{"id":1033,"date":"2025-12-01T18:30:54","date_gmt":"2025-12-02T02:30:54","guid":{"rendered":"https:\/\/www.ajdrake.com\/shakespeare\/?p=1033"},"modified":"2026-06-03T17:09:36","modified_gmt":"2026-06-04T00:09:36","slug":"site-progress","status":"publish","type":"post","link":"https:\/\/www.ajdrake.com\/shakespeare\/site-basics\/site-progress\/","title":{"rendered":"Site Progress + Other Sites"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ajdrake.com\/academic\/\" target=\"_blank\" rel=\"noreferrer noopener\">My Home Site<\/a>&nbsp;\u2013 CV &amp; Other Materials<br><a href=\"https:\/\/www.devilstoadore.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Devils to Adore<\/a>&nbsp;\u2013 a site dedicated to the works of John Milton<br><a href=\"https:\/\/www.theoryocracy.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Theoryocracy<\/a>&nbsp;\u2013 2,000+ questions on 159 literary theorists and critics in&nbsp;<em>The Norton Anthology of Criticism and Theory,&nbsp;<\/em>3rd. ed.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Progress on My Shakespeare Site &#8230;.<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The site&#8217;s <a href=\"https:\/\/www.ajdrake.com\/shakespeare\/shakespeare-links\/\" data-type=\"page\" data-id=\"3869\">Links Page<\/a> (with associated separate pages) now has 1300+ hyperlinks spread across more than fifty categories. Expansion of the &#8220;criticism,&#8221; &#8220;folios &amp; editions,&#8221; and consolidated &#8220;sources&#8221; pages account for much of the growth to date.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Guides Added Recently<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.ajdrake.com\/shakespeare\/introduction-to-history\/\" target=\"_blank\" rel=\"noreferrer noopener\">Intro to Shakespeare\u2019s History Plays (Drake)<\/a><\/li>\n\n\n\n<li style=\"line-height:2\"><a href=\"https:\/\/www.ajdrake.com\/shakespeare\/wp-content\/uploads\/2025\/01\/Intro-to-Greek-Tragedy-Drake.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Introduction to Greek Tragedy (Drake)<\/a><\/li>\n\n\n\n<li style=\"line-height:2\"><a href=\"https:\/\/www.ajdrake.com\/shakespeare\/uncategorized\/thoughts-on-comedy-and-tragedy\/\" target=\"_blank\" rel=\"noreferrer noopener\">Comedy and Tragedy, a Post (Drake)<\/a><\/li>\n\n\n\n<li style=\"line-height:2\"><a href=\"https:\/\/www.ajdrake.com\/shakespeare\/wp-content\/uploads\/2025\/01\/Tillyards-Eliz-World-Picture-Drake.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">On Tillyard\u2019s&nbsp;<em>Elizabethan World Picture&nbsp;<\/em>(Drake)<\/a><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">I am revising commentaries as well as updating them to accord with the&nbsp;<em>Norton Shakespeare&nbsp;<\/em>3rd edition, 4-volume genre-based set. The following symbols are used to indicate the level of revision and updating for each play listed:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">** Content thoroughly revised, quotations updated, endnotes included. <br>*   Content moderately revised, quotations updated, endnotes included.<br>\u2020  Content lightly revised, quotations updated; need to add endnotes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Plays that remain to be commented on: <em>Henry VI Pt. 1, <\/em><em>Edward III,<\/em> <em>Arden of Faversham<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Commentaries<\/strong> <strong>(Most Recent Edits Listed First)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Sonnets,<\/em> Selected (6\/3\/2026) **<\/li>\n\n\n\n<li><em>2 Henry VI <\/em>(2\/27\/26) **<\/li>\n\n\n\n<li><em>3 Henry VI <\/em>(1\/5\/26) **<\/li>\n\n\n\n<li><em>King John <\/em>(12\/25\/25) **<\/li>\n\n\n\n<li><em>Henry VIII <\/em>(12-13-2025, 9-1-24) **<\/li>\n\n\n\n<li><em>The Two Noble Kinsmen <\/em>(12-1-2025) **<\/li>\n\n\n\n<li><em>The Two Gentlemen of Verona <\/em>(11\/23\/2025) **<\/li>\n\n\n\n<li><em>Antony and Cleopatra <\/em>(9-21-2025, 8-23-24) **<\/li>\n\n\n\n<li><em>Richard III&nbsp;<\/em>(9-1-2025, 8-10-25) **<\/li>\n\n\n\n<li><em>Henry V <\/em>(9-1-2025, 9-2-24) **<\/li>\n\n\n\n<li>2<em> Henry IV<\/em>  (8-22-2025) **<\/li>\n\n\n\n<li><em>1<\/em> <em>Henry IV<\/em>  (8-15-2025) **<\/li>\n\n\n\n<li><em>Richard II <\/em>(8-9-2025, 1-17-25) **<\/li>\n\n\n\n<li><em>Timon of Athens <\/em>(8-9-2025, 8-22-24) **<\/li>\n\n\n\n<li><em>Romeo and Juliet <\/em>(8-8-2025, 12-30-24) **<\/li>\n\n\n\n<li><em>Othello<\/em> (8-8-2025, 3-30-25) **<\/li>\n\n\n\n<li><em>Julius Caesar <\/em>(8-8-2025, 8-10-24) **<\/li>\n\n\n\n<li><em>King Lear <\/em>(8-8-2025, 7-29-24) **<\/li>\n\n\n\n<li><em>Cymbeline&nbsp;<\/em>(8-7-2025, 3-3-24) **<\/li>\n\n\n\n<li><em>The Winter\u2019s Tale&nbsp;<\/em>(8-7-2025, 3-6-24) **<\/li>\n\n\n\n<li><em>Pericles, Prince of Tyre<\/em>&nbsp;(8-7-2025, 3-5-24) **<\/li>\n\n\n\n<li><em>The Tempest&nbsp;<\/em>(8-7-2025, 2-11-24) **<\/li>\n\n\n\n<li><em>Coriolanus <\/em>(8-7-2025, 8-30-24) **<\/li>\n\n\n\n<li><em>Hamlet <\/em>(8-6-2025, 6-11-24) **<\/li>\n\n\n\n<li><em>Twelfth Night <\/em>(8-6-2025, 10-14-24) **<\/li>\n\n\n\n<li><em>Troilus and Cressida <\/em>(8-5-2025, 12-20-24) **<\/li>\n\n\n\n<li><em>The Taming of the Shrew <\/em>(8-5-2025, 1-2-25) **<\/li>\n\n\n\n<li><em>The Merchant of Venice&nbsp;<\/em>(8-3-2025, 3-23-24) **<\/li>\n\n\n\n<li><em>A Midsummer Night\u2019s Dream&nbsp;<\/em>(8-3-2025, 10-21-24) **<\/li>\n\n\n\n<li><em>The Merry Wives of Windsor <\/em>(8-3-2025, 10-3-24) **<\/li>\n\n\n\n<li><em>Much Ado about Nothing <\/em>(8-3-2025, 8-2-24) **<\/li>\n\n\n\n<li><em>Measure for Measure&nbsp;<\/em>(8-2-2025, 5-11-24) **<\/li>\n\n\n\n<li><em>As You Like It&nbsp;<\/em>(8-2-2025, 7-31-24) **<\/li>\n\n\n\n<li><em>Love&#8217;s Labor&#8217;s Lost <\/em>(8-2-2025, 9-9-24) **<\/li>\n\n\n\n<li><em>The Comedy of Errors&nbsp;<\/em>(8-2-2025, 9-18-24) **<\/li>\n\n\n\n<li><em>All&#8217;s Well That Ends Well <\/em>(8-1-2025, 11-2-24) **<\/li>\n\n\n\n<li><em>Titus Andronicus <\/em>(7-29-2025, 7-22-24) **<\/li>\n\n\n\n<li><em>Macbeth <\/em>(7-29-2025, 8-7-24) **<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">I am revising question sets as well as updating them to accord with the&nbsp;<em>Norton Shakespeare&nbsp;<\/em>3rd edition, 4-volume genre-based set. The following symbols are used to indicate the level of revision and updating for each play listed:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">** Content thoroughly revised, updated to 3rd edition. <br>* Content moderately revised, updated to 3rd edition.<br>\u2020 Content lightly revised or not yet revised, but updated to 3rd edition.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Questions<\/strong> <strong>(Most Recent Edits Listed First)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Henry VIII <\/em>(12-15-2025, 4-21-24) **<\/li>\n\n\n\n<li><em>The Two Noble Kinsmen <\/em>(12-6-2025) **<\/li>\n\n\n\n<li><em>The Two Gentlemen of Verona<\/em> (11\/25\/2025) **<\/li>\n\n\n\n<li><em>Love&#8217;s Labor&#8217;s Lost <\/em>(11-14-2025) **<\/li>\n\n\n\n<li><em>The Taming of the Shrew <\/em>(11-9-2025, 4-19-24) **<\/li>\n\n\n\n<li><em>Much Ado About Nothing <\/em>(11-2-2025, 4-19-24) **<\/li>\n\n\n\n<li><em>The Comedy of Errors <\/em>(11-1-2025, 4-19-24) **<\/li>\n\n\n\n<li><em>As You Like It <\/em>(10-31-2025, 4-19-24) **<\/li>\n\n\n\n<li><em>All&#8217;s Well That Ends Well <\/em> (10-26-2025, 12-11-23) **<\/li>\n\n\n\n<li><em>Cymbeline <\/em>(10-10-2025, 4-22-24) **<\/li>\n\n\n\n<li><em>Antony and Cleopatra <\/em>(9-21-2025, 5-11-24) **<\/li>\n\n\n\n<li><em>Henry V <\/em>(9-7-2025, 4-21-24) **<\/li>\n\n\n\n<li><em>2 Henry IV <\/em> (9-6-2025, 4-20-24) **<\/li>\n\n\n\n<li><em>1 Henry IV<\/em> (9-6-2025, 4-20-24) **<\/li>\n\n\n\n<li><em>Richard II<\/em> (9-4-2025, 4-22-24) **<\/li>\n\n\n\n<li><em>Coriolanus <\/em>(8-1-2025, 5-11-24) **<\/li>\n\n\n\n<li><em>Macbeth<\/em> (7-29-2025, 4-22-24) **<\/li>\n\n\n\n<li><em>Titus Andronicus <\/em>(7-29-2025, 4-22-24) **<\/li>\n\n\n\n<li><em>Hamlet <\/em>(3-29-2025, 4-23-24) **<\/li>\n\n\n\n<li><em>King Lear<\/em> (3-20-2025, 4-22-24) **<\/li>\n\n\n\n<li><em>Timon of Athens <\/em>(3-14-2025, 4-22-24) **<\/li>\n\n\n\n<li><em>Romeo and Juliet <\/em>(3-11-2025, 4-22-24) **<\/li>\n\n\n\n<li><em>Julius Caesar <\/em>(2-21-2025, 4-23-24) **<\/li>\n\n\n\n<li><em>Troilus and Cressida <\/em>(2-14-2025, 4-19-24) **<\/li>\n\n\n\n<li><em>Twelfth Night<\/em> (2-1-2025, 4-19-24) **<\/li>\n\n\n\n<li><em>The Merry Wives of Windsor<\/em> (1-29-2025) **<\/li>\n\n\n\n<li> <em>A Midsummer Night&#8217;s Dream <\/em>(1-26-2025, 4-19-24) **<\/li>\n\n\n\n<li><em>Othello <\/em>(7-6-24, 5-9-24) **<\/li>\n\n\n\n<li><em>The Merchant of Venice<\/em> (5-20-2024) **<\/li>\n\n\n\n<li><em>Richard III <\/em>(5-13-2024) **<\/li>\n\n\n\n<li><em>Selected Sonnets <\/em>(4-22-2024) \u2020<\/li>\n\n\n\n<li><em>King John <\/em>(4-22-2024) \u2020<\/li>\n\n\n\n<li><em>Pericles, Prince of Tyre<\/em>&nbsp;(1-25-2024) **<\/li>\n\n\n\n<li><em>The Tempest&nbsp;<\/em>(1-23-2024) **<\/li>\n\n\n\n<li><em>The Winter\u2019s Tale&nbsp;<\/em>(1-23-2024) **<\/li>\n\n\n\n<li><em>Measure for Measure&nbsp;<\/em>(12-22-2023) **<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>My Home Site&nbsp;\u2013 CV &amp; Other MaterialsDevils to Adore&nbsp;\u2013 a site dedicated to the works of John MiltonTheoryocracy&nbsp;\u2013 2,000+ questions [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","_uag_custom_page_level_css":"","_lmt_disableupdate":"no","_lmt_disable":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"iawp_total_views":17,"footnotes":""},"categories":[328],"tags":[],"class_list":["post-1033","post","type-post","status-publish","format-standard","hentry","category-site-basics"],"modified_by":"ajd_shxpr","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"ajd_shxpr","author_link":"https:\/\/www.ajdrake.com\/shakespeare\/author\/ajd_shxpr\/"},"uagb_comment_info":0,"uagb_excerpt":"My Home Site&nbsp;\u2013 CV &amp; Other MaterialsDevils to Adore&nbsp;\u2013 a site dedicated to the works of John MiltonTheoryocracy&nbsp;\u2013 2,000+ questions [&hellip;]","_links":{"self":[{"href":"https:\/\/www.ajdrake.com\/shakespeare\/wp-json\/wp\/v2\/posts\/1033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ajdrake.com\/shakespeare\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ajdrake.com\/shakespeare\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/shakespeare\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ajdrake.com\/shakespeare\/wp-json\/wp\/v2\/comments?post=1033"}],"version-history":[{"count":16,"href":"https:\/\/www.ajdrake.com\/shakespeare\/wp-json\/wp\/v2\/posts\/1033\/revisions"}],"predecessor-version":[{"id":11449,"href":"https:\/\/www.ajdrake.com\/shakespeare\/wp-json\/wp\/v2\/posts\/1033\/revisions\/11449"}],"wp:attachment":[{"href":"https:\/\/www.ajdrake.com\/shakespeare\/wp-json\/wp\/v2\/media?parent=1033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ajdrake.com\/shakespeare\/wp-json\/wp\/v2\/categories?post=1033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ajdrake.com\/shakespeare\/wp-json\/wp\/v2\/tags?post=1033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}