*2023 Note<\/strong>. Most links and procedural information have been removed from this archival copy, leaving mainly the assigned editions and the reading schedule.<\/p>\n\n\n\n COURSE INFORMATION<\/strong>. English 212, Course Code 12722. Tu\/Th 8:30 \u2013 9:45 a.m., Humanities Hall (HH) 511. Instructor: Alfred J. Drake, Ph.D. Office hours: M\/W 8:00 \u2013 9:00 a.m. in 423 Humanities Hall. Email: e212_at_ajdrake.com. Catalog: \u201cMajor periods and movements, major authors, and major forms since 1760. Units (3). Satisfies requirements for General Education (GE) Category III.B.2 with grade of C or better.\u201d<\/p>\n\n\n\n Abrams, M. H. et al., eds. The Norton Anthology of English Literature.<\/em> 7th ed. Vol. 2ABC.<\/p>\n\n\n\n Wilde, Oscar. \u201cThe Decay of Lying,\u201d electronic text.<\/p>\n\n\n\n *2023 Note<\/strong>. Visitors may download the following questions in PDF format: BRITISH ROMANTIC<\/a>\u00a0|\u00a0BRITISH VICTORIAN<\/a><\/strong> | BRITISH MODERN<\/a><\/strong><\/strong>. Norton editions and page numbers may differ from the editions actually used in the course.<\/p>\n\n\n\n Blake | Wordsworth | Coleridge | Shelley, P.B. | Shelley, Mary | Carlyle | Mill, J.S. | Ruskin | Tennyson | Arnold | Browning | Rossetti, D. G. | Rossetti, C. | Swinburne | Hopkins | Pater | Wilde | Conrad | Joyce | Yeats<\/p>\n\n\n\n *Note: The Norton introductions to our authors and periods are assigned material.<\/p>\n\n\n\n 08\/27. Introduction to class and to the Romantic period.<\/p>\n\n\n\n 08\/29. William Blake. From Songs of Innocence & of Experience.<\/em><\/p>\n\n\n\n 09\/03. William Blake. The Marriage of Heaven & Hell; Letters.<\/p>\n\n\n\n 09\/05. William Wordsworth. \u201cPreface\u201d to Lyrical Ballads; \u201dExpostulation and Reply\u201d; \u201cThe Tables Turned\u201d; begin discussing \u201cLines composed a few miles above Tintern Abbey.\u201d<\/p>\n\n\n\n 09\/10. William Wordsworth. \u201cExpostulation and Reply\u201d; \u201cThe Tables Turned\u201d; \u201cShe dwelt among the untrodden ways\u201d; \u201cA slumber did my spirit seal\u201d; \u201cLucy Gray\u201d; \u201cThree years she grew\u201d; \u201cResolution and Independence\u201d; \u201cI wandered lonely as a cloud;\u201d \u201cMy heart leaps up\u201d; \u201cThe Solitary Reaper\u201d; \u201cSonnet composed upon Westminster Bridge, 1802\u201d; \u201cIntimations of Immortality.\u201d<\/p>\n\n\n\n 09\/12. Samuel T. Coleridge. From Biographia Literaria XIII-XIV, XVII; from The Statesman\u2019s Manual; \u201dThe Eolian Harp\u201d; \u201cThe Rime of the Ancient Mariner\u201d; \u201cKubla Khan\u201d; \u201cFrost at Midnight\u201d; \u201cDejection: an Ode.\u201d<\/p>\n\n\n\n 09\/17. Percy B. Shelley. from \u201cA Defence of Poetry\u201d; \u201cMutability\u201d; \u201cTo Wordsworth\u201d; \u201cEngland in 1819\u201d; \u201cOde to the West Wind\u201d; \u201cTo a Sky-Lark.\u201d<\/p>\n\n\n\n 09\/19. Percy B. Shelley, cont. John Keats. \u201cOde on a Grecian Urn\u201d; From Letters,<\/em> pp. 889-90, 894.<\/p>\n\n\n\n 09\/24. Mary Shelley. Frankenstein.<\/em><\/p>\n\n\n\n 09\/26. Mary Shelley. Frankenstein.<\/em><\/p>\n\n\n\n 10\/01. Intro. to Victorian period. Thomas Carlyle. From Portraits;<\/em> from Sartor Resartus.<\/em><\/p>\n\n\n\n 10\/03. Thomas Carlyle. From Sartor Resartus <\/em>and from Past and Present.<\/em><\/p>\n\n\n\n 10\/08. John Stuart Mill. From On Liberty;<\/em> from The Subjection of Women;<\/em> from Autobiography.<\/em><\/p>\n\n\n\n 10\/10. John Ruskin. From Modern Painters;<\/em> from The Stones of Venice;<\/em> \u201dThe Storm Cloud of the Nineteenth Century, Lecture 1.\u201d<\/p>\n\n\n\n 10\/15. Midterm exam in class.<\/p>\n\n\n\n 10\/17. Alfred Tennyson. From In Memoriam A. H. H:<\/em> Prologue, 1-5, 7, 11, 14-15, 28, 30, 34, 39, 54-56, 75, 108, 118, 123-24, 126, 130-31, Epilogue.<\/p>\n\n\n\n 10\/22. Alfred Tennyson. \u201cThe Lady of Shalott\u201d; \u201cThe Lotos-Eaters\u201d; \u201cUlysses\u201d; \u201cTithonus\u201d; \u201cMariana,\u201d \u201cThe Eagle\u201d; \u201cTears, Idle Tears\u201d; \u201cThe Charge of the Light Brigade\u201d; \u201cCrossing the Bar.\u201d<\/p>\n\n\n\n 10\/24. Matthew Arnold. \u201cPreface\u201d to Poems, 1853;<\/em> \u201dThe Function of Criticism at the Present Time\u201d; \u201cThe Buried Life\u201d; \u201cDover Beach\u201d; \u201cStanzas from the Grande Chartreuse.\u201d<\/p>\n\n\n\n 10\/29. Robert Browning. \u201cThe Bishop Orders His Tomb at Saint Praxed\u2019s Church\u201d; \u201cCaliban upon Setebos.\u201d D. G. Rossetti. \u201cThe Blessed Damozel\u201d; \u201cThe Woodspurge\u201d; \u201cThe Sea-Limits\u201d; \u201cSonnets\u201d from The House of Life.<\/em><\/p>\n\n\n\n 10\/31. Christina Rossetti. \u201cSong \u2013 \u201cShe sat and sang alway\u201d (1584), \u201cSong — When I am dead, my dearest\u201d (1584), \u201cAfter Death\u201d (1585), \u201cIn an Artist\u2019s Studio\u201d (1586), \u201cWinter: My Secret\u201d (1588), \u201cNo, Thank You, John\u201d (1601), \u201cSleeping at Last\u201d (1604). Algernon C. Swinburne. \u201cHymn to Proserpine\u201d; \u201cAve Atque Vale.\u201d<\/p>\n\n\n\n 11\/05. Gerard Manley Hopkins. \u201cGod\u2019s Grandeur\u201d (1651), \u201cAs Kingfishers Catch Fire\u201d (1652), \u201cThe Windhover\u201d (1652), \u201cPied Beauty\u201d (1653), \u201cBinsey Poplars\u201d (1654), \u201cDuns Scotus\u2019 Oxford\u201d (1654), \u201cCarrion Comfort\u201d (1656), \u201cI Wake and Feel the Fell of Dark, Not Day\u201d (1657), \u201cThat Nature Is a Heraclitean Fire\u2026\u201d (1658), \u201cThou Art Indeed Just, Lord\u201d (1658).<\/p>\n\n\n\n 11\/07. Walter Pater and Oscar Wilde. Pater\u2019s \u201cPreface\u201d and \u201cConclusion\u201d to The Renaissance;<\/em> Wilde\u2019s \u201cThe Decay of Lying\u201d (PDF format, course web).<\/p>\n\n\n\n 11\/12. Oscar Wilde. The Importance of Being Earnest.<\/em><\/p>\n\n\n\n 11\/14. Intro. to Twentieth Century. Thomas Hardy. Read the shorter poems.<\/p>\n\n\n\n 11\/19. Joseph Conrad. Heart of Darkness.<\/em><\/p>\n\n\n\n 11\/21. Joseph Conrad. Heart of Darkness.<\/em><\/p>\n\n\n\n 11\/26. Thanksgiving Holiday; no class.<\/p>\n\n\n\n 11\/28. Thanksgiving Holiday; no class.<\/p>\n\n\n\n 12\/03. James Joyce. \u201cThe Dead.\u201d<\/p>\n\n\n\n 12\/05. William B. Yeats. \u201cThe Lake Isle of Innisfree\u201d; \u201cEaster 1916\u201d; \u201cThe Second Coming\u201d; \u201cSailing to Byzantium\u201d; \u201cLeda and the Swan\u201d; \u201cByzantium\u201d; \u201cCrazy Jane Talks with the Bishop\u201d; \u201cThe Circus Animals\u2019 Desertion\u201d; \u201cUnder Ben Bulben.\u201d<\/p>\n\n\n\n 12\/10. Dylan Thomas. \u201cThe Force That through the Green Fuse Drives the Flower\u201d; \u201cDo Not Go Gentle into That Good Night\u201d; and the rest of the Norton selections.<\/p>\n\n\n\n 12\/12. Doris Lessing. \u201cTo Room Nineteen.\u201d<\/p>\n\n\n\n Final exam date: Thursday, Dec. 19, 9:30 \u2013 11:20 a.m.<\/p>\n","protected":false},"excerpt":{"rendered":" READING SCHEDULE FOR E212 BRITISH LITERATURE SINCE 1760CSU FULLERTON, FALL 2002 *2023 Note. Most links and procedural information have been removed from this archival copy, leaving mainly the assigned editions and the reading schedule. COURSE INFORMATION. English 212, Course Code 12722. Tu\/Th 8:30 \u2013 9:45 a.m., Humanities Hall (HH) 511. Instructor: Alfred J. Drake, Ph.D. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_eb_attr":"","footnotes":""},"wf_page_folders":[54],"class_list":["post-5221","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5221","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/comments?post=5221"}],"version-history":[{"count":2,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5221\/revisions"}],"predecessor-version":[{"id":6029,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5221\/revisions\/6029"}],"wp:attachment":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/media?parent=5221"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/wf_page_folders?post=5221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}REQUIRED TEXTS AT TITAN BOOKSTORE<\/h2>\n\n\n\n
QUESTIONS FOR JOURNALS AND PRESENTATIONS<\/h2>\n\n\n\n
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