{"id":11260,"date":"2026-03-06T05:33:49","date_gmt":"2026-03-06T13:33:49","guid":{"rendered":"https:\/\/www.ajdrake.com\/shakespeare\/?page_id=11260"},"modified":"2026-03-14T07:33:42","modified_gmt":"2026-03-14T14:33:42","slug":"olli-mayhew-notes","status":"publish","type":"page","link":"https:\/\/www.ajdrake.com\/shakespeare\/olli-mayhew-notes\/","title":{"rendered":"OLLI &#8211; Mayhew Notes"},"content":{"rendered":"\n<div class=\"wp-block-uagb-buttons uagb-buttons__outer-wrap uagb-btn__default-btn uagb-btn-tablet__default-btn uagb-btn-mobile__default-btn uagb-block-4f6cdd05 uag-hide-mob\"><div class=\"uagb-buttons__wrap uagb-buttons-layout-wrap \">\n<div class=\"wp-block-uagb-buttons-child uagb-buttons__outer-wrap uagb-block-dcba7b2a wp-block-button\"><div class=\"uagb-button__wrapper\"><a class=\"uagb-buttons-repeater wp-block-button__link\" aria-label=\"\" href=\"https:\/\/www.ajdrake.com\/shakespeare\/\" rel=\"follow noopener\" target=\"_self\" role=\"button\"><div class=\"uagb-button__link\">HOME<\/div><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-buttons-child uagb-buttons__outer-wrap uagb-block-9ae5aeea wp-block-button\"><div class=\"uagb-button__wrapper\"><a class=\"uagb-buttons-repeater wp-block-button__link\" aria-label=\"\" href=\"https:\/\/www.ajdrake.com\/shakespeare\/my-olli-courses-at-unlv\/\" rel=\"follow noopener\" target=\"_self\" role=\"button\"><div class=\"uagb-button__link\">OLLI<\/div><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-buttons-child uagb-buttons__outer-wrap uagb-block-2368e1c6 wp-block-button\"><div class=\"uagb-button__wrapper\"><a class=\"uagb-buttons-repeater wp-block-button__link\" aria-label=\"\" href=\"https:\/\/www.ajdrake.com\/shakespeare\/shakespeare-questions\/\" rel=\"follow noopener\" target=\"_self\" role=\"button\"><div class=\"uagb-button__link\">QUESTIONS<\/div><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-buttons-child uagb-buttons__outer-wrap uagb-block-040dd0bb wp-block-button\"><div class=\"uagb-button__wrapper\"><a class=\"uagb-buttons-repeater wp-block-button__link\" aria-label=\"\" href=\"https:\/\/www.ajdrake.com\/shakespeare\/shakespeare-commentaries\/\" rel=\"follow noopener\" target=\"_self\" role=\"button\"><div class=\"uagb-button__link\">COMMENTARIES<\/div><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-buttons-child uagb-buttons__outer-wrap uagb-block-57f86fdb wp-block-button\"><div class=\"uagb-button__wrapper\"><a class=\"uagb-buttons-repeater wp-block-button__link\" aria-label=\"\" href=\"https:\/\/www.ajdrake.com\/shakespeare\/shakespeare-audio\/\" rel=\"follow noopener\" target=\"_self\" role=\"button\"><div class=\"uagb-button__link\">AUDIO<\/div><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-buttons-child uagb-buttons__outer-wrap uagb-block-1b812369 wp-block-button\"><div class=\"uagb-button__wrapper\"><a class=\"uagb-buttons-repeater wp-block-button__link\" aria-label=\"\" href=\"https:\/\/www.ajdrake.com\/shakespeare\/shakespeare-guides\/\" rel=\"follow noopener\" target=\"_self\" role=\"button\"><div class=\"uagb-button__link\">GUIDES<\/div><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-buttons-child uagb-buttons__outer-wrap uagb-block-d5da63d7 wp-block-button\"><div class=\"uagb-button__wrapper\"><a class=\"uagb-buttons-repeater wp-block-button__link\" aria-label=\"\" href=\"https:\/\/www.ajdrake.com\/shakespeare\/shakespeare-links\/\" rel=\"follow noopener\" target=\"_self\" role=\"button\"><div class=\"uagb-button__link\">LINKS<\/div><\/a><\/div><\/div>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/www.ajdrake.com\/shakespeare\/wp-content\/uploads\/2025\/12\/victorian-title.png\" alt=\"Course title: Victorian Literature and Culture (1837-1901)\" style=\"aspect-ratio:6.971502987590011;width:669px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-fall-2025-syllabus-mon-at-mab2\/\" target=\"_blank\" rel=\"noreferrer noopener\">Return to Victorian Literature &amp; Culture Syllabus\/Home Page<\/a>  <\/p>\n\n\n\n<p><strong>Commentaries: <\/strong><a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-victorian-lit-intro\/\" target=\"_blank\" rel=\"noreferrer noopener\">Introduction<\/a> | <a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-carlyle-notes\/\" target=\"_blank\" rel=\"noreferrer noopener\">Carlyle<\/a> | <a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-mill-j-s-notes\/\" data-type=\"page\" data-id=\"11252\" target=\"_blank\" rel=\"noreferrer noopener\">Mill<\/a> | <a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-browning-e-b-notes\/\" data-type=\"page\" data-id=\"11254\" target=\"_blank\" rel=\"noreferrer noopener\">E. B. Browning<\/a> | <a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-bronte-e-notes\/\" data-type=\"page\" data-id=\"11255\" target=\"_blank\" rel=\"noreferrer noopener\">Bront\u00eb<\/a> | <a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-tennyson-notes\/\" data-type=\"page\" data-id=\"11259\" target=\"_blank\" rel=\"noreferrer noopener\">Tennyson<\/a> | <a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-mayhew-notes\/\" data-type=\"page\" data-id=\"11260\" target=\"_blank\" rel=\"noreferrer noopener\">Mayhew<\/a> | <a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-ruskin-notes\/\" data-type=\"page\" data-id=\"11282\" target=\"_blank\" rel=\"noreferrer noopener\">Ruskin<\/a> | <a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-browning-r-notes\/\" data-type=\"page\" data-id=\"11286\" target=\"_blank\" rel=\"noreferrer noopener\">R. Browning<\/a> | <a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-arnold-notes\/\" data-type=\"page\" data-id=\"11284\" target=\"_blank\" rel=\"noreferrer noopener\">Arnold<\/a> | <a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-stevenson-r-l-notes\/\" data-type=\"page\" data-id=\"11288\" target=\"_blank\" rel=\"noreferrer noopener\">Stevenson<\/a> | <a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-pre-raphaelite-critics-notes\/\" data-type=\"page\" data-id=\"11290\" target=\"_blank\" rel=\"noreferrer noopener\">Pre-Raphaelites Intro<\/a> | <a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-rossetti-d-g-notes\/\" data-type=\"page\" data-id=\"11293\" target=\"_blank\" rel=\"noreferrer noopener\">D. G. Rossetti<\/a> | <a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-rossetti-c-notes\/\" data-type=\"page\" data-id=\"11295\" target=\"_blank\" rel=\"noreferrer noopener\">C. Rossetti<\/a> | <a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-hopkins-notes\/\" data-type=\"page\" data-id=\"11291\" target=\"_blank\" rel=\"noreferrer noopener\">Hopkins<\/a> | <a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-pater-notes\/\" data-type=\"page\" data-id=\"11297\" target=\"_blank\" rel=\"noreferrer noopener\">Pater<\/a> | <a href=\"https:\/\/www.ajdrake.com\/shakespeare\/olli-wilde-notes\/\" data-type=\"page\" data-id=\"11300\" target=\"_blank\" rel=\"noreferrer noopener\">Wilde<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Notes on Henry Mayhew&#8217;s <em>London Labor and the London Poor<\/em><\/h3>\n\n\n\n<p>Henry Mayhew led an interesting life, to say the least, and co-founded <em>Punch, <\/em>the famous satirical magazine, in 1841. In his multivolume study <em>London Labour and the London Poor <\/em>(1851, 1861-62), he gives us a look at England\u2019s early sociological thinking. The impulse we find in Mayhew and others to categorize and taxonomize various poor Londoners exists alongside the English drive towards reform legislation, blue-ribbon commissions to study this or that social problem, and so forth. <\/p>\n\n\n\n<p>Mayhew offers quite a lot of useful information on the lives of the people he interviews, and while his work isn\u2019t the product of modern, reliable statistics, it\u2019s a plus that he doesn\u2019t high-handedly \u201cspeak for\u201d poor people but instead draws from them their own stories, in anecdotal form. Alongside this healthy practice is some admixture of what we would call racist or otherwise biased, essentialist assumption-making regarding why disadvantaged people live the way they live. <\/p>\n\n\n\n<p>Even so, Mayhew seems aware that it\u2019s mainly people\u2019s <em>circumstances <\/em>that make them act and think they way they do\u2014not some innate, ineradicable curse upon their ancestry, their alleged biological inferiority, or anything of that sort. This insight (one that Marx and Engels demonstrate to a more radical degree\u2014they say \u201cconsciousness is determined by life\u201d) somewhat slips away from Mayhew when he uses terminology such as \u201cnomad\u201d and \u201csavage\u201d to describe struggling Londoners. Even so, we should credit him with genuine insight and with a willingness to accept middle-class and upper-class moral responsibility for the poor\u2019s misery. (See pg. 336 middle for this acceptance.)<\/p>\n\n\n\n<p>In Carlyle and Ruskin, we see moralist Victorian sage-writers develop their own solutions to Victorian Britain\u2019s troubles, and we find J. S. Mill the Utilitarian philosopher promoting liberty and a refinement of the Benthamite \u201cgreatest happiness principle\u201d (a very present- and future-oriented approach, as opposed to Carlyle and Ruskin\u2019s tendency to praise past social arrangements for their stability). We can now add to these writers the proto-sociologist Henry Mayhew working out a first draft, so to speak, of the modern sociological approach to poverty and unemployment.<\/p>\n\n\n\n<p><strong>Edition:&nbsp;<\/strong>Greenblatt, Stephen, ed.&nbsp;<em>The Norton Anthology of English Literature,<\/em>&nbsp;11<sup>th<\/sup>&nbsp;edition. Volume E, The Victorian Age. New York: 2024. ISBN-13: 978-0393543322.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Copyright \u00a9 2026 Alfred J. Drake<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Document Timestamp: 3\/12\/2026<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Notes on Henry Mayhew&#8217;s London Labor and the London Poor Henry Mayhew led an interesting life, to say the least, 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