{"id":5487,"date":"2023-04-09T07:01:06","date_gmt":"2023-04-09T14:01:06","guid":{"rendered":"https:\/\/www.ajdrake.com\/academic\/?page_id=5487"},"modified":"2023-04-19T15:53:25","modified_gmt":"2023-04-19T22:53:25","slug":"e222-american-lit-from-twain-to-the-moderns-schedule-spring-2014","status":"publish","type":"page","link":"https:\/\/www.ajdrake.com\/academic\/e222-american-lit-from-twain-to-the-moderns-schedule-spring-2014\/","title":{"rendered":"E222 American Lit. from Twain to the Moderns Schedule, Spring 2014"},"content":{"rendered":"\n

READING SCHEDULE FOR E222 AMERICAN LITERATURE
CSU FULLERTON, SPRING 2014<\/h2>\n\n\n\n

*2023 Note<\/strong>.\u00a0Most links and procedural information have been removed from this archival copy, leaving mainly the assigned editions and the reading schedule.<\/p>\n\n\n\n

COURSE INFORMATION. <\/strong>English 222, Course Code 18894, Section 2. MW 1:00 \u2013 2:15 p.m., Langsdorf Hall (LH) 308. Instructor: Alfred J. Drake, Ph.D. Office hours: MW 2:20 \u2013 3:20 p.m. in University Hall (UH) 329. Email: e222_at_ajdrake.com. Catalog: \u201cMajor writers such as Twain, James, Crane, Hemingway, Faulkner, O\u2019Neill, Frost and Eliot. Units: (3).\u201d <\/p>\n\n\n\n

REQUIRED TEXTS AT TITAN BOOKSTORE<\/h2>\n\n\n\n

Nina Baym, et al. The Norton Anthology of American Literature.<\/em> Eighth Edition. Paperback. Package 2: Vols. C, D, E. ISBN-13: 978-0-393-91310-1.<\/p>\n\n\n\n

London, Jack. Tales of the Pacific.<\/em> New York: Penguin, 1989. ISBN-13: 978-0-140-18358-0.<\/p>\n\n\n\n

QUESTIONS FOR JOURNALS AND PRESENTATIONS<\/h2>\n\n\n\n

*2023 Note<\/strong>. Visitors may download the following questions in PDF format: MODERN AMERICAN LITERATURE<\/a><\/strong>.<\/p>\n\n\n\n

Whitman | Dickinson | Twain | H. James | Chopin | London | Frost | Sandburg | W. C. Williams | T. S. Eliot | W. Stevens | Cummings | Hemingway | L. Hughes | Faulkner | Tenn. Williams | Cheever | O\u2019Connor | Ginsberg | F. J. Turner | Shepard<\/p>\n\n\n\n

SCHEDULE: WORKS DISCUSSED ON DATES INDICATED<\/h2>\n\n\n\n

WEEK 1<\/h2>\n\n\n\n

M. 01\/20. Martin Luther King, Jr. Holiday. No classes.<\/p>\n\n\n\n

W. 01\/22. Course Introduction.<\/p>\n\n\n\n

WEEK 2<\/h2>\n\n\n\n

M. 01\/27. Walt Whitman and Emily Dickinson. Whitman\u2019s \u201cWhen Lilacs Last in the Dooryard Bloom\u2019d\u201d (Vol. C 79-85). Dickinson\u2019s \u201c320\u201d (Vol. C 97); \u201c340\u201d (Vol. C 99); \u201c448\u201d (Vol. C 102); \u201c479\u201d (Vol. C 102-03); \u201c591\u201d (Vol. C 103-04); \u201c598\u201d (Vol. C 104); \u201c620\u201d (Vol. C 104); \u201c764\u201d (Vol. C 107); \u201c1263\u201d (Vol. C 108); \u201c1668\u201d (Vol. C 108).<\/p>\n\n\n\n

W. 01\/29. Mark Twain. From Letters from the Earth (Vol. C 336-51).<\/p>\n\n\n\n

WEEK 3<\/h2>\n\n\n\n

M. 02\/03. Henry James. Daisy Miller <\/em>(Vol. C 421-59).<\/p>\n\n\n\n

W. 02\/05. Henry James. Daisy Miller <\/em>(Vol. C 421-59). We will also watch part of a film production.<\/p>\n\n\n\n

JOURNAL SET 1 DUE BY EMAIL MONDAY 02\/10<\/strong>. (Whitman through James.)<\/p>\n\n\n\n

WEEK 4<\/h2>\n\n\n\n

M. 02\/10. Kate Chopin. The Awakening <\/em>(Vol. C Chapters 1-11, 561-586).<\/p>\n\n\n\n

W. 02\/12. Kate Chopin. The Awakening <\/em>(Vol. C Chapters 12-26, 586-626).<\/p>\n\n\n\n

WEEK 5<\/h2>\n\n\n\n

M. 02\/17. Presidents\u2019 Day Holiday. No classes.<\/p>\n\n\n\n

W. 02\/19. Kate Chopin. The Awakening <\/em>(Vol. C Chapters 27-39, 626-52).<\/p>\n\n\n\n

WEEK 6<\/h2>\n\n\n\n

M. 02\/24. Jack London. From \u201cWhat Life Means to Me\u201d (Norton Vol. D 917-20). From Tales of the Pacific <\/em>(Penguin edition): \u201cThe House of Mapuhi\u201d (31-53); \u201cMauki (64-79); \u201cThe Sheriff of Kona\u201d (121-34).<\/p>\n\n\n\n

W. 02\/26. Jack London. From Tales of the Pacific <\/em>(Penguin edition): \u201cKoolau the Leper\u201d (135-50); \u201cThe Bones of Kehekili\u201d (151-73).<\/p>\n\n\n\n

JOURNAL SET 2 DUE BY EMAIL MONDAY 03\/03<\/strong>. (Chopin through London.)<\/p>\n\n\n\n

WEEK 7<\/h2>\n\n\n\n

M. 03\/03. Robert Frost. \u201cThe Figure a Poem Makes\u201d (Vol. D 250-52); \u201cMowing\u201d (Vol. D 231-32); \u201cMending Wall\u201d (Vol. D 232-33); \u201cThe Death of the Hired Man\u201d (Vol. D 233-37); \u201cThe Wood-Pile\u201d (Vol. D 241); \u201cThe Road Not Taken\u201d (Vol. D 241-42); \u201cBirches\u201d (Vol. D 242-44); \u201cOut, Out\u2014\u201d (Vol. D 244); \u201cFire and Ice\u201d (Vol. D 245); \u201cNothing Gold Can Stay\u201d (Vol. D 245); \u201cStopping by Woods on a Snowy Evening\u201d (Vol. D 245); \u201cDesert Places\u201d (Vol. D 246); \u201cDesign\u201d (Vol. D 246); \u201cThe Gift Outright\u201d (Vol. D 248).<\/p>\n\n\n\n

W. 03\/05. Carl Sandburg and William Carlos Williams. Sandburg\u2019s \u201cChicago\u201d (Vol. D 279-80); \u201cFog\u201d (Vol. D 280); \u201cCool Tombs\u201d (Vol. D 280-81); \u201cGrass\u201d (Vol. D 281). From Williams\u2019 Spring and All (Vol. D 346-47); Poems: \u201cQueen-Anne\u2019s Lace\u201d (Vol. D 305); \u201cSpring and All\u201d (Vol. D 306-07); \u201cTo Elsie\u201d (Vol. D 307-09); \u201cThe Red Wheelbarrow\u201d (Vol. D 309); \u201cThe Dead Baby\u201d (Vol. D 309-10); \u201cThis Is Just to Say\u201d (Vol. D 310); \u201cA Sort of a Song\u201d (Vol. D 310); \u201cBurning the Christmas Greens\u201d (Vol. D 311-13); \u201cLandscape with the Fall of Icarus\u201d (Vol. D 313).<\/p>\n\n\n\n

WEEK 8<\/h2>\n\n\n\n

M. 03\/10. T. S. Eliot. \u201cThe Waste Land\u201d (Vol. D 378-91).<\/p>\n\n\n\n

W. 03\/12. Wallace Stevens. \u201cThe Snow Man\u201d (Vol. D 283-84); \u201cDisillusionment of Ten O\u2019Clock\u201d (Vol. D 285); \u201cSunday Morning\u201d (Vol. D 285-88); \u201cAnecdote of the Jar\u201d (Vol. D 288-89); \u201cPeter Quince at the Clavier\u201d (Vol. D 289-90); \u201cThirteen Ways of Looking at a Blackbird\u201d (Vol. D 291-92); \u201cThe Idea of Order at Key West\u201d (Vol. D 293-94); \u201cOf Modern Poetry\u201d (Vol. D 294); The Plain Sense of Things\u201d (Vol. D 295).<\/p>\n\n\n\n

WEEK 9<\/h2>\n\n\n\n

M. 03\/17. E. E. Cummings. \u201cThy fingers make early flowers of\u201d (Vol. D 638); \u201cin Just-\u201d (Vol. D 638-39); \u201cO sweet spontaneous\u201d (Vol. D 639-40); \u201cBuffalo Bill\u2019s\u201d (Vol. D 640); \u201cthe Cambridge ladies who live in furnished souls\u201d (Vol. D 640); \u201cnext to of course god america i\u201d (Vol. D 641); \u201ci sing of Olaf glad and big\u201d (Vol. D 641-42); \u201csomewhere i have never travelled,gladly beyond\u201d (Vol. D 642-43); \u201canyone lived in a pretty how town\u201d (Vol. D 643-44); \u201cmy father moved through dooms of love\u201d (Vol. D 644-45); \u201cpity this busy monster,manunkind\u201d (Vol. D 646).<\/p>\n\n\n\n

W. 03\/19. Ernest Hemingway. \u201cThe Snows of Kilimanjaro\u201d (Vol. D 826-42).<\/p>\n\n\n\n

JOURNAL SET 3 DUE BY EMAIL MONDAY 03\/24<\/strong>. (Frost through Hemingway.)<\/p>\n\n\n\n

WEEK 10<\/h2>\n\n\n\n

M. 03\/24. Langston Hughes. From \u201cThe Negro Artist and the Racial Mountain\u201d (Vol. D 348-50); All Poems (Vol. D 871-80): \u201cThe Negro Speaks of Rivers\u201d (Vol. D 871); \u201cMother to Son\u201d (Vol. D 871-72); \u201cI, Too\u201d (Vol. D 872); \u201cThe Weary Blues\u201d (Vol. D 872-73); \u201cMulatto\u201d (Vol. D 873-74); \u201cSong for a Dark Girl\u201d (Vol. D 874-75); \u201cGenius Child\u201d (Vol. D 875); \u201cVisitors to the Black Belt\u201d (Vol. D 875-76); \u201cNote on Commercial Theatre\u201d (Vol. D 876); \u201cVagabonds\u201d (Vol. D 876-77); \u201cWords Like Freedom\u201d (Vol. D 877); \u201cMadam and Her Madam\u201d (Vol. D 877-78); \u201cFreedom {1}\u201d (Vol. D 878); \u201cMadam\u2019s Calling Cards\u201d (Vol. D 878-79); \u201cSilhouette\u201d (Vol. D 879); \u201cTheme for English B\u201d (Vol. D 880).<\/p>\n\n\n\n

W. 03\/26. William Faulkner. As I Lay Dying <\/em>(Vol. D 698-730, i.e. first 1\/3).<\/p>\n\n\n\n

WEEK 11<\/h2>\n\n\n\n

M. 03\/31. Spring Break. No classes.<\/p>\n\n\n\n

W. 04\/02. Spring Break. No classes.<\/p>\n\n\n\n

WEEK 12<\/h2>\n\n\n\n

M. 04\/07. William Faulkner. As I Lay Dying <\/em>(Vol. D 731-62, i.e. second 1\/3).<\/p>\n\n\n\n

W. 04\/09. William Faulkner. As I Lay Dying <\/em>(Vol. D 762-793, last 1\/3).<\/p>\n\n\n\n

PARAGRAPH ON PAPER TOPIC AND ARGUMENT DUE MONDAY 04\/14<\/strong>.<\/p>\n\n\n\n

WEEK 13<\/h2>\n\n\n\n

M. 04\/14. Tennessee Williams. A Streetcar Named Desire <\/em>(Film production: Marlon Brando\/Vivien Leigh\/Kim Hunter, 1951, first 75 of 122 minutes).<\/p>\n\n\n\n

W. 04\/16. Tennessee Williams. A Streetcar Named Desire <\/em>(Film production: Marlon Brando\/Vivien Leigh\/Kim Hunter, 1951, remaining 47 of 122 minutes).<\/p>\n\n\n\n

WEEK 14<\/h2>\n\n\n\n

M. 04\/21. Tennessee Williams. A Streetcar Named Desire <\/em>(Vol. E 93-55, Scenes 1-11).<\/p>\n\n\n\n

W. 04\/23. John Cheever. \u201cThe Swimmer\u201d (Vol. E 157-65).<\/p>\n\n\n\n

JOURNAL SET 4 DUE BY EMAIL MONDAY 04\/28<\/strong>. (Hughes through Cheever.)<\/p>\n\n\n\n

WEEK 15<\/h2>\n\n\n\n

M. 04\/28. Flannery O\u2019Connor. \u201cThe Life You Save May Be Your Own\u201d (Vol. E 437-44); \u201cGood Country People\u201d (Vol. E 445-58).<\/p>\n\n\n\n

W. 04\/30. Allen Ginsberg. \u201cHowl\u201d (Vol. E 492-500); \u201cFootnote to Howl\u201d (Vol. E 500).; \u201cA Supermarket in California\u201d (Vol. E 500); \u201cSunflower Sutra\u201d (Vol. E 501).<\/p>\n\n\n\n

WEEK 16<\/h2>\n\n\n\n

M. 05\/07. Frederick Jackson Turner and Sam Shepard. From Turner\u2019s \u201cThe Significance of the Frontier in American History\u201d (Vol. C 1133-37). Shepard\u2019s True West <\/em>(Vol. E Act 1, 870-887).<\/p>\n\n\n\n

W. 05\/09. Sam Shepard. True West <\/em>(Vol. E Act 2, 887-909).<\/p>\n\n\n\n

JOURNAL SET 5 DUE BY PAPER DUE DATE<\/strong>. (O\u2019Connor through Shepard.)<\/p>\n\n\n\n

FINALS WEEK<\/h2>\n\n\n\n

Final exam date Monday, May 12 from 2:30 \u2013 4:20 p.m. Due by email by Friday, May 16: Term Paper. (I must turn in grades by May 23, 2014.) For your other courses, check CSUF\u2019s Final Exam Schedule.<\/p>\n","protected":false},"excerpt":{"rendered":"

READING SCHEDULE FOR E222 AMERICAN LITERATURECSU FULLERTON, SPRING 2014 *2023 Note.\u00a0Most links and procedural information have been removed from this archival copy, leaving mainly the assigned editions and the reading schedule. COURSE INFORMATION. English 222, Course Code 18894, Section 2. MW 1:00 \u2013 2:15 p.m., Langsdorf Hall (LH) 308. Instructor: Alfred J. Drake, Ph.D. Office […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_eb_attr":"","footnotes":""},"wf_page_folders":[44],"class_list":["post-5487","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5487","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/comments?post=5487"}],"version-history":[{"count":2,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5487\/revisions"}],"predecessor-version":[{"id":6066,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/pages\/5487\/revisions\/6066"}],"wp:attachment":[{"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/media?parent=5487"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"https:\/\/www.ajdrake.com\/academic\/wp-json\/wp\/v2\/wf_page_folders?post=5487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}