule.<\/p>\n\n\n\n COURSE INFORMATION<\/strong>. English 212, Course Code 12796. Thurs. 7:00 \u2013 9:45 p.m., McCarthy Hall (MH) 685. Instructor: Alfred J. Drake, Ph.D. Office hours: Thurs. 6:00 \u2013 7:00 p.m. in University Hall (UH) 329. Email: e212_at_ajdrake.com. Catalog: \u201cMajor periods and movements, major authors, and major forms since 1760. Units (3). Satisfies requirements for General Education (GE) Category III.B.2 with grade of C or better.\u201d<\/p>\n\n\n\n Abrams, M. H. et al. The Norton Anthology of English Literature,<\/em> Vols. 2ABC. 7th ed. New York: Norton, 2000. ISBN 2A = 0393975681, 2B = 039397569X, 2C = 0393975703.<\/p>\n\n\n\n Austen, Jane. Pride and Prejudice.<\/em> Oxford: Oxford UP, repr. 2005. ISBN 0192802380.<\/p>\n\n\n\n *2023 Note<\/strong>. Visitors may download the following questions in PDF format: BRITISH ROMANTIC<\/a>\u00a0|\u00a0BRITISH VICTORIAN<\/a><\/strong> | BRITISH MODERN<\/a><\/strong><\/strong>. Norton editions and page numbers may differ from the editions actually used in the course.<\/p>\n\n\n\n Blake | M. Robinson | W. Wordsworth | D. Wordsworth | Coleridge | P. B. Shelley | Keats | Austen | Carlyle | Newman | Tennyson | J. S. Mill | Ruskin | Arnold | Fitzgerald | Hopkins | C. Rossetti | Pater | Wilde | WWI | Yeats | T. S. Eliot | Rhys | Graves | Pinter<\/p>\n\n\n\n 02\/02. Course introduction.<\/p>\n\n\n\n 02\/09. William Blake, Mary Robinson. Blake\u2019s Songs of Innocence and of Experience<\/em> (43-59); The Marriage of Heaven and Hell<\/em> (72-84). Robinson\u2019s \u201cLondon\u2019s Summer Morning\u201d (92-93); \u201cJanuary, 1795\u201d (93-94); \u201cThe Poor Singing Dame\u201d (94-96).<\/p>\n\n\n\n 02\/16. William and Dorothy Wordsworth. William\u2019s \u201cPreface\u201d to Lyrical Ballads<\/em> (238-51); \u201cShe dwelt among the untrodden ways\u201d (252); \u201cThree years she grew\u201d (252-53); \u201cLucy Gray\u201d (254-56); \u201cI wandered lonely as a cloud\u201d (284-85); \u201cThe Solitary Reaper\u201d (293-94); \u201cTintern Abbey\u201d (235-38); \u201cIntimations of Immortality\u201d (286-92). Dorothy\u2019s Alfoxden<\/em> and Grasmere Journals<\/em> (383-97).<\/p>\n\n\n\n 02\/23. Samuel Taylor Coleridge, Mary Robinson. Coleridge\u2019s Biographia Literaria<\/em> (467-86); Lectures on Shakespeare<\/em> (486-89); The Statesman\u2019s Manual<\/em> (489-92); \u201cThe Eolian Harp\u201d (419-20); \u201cThe Rime of the Ancient Mariner\u201d (422-38); \u201cKubla Khan\u201d (439-41); \u201cFrost at Midnight\u201d (457-58); \u201cDejection: an Ode\u201d (459-62). Robinson\u2019s \u201cTo the Poet Coleridge\u201d (98-99); \u201cThe Haunted Beach\u201d (96-97).<\/p>\n\n\n\n 03\/02. Percy Bysshe Shelley, John Keats. Shelley\u2019s \u201cMutability\u201d (701); \u201cMont Blanc\u201d (720-23); \u201cOzymandias\u201d (725-26); \u201cOde to the West Wind\u201d (730-32); \u201cTo a Sky-Lark\u201d (765-67); \u201cDefence of Poetry\u201d (789-802). Keats\u2019 \u201cOn First Looking into Chapman\u2019s Homer\u201d (826-27); \u201cThe Eve of St. Agnes\u201d (834-44); \u201cOde to a Nightingale\u201d (849-51); \u201cOde on a Grecian Urn\u201d (851-53); \u201cTo Autumn\u201d (872-73); Letters<\/em> (889-903).<\/p>\n\n\n\n 03\/09. Jane Austen. Pride and Prejudice.<\/em> (2005 Film version starring Keira Knightley; 2:09 hrs.)<\/p>\n\n\n\n 03\/16. Jane Austen. Pride and Prejudice.<\/em> (Oxford edition.)<\/p>\n\n\n\n 03\/23. Thomas Carlyle and John Henry Newman. From Carlyle\u2019s Sartor Resartus<\/em> (1077-1103). From Newman\u2019s The Idea of a University<\/em> (1119-27); from Apologia Pro Vita Sua<\/em> (1128-35); and from Liberalism<\/em> (1135-37).<\/p>\n\n\n\n 03\/30. Spring recess; no classes all week.<\/p>\n\n\n\n 04\/06. Alfred Tennyson. \u201cThe Lady of Shalott\u201d (1204-08); \u201cThe Lotos-Eaters\u201d (1208-13); \u201cUlysses\u201d (1213-15); from In Memoriam A.H.H.<\/em> (1230-80), read at least the following: Prologue (1231), 1-3, 5, 7, 11, 14-15, 28, 34, 39, 54-56, 75, 108, 118, 123-24, 126, 130-31, Epilogue.<\/p>\n\n\n\n 04\/13. John Stuart Mill, John Ruskin, Matthew Arnold. From Mill\u2019s Autobiography<\/em> (1166-73). From Ruskin\u2019s The Stones of Venice<\/em> (1432-42) and The Storm-Cloud of the Nineteenth Century<\/em> (1443-51). Arnold\u2019s \u201cPreface\u201d to Poems<\/em> (1504-14); \u201cThe Buried Life\u201d (1480-82); \u201cThe Scholar Gypsy\u201d (1485-91); \u201cDover Beach\u201d (1492-93); \u201cStanzas from the Grande Chartreuse\u201d (1493-98).<\/p>\n\n\n\n 04\/20. Edward Fitzgerald, Gerard Manley Hopkins, Christina Rossetti. Fitzgerald\u2019s \u201cThe Rubaiyat of Omar Kayyam\u201d (1304-18). Hopkins\u2019s \u201cGod\u2019s Grandeur\u201d (1651); \u201cAs Kingfishers Catch Fire\u201d (1652); \u201cThe Windhover\u201d (1652); \u201cPied Beauty\u201d (1653); \u201cBinsey Poplars\u201d (1654); \u201cDuns Scotus\u2019 Oxford\u201d (1654); \u201cCarrion Comfort\u201d (1656); \u201cI Wake and Feel the Fell of Dark, Not Day\u201d (1657); \u201cThat Nature Is a Heraclitean Fire…\u201d (1658); \u201cThou Art Indeed Just, Lord\u201d (1658). Rossetti\u2019s \u201cSong — She sat and sang alway\u201d (1584); \u201cSong — When I am dead, my dearest\u201d (1584); \u201cAfter Death\u201d (1585); \u201cIn an Artist\u2019s Studio\u201d (1586); \u201cWinter: My Secret\u201d (1588); \u201cNo, Thank You, John\u201d (1601); \u201cSleeping at Last\u201d (1604).<\/p>\n\n\n\n 04\/27. Walter Pater and Oscar Wilde. From Pater\u2019s The Renaissance<\/em> (1636-44), from Appreciations<\/em> (1645-48). Wilde\u2019s The Importance of Being Earnest<\/em> (1761-1805).<\/p>\n\n\n\n 05\/04. Voices of World War I Section — read all selections: Brooke, Thomas, Sassoon, Gurney, Rosenberg, Owen, Cannan, Jones (2048-84).<\/p>\n\n\n\n 05\/11. William Butler Yeats and T. S. Eliot. Yeats\u2019s \u201cThe Lake Isle of Innisfree\u201d (2092); \u201cEaster 1916\u201d (2104); \u201cThe Second Coming\u201d (2106); \u201cSailing to Byzantium\u201d (2109); \u201cLeda and the Swan\u201d (2110); \u201cAmong School Children\u201d (2111); \u201cA Dialogue of Self and Soul\u201d (2113); \u201cByzantium\u201d (2115); \u201cCrazy Jane… \u201c (2116); \u201cAfter Long Silence\u201d (2117); \u201cThe Circus Animals\u2019 Desertion\u201d (2120); \u201cUnder Ben Bulben\u201d (2121); from Reveries over Childhood and Youth<\/em> and from The Trembling of the Veil<\/em> (2124-31). Eliot\u2019s The Waste Land<\/em> (2368-83); \u201cTradition and the Individual Talent\u201d (2395-2401).<\/p>\n\n\n\n 05\/18. Jean Rhys, Robert Graves, and Harold Pinter. Rhys\u2019s \u201cMannequin\u201d (2437-42). Graves\u2019 Graves\u2019 \u201cDown, Wanton, Down!\u201d (2445); \u201cLove Without Hope\u201d (2446); \u201cThe Cool Web\u201d (2446); \u201cThe Reader Over My Shoulder\u201d (2446); \u201cTo Juan at Winter Solstice\u201d (2447); \u201cThe White Goddess\u201d (2448); \u201cThe Blue-Fly\u201d (2449); \u201cA Slice of Wedding-Cake\u201d (2450). Pinter\u2019s The Dumb Waiter<\/em> (2594-2616).<\/p>\n\n\n\n Final Exam Thursday, May 25th 7:30-9:20 p.m.<\/p>\n","protected":false},"excerpt":{"rendered":" READING SCHEDULE FOR E212 BRITISH LITERATURE SINCE 1760CSU FULLERTON, SPRING 2006 (THURSDAYS) *2023 Note. Most links and procedural information have been removed from this archival copy, leaving mainly the assigned editions and the reading schedule. COURSE INFORMATION. English 212, Course Code 12796. Thurs. 7:00 \u2013 9:45 p.m., McCarthy Hall (MH) 685. Instructor: Alfred J. Drake, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_eb_attr":"","footnotes":""},"wf_page_folders":[54],"class_list":["post-1928","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/1928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/comments?post=1928"}],"version-history":[{"count":2,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/1928\/revisions"}],"predecessor-version":[{"id":6026,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/1928\/revisions\/6026"}],"wp:attachment":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/media?parent=1928"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/wf_page_folders?post=1928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}REQUIRED TEXTS AT TITAN BOOKSTORE<\/h2>\n\n\n\n
QUESTIONS FOR JOURNALS AND PRESENTATIONS<\/h2>\n\n\n\n
SCHEDULE: WORKS DISCUSSED ON DATES INDICATED<\/h2>\n\n\n\n
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