*2023 Note<\/strong>. Most links and procedural information have been removed from this archival copy, leaving mainly the assigned editions and the reading schedule.<\/p>\n\n\n\n COURSE INFORMATION<\/strong>. English 212, Course Code 12795. MWF 9:00 \u2013 9:50 a.m., McCarthy Hall (MH) 617. Instructor: Alfred J. Drake, Ph.D. Office hours: MW 8:00 \u2013 9:00 a.m. in University Hall 329. Email: e212_at_ajdrake.com. Catalog: \u201cMajor periods and movements, major authors, and major forms since 1760. Units (3). Satisfies requirements for General Education (GE) Category III.B.2 with grade of C or better.\u201d<\/p>\n\n\n\n Abrams, M. H. et al. The Norton Anthology of English Literature,<\/em> Volumes 2ABC. 7th edition. ISBN 2A = 0393975681, 2B = 039397569X, 2C = 0393975703.<\/p>\n\n\n\n Coetzee, J. M. Waiting for the Barbarians.<\/em> New York: Penguin, 1982. ISBN 014006110X.<\/p>\n\n\n\n Polidori, John et al. The Vampyre and Other Tales of the Macabre.<\/em> Oxford: Oxford UP, 2001. ISBN 0192838946.<\/p>\n\n\n\n *2023 Note<\/strong>. Visitors may download the following questions in PDF format: BRITISH ROMANTIC<\/a>\u00a0|\u00a0BRITISH VICTORIAN<\/a><\/strong> | BRITISH MODERN<\/a><\/strong><\/strong>. Norton editions and page numbers may differ from the editions actually used in the course.<\/p>\n\n\n\n Blake | W. Wordsworth | D. Wordsworth | Coleridge | Robinson | Shelley | Keats | Hazlitt | Polidori | Hogg | Landon | Carlyle | Newman | Tennyson | Mill | Ruskin | Arnold | Hopkins | D. G. Rossetti | C. Rossetti | Morris | Swinburne | Pater | Wilde | Conrad | Achebe | WWI | Housman | Joyce | Yeats | Eliot | Rhys | Graves | Pinter | Coetzee<\/p>\n\n\n\n 01\/30. Introduction to Course and to Wiki Features.<\/p>\n\n\n\n 02\/01. William Blake. Songs of Innocence and of Experience<\/em> (43-59).<\/p>\n\n\n\n 02\/03. William Blake. The Marriage of Heaven and Hell<\/em> (72-84).<\/p>\n\n\n\n 02\/06. William Wordsworth. \u201cPreface to Lyrical Ballads<\/em>\u201d (238-51).<\/p>\n\n\n\n 02\/08. William Wordsworth. \u201cShe dwelt among the untrodden ways\u201d (252), \u201cThree years she grew\u201d (252-53), \u201cLucy Gray\u201d (254-56), \u201cI wandered lonely as a cloud\u201d (284-85), \u201cThe Solitary Reaper\u201d (293-94).<\/p>\n\n\n\n 02\/10. William and Dorothy Wordsworth. William\u2019s \u201cTintern Abbey\u201d (235-38). From Dorothy\u2019s Alfoxden and Grasmere Journals <\/em>(383-97).<\/p>\n\n\n\n 02\/13. Samuel Taylor Coleridge. From Biographia Literaria <\/em>(467-86), from Lectures on Shakespeare <\/em>(486-89), from The Statesman\u2019s Manual <\/em>(489-92).<\/p>\n\n\n\n 02\/15. Samuel Taylor Coleridge. \u201cThe Eolian Harp\u201d (419-20), \u201cThe Rime of the Ancient Mariner\u201d (422-38), \u201cKubla Khan\u201d (439-41).<\/p>\n\n\n\n 02\/17. Samuel Taylor Coleridge and Mary Robinson. Coleridge\u2019s \u201cFrost at Midnight\u201d (457-58), \u201cDejection: an Ode\u201d (459-62). Robinson\u2019s \u201cTo the Poet Coleridge\u201d (98-99) and \u201cThe Haunted Beach\u201d (96-97).<\/p>\n\n\n\n 02\/20. Presidents\u2019 Day Holiday; no classes.<\/p>\n\n\n\n 02\/22. Percy Bysshe Shelley. \u201cDefense of Poetry\u201d (789-802), \u201cMutability\u201d (701), \u201cMont Blanc\u201d (720-23).<\/p>\n\n\n\n 02\/24. Percy Bysshe Shelley. \u201cOzymandias\u201d (725-26), \u201cOde to the West Wind\u201d (730-32), \u201cTo a Sky-Lark\u201d (765-67). Journal Set 1 due.<\/p>\n\n\n\n 02\/27. John Keats. \u201cOn First Looking into Chapman\u2019s Homer\u201d (826-27), \u201cThe Eve of St. Agnes\u201d (834-44).<\/p>\n\n\n\n 03\/01. John Keats. \u201cOde to a Nightingale\u201d (849-51), \u201cOde on a Grecian Urn\u201d (851-53), from Letters<\/em> (889-903).<\/p>\n\n\n\n 03\/03. William Hazlitt. \u201cOn Gusto\u201d (513-19), \u201cMy First Acquaintance with Poets\u201d (519-26).<\/p>\n\n\n\n 03\/06. Polidori, John. \u201cThe Vampyre\u201d from The Vampyre and Other Tales of the Macabre<\/em> (1-24). Oxford edition.<\/p>\n\n\n\n 03\/08. James Hogg. \u201cSome Terrible Letters from Scotland\u201d from The Vampyre and Other Tales of the Macabre <\/em>(99-112). Oxford edition.<\/p>\n\n\n\n 03\/10. Letitia Landon. \u201cThe Bride of Lindorf\u201d from from The Vampyre and Other Tales of the Macabre <\/em>(175-200). Oxford edition.<\/p>\n\n\n\n 03\/13. Thomas Carlyle. From Sartor Resartus <\/em>(1077-1103).<\/p>\n\n\n\n 03\/15. John Henry Newman. From The Idea of a University <\/em>(1119-27), from Apologia Pro Vita Sua <\/em>(1128-35), and from Liberalism <\/em>(1135-37).<\/p>\n\n\n\n 03\/17. Alfred Tennyson. Tennyson\u2019s \u201cThe Lady of Shalott\u201d (1204-08), \u201cThe Lotos-Eaters\u201d (1208-13), \u201cUlysses\u201d (1213-15).<\/p>\n\n\n\n 03\/20. John Stuart Mill. From Autobiography <\/em>(1166-73).<\/p>\n\n\n\n 03\/22. John Ruskin. From The Stones of Venice <\/em>(1432-42) and from “The Storm-Cloud of the Nineteenth Century” (1443-51).<\/p>\n\n\n\n 03\/24. Matthew Arnold. \u201cThe Buried Life\u201d (1480-82), \u201cDover Beach\u201d (1492-93), \u201cStanzas from the Grande Chartreuse\u201d (1493-98), \u201cPreface to Poems, 1853<\/em>\u201d (1504-14). Journal Set 2 Due.<\/p>\n\n\n\n 03\/28 \u2013 03\/31. Spring recess; no classes all week.<\/p>\n\n\n\n 04\/03. Gerard Manley Hopkins. \u201cGod\u2019s Grandeur\u201d (1651), \u201cAs Kingfishers Catch Fire\u201d (1652), \u201cThe Windhover\u201d (1652), \u201cPied Beauty\u201d (1653), \u201cBinsey Poplars\u201d (1654), \u201cDuns Scotus\u2019 Oxford\u201d (1654), \u201cCarrion Comfort\u201d (1656), \u201cI Wake and Feel the Fell of Dark, Not Day\u201d (1657), \u201cThat Nature Is a Heraclitean Fire\u2026\u201d (1658), \u201cThou Art Indeed Just, Lord\u201d (1658).<\/p>\n\n\n\n 04\/05. Dante Gabriel Rossetti and Christina Rossetti. Dante\u2019s \u201cThe Blessed Damozel\u201d (1573-78). Christina\u2019s \u201cSong\u2014She sat and sang alway\u201d (1584), \u201cSong\u2014When I am dead, my dearest\u201d (1584), \u201cAfter Death\u201d (1585), \u201cIn an Artist\u2019s Studio\u201d (1586), \u201cWinter: My Secret\u201d (1588), \u201cNo, Thank You, John\u201d (1601), \u201cSleeping at Last\u201d (1604).<\/p>\n\n\n\n 04\/07. William Morris, Algernon Swinburne. Morris\u2019 \u201cThe Haystack in the Floods\u201d (1614-18), \u201cHow I Became a Socialist\u201d (1619-21). Swinburne\u2019s \u201cHymn to Proserpine\u201d (1625-28).<\/p>\n\n\n\n 04\/10. Walter Pater. From The Renaissance <\/em>(1636-44), \u201cStyle\u201d from Appreciations <\/em>(1645-48).<\/p>\n\n\n\n 04\/12. Wilde\u2019s The Importance of Being Earnest <\/em>(1761-1805).<\/p>\n\n\n\n 04\/14. Wilde\u2019s The Importance of Being Earnest,<\/em> cont. (1761-1805).<\/p>\n\n\n\n 04\/17. Joseph Conrad. Heart of Darkness <\/em>(1957-2016).<\/p>\n\n\n\n 04\/19. Joseph Conrad. Heart of Darkness, <\/em>cont. <\/em>(1957-2016).<\/p>\n\n\n\n 04\/21. Joseph Conrad. Heart of Darkness, <\/em>cont. (1957-2016). Read also Chinua Achebe\u2019s \u201cAn Image of Africa: Racism in Conrad\u2019s Heart of Darkness <\/em>(2035-40). Journal Set 3 Due.<\/p>\n\n\n\n 04\/24. Voices of World War I Section. Read all selections: Brooke, Thomas, Sassoon, Gurney, Rosenberg, Owen, Cannan, Jones (2048-84).<\/p>\n\n\n\n 04\/26. Voices of World War I Section. Read all selections: Brooke, Thomas, Sassoon, Gurney, Rosenberg, Owen, Cannan, Jones (2048-84).<\/p>\n\n\n\n 04\/28. A. E. Housman. \u201cThe Loveliest of Trees\u201d (2042); \u201cWhen I was One-and-Twenty\u201d (2042); \u201cTo an Athlete Dying Young\u201d (2042); \u201cOn Wenlock Edge\u201d (2043); \u201cTerence, This is Stupid Stuff\u201d (2044); \u201cThe Chestnut Casts his Flambeaux\u201d (2046).<\/p>\n\n\n\n 05\/01. James Joyce. The Dead <\/em>(2240-68).<\/p>\n\n\n\n 05\/03. William Butler Yeats. \u201cThe Lake Isle of Innisfree\u201d (2092); \u201cEaster 1916\u201d (2104); \u201cThe Second Coming\u201d (2106); \u201cSailing to Byzantium\u201d (2109); \u201cLeda and the Swan\u201d (2110); \u201cAmong School Children\u201d (2111); \u201cA Dialogue of Self and Soul\u201d (2113).<\/p>\n\n\n\n 05\/05. William Butler Yeats. \u201cByzantium\u201d (2115); \u201cCrazy Jane\u2026 \u201c (2116); \u201cAfter Long Silence\u201d (2117); \u201cThe Circus Animals\u2019 Desertion\u201d (2120); \u201cUnder Ben Bulben\u201d (2121); from Reveries over Childhood and Youth <\/em>and The Trembling of the Veil <\/em>(2124-31).<\/p>\n\n\n\n 05\/08. T. S. Eliot. \u201cThe Waste Land\u201c (2368-83).<\/p>\n\n\n\n 05\/10. Jean Rhys, Robert Graves. Rhys\u2019 \u201cMannequin\u201d (2437-42). Graves\u2019 \u201cDown, Wanton, Down!\u201d (2445); \u201cLove Without Hope\u201d (2446); \u201cThe Cool Web\u201d (2446); \u201cThe Reader Over My Shoulder\u201d (2446); \u201cTo Juan at Winter Solstice\u201d (2447); \u201cThe White Goddess\u201d (2448); \u201cThe Blue-Fly\u201d (2449); \u201cA Slice of Wedding-Cake\u201d (2450).<\/p>\n\n\n\n 05\/12. Harold Pinter. The Dumb Waiter <\/em>(2594-2616).<\/p>\n\n\n\n 05\/15. Coetzee, J. M. Waiting for the Barbarians. <\/em>(Penguin Edition)<\/p>\n\n\n\n 05\/17. Coetzee, J. M. Waiting for the Barbarians, <\/em>cont. (Penguin Edition)<\/p>\n\n\n\n 05\/19. Review.<\/p>\n\n\n\n Final Exam Date Wednesday, May 24th 9:30 \u2013 11:20 a.m. Also due: Journal Set 4 and the Term Paper. (I must turn in grades by Friday, June 2nd, 2006.) For other courses, see CSUF\u2019s Final Exam Schedule.<\/p>\n","protected":false},"excerpt":{"rendered":" READING SCHEDULE FOR E212 BRITISH LITERATURE SINCE 1760CSU FULLERTON, SPRING 2006 (MWF) *2023 Note. Most links and procedural information have been removed from this archival copy, leaving mainly the assigned editions and the reading schedule. COURSE INFORMATION. English 212, Course Code 12795. MWF 9:00 \u2013 9:50 a.m., McCarthy Hall (MH) 617. Instructor: Alfred J. Drake, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_eb_attr":"","footnotes":""},"wf_page_folders":[54],"class_list":["post-5234","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5234","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/comments?post=5234"}],"version-history":[{"count":2,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5234\/revisions"}],"predecessor-version":[{"id":6042,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5234\/revisions\/6042"}],"wp:attachment":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/media?parent=5234"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/wf_page_folders?post=5234"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}REQUIRED TEXTS AT TITAN BOOKSTORE<\/h2>\n\n\n\n
QUESTIONS FOR JOURNALS AND PRESENTATIONS<\/h2>\n\n\n\n
SCHEDULE: WORKS DISCUSSED ON DATES INDICATED<\/h2>\n\n\n\n
WEEK 1<\/h2>\n\n\n\n
WEEK 2<\/h2>\n\n\n\n
WEEK 3<\/h2>\n\n\n\n
WEEK 4<\/h2>\n\n\n\n
WEEK 5<\/h2>\n\n\n\n
WEEK 6<\/h2>\n\n\n\n
WEEK 7<\/h2>\n\n\n\n
WEEK 8<\/h2>\n\n\n\n
WEEK 9<\/h2>\n\n\n\n
WEEK 10<\/h2>\n\n\n\n
WEEK 11<\/h2>\n\n\n\n
WEEK 12<\/h2>\n\n\n\n
WEEK 13<\/h2>\n\n\n\n
WEEK 14<\/h2>\n\n\n\n
WEEK 15<\/h2>\n\n\n\n
WEEK 16<\/h2>\n\n\n\n
FINALS WEEK<\/h2>\n\n\n\n