*2023 Note<\/strong>. Most links and procedural information have been removed from this archival copy, leaving mainly the assigned editions and the reading schedule.<\/p>\n\n\n\n COURSE INFORMATION<\/strong>. English 212, Course Code 12722. Tu\/Th 8:30 \u2013 9:45 a.m., Humanities Hall (HH) 511. Instructor: Alfred J. Drake, Ph.D. Office hours: M\/W 8:00 \u2013 9:00 a.m. in Humanities Hall (HH) 520. Email: e212_at_ajdrake.com. Catalog: \u201cMajor periods and movements, major authors, and major forms since 1760. Units (3). Satisfies requirements for General Education (GE) Category III.B.2 with grade of C or better.\u201d<\/p>\n\n\n\n Abrams, M.H. et al. The Norton Anthology of English Literature,<\/em> Volumes 2A\/2B\/2C. 7th edition. ISBN 0-393-15114-X.<\/p>\n\n\n\n Austen, Jane. Mansfield Park.<\/em> Ed. Jane Stabler. Oxford: Oxford UP, 2003. 019280264X.<\/p>\n\n\n\n Joyce, James. A Portrait of the Artist as a Young Man.<\/em> New York: Penguin, 2003. ISBN 0142437344.<\/p>\n\n\n\n *2023 Note<\/strong>. Visitors may download the following questions in PDF format: BRITISH ROMANTIC<\/a>\u00a0|\u00a0BRITISH VICTORIAN<\/a><\/strong> | BRITISH MODERN<\/a><\/strong><\/strong>. Norton editions and page numbers may differ from the editions actually used in the course.<\/p>\n\n\n\n Blake | Wordsworth | Coleridge | Shelley | Keats | Byron | Lamb | Hazlitt | Austen | Carlyle | Mill | Arnold | Tennyson | Hopkins | Carroll | Rossetti | Morris | Wilde | Shaw | Sassoon | Owen | Graves | Joyce<\/p>\n\n\n\n 08\/24. Intro to class and to romantic period.<\/p>\n\n\n\n 08\/26. William Blake. Songs of Innocence.<\/em><\/p>\n\n\n\n 08\/31. William Blake. Songs of Experience.<\/em><\/p>\n\n\n\n 09\/02. William Wordsworth. \u201cPreface\u201d to Lyrical Ballads, \u201cExpostulation and Reply,\u201d \u201cThe Tables Turned,\u201d \u201cTintern Abbey.\u201d<\/p>\n\n\n\n 09\/07. William Wordsworth. \u201cShe dwelt among the untrodden ways,\u201d \u201cA slumber did my spirit seal,\u201d \u201cLucy Gray,\u201d\u2026 \u201cThree years she grew,\u201d \u201cResolution and Independence,\u201d \u201cI wandered lonely as a cloud,\u201d \u201cMy heart leaps up,\u201d \u201cThe Solitary Reaper,\u201d \u201cSonnet composed upon Westminster Bridge, 1802,\u201d \u201cIntimations of Immortality.\u201d<\/p>\n\n\n\n 09\/09. Samuel Taylor Coleridge. From Biographia Literaria;<\/em> from Lectures on Shakespeare;<\/em> from The Statesman\u2019s Manual;<\/em> \u201cThe Eolian Harp.\u201d<\/p>\n\n\n\n 09\/14. Samuel Taylor Coleridge. \u201cThe Rime of the Ancient Mariner,\u201d \u201cKubla Khan,\u201d \u201cFrost at Midnight,\u201d \u201cDejection: an Ode.\u201d<\/p>\n\n\n\n 09\/16. Percy Bysshe Shelley. \u201cA Defence of Poetry,\u201d \u201cMutability,\u201d \u201cTo Wordsworth,\u201d \u201cEngland in 1819,\u201d \u201cOzymandias.\u201d<\/p>\n\n\n\n 09\/21. Percy Bysshe Shelley. \u201cMont Blanc,\u201d \u201cOde to the West Wind,\u201d \u201cTo a Sky-Lark.\u201d<\/p>\n\n\n\n 09\/23. John Keats. \u201cOde to a Nightingale,\u201d \u201cOde on a Grecian Urn,\u201d \u201cTo Autumn,\u201d from Letters 889-95.<\/p>\n\n\n\n 09\/28. Lord Byron. Manfred.<\/em><\/p>\n\n\n\n 09\/30. William Hazlitt and Charles Lamb. Hazlitt: \u201cOn Gusto,\u201d \u201cMy First Acquaintance with Poets.\u201d Lamb: \u201cChrist\u2019s Hospital Five-and-Thirty Years Ago.\u201d<\/p>\n\n\n\n 10\/05. Jane Austen. Mansfield Park.<\/em> (Film.)<\/p>\n\n\n\n 10\/07. Jane Austen. Mansfield Park.<\/em> (Film.)<\/p>\n\n\n\n 10\/12. Jane Austen. Mansfield Park.<\/em> (Separate text.)<\/p>\n\n\n\n 10\/14. Jane Austen. Mansfield Park.<\/em> (Separate text.)<\/p>\n\n\n\n 10\/19. Thomas Carlyle. From Sartor Resartus.<\/em><\/p>\n\n\n\n 10\/21. Thomas Carlyle. From The French Revolution;<\/em> from Past and Present.<\/em><\/p>\n\n\n\n 10\/26. John Stuart Mill. From Autobiography;<\/em> from On Liberty.<\/em><\/p>\n\n\n\n 10\/28. Matthew Arnold. \u201cDover Beach,\u201d \u201cThe Buried Life,\u201d \u201cThe Function of Criticism at the Present Time.\u201d<\/p>\n\n\n\n 11\/02. Alfred Tennyson and Robert Browning. Tennyson: \u201cThe Lady of Shalott\u201d; \u201cThe Lotos-Eaters\u201d; \u201cUlysses\u201d; \u201cMariana\u201d; \u201cThe Eagle.\u201d Browning: \u201cPorphyria\u2019s Lover,\u201d \u201cMy Last Duchess,\u201d \u201cThe Bishop Orders His Tomb,\u201d \u201cCaliban upon Setebos.\u201d<\/p>\n\n\n\n 11\/04. Dante Gabriel Rossetti, Christina Rossetti, William Morris. D. G Rossetti: \u201cThe Blessed Damozel\u201d; Christina Rossetti: all except \u201cGoblin Market\u201d; Morris: \u201cThe Haystack in the Flood.\u201d<\/p>\n\n\n\n 11\/09. Gerard Manley Hopkins and Lewis Carroll. Hopkins: \u201cGod\u2019s Grandeur\u201d (1651), \u201cAs Kingfishers Catch Fire\u201d (1652), \u201cThe Windhover\u201d (1652), \u201cPied Beauty\u201d (1653), \u201cBinsey Poplars\u201d (1654), \u201cDuns Scotus\u2019 Oxford\u201d (1654), \u201cCarrion Comfort\u201d (1656), \u201cI Wake and Feel the Fell of Dark, Not Day\u201d (1657), \u201cThat Nature Is a Heraclitean Fire\u2026\u201d (1658), \u201cThou Art Indeed Just, Lord\u201d (1658). Carroll: \u201cJabberwocky\u201d and \u201cThe Walrus and the Carpenter.\u201d<\/p>\n\n\n\n 11\/11. Oscar Wilde. \u201cThe Critic as Artist.\u201d<\/p>\n\n\n\n 11\/16. George Bernard Shaw. Mrs.Warren\u2019s Profession.<\/p>\n\n\n\n 11\/18. Siegfried Sassoon, Wilfred Owen, Robert Graves. Sassoon: \u201cThey,\u201d \u201cThe Rear-Guard,\u201d \u201cThe General,\u201d \u201cThe Glory of Women,\u201d \u201cEveryone Sang,\u201d \u201cOn Passing the New Menin Gate\u201d; Owen: \u201cAnthem for Doomed Youth,\u201d \u201cApologia Pro Poemate Meo,\u201d \u201cMiners,\u201d \u201cDulce et Decorum Est\u201d; Graves: all Norton selections.<\/p>\n\n\n\n 11\/25. Thanksgiving holiday; no class.<\/p>\n\n\n\n 11\/27. Thanksgiving holiday; no class.<\/p>\n\n\n\n 11\/30. James Joyce. A Portrait of the Artist as a Young Man.<\/em> (Film, Dir. Joseph Strick, 1977.)<\/p>\n\n\n\n 12\/02. James Joyce. A Portrait of the Artist as a Young Man.<\/em> (Separate text.)<\/p>\n\n\n\n 12\/07. James Joyce. A Portrait of the Artist as a Young Man.<\/em><\/p>\n\n\n\n 12\/09. Review.<\/p>\n\n\n\n Exam date: Dec. 16, beginning at regular class time.<\/p>\n","protected":false},"excerpt":{"rendered":" READING SCHEDULE FOR E212 BRITISH LITERATURE SINCE 1760CSU FULLERTON, FALL 2004 *2023 Note. Most links and procedural information have been removed from this archival copy, leaving mainly the assigned editions and the reading schedule. COURSE INFORMATION. English 212, Course Code 12722. Tu\/Th 8:30 \u2013 9:45 a.m., Humanities Hall (HH) 511. Instructor: Alfred J. Drake, Ph.D. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_eb_attr":"","footnotes":""},"wf_page_folders":[54],"class_list":["post-5228","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/comments?post=5228"}],"version-history":[{"count":2,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5228\/revisions"}],"predecessor-version":[{"id":6032,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5228\/revisions\/6032"}],"wp:attachment":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/media?parent=5228"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/wf_page_folders?post=5228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}REQUIRED TEXTS AT TITAN BOOKSTORE<\/h2>\n\n\n\n
QUESTIONS FOR JOURNALS AND PRESENTATIONS<\/h2>\n\n\n\n
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