{"id":5432,"date":"2023-04-07T05:43:24","date_gmt":"2023-04-07T12:43:24","guid":{"rendered":"https:\/\/www.ajdrake.com\/academic\/?page_id=5432"},"modified":"2023-04-19T15:48:55","modified_gmt":"2023-04-19T22:48:55","slug":"e222-american-lit-from-twain-to-the-moderns-schedule-fall-2014-tuth","status":"publish","type":"page","link":"https:\/\/www.ajdrake.com\/academic\/e222-american-lit-from-twain-to-the-moderns-schedule-fall-2014-tuth\/","title":{"rendered":"E222 American Lit. from Twain to the Moderns Schedule, Fall 2014 (Tu\/Th)"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">READING SCHEDULE FOR E222 AMERICAN LITERATURE<br>CSU FULLERTON, FALL 2014 (TU\/TH)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>*2023 Note<\/strong>.\u00a0Most links and procedural information have been removed from this archival copy, leaving mainly the assigned edition and the reading schedule.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>COURSE INFORMATION<\/strong>. English 222. Course Code 21609, Section 4. Tu\/Th 11:30 a.m. \u2013 12:45 p.m., Langsdorf Hall (LH) 308. Instructor: Alfred J. Drake, Ph.D. Office hours: Tu\/Th 10:30 \u2013 11:25 a.m. in University Hall (UH) 329. Email: e222_at_ajdrake.com. Catalog: \u201cMajor writers such as Twain, James, Crane, Hemingway, Faulkner, O&#8217;Neill, Frost and Eliot. Units: (3).\u201c<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">REQUIRED TEXTS AT TITAN BOOKSTORE<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Nina Baym, et al.&nbsp;<em>The Norton Anthology of American Literature.<\/em>&nbsp;Eighth Edition. Paperback. Package 2: Vols. C, D, E. ISBN-13: 978-0-393-91310-1.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">London, Jack.&nbsp;<em>Tales of the Pacific.<\/em>&nbsp;New York: Penguin, 1989. ISBN-13: 978-0-140-18358-0.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">QUESTIONS FOR JOURNALS AND PRESENTATIONS<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>*2023 Note<\/strong>. Visitors may download the following questions in PDF format: <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.ajdrake.com\/academic\/wp-content\/uploads\/2023\/02\/drake_american_modern_e222.pdf\" target=\"_blank\">MODERN AMERICAN LITERATURE<\/a><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Whitman | Dickinson | Twain | H. James | Chopin | London | Frost | Sandburg | W. C. Williams | T. S. Eliot | W. Stevens | Cummings | Hemingway | L. Hughes | Faulkner | Hurston | Tenn. Williams | Cheever | O\u2019Connor | Ginsberg | F. J. Turner | Shepard<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">SCHEDULE: WORKS DISCUSSED ON DATES INDICATED<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 1<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 08\/26. Course Introduction.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 08\/28. Walt Whitman and Emily Dickinson. Whitman\u2019s \u201cWhen Lilacs Last in the Dooryard Bloom\u2019d\u201d (Vol. C 79-85). Dickinson\u2019s \u201c320\u201d (Vol. C 97); \u201c340\u201d (Vol. C 99); \u201c448\u201d (Vol. C 102); \u201c479\u201d (Vol. C 102-03); \u201c591\u201d (Vol. C 103-04); \u201c598\u201d (Vol. C 104); \u201c620\u201d (Vol. C 104); \u201c764\u201d (Vol. C 107); \u201c1263\u201d (Vol. C 108); \u201c1668\u201d (Vol. C 108).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 2<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 09\/02. Mark Twain. From&nbsp;<em>Letters from the Earth<\/em>&nbsp;(Vol. C 336-51).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 09\/04. Henry James. \u201cDaisy Miller\u201d (Vol. C 421-59). We will also watch part of a film production.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 3<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 09\/09. Henry James. \u201cDaisy Miller\u201d (Vol. C 421-59).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 09\/11. Henry James. \u201cDaisy Miller\u201d (Vol. C 421-59).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 4<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 09\/16. Kate Chopin.&nbsp;<em>The Awakening<\/em>&nbsp;(Vol. C Chapters 1-15, 561-597).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 09\/18. Kate Chopin.&nbsp;<em>The Awakening<\/em>&nbsp;(Vol. C Chapters 16-25, 597-622).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 5<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 09\/23. Kate Chopin.&nbsp;<em>The Awakening<\/em>&nbsp;(Vol. C Chapters 26-39, 622-52). <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 09\/25. Jack London. From \u201cWhat Life Means to Me\u201d (Norton Vol. D 917-20). From&nbsp;<em>Tales of the Pacific<\/em>&nbsp;(Penguin edition): \u201cThe House of Mapuhi\u201d (31-53). <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 6<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 09\/30. Jack London. From&nbsp;<em>Tales of the Pacific<\/em>&nbsp;(Penguin edition): \u201cKoolau the Leper\u201d (135-50); \u201cThe Bones of Kehekili\u201d (151-73).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 10\/02. Robert Frost. \u201cThe Figure a Poem Makes\u201d (Vol. D 250-52); \u201cMowing\u201d (Vol. D 231-32); \u201cMending Wall\u201d (Vol. D 232-33); \u201cThe Death of the Hired Man\u201d (Vol. D 233-37); \u201cThe Wood-Pile\u201d (Vol. D 241); \u201cThe Road Not Taken\u201d (Vol. D 241-42). <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 7<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 10\/07. Robert Frost. \u201cBirches\u201d (Vol. D 242-44); \u201cOut, Out\u2014\u201d (Vol. D 244); \u201cFire and Ice\u201d (Vol. D 245); \u201cNothing Gold Can Stay\u201d (Vol. D 245); \u201cStopping by Woods on a Snowy Evening\u201d (Vol. D 245); \u201cDesert Places\u201d (Vol. D 246); \u201cDesign\u201d (Vol. D 246); \u201cThe Gift Outright\u201d (Vol. D 248). <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 10\/09. Carl Sandburg and William Carlos Williams. Sandburg\u2019s \u201cChicago\u201d (Vol. D 279-80); \u201cFog\u201d (Vol. D 280); \u201cCool Tombs\u201d (Vol. D 280-81); \u201cGrass\u201d (Vol. D 281). From Williams\u2019&nbsp;<em>Spring and All<\/em>&nbsp;(Vol. D 346-47); Poems: \u201cQueen-Anne\u2019s Lace\u201d (Vol. D 305); \u201cSpring and All\u201d (Vol. D 306-07); \u201cTo Elsie\u201d (Vol. D 307-09); \u201cThe Red Wheelbarrow\u201d (Vol. D 309); \u201cThe Dead Baby\u201d (Vol. D 309-10); \u201cThis Is Just to Say\u201d (Vol. D 310); \u201cA Sort of a Song\u201d (Vol. D 310); \u201cBurning the Christmas Greens\u201d (Vol. D 311-13); \u201cLandscape with the Fall of Icarus\u201d (Vol. D 313). <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 8<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 10\/14. T. S. Eliot. \u201cThe Waste Land\u201d (Vol. D 378-91).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 10\/16. Wallace Stevens. \u201cThe Snow Man\u201d (Vol. D 283-84); \u201cDisillusionment of Ten O\u2019Clock\u201d (Vol. D 285); \u201cSunday Morning\u201d (Vol. D 285-88); \u201cAnecdote of the Jar\u201d (Vol. D 288-89); \u201cPeter Quince at the Clavier\u201d (Vol. D 289-90); \u201cThirteen Ways of Looking at a Blackbird\u201d (Vol. D 291-92); \u201cThe Idea of Order at Key West\u201d (Vol. D 293-94); \u201cOf Modern Poetry\u201d (Vol. D 294); The Plain Sense of Things\u201d (Vol. D 295). <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 9<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 10\/21. E.E. Cummings. \u201cThy fingers make early flowers of\u201d (Vol. D 638); \u201cin Just-\u201d (Vol. D 638-39); \u201cO sweet spontaneous\u201d (Vol. D 639-40); \u201cBuffalo Bill\u2019s\u201d (Vol. D 640); \u201cthe Cambridge ladies who live in furnished souls\u201d (Vol. D 640); \u201cnext to of course god america i\u201d (Vol. D 641); \u201ci sing of Olaf glad and big\u201d (Vol. D 641-42); \u201csomewhere i have never travelled,gladly beyond\u201d (Vol. D 642-43); \u201canyone lived in a pretty how town\u201d (Vol. D 643-44); \u201cmy father moved through dooms of love\u201d (Vol. D 644-45); \u201cpity this busy monster,manunkind\u201d (Vol. D 646). <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 10\/23. Ernest Hemingway. \u201cThe Snows of Kilimanjaro\u201d (Vol. D 826-42).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 10<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 10\/28. Langston Hughes. From \u201cThe Negro Artist and the Racial Mountain\u201d (Vol. D 348-50); All Poems (Vol. D 871-80): \u201cThe Negro Speaks of Rivers\u201d (Vol. D 871); \u201cMother to Son\u201d (Vol. D 871-72); \u201cI, Too\u201d (Vol. D 872); \u201cThe Weary Blues\u201d (Vol. D 872-73); \u201cMulatto\u201d (Vol. D 873-74); \u201cSong for a Dark Girl\u201d (Vol. D 874-75); \u201cGenius Child\u201d (Vol. D 875); \u201cVisitors to the Black Belt\u201d (Vol. D 875-76); \u201cNote on Commercial Theatre\u201d (Vol. D 876); \u201cVagabonds\u201d (Vol. D 876-77); \u201cWords Like Freedom\u201d (Vol. D 877); \u201cMadam and Her Madam\u201d (Vol. D 877-78); \u201cFreedom {1}\u201d (Vol. D 878); \u201cMadam\u2019s Calling Cards\u201d (Vol. D 878-79); \u201cSilhouette\u201d (Vol. D 879); \u201cTheme for English B\u201d (Vol. D 880).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 10\/30. William Faulkner.&nbsp;<em>As I Lay Dying<\/em>&nbsp;(Vol. D 698-730, i.e. first 1\/3). <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 11<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 11\/04. William Faulkner.&nbsp;<em>As I Lay Dying<\/em>&nbsp;(Vol. D 731-62, i.e. second 1\/3). <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 11\/06. William Faulkner.&nbsp;<em>As I Lay Dying<\/em>&nbsp;(Vol. D 762-793, last 1\/3).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 12<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 11\/11. Veterans Day holiday, no classes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 11\/13. Tennessee Williams.&nbsp;<em>A Streetcar Named Desire<\/em>&nbsp;(Film, first 75 of 122 minutes).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 13<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 11\/18. Tennessee Williams.&nbsp;<em>A Streetcar Named Desire<\/em>&nbsp;(Film, last 47 of 122 minutes).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 11\/20. Tennessee Williams.&nbsp;<em>A Streetcar Named Desire<\/em>&nbsp;(Vol. E, 93-155, Scenes 1-11).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 14<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 11\/25. Fall Recess. No Classes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 11\/27. Fall Recess. No Classes.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 15<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 12\/02. John Cheever and Flannery O\u2019Connor. Cheever: \u201cThe Swimmer\u201d (Vol. E 157-65); O\u2019Connor: \u201cThe Life You Save May Be Your Own\u201d (Vol. E 437-44); \u201cGood Country People\u201d (Vol. E 445-58).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 12\/04. Allen Ginsberg. \u201cHowl\u201d (Vol. E 492-500); \u201cFootnote to Howl\u201d (Vol. E 500).; \u201cA Supermarket in California\u201d (Vol. E 500); \u201cSunflower Sutra\u201d (Vol. E 501).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 16<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 12\/09. Frederick Jackson Turner. From \u201cThe Significance of the Frontier in American History\u201d (Vol. C 1133-37). Sam Shepard.&nbsp;<em>True West<\/em>&nbsp;(Vol. E Act 1, 870-887).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 12\/11. Sam Shepard.&nbsp;<em>True West<\/em>&nbsp;(Vol. E Act 2, 887-909).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">FINALS WEEK<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Final Exam Thursday 12\/18, 12:00 \u2013 1:50 p.m.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>READING SCHEDULE FOR E222 AMERICAN LITERATURECSU FULLERTON, FALL 2014 (TU\/TH) *2023 Note.\u00a0Most links and procedural information have been removed from this archival copy, leaving mainly the assigned edition and the reading schedule. COURSE INFORMATION. English 222. Course Code 21609, Section 4. Tu\/Th 11:30 a.m. \u2013 12:45 p.m., Langsdorf Hall (LH) 308. Instructor: Alfred J. Drake, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_eb_attr":"","footnotes":""},"wf_page_folders":[44],"class_list":["post-5432","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5432","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/comments?post=5432"}],"version-history":[{"count":2,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5432\/revisions"}],"predecessor-version":[{"id":6062,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5432\/revisions\/6062"}],"wp:attachment":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/media?parent=5432"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/wf_page_folders?post=5432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}