{"id":5484,"date":"2023-04-09T06:59:52","date_gmt":"2023-04-09T13:59:52","guid":{"rendered":"https:\/\/www.ajdrake.com\/academic\/?page_id=5484"},"modified":"2023-04-19T15:51:48","modified_gmt":"2023-04-19T22:51:48","slug":"e222-american-lit-from-twain-to-the-moderns-schedule-spring-2012","status":"publish","type":"page","link":"https:\/\/www.ajdrake.com\/academic\/e222-american-lit-from-twain-to-the-moderns-schedule-spring-2012\/","title":{"rendered":"E222 American Lit. from Twain to the Moderns Schedule, Spring 2012"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">READING SCHEDULE FOR E222 AMERICAN LITERATURE<br>CSU FULLERTON, SPRING 2012<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>*2023 Note<\/strong>.\u00a0Most links and procedural information have been removed from this archival copy, leaving mainly the assigned edition and the reading schedule.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>COURSE INFORMATION<\/strong>. English 222, Course Code 20799, Section 4. Tu\/Th 11:30 a.m. \u2013 12:45 p.m., Clayes Performing Arts Center. (CPAC) 116. Instructor: Alfred J. Drake, Ph.D. Office hours: Tuesday 10:30-11:25 a.m. in University Hall (UH) 329. Email: e222_at_ajdrake.com. Catalog: \u201cMajor writers such as Twain, James, Crane, Hemingway, Faulkner, O\u2019Neill, Frost and Eliot. Units: (3).\u201d<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">REQUIRED TEXTS AT TITAN BOOKSTORE<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Nina Baym, et al.&nbsp;<em>The Norton Anthology of American Literature.<\/em>&nbsp;Eighth Edition. Paperback. Package 2: Vols. C, D, E. ISBN-13: 978-0-393-91310-1.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">London, Jack. <em>Tales of the Pacific. <\/em>New York: Penguin, 1989. ISBN-13: 978-0-140-18358-0.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">QUESTIONS FOR JOURNALS AND PRESENTATIONS<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>*2023 Note<\/strong>. Visitors may download the following questions in PDF format: <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.ajdrake.com\/academic\/wp-content\/uploads\/2023\/02\/drake_american_modern_e222.pdf\" target=\"_blank\">MODERN AMERICAN LITERATURE<\/a><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Whitman | Dickinson | Twain | James | Chopin | London | Frost | Sandburg | W. C. Williams | Eliot | F. T. Marinetti | Ezra Pound | H. D. | Mar. Moore | Stevens | Cummings | Hemingway | Faulkner | Hughes | Hurston | Tenn. Williams | Cheever | Ginsberg | O\u2019Connor | Pynchon | Turner | Shepard<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">SCHEDULE: WORKS DISCUSSED ON DATES INDICATED<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 1<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 01\/24. Course Introduction.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 01\/26. Walt Whitman and Emily Dickinson. Whitman\u2019s \u201cWhen Lilacs Last in the Dooryard Bloom\u2019d\u201d (Vol. C 79-85). Dickinson\u2019s \u201c320\u201d (97); \u201c340\u201d (99); \u201c448\u201d (102); \u201c479\u201d (102-03); \u201c591\u201d (103-04); \u201c598\u201d (104); \u201c620\u201d (104); \u201c764\u201d (107); \u201c1263\u201d (108); \u201c1668\u201d (108).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 2<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 01\/31. Mark Twain. <em>Huckleberry Finn <\/em>(Vol. C Chapters 1-16, 131-88).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 02\/02. Mark Twain. <em>Huckleberry Finn <\/em>(Vol. C Chapters 17-21, 188-219).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 3<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 02\/07. Mark Twain. <em>Huckleberry Finn <\/em>(Vol. C Chapters 22-35, 220-81).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 02\/09. Mark Twain. <em>Huckleberry Finn <\/em>(Vol. C Chapters 36-42, 281-309).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 4<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 02\/14. Henry James. <em>Daisy Miller <\/em>(Vol. C 421-59). We will also watch part of a film production.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 02\/16. Henry James. <em>Daisy Miller <\/em>(Vol. C 421-59).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>JOURNAL SET 1 DUE BY EMAIL SUNDAY 02\/19<\/strong>. (Whitman through James.)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 5<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 02\/21. Kate Chopin. <em>The Awakening <\/em>(Vol. C Chapters 1-24, 561-619).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 02\/23. Kate Chopin. <em>The Awakening <\/em>(Vol. C Chapters 25-39, 619-52).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 6<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 02\/28. Jack London. From \u201cWhat Life Means to Me\u201d (Vol. D Norton 917-20). From Tales of the Pacific (Separate text): \u201cThe House of Mapuhi\u201d (31-53); \u201cMauki (64-79).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 03\/01. Jack London. From <em>Tales of the Pacific <\/em>(Separate text): \u201cThe Sheriff of Kona\u201d (121-34); \u201cKoolau the Leper\u201d (135-50); \u201cThe Bones of Kehekili\u201d (151-73).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 7<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 03\/06. Robert Frost. \u201cThe Figure a Poem Makes\u201d (Vol. D 250-52); \u201cMowing\u201d (231-32); \u201cMending Wall\u201d (232-33); \u201cThe Death of the Hired Man\u201d (233-37); \u201cThe Wood-Pile\u201d (241); \u201cThe Road Not Taken\u201d (241-42); \u201cBirches\u201d (242-44); \u201cOut, Out\u2014\u201d (244); \u201cFire and Ice\u201d (245); \u201cNothing Gold Can Stay\u201d (245); \u201cStopping by Woods on a Snowy Evening\u201d (245); \u201cDesert Places\u201d (246); \u201cDesign\u201d (246); \u201cThe Gift Outright\u201d (248).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 03\/08. Carl Sandburg and William Carlos Williams. Sandburg\u2019s \u201cChicago\u201d (Vol. D 279-80); \u201cFog\u201d (280); \u201cCool Tombs\u201d (280-81); \u201cGrass\u201d (281). From Williams\u2019 Spring and All (346-47); Poems: \u201cQueen-Anne\u2019s Lace\u201d (305); \u201cSpring and All\u201d (306-07); \u201cTo Elsie\u201d (307-09); \u201cThe Red Wheelbarrow\u201d (309); \u201cThe Dead Baby\u201d (309-10); \u201cThis Is Just to Say\u201d (310); \u201cA Sort of a Song\u201d (310); \u201cLandscape with the Fall of Icarus\u201d (313).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 8<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 03\/13. T. S. Eliot. From \u201cTradition and the Individual Talent\u201d (Vol. D 372-75); \u201cThe Waste Land\u201d (378-91).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 03\/15. F. T. Marinetti, Ezra Pound, H. D., Marianne Moore, Wallace Stevens, E. E. Cummings. From Marinetti\u2019s \u201cManifesto of Futurism\u201d (Vol. D 337). From Pound\u2019s \u201cA Retrospect\u201d(341-43). H.D.\u2019s \u201cLeda\u201d (353); \u201cFragment 113\u201d (354); \u201cHelen\u201d (355). Moore\u2019s \u201cPoetry\u201d (359-60); \u201cTo a Snail\u201d (360). Stevens\u2019 \u201cAnecdote of the Jar\u201d (288); \u201cThirteen Ways of Looking at a Blackbird\u201d (291-92); \u201cThe Idea of Order at Key West\u201d (293-94); \u201cOf Modern Poetry\u201d (294). E.E. Cummings\u2019 \u201cin Just-\u201d (638); \u201cthe Cambridge ladies \u2026\u201d (640); \u201cnext to of course god america i\u201d (641); \u201ci sing of Olaf glad and big\u201d (641-42); \u201canyone lived in a pretty how town\u201d (643-44).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>JOURNAL SET 2 DUE BY EMAIL SUNDAY 03\/18<\/strong>. (Chopin through Cummings.)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 9<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 03\/20. Ernest Hemingway. \u201cThe Snows of Kilimanjaro\u201d (Vol. D 826-42). We will watch part of a film production.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 03\/22. Ernest Hemingway. \u201cThe Snows of Kilimanjaro\u201d (Vol. D 826-42).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 10<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 03\/27. Spring Recess: no classes all week.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 03\/29. Spring Recess: no classes all week.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 11<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 04\/03. William Faulkner. <em>As I Lay Dying <\/em>(Vol. D 698-762, i.e. first 2\/3).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 04\/05. William Faulkner. <em>As I Lay Dying <\/em>(Vol. D 762-793, last 1\/3).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 12<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 04\/10. Langston Hughes. From \u201cThe Negro Artist and the Racial Mountain\u201d (Vol. D 348-50); All Poems (871-80): \u201cThe Negro Speaks of Rivers\u201d (871); \u201cMother to Son\u201d (871-72); \u201cI, Too\u201d (872); \u201cThe Weary Blues\u201d (872-73); \u201cMulatto\u201d (873-74); \u201cSong for a Dark Girl\u201d (874-75); \u201cGenius Child\u201d (875); \u201cVisitors to the Black Belt\u201d (875-76); \u201cNote on Commercial Theatre\u201d (876); \u201cVagabonds\u201d (876-77); \u201cWords Like Freedom\u201d (877); \u201cMadam and Her Madam\u201d (877-78); \u201cFreedom {1}\u201d (878); \u201cMadam\u2019s Calling Cards\u201d (878-79); \u201cSilhouette\u201d (879); \u201cTheme for English B\u201d (880).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 04\/12. Zora Neale Hurston. \u201cThe Eatonville Anthology\u201d (Vol. D 530-38); \u201cHow It Feels to Be Colored Me\u201d (538-41); \u201cThe Gilded Six-Bits\u201d (541-49).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>JOURNAL SET 3 DUE BY EMAIL SUNDAY 04\/15<\/strong>. (Fitzgerald through Hurston.)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 13<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 04\/17. Tennessee Williams. <em>A Streetcar Named Desire <\/em>(Vol. E 93-133, Scenes 1-6).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 04\/19. Tennessee Williams. <em>A Streetcar Named Desire <\/em>(Vol. E 133-55, Scenes 7-11).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PARAGRAPH ON PAPER TOPIC AND ARGUMENT DUE SUNDAY 04\/22<\/strong>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 14<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 04\/24. John Cheever. \u201cThe Swimmer\u201d (Vol. E 157-65).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 04\/26. Allen Ginsberg. \u201cHowl\u201d (Vol. E 492-500); \u201cFootnote to Howl\u201d (500); \u201cA Supermarket in California\u201d (500); \u201cSunflower Sutra\u201d (501); \u201cTo Aunt Rose\u201d (503); \u201cOn Burroughs\u2019 Work (504); \u201cEgo Confession\u201d (505).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 15<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 05\/01. Flannery O\u2019Connor. \u201cThe Life You Save May Be Your Own\u201d (Vol. E 437-44); \u201cGood Country People\u201d (Vol. E 445-58).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 05\/03. Thomas Pynchon. \u201cEntropy\u201d (Vol. E 725-36).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WEEK 16<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tu. 05\/08. Frederick Jackson Turner. From \u201cThe Significance of the Frontier in American History\u201d (Vol. D 1133-37). Sam Shepard. True West (Vol. E Act 1, 870-887).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th. 05\/10. Sam Shepard. <em>True West <\/em>(Vol. E Act 2, 887-909).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>JOURNAL SET 4 DUE BY EMAIL EXAM DAY<\/strong>. (Tennessee Williams through Shepard.)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">FINALS WEEK<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Final exam date: Thurs. May 17, 12:00 \u2013 1:50 p.m. Paper due by email by Saturday, May 19. I must turn in grades by May 25, 2011. For your other courses, check CSUF\u2019s Final Exam Schedule.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>READING SCHEDULE FOR E222 AMERICAN LITERATURECSU FULLERTON, SPRING 2012 *2023 Note.\u00a0Most links and procedural information have been removed from this archival copy, leaving mainly the assigned edition and the reading schedule. COURSE INFORMATION. English 222, Course Code 20799, Section 4. Tu\/Th 11:30 a.m. \u2013 12:45 p.m., Clayes Performing Arts Center. (CPAC) 116. Instructor: Alfred J. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_eb_attr":"","footnotes":""},"wf_page_folders":[44],"class_list":["post-5484","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5484","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/comments?post=5484"}],"version-history":[{"count":2,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5484\/revisions"}],"predecessor-version":[{"id":6065,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5484\/revisions\/6065"}],"wp:attachment":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/media?parent=5484"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/wf_page_folders?post=5484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}